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Star Wars - an original vintage Kenner / Palitoy made action figure ' Imperial Stormtrooper ' (Snowtrooper). 100% complete, with original blaster weapon and original white cape. 1980 LFL Made In China COO. Generally appears NM to VNM.

Star Wars - a collection of x5 original vintage Kenner / Palitoy made Star Wars action figures - all from the 'First 12' released. Comprising: Luke Skywalker (GMFGI 1977, no COO - with lightsaber. VG+ to EX), Han Solo (GMFGI 1977, Hong Kong COO. Poor to Good), Ben Obi-Wan Kenobi (GMFGI 1977, Hong Kong COO. With lightsaber and cape. Physically EX to NM, some plastic fading), C3PO (GMFGI 1977 Hong Kong COO, VG+ to EX - loose limbs), and Stormtrooper (GMFGI 1977, Hong Kong COO. G to G+). 

Queen Victoria South Africa Military Medal, awarded to 6612 Ptd. R Munckman 2 E York Regiment with ribbon and three bars.1. South Africa 1902, 2. Orange Free State, 3. Cape Colony. Plus King George V Territorial Army for Efficient Service Medal.

2 x European Posters. Amedeo Modigliani (Italian 1884-1920) Cabeza De Mujer, Fundacion Coleccion Thyssen-Bornemisza Madrid 1997 and Theophile-Alexandre Steinlen (Swiss 1859-1923) Tournee Du Chat Noir, Imp. Charles Vereau, 114, Rue Oberkampf. Paris 20th century. Reverse printed with - "20 Aubrey Beardsley Das Cape Illustration Zu 'Salome' Von Oscar Wilde" which is possibly a misprint? Modigliani is 68cm high

Army & Navy Stores officers First Aid Kit belonging to Lieutenant Colonel TR Ubsdell who served in both the Boer War & WW1. Late 19th or early 20th century Leather covered Army & Navy Stores 105 Victoria Street, London S.W. officers First Aid Kit embossed on the lid with the officers name: T.R. UBSDELL. Containg various pills and potions in two layers of trays, some of which are in their original containers. Width 21cms (8.25ins) by 14cms (5.5ins) by 6cms (2.375ins) high. Auctioneers note: Thurlow Richardson Ubsdell was born 31st December 1872 in New York, his mother Genevieve was an American heiress married to an Englishman. He was a graduate of Jesus College Cambridge and when the Boer War broke out he was commissioned from the University Training School as a 2nd Lieutenant in the Royal Field Artillery on the 26th May 1900. He subsequently served in South Africa and was awarded the Queens South Africa Medal with Cape Colony, Orange Free State, Transvaal and South Africa 01 clasps. He remained with the RFA, was promoted to Captain and retired on 23rd August 1912. At the outbreak of WW1 he re-enlisted with the RFA on 26th August 1914, he was twice Mentioned in Despatches (1914 & 1917) and was awarded the Distinguished Service Order in 1917. He was promoted to Temporary Lieutenant Colonel and finally resigned his commission on 28th July 1920. He died on 23rd February 1955 in Milton, HampshireCondition Report: Remains of a leather strap to the sides of the kit. Marks and scratches to the leather

Attributed to Henry Barnes (late 18th century school) - View of Funchal, Portuguese Settlement, Madeira - watercolour, framed & glazed, 50 by 33cms; together with another by the same artist - View of Table Mountain, Dutch Settlement at the Cape of Good Hope, circa 1790 - both framed & glazed(2).

