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Alfred Palmer gouache painting, coastal inlet, (Hout Bay, Cape Province, South Africa), authenticated by his daughter verso, 14ins x 17ins

20th Century Limoges enamel plaque depicting a female figure wearing a hooded cape, signed A. Baricie ?, 6ins x 4ins in a lacquer frame

A VICTORIAN SOUTH AFRICAN MEDAL awarded to 5849 Corporal G. Dawes, Wilts Regiment together with a Cape of Good Hope medal with worn lettering for T.T. R. J. Stowe Tarka Burgs (2)

Fur stole/cape by Dickins and Jones having pockets to the front, some wear to lining.

Big Game. Captain W. Cornwallis Harris, 'Portraits of the Game and Wild Animals of Southern Africa', Cape Town: Sable, 1986; Bull, B. 'Safari: A Chronicle of Adventure', Viking: 1998, and 1 other. (3)

After Nelson Mandela, The Lighthouse, Robben Island, numbered in pencil '25/3000' (lower left), bears printed signature (lower right), colour print, 23 x 33cm, together with a leaflet titled Touch of Mandela. Provenance: Purchased from Nelson Mandela Gateway Waterfront to Robben Island, Cape Town, South Africa in 2004.

Ladies Cape Horn Tierra del Fuego duck-down filled jacket with fur trimmed hood, size 46 Condition Report Click here for further images, condition, auction times & delivery costs

A South African gold 2 Rand coin, dated 1961, with Murdock's (Cape Town) leather wallet.

A South African gold 2 Rand coin, dated 1966, with Murdock's (Cape Town) leather wallet.

Lawrence (T. E.); 'Seven Pillars of Wisdom, a triumph', 1st edition, publiished Jonathan Cape, 1935, black & white frontispiece, black & white plates throughout, original gilt decorated cloth, together with Fitzgerald, (Edward); 'Rubaiyat of Omar Khayyam' 1909 edn pub. Adam and Charles Black ,London, and five other titles (7)

A group of four 19th century sepia and monochrome watercolours, including Vessels off the coast; A vessel passing a lighthouse, Cape St Ellis, Bay of Calzani; Vessels entering harbour, Whitehaven by S.M. Burgess and a cottage scene, various sizes.(4)

After David Roberts; Church of the Annunciation; The Convent of St Catharine on Mount Sinai; Cape Blanco; Nablous, Ancient Shechem, four lithographs by Louis Haghe, all unframed, average size 42cm x 59cm.(6)

BOX 30 - GINSpritfabrikens Premium "G" GinDragonfly Plum GinGin with a hint of GingerWhitley Neill Handcrafted Blood Orange GinSpritfabrikens "G" Gin RoséHunter Distillery Jail House GinWenneker Elderflower Dry Gin Stockholms Bränneri PINK GinGiass - Milano Dry GinHunter Distillery Aged GinFrost 92° GinBoplaas Cape Pink Gin

' In His Own Write ' - John Lennon ( The Beatles ) - autographed / signed first edition. London, Jonathan Cape, 1964. Hardcover. Signed and inscribed on the first free end page in blue ballpoint ' To Diz, You're a great TURN, good God, from John Lennon ', with 'Lennon' struck through.  Lennon personally gifted and inscribed this book to Dizz Gillespie (not the trumpeter) when he visited Lennon's home, Kenwood, in Weybridge, Surrey. Brian Epstein had met Gillespie at a party in Los Angeles in 1964 during the Beatles second tour of the US and subsequently brought him back to London, where he signed him to NEMS as an aspiring actor and singer. In reality, Gillespie was his surreptitious partner. Epsten's homosexuality was not public knowledge, but an open secret among his inner circle - and something that Lennon occasionally badgered him about. The word ' turn ' in Lennon's inscription seems to be a case of clever wordplay, which could mean either a 'showman' or allude to 'turning a trick'. The relationship between Epstein and Gillespie quickly turned sour, with Gillespie attempting blackmail and becoming unpredictably violent. An incredibly unique piece, with a terrific association within the Beatles inner circle.  Provenance: ex-Christie's Dec. 4th 2006 auction. (From that original description: The vendor first met John Lennon and Brian Epstein in 1964 and was given this book by John Lennon when he visited him at his home, Kenwood, in Weybridge, Surrey.  Diz was the vendor's nickname') Supplied with a cutting from another auction catalogue, presumed more recent.

