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Gregoire Johannes Boonzaier. CAPE STREET SCENE. signed and dated 1941. oil on canvas. 54 by 70cm. Comments/Condition:. good

Irma Stern. PORTRAIT OF MARIE-ELIZE. signed and dated 1954. gouache on paper. Provenance:. a gift from the artist, thence by decent. Note: The painting is accompanied by letters written by Irma Stern to the sitter. The portrait of Marie-Elize Siebritz is executed in Irma Stern’s unique expressionistic style capturing the sitter’s attractive, inquisitive expression. Irma Stern befriended Ms Siebritz and from a collection of personal correspondence written to Siebritz it is clear that Stern enjoyed Siebritz’ company. Ms Siebritz hailed from Paarl, a journalist with the Cape Times, was appointed to Reuter’s Parliamentary Staff in 1935 and later became their chief editor. Besides being an athlete and serving on several sports associations, she was also the first woman dirt track racer in South Africa. Ms Siebritz was the aunt of the current owner of the portrait and as executor of her estate, he inherited the gouache painting together with letters written by Irma Stern. The warm friendship which existed between the two pioneering friends comes to the fore from a passage in Stern’s letter dated November 19th, 1954: “My dear Siebritz, I have arrived safely and before I do a thing want to thank you for the nicest day of this trip – the day to the Mapocho’s (sic), such a lovely care free trip and so much fun and then to crown it all the most beautiful Photos.” The letter further discusses a work of Stern’s in which Ms Siebritz showed an interest and ends with “So keep well and forgive me not seeing you yesterday but I was like an owl so tired. love to you Irma Stern”. 62 by 50cm. Comments/Condition:. not laid down, minor abrasions, minor paint losses, otherwise good

Christiaan St Patrick Nice. CAPE STREET SCENE. signed. oil on canvas laid down on board. 44 by 60cm. Comments/Condition:. minor flyspecks and minor surface dirt otherwise good

Maggie (Maria Magdalena) Laubser. LANDSCAPE WITH BIRDS AND A HOUSE (cat nr. 1645). signed. oil on board. Literature: . D. Marais, Maggie Laubser: Her paintings, drawings and graphic, Perskor: Johannesburg and Cape Toen, 1994. 40 by 44cm. Comments/Condition:. very minor abrasions in areas, otherwise good

Maggie (Maria Magdalena) Laubser. STILL LIFE WITH FLOWERS (SWART LELIE EN AMARYLLIS) cat nr. 1251). signed. canvas laid down board. Literature: . D. Marais, Maggie Laubser: Her paintings, drawings and graphics, Perskor: Johannesburg and Cape Town, 1994. 58 by 34cm. Comments/Condition:. minor frame mark to the top margin, minor abrsaion to the bottom left corner, otherwise good

A massive electroplate tea kettle. the plain globular body with four brackets, the hinged lid with disc finial, leaf-capped spout, the scrolling handle with horn portion, with Stockenström coat-of-arms, 32cm high, lacking stand. Provenance: According to the vendor previously the property of Sir Andries Stockenström, sometime Lieutenant Governor of the Eastern Province of the Colony of the Cape of Good Hope. Note: EXPORT LICENCE (OVERSEAS BUYER) (1)

Queen`s South Africa Medal to Corporal B. O`Hara Leinster RegimentQueen`s South Africa Medal, five clasps, Cape Colony, Orange Free State, Transvaal, South Africa 1901 & 1902 officially named to 6138 Cpl. B. O`Hara Leinster Regt.

1899-1918: Boer War and WW1 group of medals awarded to Captain E. St. Clair RobinsonQueen`s South Africa Medal 4 clasps Cape Colony, Orange Free State, Transvaal and Driefontein (the latter a tailor`s copy), officialy named to 1868 3rd Cl. Tpr. E. S. Robinson S.A.C. British War and Victory Medals officially named to Capt. E. St. C. Robinson. Court mounted with a King`s South Africa Medal and 1914-15 Star renamed to Robinson. Also with corresponding miniatures in case by Waterhouse of Dublin and ribbon bars. Ernest St. Clair Robinson served with the South African Constabulary during the Boer War and Army Service Corps during the First World War. He does not appear to have been mentioned in dispatches despite the presence of an oakleaf on Victory Medal.