OTTO PETRI (Berlin 1860 - 1942), for Friederich Goldscheider."Young lady".Bust, Art Nouveau, Austria, 1904 .Patinated terracotta. Terracotta bust designed by Otto Petri for Goldscheider, of a young woman of fine beauty, with elegant features that denote a certain classical idealisation, although her restrained and emotive expressiveness is typical of the fin-de-siècle period. She has long hair, which she covers with a cape. It has a bronze patina, except for the face, which is of a whitish hue. On wooden corduroy lined with ochre-coloured cloth.Signed Petri, dated 904, with stamps and numbering on the reverse.Provenance: Spanish private collection, formed between 1970 and 2010.Good condition Normal wear and tear due to use and the passage of time.Measurements: 39 x 33 x 15 cm (bust); 2 x 36 x 18 cm (base).In 1885, the sculptor Friedrich Goldscheider left his native Pilsen and settled in Vienna, where he founded his own manufacture of terracotta pieces. He soon became one of the most influential artists in the fields of ceramics and bronze, with shops in Austria, Paris, Leipzig, Berlin and Florence. For more than half a century the Goldscheider firm, considered the finest modernist terracotta factory, created masterpieces of historicism, Art Nouveau and Art Deco. The founder was able to attract both acclaimed artists and young innovators to his factory, so that great ceramists of the time, such as W. Bosse, B. Geiger, J. Lorenzl, I. Meisinger and M. Powolny, among others, worked there. After Goldscheider's death, the factory was taken over by his widow Regina, who continued to produce her husband's models, together with new ones created by the artists who worked for the firm, such as D. Chiparus during the Art Deco period. Until its closure with the rise of National Socialism, the factory produced more than four thousand different models, both by Goldscheider himself and by other authors. From the very beginning, the factory won numerous awards, first prizes and gold medals at countless world fairs, exhibitions and trade fairs. Today its pieces are in great demand by collectors all over the world. They can now be admired in museums around the world, such as the Fine Arts Museum in San Francisco, the Metropolitan Museum in New York and the Minneapolis Institute of Arts. In 2007, Goldscheider's works were shown at the Vienna Museum and the following year at the LBI in New York.

"Battle of Trafalgar", 19th century.Colour engraving.Size: 34 x 49 cm.(print); 43 x 58 cm.(passpartout).The Battle of Trafalgar was a naval battle that took place on 21 October 1805, within the framework of the third coalition initiated by the United Kingdom, Austria, Russia, Naples and Sweden to try to overthrow Napoleon Bonaparte from the imperial throne and to dissolve the existing French military influence in Europe. The Battle of Trafalgar took place off the coast of Cape Trafalgar, in Los Caños de Meca, a town in the Cádiz municipality of Barbate. This naval battle is considered one of the most important of the 19th century, in which the allies France and Spain (under the command of French Vice-Admiral Pierre Villeneuve, under whose command on the Spanish side was Lieutenant General of the Sea Federico Gravina) fought against the British navy under the command of Vice-Admiral Horatio Nelson, who won the victory.

A ladies light rabbit quarter shawl/cape, with peach lining, size unknown.

Queen Victoria South Africa Military Medal, awarded to 6612 Ptd. R Munckman 2 E York Regiment with ribbon and three bars. 1. South Africa 1902, 2. Orange Free State, 3. Cape Colony. Plus King George V Territorial Army for Efficient Service Medal.

Three Fur Stoles, comprising a mink cape style, and two mink throws. one from Bessie's Fur Stores of Blackpool.

An early 20th Century oil on board painting of a Cavalier. The gentlemen in a door way with red cape holding a feathered hat. Mahogany frame. Measures approx. 27cm tall. 

Spanish School, 17th centuryEquestrian portrait of a Roman Emperor riding a white horseThe figure is attired in leather suit of armour with lion head mask to chest, red cape and red plumed helmetIn the background a landscape with buildingsOil on canvas212x152 cm

A 20th Century British Police Constabulary uniform items comprising woollen night cape / cloak with chain fastening and No. 78 chrome numbers to the collar and an unmarked Custodian Helmet / headdress.

A collection of Police uniforms; cape, peaked cap, badge and shoulder pips, etc.

Queens South Africa Boar War, five bars, South Africa 1901, Orange Free State, Transvaal, Laings Nek and Cape Colony, awarded to 7433 Pte. H. Burchett, VL. CO., Royal West Surrey Regt.

Markham, Robert [Kingsley Amis]. Colonel Sun: A James Bond Adventure, first edition, London: Jonathan Cape, 1968. Together with For Your Eyes Only, by Ian Fleming, second impression, Cape, June 1960, and Licence Renewed, by John Gardner, first, Cape, 1981. Contents very good, clean, bright, slight shelf-lean, a little dusty along top edges (3)

Fleming, Ian. The Man With the Golden Gun, first edition, London: Jonathan Cape, 1965. Octavo, publisher's cloth with unclipped dust-jacket designed by Richard Chopping (priced 18s.). Contents good, clean, bright, owner inscriptions to front free endpaper, binding solid with slight shelf-lean, dust-jacket generally good with some pale spots and slight wear to corners & edges