Margaret Baird, (widow of John Logie Baird), Television Baird, the story of the man who invented television, first edition published Cape Town 1973, with dust cover and with presentation inscription by the author To Vera and Moira (wife and daughter of William Taynton) with happy memories of William. Sold with a hand written signed airmail letter from Margaret Baird dated Sept 6th 1973 to Vera Taynton referring to the dispatch of the book. as you say William was liked by everyone and a happier more honest man would be hard to find. ....because after all William did help to make television history in 1925! Also sold with a printed signed card from Margaret Baird advising her new address in South Africa and an air mail envelope addressed to her in Cape Town. Provenance; sent in for sale by a descendant of William Taynton, the first man on television

Kruger, Denmark - a ceramic and silver panel link necklace, signed Kruger, Denmark, Sterling, composed of twenty five tapering bronze coloured panels to a silver hoop link back chain. Daniel Kruger (b. 1951) was born in Cape Town, South Africa. He studied graphic design and goldsmithing at Stellenbosch University from 1971 to 1972; painting and sculpture at the Michaelis School of Fine Art, University of Cape Town from 1973 to 1974; and goldsmithing at the Akademie der Bildenden Künste in Munich from 1974 to 1980. He founded his own studio in 1980 in Munich.

A GROUP OF SIX MEDALS TO 6339 R GIBSON, SCOTTISH RIFLES and I O D, a Queen's South Africa medal with Transvaal, Orange Free State and Cape Colony bars, a King's South Africa medal with South Africa 1901 and 1902 bars, a WWI group of two, an India medal with Waziristan 1919-21 and Burma 1930-32 bars and a long service and good conduct medal (6) Condition Report: Available upon request

A c.1930's Black Wool Bouclé Coat, with side fastening large buttons, pleated sleeve detail and fur cape effect collar; a bias cut tea dress in black crepe de chine with contrasting floral panels, a further 1950's dress, crushed velvet jacket and faux curly lamb coat. (5)

SELECTION OF ELEVEN VINTAGE KENNER MADE STAR WARS 3 3/4 INCH FIGURESall date stamped for 1977 and marked G.M.F.G.I Hong Kong, comprising DARTH VADER (with vinyl cape and red retractable lightsaber); LUKE SKYWALKER Blonde Farmboy; HAN SOLO Smuggler (large head with blaster); CHEWBACCA; BEN "OBI-WAN" KENOBI with white hair; C-3PO solid limbs first release; R2-D2 with sensorscope and clicking dome; SAND PERSON aka TUSKEN RAIDER; JAWA; IMPERIAL STORM TROOPER with blaster; and DEATH SQUAD COMMANDER with blaster (11)

SELECTION OF KENNER MADE VINTAGE STAR WARS 3 3/4 INCH FIGURESdate stamped for 1977, 1978 and 1979, comprising 3x DARTH VADER: one with cape marked C.M.F.G.I. 1977 no COO, the other two marked C.M.F.G.I. 1977, one with no COO, the other Hong Kong; 2x CHEWBACCA, both marked C.M.F.G.I. 1977, one Hong Kong, the other no COO; LUKE SKYWALKER (X-Wing Pilot uniform), marked C.M.F.G.I. 1978 Hong Kong; R5-D4, marked C.M.F.G.I. 1978 Hong Kong; 2x BOBA FETT, both with blasters, marked C.P.G. 1979 Hong Kong; and a DEATH STAR DROID, marked C.M.F.G.I. 1978 Hong Kong (10)

A Collection of Mint and Used Commonwealth Stamps from African Colonies, including British East Africa Queen Victoria to KGV, George V, K.U.T to 1/- used and Queen Elizabeth to 20/- used, Bechuanaland 1938 values to 1/-, British South Africa Company to 6d, Southern Rhodesia 1924 values to 1/-, then Transvaal, South Africa, Cape of Good Hope etc. Very high cat.