A white velvet Shawl, black cape and some embroidered items

Five Pedigree Sindy dolls: Nurse Sindy in original outfit, cape, apron and dress (VG+ with a couple of faint marks to forehead, no missing hair plugs and outfit very clean); 2 x Active Sindy, both in original outfits, one with clean outfit, slight yellowing to neck and a couple of missing hair plugs, `2 GEN 1077 033055X` to head (G), the other in slightly grubby outfit missing shoes, and one hand missing, `033055X` to head (F); two others, heads marked `2 GEN 1077 033055X` in clean original outfits, one with several missing hair plugs (G). Together with a Sindy styling head marked `033055X` with a selection of `make-up`, a comb, brush and mirror (G). (6)

Great BritainQueens Southafrica medal (1899-1902), 3. type, with clasps CAPE COLONY and SOUTH AFRICA 1902.Silver, rim impression 1927 CORPL: E.C. HYDE. COLDSTREAM GUARDS., on ribbon.MY11 150. Ø 36 mm, 41,6 g m.B.The Coldstream Guards Regiment ist the one with the oldest history and belongs since 1650 continuously to the british army. The 1st and 2nd Bataillon where, after the break out of the 2nd Boer war, to Southafrica where they took part in the fightings.Condition: II

CAMPAIGN MEDAL. QUEENS SOUTH AFRICA MEDAL APPARENTLY TWO CLASPS CAPE COLONY AND ORANGE FREESTATE, 843 PTE W PARKINS BEDFORD REGT AND TWO CLASPS SOUTH AFRICA 1901 AND SOUTH AFRICA 1902

An 18th/19th century painted wood figure of a Jesuit priest seated in an elbow chair wearing a red cape over his black robes, his brown hat with the peak turned up at the front, 15.5cm (10in) high

A 19th century carved wood figure of the Buddha seated on a double lotus throne in dhyanasana, a cape to his flowing robes covering his usnisa, 38cm (15in) high

A collection of cinema posters to include: Cape Fear 1991 (Tear in right side), Shadowlands, Beauty and the Beast, White Men Can`t Jump 1992, Unlawful Entry 1992, French Kiss 1995, While You Were Sleeping, What`s Love Got To Do With It, Made In America 19

A Musquash shoulder cape c.1920, a quantity of 1950s and 60s long and short gloves, Bri Nylon and Courtaulds knitted nylon

Late Victorian/Edwardian bugle bead shoulder cape (with bead fringing 6 inches)

Mink, shoulder cape circa 1920 by Rally furs of Oxford street London, together with a mink scarf (2)

A fox fur cape (1938/1945)

A 1940s scalloped edge fur cape

Late 1920s/early 1930s ostrich feather cape

A Victorian collar/cape 1880/1890

BOX 3 - MIXED SPIRITS, Croizet VS Grande Champagne, Distillerie Des Saules Borderies Cognac, Cognac XO Grande Champagne Taste the Difference, Pisco Mistral Reservado 40º, Distillerie Chantal Bons Bois Cognac, Adnams North Cove Oak Aged Vodka, Mellow Wood Standard Brandy, Bardinet XO, Joseph Barry Traditional Cape Pot Still Brandy 5 YO, All Natural Skyy Infusions Blood Orange, Pisco Fundo Los Nichos Especial, Oude Meester 12 YO Reserve Pot-Still Brandy

A bisque shoulder headed dolls house doll wearing a red suit and long cape, a lady in cream, German lady with moulded hair A/F, three porcelain headed dolls and two other bisques. All in original costumes. Circa 1900. Tallest 5in H (9)

A small boy`s embroidered short 19th century shirt, four bonnets, quilted bibs, child`s sun hat, small cape, etc

A glove puppet, dolls straw hats, blue smocked dress, dolls carrying cape, etc

A spotted muslin Edwardian girl`s coat with blue embroidered detail and a cape collar. four muslin toddlers dresses and a baby`s robe (6)

A child`s cream coat with appliqué detail, cream dress, cream carrying cape and an ornate cape with ruffles

An ornate lace and muslin Christening robe with attached cape with lace inserts, a silk child`s coat and other dresses

A mid brown 1920`s fur cape and a large fur collar

A brown ermine 1930`s shoulder cape

A white piqué peignoir and an earlier with a cape collar, both 19th century

An orange novelty weave 30`s blouse, sailor jacket, embroidered blouse, carrying cape, etc. Mixed condition

A 1920`s moleskin and ermine cream velvet lined evening short cape

A case containing nurses navy red-lined cape. Garrould. London. Aprons, blue dresses etc. Used by Frances Love, circa 1950

A 1920`s gold lame full length dress, another in silver, cape etc. All A/F. Four sections

A black woollen Royal Marines Officers Cape, 1940`s, labelled John Jones & Co, 33 St James`s Square, London