Fleming, Ian. On Her Majesty's Secret Service, first edition, London: Jonathan Cape, 1963. Octavo, publisher's cloth with unclipped dust-jacket designed by Richard Chopping (priced 16s. ). Contents very good, clean, bright, binding tight & square, cloth very well-preserved, dust-jacket good with slight fading to spine and a few pale spots, ownership sticker on ffep, a little dusty along top edge

Fleming Ian. Mixed collection to include Goldfinger, first Book Club edition, 1959, in facsimile Cape jacket; Thunderball, first Book Club edition in facsimile Cape jacket, 1961, plus two others in unclipped Book Club wrappers; Dr. No, first Book Club ed., 1958, unclipped d.j.; The Man With the Golden Gun, first Book Club ed., 1965, unclipped d.j., and another in price-clipped jacket; From Russia With Love, first Book Club ed., n.d., unclipped d.j.; The Spy Who Loved Me, first Book Club ed., 1962, unclipped d.j.; four early printings of Jonathan Cape editions in jackets: OHMSS, 2nd impression, April 1963; Golden Gun, 2nd imp., May 1965; Spy Who Loved Me, 6th imp., March 1964; YOLT, 3rd imp., March 1965 (ex-library), plus five early Cape printings without jackets and six related books, condition varied, sold with all faults (24)

Fleming, Ian. The Man With the Golden Gun, first edition, London: Jonathan Cape, 1965. Octavo, publisher's cloth with unclipped dust-jacket designed by Richard Chopping (priced 18s.). Contents very good, clean, bright, cloth well-preserved, dust-jacket good with a few very pale tiny spots and slight chipping to extreme edges of upper spine/corners, small ownership sticker on ffep, light spotting to top edge of text-block, some shelf-lean

Fleming, Ian. Dr. No, first edition, first issue, second-state binding with "Honeychile" silhouette on upper board, unclipped dust-jacket designed by Pat Marriott (priced 13s. 6d. ), London: Jonathan Cape, 1958. Contents very good, clean, bright, cloth very good with slight bumping to corners, dust-jacket very good with slight toning and light bumping/wear to extreme corners & edges of spine, some discolouration to verso of d.j., small ownership sticker on ffep, a little dusty along top edge, slight shelf-lean

Fleming, Ian. Casino Royale, fourth printing, London: Jonathan Cape, 1957. Octavo, publisher's cloth with unclipped dust-jacket (priced 13s. 6d. ). Contents very good, clean, bright, binding tight & square, cloth very good & well-preserved with very light bumping to extreme top corners, dust-jacket very good & well-preserved with some age toning and slight wear to extreme upper corners, a couple of very small scuffs, small ownership sticker on ffep, a little dusty along top edge

Fleming, Ian. The Spy Who Loved Me, first edition, London: Jonathan Cape, 1962. Octavo, publisher's cloth with unclipped dust-jacket designed by Richard Chopping (priced 15s. ). Contents very good, clean, bright, binding tight & square, cloth very well-preserved, dust-jacket very well-preserved with only a few very faint marks, small ownership sticker on ffep, a little dusty along top edge

Cohen, Leonard. Poems 1956-1968, London: Jonathan Cape, 1969, paperback. Early poetry collection by the musical genius and distinguished poet, featuring loosely-inserted manuscript note in red and blue ink, signed, ‘Leonard Cohen 25-2–70’ [the year of his first world tour]. The book also contains anonymous manuscript text on the final leaf, which appears to be in Leonard Cohen’s hand. Contents generally good & bright with occasional marks in places, the laminated paper covers with creasing & wear around corners/edgesProvenance: Purchased by the vendor around 40 years ago at a charity shop in Kensington. They discovered the note and inscription inside

Fleming, Ian. Dr. No, third impression, Jonathan Cape, 1958, in d.j., tog. w/ Goldfinger, third printing, Pan paperback, 1961, both books bearing spurious 'Ian Fleming' signature [not deemed genuine] (2)

Dahl, Roald. The BFG, first edition, London: Jonathan Cape, 1982, hardback, publisher's grey cloth lettered in gilt, unclipped dust-jacket illustrated by Quentin Blake, protective mylar cover. Internally very good, clean, bright, appears unread, binding tight & square, cloth very well-preserved, dust-jacket very good, bold & bright, with just a crease & short tear on back top-edge, a few very pale marks to top-edge of text-block, a near fine example