*An early Board of Trade Medal for Gallantry in Bronze awarded to Sailmaker James Sweetmore of the Queen Margaret, of London, who went out in the ship’s boat to rescue all nine crew of the Heatherbell, of Shields, who were in ‘imminent peril of their lives’ in high seas off the Cape of Good Hope. Having brought them safely aboard, they were later landed at St. Helena comprising: Board of Trade Medal for Gallantry in Saving Life, V.R., large bronze issue (James Sweetmore. Wreck of the “Heatherbell” 3rd. Janry. 1858); in original, blue velvet-line case of issue, with gilt embossed name to exterior, tiny nicks to rim in places, otherwise good extremely fine. The events of this incident were recorded in detail by the York Herald of Saturday 27 march, 1858, as follows: “LOSS OF A SHIELDS BRIG. The account of the loss of the brig Heather Bell, Captain Appleton, has just been received by her owners. It appears she sailed from Bird Island, one of the Guano Islands, on the south coast of Africa, on the 16th of December last, bound to Liverpool with a cargo of guan. All went well until the 29th, when she experiences some very heavy weather, the sea breaking over her and carrying all of the decks. The pumps were sounded, and it was found she was making nearly two inches of water in the hour, from a leak which was discovered to be in the after part of the vessel. Next day the gale increased, and she shipped a great number of seas, which nearly filled her cabin. This weather continued, and on the 3rd of January it was found the leak had increased, and they commenced to throw the cargo overboard to lighten the ship. The course of the vessel was also changed, the captain wishing to make land. The pumps were tried again, but they were choked, and the crew had to resort to bailing to keep the water down. It was at last found impossible to save the ship, and signals of distress were hoisted. During the day a barque came in sight, and, seeing the signals, immediately hove to and sent her lifeboat to their assistance. The crew left the vessel, and shortly afterwards she disappeared. The barque is the Queen Margaret, of London. Captain Spence, crew, nine in number, were landed at St. Helena on the 21st of January.” The ship’s Mate, James Robb, was awarded a silver Board of Trade Medal, and the 5 other crew of the Queen Margaret were awarded bronze medals, as well as a £2 gratuity.

*A Second Boer War and Great War Group of 4 awarded to Private Sidney Ernest Dibbs., 13th and 23rd Battalions, Royal Fusiliers, late City of London Imperial Volunteers (C.I.V.), comprising: Queen’s South Africa, 1899-1902, 3rd type reverse, 4 clasps, Cape Colony, Orange Free State, Johannesburg, Diamond Hill (624 Pte S. E. Dibbs, C.I.V.); 1914-15 Star (945. Sjt. S. E. Dibbs. R. Fus/); British War and Victory Medals (945. Sjt. S. E. Dibbs. R. Fus.);Group loose, uneven tone, good very fine (4). Private Sidney Ernest Gibbs’ name is confirmed on the Queen’s South Africa Medal Roll, and is entitled to the 4 clasp award as above. Having served in the Great War with the Royal Fusiliers, he latterly served in the Labour Corps, from which unit he was discharged to the Class ‘Z’ Reserve on 4 April 1919.

*Queen’s South Africa, 1899-1902, second type reverse with ghosted dates, 4 clasps, Cape Colony, Tugela Heights, Orange Free State, Relief of Ladysmith (3015. Pte. F. Turtle. 14/Hrs.); toned, reverse edge nick, good very fine. Private F Turtle is listed as having died of disease at Kroonstad on 20 October 1900 in the ‘The Boer War Casualty Roll 1899-1902’ by Palmer. This is also shown in the medal roll, which confirms the above entitlement, showing previous service in the 10th Hussars.

A Second Boer War ‘Pair awarded to Corporal A. Foot, 74th Battery, Royal Field Artillery, comprising: Queen’s South Africa, 1899-1902, 3rd type reverse, 3 clasps, Cape Colony, Orange Free State, Johannesburg (14501 Cpl. A. Foot 74th Bty: R.F.A);King’s South Africa, 1900-02, 2 clasps, South Africa 1901, South Africa 1902 (14501 Cpl: A. Foot. R.F.A.); both officially impressed, pair loose, dark obverse tone, about extremely fine (2). Corporal A. Foot is confirmed on the Queen’s South Africa and King’s South Africa Medal Rolls, confirming his entitlement as above.

King’s South Africa, 1900-02, 2 clasps, South Africa 1901, South Africa 1902 (186 Pte. J. Gaisler. The Queen’s); dark obverse tone, reverse edge knock, otherwise good very fine. Private J Gaisler is confirmed on the King’s South Africa Medal Roll, confirming his entitlement as above. He is also entitled to a Queen’s South Africa Medal with single clasp for Cape Colony.

Queen’s South Africa, 1899-1902, 3rd type reverse, 5 clasps, Cape Colony, Orange Free State, Transvaal, South Africa 1901, South Africa 1902 (7685 Corpl: D. Watkins. S. Wales Bord:); dark obverse tone, suspension slightly bent, very fine. Corporal D. Watkins is confirmed on the Queen’s South Africa Medal Roll, showing his entitlement as above.