A silver grey and black evening dress with a matching shoulder cape, c1949

A full length black velvet cape, Ben de Lisi net skirt, beaded skirt, Byblos black, a 1930`s dress with tiers of net and silk and a 20`s style cream dress

1981 Action Man Captain Zargon Space Pirate in Original Box: Original Black plastic Action Man character complete with cape, visor and weapon condition near mint suit has no rips and very supple, box is in good condition

Dannicmac jackets and raincoat, a lady`s cape with brass buttons (4)

DR. FRANCIS RUSSELL NIXON, AUSTRALIA (1803-1879) Cape Contrariety Titled, inscribed ‘Cape Delasco’ and Sept. 3 1852 Pencil, pen and brown ink and watercolour framed, mounted 10 x 12cm Provenance Hartley Fine Art, Nov 1988 Represented Mitchell Library, Sydney and Tasmanian Museum and Art Gallery. Francis Nixon taught at the Sydney Mechanics School of Art, and later became the first Church of England Bishop of Van Diemen’s Land. Please note that this picture is framedIllustrated online at: www.mossgreen.com.au

A Derby-style figure of an actor, 18th/19th century, wearing cape and reading lines held on a note within hand, arm outstretched, on rocky base, with typical patch marks under base, height 20 cm, (a/f).

Spanish School, mid 20th century- Portrait of an woman in a red cape; oil on textured paper, signed, 55x49cm: Mid 20th Century- Portrait of a girl, head and shoulders; pastel, signed and dated 54, 59x45cm., (2)

* Graham Evernden, British b.1947- `Cape Cornwall`: aquatint in colours, signed, titled and numbered 297/350, 39.5x50cm: together with six other aquatints in colours by the same artist of rural landscapes, all numbered and signed (bar one) below the plate in pencil, 40x50cm (max) (7) (unframed) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals

A collection of 19th and early 20th century costume to include a cut and embroidered felt work black cape, a 19th century green brocade skirt, three gentlemens waistcoats, a purple velvet and lace bodice circa 1860 and a quantity of further costume. (lot)

A striking three quarter length mink cape with cherry red wool lining, made to measure at Pellicceria Passi Alta Moda Rome 1980s.

A quantity of fur coats and stoles to include a 1950s three quarter length squirrel coat by David Jackson Ltd. a 1930s mole skin cape by Noel Lesley Furriers, a three quarter length beaver lamb coat by Calman Links London, a further fur coat and various capes and stoles including Silver Fox. (9)

An early Lady Penelope doll wearing a tweed suit with red cape, h. 27 cm

DION PEARS The James Banes off Cape Horn. Oil on canvas. Signed. Inscribed to the back. 77 x 102cm.

Weinthal (Leo, ed.) The Story of the Cape to Cairo Railway & River Route From 1887 to 1922, 5 vols., [1923-26], numerous coloured and b & w plates, portraits, maps, and plans, some folding, Index vol. pocket containing twelve folding maps, t.e.g., original black half morocco, spines lettered and decorated in gilt, a little rubbed, 4to. (5)