Dahl, Roald. George's Marvellous Medicine, first edition, London: Jonathan Cape, 1981, hardback, publisher's blue cloth lettered in gilt, unclipped dust-jacket illustrated by Quentin Blake, protective mylar cover. Internally very good, clean and bright with incredibly light signs of handling, binding tight & square, cloth well-preserved & bright with very light bumping to corners, slight discolouration to extreme edges, dust-jacket bold & bright with very slight fading to spine, slight wear to extreme corners, a couple of light fold-lines to inner flap

Fleming, Ian. You Only Live Twice, first edition, London: Jonathan Cape, March 1964. Octavo, publisher's imitation cloth, unclipped dust-jacket designed by Richard Chopping (priced 16s.). Contents very good, clean, bright, slight dust & some pale spotting to outer edges of text-block, imitation cloth binding well-preserved with very slight shelf-lean, dust-jacket generally good & bright with a few pale stains and nicks at edges. Together with The Man with the Golden Gun, third impression, London: Jonathan Cape, 1965, good & bright in a neatly price-clipped d.j. (2)

Taxidermy: A Yellow-crowned Amazon Parrot, Green Woodpecker, & Cape Buffalo Hoof mounted ashtray, a full mount adult Parrot with head turning to the right, perched atop a small tree stump, (af), a full mount juvenile Green woodpecker clinging to a small tree stump with head turning slightly to the right, overall height 38cm, (af), together with a Cape Buffalo hoof mounted ashtray, with fitted brass tray, overall height 23cm, (3).Parrot in poor condition, beak tip missing, tail missing, Green woodpecker branch it sits on is heavily woodwormed. 08/12/22.

Skins/Hides: A Group of European & African Trophy Hides, a complete European Wild boar hide with limbs outstretched, a full back skin of a Cape Bushbuck, a Red Hartebeest flank skin, two European Mouflon back skins, an Alpine Chamois back skin, (6). Subject to 5% import duty.

Antlers/Horns: Cape Eland Horns (Taurotragus oryx oryx), circa mid-late 20th century, South Africa, a large set of adult bull horns on cut skull cap, right horn 98cm, left horn 103cm, tip to tip 35cm, overall height 100cm, mounted upon a shaped shield.

Antlers/Horns: A Set of Cape Greater Kudu Horns (Strepsiceros strepsiceros), circa early 20th centruy, South Africa, a good set of adult Kudu bull horns on cut skull cap, right horn 127.5cm, left horn 126.5cm, tip to tip 72cm, mounted upon a shaped oak shield, with six embedded shell cases to either side of the shield.

Taxidermy: Cape Greater Kudu (Strepsiceros strepsiceros), circa late 20th century, South Africa, a large adult bull shoulder mount looking straight ahead, right horn 118cm, left horn 116.5cm, tip to tip 49cm, from the wall 70cm, height 176cm.Very heavy mount, would require a very strong wall to support hanging, 19/10/22

Taxidermy: Cape Red Hartebeest (Alcelaphus caama), circa late 20th century, South Africa, an adult female shoulder mount looking straight ahead, from the wall 68cm, height 95cm

Antlers/Horns: A Group of African Game Trophy Skulls, circa late 20th century, to include - Cape Greater Kudu adult bull horns on cut upper skull, right horn 130cm, left horn 127.5cm, tip to tip 45.5cm, mounted upon a shaped hard wood shield, Cape Red Hartebeest horns on cut upper skull, mounted upon a shaped hard wood shield, together with a set of Gemsbok Oryx horns on cut upper skull, mounted upon a shaped hard wood shield, (3). Subject to 5% import duty.

Antlers/Horns: A Group of African Game Trophy Skulls, circa mid-late 20th century, to include - Western White-bearded Wildebeest horns on upper skull, Cape Red Hartebeest adult male horns on cut upper skull, Coke's Hartebeest adult female horns on upper skull, Southern Impala large adult male Rowland Ward medal class horns on upper skull, right horn 68.5cm, left horn 69.5cm, tip to tip 39.5cm, Southern Grant's Gazelle adult male horns on upper skull, Thomson's Gazelle adult male horns on upper skull, (6). Subject to 5% import duty.

Antlers/Horns: A Group of African Game Trophy Skulls, circa late 20th century, to include - Cape Greater Kudu adult bull horns on cut upper skull, mounted upon a shaped hard wood shield, (right horn cut), Cape Red Hartebeest adult male horns on cut upper skull, mounted upon a shaped hard wood shield, Coke's Hartebeest adult male horns on cut upper skull, mounted upon a shaped hard wood shield, Gemsbok Oryx adult male horns on cut upper skull, mounted upon a shaped hard wood shield, (4). Subject to 5% import duty.