Queen’s South Africa, 1899-1902, 2nd type reverse with ghosted dates, 5 clasps, Cape Colony, Tugela Heights, Orange Free State, Relief of Ladysmith, Transvaal (6217 Pte. W. Haigh, Scottish Rifles.);dark obverse tone, extremely fine. Private W. Haigh is confirmed Queen’s South Africa Medal Roll, showing his entitlement as above, and also showing that he served for a time in the 23rd Battalion Mounted Infantry (one of a number of composite battalions of mounted infantry).

Attributed to possibly Meissen, a Porcelain Plateau Royal Horse Drawn Carriage. This 19th Century piece may represent the arrival of a Royal Couple. The carriage with a gold crown to the center of the roof and edged with 8 gold finials (one broken), is painted with foliate decoration centered with flowers. A pair of footman ride on the rear of the carriage wearing yellow and braided uniform with stockings, buckled shoes and tricorn hats. There is a standing footman dressed in a blue frock coat with purple cape and buckled shoes (one damaged). A stable-hand is depicted steadying the horses. The horses ceremonially harnessed with plume and crown to their forelocks. The whole set on a porcelain plateau representing cobble stones. The base measures approx 58 cms in length and 24 cms in width at it's widest point and the height is approx 27 cms. Crossed sword to base. (One horse has broken at the carpus. Loss to the shoe of the footman. The plateau base also has a couple of stress cracks, restoration is a possibility.) 

1 x 75cl bottle of Costières de Nîmes 2013, together with 1 x 75cl bottle of South Africa's First Cape First Selection Shiraz 2013; 1 x 75cl bottle of Chorey-lès-Beaune 1993; 1 x 75cl bottle of Thelema Cabernet Sauvignon 1996; and 1 x 75cl bottle of Casella Black Stump Durif Shiraz 2011. (5)

Queen's South Africa medal with five clasps - Cape Colony, Tugela Heights, Orange Free State, Relief of Ladysmith and Transvaal, named to 5148 PTE. W. McCauley. Somerset Lt. Infy

Queen's South Africa medal with three clasps - Cape Colony, Orange Free State and South Africa 1902, named to 7937 PTE. E. Baker Rif. Brigade

Boer War pair - comprising Queen's South Africa medal with four clasps - Cape Colony, Johannesburg, Diamond Hill and Wittebergen, named to 2952 PTE. A. Belton. 1st R.L. Sussex Regt., together with King's South Africa medal with two clasps - South Africa 1901 and South Africa 1902, named to 2952 PTE. A. Belton. RL: Sussex Regt. N.B. With Romsey Medals receipt 14/03/94

Queen's South Africa medal with three clasps - Transvaal, Orange Free State and Cape Colony, named to 8388 Sapper W. S. Martin RL: Engrs., together with printed research

Queen's South Africa medal with three clasps - Transvaal, Orange Free State and Cape Colony, named to 6638 PTE. T. Fothergill Bedford Regt

A South Africa medal and WWI medal trio, the South Africa medal with bars for Transvaal Orange Tree State and Cape Colony collar stamped 2644 Pte G. K. M Hutchinson 23rd Coy, 8th IMP; YEO, the trio to include a 1914-15 star, 1914-18 medal and peace medal all stamped Capt. G.K.M Hutchinson, the star also stamped D. OF CORNWALL

An Egyptian faience Shapti (of Horwedja), a priest of the goddess Neith, 30th dynasty (380 - 343BC), with striped wig and plaited beard, a hoe in the left hand and a mattock in the right with a grain basket hanging over the right shoulder on a rope, the body inscribed with hieroglyphics with a spell from chapter 6 book of the dead, the foot with contemporary waxed cotton label, 'Ushapti, from the tomb of Horwita, Egyptian noble about 600BC, see book pages 92 and 93', 23cm (9in) Provenance: Given as a gift to the current vendor from the archaeologist Raymond Inskeep (1926 - 2003) Other Notes: This particular Shapti was probably part of a collection of 399 found by Sir William Matthew Flinders Petrie, FRS, FBA, commonly known as Flinders Petrie, in 1890 in the Faiyum region of Egypt, the tomb housed the best preserved and highest quality group of funerary figures known, much of the original colour has been lost due to water damage as the tomb was flooded. Examining other letters from 'Flinders Petrie', the hand writing on this label appears very similar and is thus most probably written in his hand. Raymond Inskeep came to archaeology later in life and after serving in the latter part of the Second World War in Egypt and Palestine, he developed a love of archaeology and later won a scholarship to St John's College Cambridge. After graduating, he went to Africa to study rock art sites in Tanzania, then he had a spell as assistant lecturer at Cambridge, then later took up a position in Cape Town as a lecturer in ethnology and archaeology (where he would stay for 12 years). His research and determination to properly organise South African archaeology made him one of the major figures in this field. In 1972 he settled in Oxford where he helped set up the Donald Baden-Powell Quaternary Research Centre and also worked at the Pitt Rivers museum.