North American Diary. My Diary in America, March 4 to August 30, A.D. 1871, a photographically illustrated diary, written up in a neat fair hand by an unidentified Lancashire (?cotton) merchant, possibly ‘A. Dykes’, with three pages of proposed route, 174 pages of diary on ruled paper (approx. 40,000 words), the diary illustrated with 234 mounted mostly small-format albumen print photos (the majority 7.5 x 7.5 cm and similar, the largest 13.5 x 18.5 cm), the diary ending with four pages of actual route taken and eight pages relating to later Alpine Expeditions made by the same author between 1872 and 1874, the American journey starting with the voyage from Liverpool to New York on boar The Algeria, then from New York to Philadelphia, Baltimore, Washington, Richmond, Charleston, Savannah, Atlanta, Montgomery, Mobile, New Orleans, Killona, Vicksburg, Jackson, Memphis, Bowling Green, Louisville, Cincinnati, Denver, Georgetown, San Francisco, Calistoga, Modesto, Flornitos, White & Flatch, Yosemite Valley, Coulterville, Sacramento, Salt Lake City, Ogden, Chicago, Niagara Falls, Kingston, Montreal, Quebec, Whitehall, Fort William, Saratoga, Albany, New York, Pittsburgh, Philadelphia, Merrion, Cape May, Long Branch, Newport, Boston, etc., some spotting, a.e.g., contemp. crushed red morocco gilt with gilt decorated spine, slightly rubbed, folio (31.5 x 20 cm). The long trip of nearly six months is partly centred on leisure with much socialising, theatre-going, buffalo hunting, and meetings with relatives, friends and fellow British travellers. However, with a series of letters of introduction, the unidentified traveller does get to meet dignitaries, businessmen, librarians, museum curators, senators and even President Ulysses S. Grant himself: ‘Wednesday April 5 : ‘The [Smithsonian Institute] building stands in the centre of a small park, at noon I called upon Judge Barringer who accompanied me to the White House and presented me to the President. General Grant is proverbially a man of few words so that very little passed between us beyond the usual hand shaking process. He welcomed me to the country, hoped I should have pleasant time and I thanked and congratulated him upon the late Republican triumphs in Connecticut to which the sentiment he responded in suitable terms, and I then withdrew, in personal appearance General Grant is a short thick set man, wearing a closely cropped beard & moustache & during our interview was smoking his historical cigar. I called upon Mr Summer and Mr Bayard and in the afternoon I walked up to the Capitol, but as the old Ku Klux story was still going on I remained only a short time. In the evening I dined with Mr Saville…‘. Other incidents described in the early part of the diary include calling upon Mr Victor with a letter from Mr Belcher of Liverpool, calling upon Mr Houghton with a letter from Richardson, Spence & Co. of Liverpool, calling upon Messrs. Lea, his uncle’s agents in New York; going over the print works at Schuylhill; going over his uncle’s mill with Tom at Morristown; going to the Senate and listening to General Blair making a speech on the Ku Klux Klan Bills. While much of the writing is fairly perfunctory, the author occasionally adds in some local colour concerning his thoughts on indigenous people and workers, religion (including Mormons at Salt Lake City), plus architecture, scenery, politics, etc. The photographs are largely taken from life and show views of places mentioned in the text, plus carte-de-visite size portraits of dignitaries and North American natives. (1)

Ardizzone (Edward, illust.). A Ring of Bells. Poems of John Betjeman, Introduced and Selected by Irene Slade, 1st ed. thus, 1962, b & w illusts. to text, orig. pict. boards designed by Ardizzone, with matching d.j. signed and inscribed on half-title by Irene Slade, 8vo, together with Haddon (Mark), The Curious Incident of the Dog in the Night Time, 1st ed., Jonathan Cape, 2003, signed on title by the author, orig. cloth in d.j., 8vo, plus Cornwell (Bernard), The Pale Horseman, 1st ed., Harper Collins, 2005, signed on title by the author, orig. boards in d.j., 8vo, and other miscellaneous books, including Philip Reeve (several signed), Lemony Snicket, Mollie Harris, Andre Simon (and other small-format books on wine), a few leather bindings, etc. (3 shelves)

* Etchings. De Jongh (Tinnus), Seven Weeks Point, Ladysmith, Cape, n.d., c.1930, uncoloured etching, signed and titled by artist in pencil below image, 225 x 275 mm, together with, Sweet (W.H.), [Lynmouth], n.d., c.1930, uncoloured etching, signed by artist in pencil below image, slight spotting and mount staining, 205 x 285 mm, plus Hawkins (H.C.), The Sea Gulls, n.d., c.1930, uncoloured etching on Japanese tissue, 90 x 110 mm, with another ten similar, various sizes and condition. (13)

A Victorian cape with ostrich feather trim, a Victorian beaded collar/cape; shirt (3)

A fur jacket by, D H Evans, a fur cape, an early 20th century lace dress and shawl, and a vintage Sanders Ltd hat

DE NERVAL, Gerard, Dreams and Life , La Reve et La Vie, Trans. Vyvyan Holland. The First Editions Club & Boar`s Head Press, Devon, 1933. Ltd. edn. 450/450 Tall. 8vo. Dec. bds. Tog.with GILL, Eric, In a Strange Land, Cape, 1944. wdct. Frontis. in d/w. Plus other misc. Private press. 12

FOWLES, John, The Ebony Tower, Cape, 1974, 1st English edn. in d/w. Tog.with Wormholes, by same. Holt & co. NY. Ltd. edn. 121/165. Signed by author. 4to. T.e.g. cl. in slipcase, plus another edition, Plus MO, Timothy The Redundancy of Courage, London Limited Editions 89/150, Signed by author, plus 3 others. 5

RUSHDIE, Salman, The Moor`s Last Sigh, Cape, 1974, Ltd. edn.177/200. Signed & numbered by author, Tog.with signed first edition in d/w. Plus others by same, inc. signed uncorrected proofs. 9

A Queen's South Africa Medal 1899, with four clasps CAPE COLONY, TUGELA HEIGHTS, RELIEF OF LADYSMITH and TRANSVAAL, awarded to 71663 GNR.I.LEVY, 78TH BTY.R.F.A.