Taxidermy: Cape Red Hartebeest (Alcelaphus caama), circa 2003, South Africa, a high quality adult silver medal class male shoulder mount with head turning slightly to the right, from the wall 66cm, height 107cm

Cornelis Visscher (1628-1658) - The rat catcher The rat-catcher; three-quarter length, accompanied by a dog and a young boy on the right who holds a pole with a cage atop from which dangles a number of dead rats; the rat-catcher wears a fur cap and cape and has a box strapped to his person. Etching and engraving designed and engraved by Cornelis Visscher. Signed on a piece of paper on wall at upper right "C. Visscher / Inv. et sculp / exc". in the margin in one line "Fele fugas ... felesque fugabo".. Collection stamp Duke of Arenberg. 37,35 x 31,50 cm / Condition: Good impression with full plate border and tread margins on thick paper with no visible chain lines. Good condition with no tears, stains or folds. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (50.VI) --- A related drawing in the Teylers Museum, Haarlem and in the Museum Boijmans van Beuningen, Rotterdam. --- Literature: E.de Jongh and G. Luijten, 'Mirror of Everyday Life: Genre prints in the Netherlands 1550-1700', ex. cat., Rijksmuseum, Amsterdam, 1997, no. 66; L. Buijnsters-Smet, 'Straatverkopers in beeld: Tekeningen en prenten van Nederlandse kunstenaars circa 1540-1850', Nijmegen, 2012, pp.113-114. / Medium: Etching with engraving /Circa: 1655

Photographs.  Hon. Hubert Howard. Life & Death. Military - Omdurman. 21st Lancers. 1898. Dark morocco oblong quarto album of 160 photographs (11cms x 9cms etc), mainly captioned & many by Hubert Howard, shipboard & dockside informal portraits, military life, 21st lancers in action, snapshots incl "Hubert at the Battle of Omdurman", his grave ("Killed at Khartum, Sept, 1898"), earlier S. African images (incl. Robertson`s Cape Boys & Hubert in Hospital, Matabeleland), university & sporting photos., concluding with more military shots around Omdurman, after the battle (dead & wounded), Gordon`s Palace at Khartoum, Egyptian soldiery, Col. Francis Howard heading 2nd Batt., Rifle Brigade, 21st Lancers in camp, Major Hamilton on Hubert`s horse which carried him in the charge of the 21st, memorial stones & grave of Hubert Howard.

REGINALD CHARLES BOLSTER: LAND AND SEA BIRDS OF THE SOUTH-WEST CAPE.., Cape Town, The Speciality Press of S Africa, 1931, first edition, 57 coloured plates, folding chart as list, inscription on front free end paper, original cloth laminated, two copies on Copac

Box Arthur Ransome, Swallows & Amazons set, London, Jonathan Cape, 1999-2001, twelve vols, original cloth d/w, all vgc

ENGLISH SCHOOL, 19TH CENTURY 'The King's Ship Under Sail' a ship navigating around a headland, possibly Cape Town, oil on canvas, 50cm x 71cm Provenance: The Redfern Gallery, Cork Street, LondonWestvale, Nailwell, Bath. The former home of Baron and Lady Craigmyle

A Queens South Africa Medal with bars for South Africa 1902 and 1901, Orange Free State, Cape Colony for 14576 PTE W Coleman RAMC

Fleming Ian, You Only Live Twice, 1st edition, second impression, published by Jonathan Cape March 1964. 

Large plastic box containing a variety of albums etc among which we note 4d and 1e Cape Triangulars; SG 238 Victoria (Australia) 4d mint; small blue album with GB including 1d reds, surface printed and some later, Commonwealth collection in a red Senator album; a small box including some blocks of Edward VIII and some control number blocks; an album of GB commemoratives both pre-decimal and decimal; a red Collecta album with GB decimal commemoratives; a small red album of world stamps including China of which there are 11 pages worth inspection; and two green Senator albums of world stamps. Plus various other small albums and envelopes of all sorts. 