Julia Norris (British, 19th Century) Five paper ladies, together with a portrait of Mrs Norris by W Foxley Norris (her father), dated 1887, pencil heightened with white, oval, 15 x 10cm (6 x 4in) and a photograph of Mrs Norris making the paper ladies folded paper (5) Provenance: By descent within the family of the artist Julia Norris pursued an unusual hobby with distinction - from a variety of papers prepared by long soaking, she modelled her paper ladies, fashioning their garments from another stock of papers kept dry and chosen for staying power, and modelling them with a knitting needle and Secotine. Mrs Norris sold these figures for charity and some were even bought by Her Majesty Queen Victoria herself. Julia Norris was a relative of the artist, Dr Thomas Munro. 1.Paper Lady with Fruit Basket Measurements: 8" tall x 3" wide Description: Paper lady with head tilted to right shoulder. Her face and neck are sculpted and she has hollowed eyes, mouth, and some wrinkles on her forehead. She and all her clothes and accessories are entirely made from sculpted and wrapped paper. She is dressed in a long, light-coloured dress with multiple layers of paper enveloped at her neck. Her dress is covered by a cape made with a darker brown paper folded at top edge that runs from her shoulders down her body. Rounded gently around her face is a head covering made with a light-coloured paper. Attached to her waist is a twined, two-stranded paper rope holding a fruit basket made of layers of twined paper with a decorative handle and top edge made of two colours of twined paper. Inside the basket are small fruits and leaves. 2.Paper Lady with Cape with Ruffled Collar Measurements: 7" tall x 4 ½" wide Description: Paper lady with head upright and forward looking; she has a slight grimace on face. Her face and neck are sculpted and she has hollowed eyes, mouth, and some wrinkles on her forehead and cheeks. She and all her clothes and accessories are entirely made from sculpted and wrapped paper. She is dressed in a long, brown-coloured dress with a lighter-coloured apron with three layers of paper at its bottom edge. Her dress is covered by a cape with ruffled collar and ribbon which hangs down at centre, all made with a darker black paper. Rounded gently around her face is a head covering made with a dark-coloured paper. A larger, single sheet of light-coloured (similar to the apron) paper covers the top of her head. * something resembling the "top of a broom" (a bundle of thin, dark-coloured paper sticks bound by a piece of light-coloured twined paper) was found at the bottom of the box. Inside Green "Clarks Shoes" Box: 3.Large Paper Lady Measurements: 9" tall x 6" wide Description: Paper lady with head upright and forward looking. Her face and neck are sculpted and she has hollowed eyes, mouth, and some wrinkles on her forehead. She and all her clothes and accessories are entirely made from sculpted and wrapped paper. She is dressed in a long, white-coloured dress with multiple layers of paper making up her dress skirts. Her dress is covered by a cape made with a darker brown paper folded at top edge that runs from her shoulders down her body. Rounded gently around her face is a head covering beneath a dark brown-coloured bonnet which ties at her neck. Attached to her neck is a twined, two-stranded paper rope. Glued to the front of her dress is a fruit basket made of layers of light-coloured twined paper with a handle and a decorative top edge made of brown twined paper. Inside the basket are small fruit and leaves. 4.Small Paper Lady Measurements: 6" tall x 2" wide Description: Paper lady with head tilted to right shoulder. Her face and neck are sculpted and she has hollowed eyes, mouth, and some wrinkles on her forehead. She and all her clothes and accessories are entirely made from sculpted and wrapped paper. She is dressed in a long, light-coloured dress with and covered by a cape that runs from her shoulders down her body. Rounded gently around her face is a head covering made with a light-coloured paper. Attached, beneath her cape, to her waist is a broom on her right side and a small bag that hangs on her left side. 5.Smallest Paper Lady Measurements: 5" tall x 2 ½ " wide Description: Paper lady with head tilted to left shoulder. Her face and neck are sculpted and she has hollowed eyes, mouth, and some wrinkles on her forehead. She and all her clothes and accessories are entirely made from sculpted and wrapped paper. She is dressed in a long, light-coloured dress with and covered by a cape that runs from her shoulders down her body. Rounded gently around her face is a head covering made with a light-coloured paper. Some bundles of "hair" appear to have once been attached are now unattached from the back of her head. * something resembling a "broom" (a bundle of thin dark colored paper sticks bound by a piece of light colored twined paper and long stick made of light-coloured paper) was found at the bottom of the box. Catalogue Entry: A rare collection of Paper Ladies made entirely from pieces of paper sculpted to form faces, bodies, clothing and accessories. These objects were made by Julia Norris who was married to the rector of Witney, Oxfordshire in ??? (date here). The Paper Ladies are meticulously sculpted and proportionate, exhibiting both the wonderful skillset of their maker and the craftsmanship of women during this period. Each Paper Lady is fashioned with full dress skirts, a cape, headcovering and accessories. Quote from Julia Norris' great grandson, David: "One talent she pursued with distinction. From a variety of papers prepared by long soaking she modelled her paper ladies fashioning their garments from another stock of papers kept dry and chosen for staying power. These figures were sold for charity and some bought by the Queen herself. The charity may have gained regal suppport from one of the rare moments of amusement or from the object's intrinsic merit of originality." Condition: The Paper Ladies are stored in two non-archival boxes and filled with some non-archival tissue to protect and help hold their form while stored. The paper used to make the Paper Ladies' is heavily acidified and demonstrates both some "foxing" and "browning" typical of the acidification of paper goods. There is considerable dust on the surface of each of them. They are in fair-poor condition as per Lucy Commoner's condition rating system. Albeit for textiles, her system applies to these paper objects. The Paper Ladies would benefit from the recommendations below. Recommendations: -surface cleaning -archival storage -preventive conservation steps should be taken to limit light and humidity -integrative pest control management should be put in place to protect them Report prepared by Tatiana Verdon