A vintage ladies fur jacket - sold with a similar cape

Fleming (Ian) You Only Live Twice, 1st Edition, 1964, Jonathan Cape, hardback, with dust jacket,

Fleming (Ian) For Your Eyes Only, 2nd Impression June 1960, Jonathan Cape, hardback, with dust jacket & The Spy Who Loved Me, 6th Impression March 1964, Jonathan Cape, hardback, with dust jacket,

Hemingway (Ernest) - Death in the Afternoon, Jonathan Cape, 1st British Edition, 1932, multiple newspaper articles glued into book, For Whom the Bell Tolls, Jonathan Cape, 1st British Edition, 1941, newspaper article glued to back cover inside page, postcard for Hemingway house glued to front cover inside page & Ondaatje (Christopher) Hemingway in Africa The Last Safari, HarperCollins, 1st Ed. 2003, Signed (3)

James (P.D.) The Private Patient, Faber & Faber, Signed Limited Edition no. 297 of 1000, 2008, hardcover, with dust jacket and slip-case, Robinson(Peter) Piece of My Heart, Hodder and Stoughton, 1st Ed. 2006, Signed, hardback with dust jacket, Rankin(Ian) The Impossible Dead, Orion Books, 1st Ed. 2011, Signed, hardback with dust jacket, Smith(Wilbur) Call of the Raven, Zaffre, 1st Ed. 2020, Signed photo bookplate to front cover fly-leaf page, hardback with dust jacket, Monsoon, Macmillan, 1999, Signed photo bookplate to back of front cover fly-leaf page, hardback with dust jacket, & Those in Peril, Macmillan, 1st Ed. 2011, Signed photo bookplate to back of front cover fly-leaf page, hardback with dust jacket, Rankin(Ian) The Naming of the Dead, Orion Books, 1st Ed. 2006, hardback with dust jacket, Clancy(Tom) Executive Orders, Harper Collins, 1st UK Ed. 1996, hardback with dust jacket, Lessing(Doris) The Good Terrorist, Jonathan Cape, 1st Ed. 1985, authors signature on Ex-libris sticker glued into front cover fly-leaf page, hardback & Harris(Robert) An Officer and a Spy, Hutchinson, 2nd Imp. 2013, Signed, hardback with dust jacket,

Fleming (Ian) Thunderball, 1st Edition, 1961, Jonathan Cape, hardback, with dust jacket,

Fleming (Ian) On Her Majestys Secret Service, 1st Edition,1963, Jonathan Cape, hardback, with dust jacket, slight tear damage to head of front jacket cover,

Fleming (Ian) The Man with the Golden Gun, 1st Edition, 1965, Jonathan Cape, hardback, with dust jacket

WILLIAMSON (Henry): 'The Linhay on the Downs..', London, Jonathan Cape, 1934: FIRST EDITION: author's copy with corrections, inscribed in red ink to FFE 'Don't Pinch This Book!! Author's Own Private Bloody Awful Copy, HW, Shallowford 2 Novr. 1934': publishers green cloth with dustjacket, frayed to extremities: with a second copy, inscriptions of Henry Williamson and other family members to front FE, plus 10 others. (12)

GARNETT (Edward): 'Papa's War & Other Satires..', London, Jonathan Cape, 1923: with manuscript dedication and loosely inserted ALS to Williamson, both dated 1927, grey printed boards, 8vo: JOHNSON (James Sydney) 'Nocturne in St Gauden's..': San Francisco, Windsor Press, 1929: one of 700 copies, tipped in wood engraving by Howard Simon: ms. dedication in blue ink to Henry Williamson on front FE dated 1929: publishers boards with printed label, 8vo: with 8 others, literature, all with manuscript dedications to or ownership markings of Henry Williamson. (10)

WILLIAMSON (Henry): 'Devon Holiday...', London, Jonathan Cape, 1935: author's copy, with his manuscript corrections and notes: publishers green cloth, sunned to spine and edges, 8vo: with 8 others on the West Country by Williamson. (9)

WILLIAMSON (Henry): 'The Pathway', London, Jonathan Cape, 1928: the author's copy, extensive inscription in green ink to front FE: publishers green cloth, dustjacket rubbed and marked: together with a second copy, unsigned, plus 5 other editions of the same title. (7)

WILLIAMSON (Henry): 'The Labouring Life', London, Jonathan Cape, 1932: No.71/122 copies, signed and numbered by Williamson: publishers vellum backed boards gilt lettered, teg, 8vo: with 8 other editions of the same title. (9)