Sasha clothes and pattern, Sasha patterns M, clothes including a brown leatherette mini-dress with braces, a tartan cape, brown and black boots, a navy blue felt jacket and other items, some homemade

A Bahr & Proschild 309 shoulder-head doll, With blue sleeping eyes, blonde mohair wig, kid Universal jointed body with composition limbs, dressed as a baby in robe, cape, bonnet and underclothes —18in. (46cm.) high

A German dolls’ house doll with trousseau, With blue sleeping eyes, blonde mohair wig, composition body and blue sailor’s dress trimmed with rik-rak —5in. (12.5cm.) high, a small trunk, a red cape and bonnet, a cream dress and other items

An early and fine poured wax baby doll, With pale/yellowish wax, blue eyes with a dark edge, remains of inset blonde hair, double chin, fat folds, stuffed body with wax limbs held with metal eyelets, robe, wool cape and bonnet and undergarments —23in. (58.5cm.) high (repair to left arms, some recent additions to clothes)

An unusual Fortune Teller Armand Marseille 390 child doll, With sleeping brown eyes, brown mohair wig, jointed composition body with fixed wrists, original Gypsy costume with red hood cape, deep red velvet shawl, white and black skirt with crêpe paper wrapped fortunes stitched to it and underclothes —10¾in. (27.5cm.) high (missing one shoe and arm loose)

A Bahr & Proschild 309 shoulder-head doll, With blue sleeping eyes, blonde mohair wig, kid Universal jointed body with composition limbs, white cotton dress, beige cape and hat, undergarments and tan shoes —23in. (58.5cm.) high

Three doll’s parasols, The largest pink —15½in. (39.5cm.) high (the two largest with tears); a white mohair doll’s cape and hat; and a blonde mohair doll’s coat, hat and muff

A Simon & Halbig 1299 child doll, With brown sleeping eyes, blonde mohair wig, pierced ears, jointed composition body, dressed as a baby in robe, bonnet, cape and underclothes —18in. (46cm.) high

A large S.F.B.J 301 child doll, With brown sleeping eyes, brown mohair wig, pierced ears, jointed papier-mâché body, white cotton dress, cream cape and undergarments —29in. (73.5cm.) high (back of head broken and glued)

A Simon & Halbig 1080 shoulder-head doll, With fixed blue eyes, pierced ears, reddish brown hair, stuffed body with bisque arms, pink wool dress, blue cape, white-work bonnet and underclothes —18½in. (47cm.) high

A quantity of doll’s clothes, A white wool cape, five hats, a red velvet cape, white work clothes and other items

British Commonwealth Collection In a Swing-o-Ring album with useful ranges from Queen Victoria to King George VI including: Barbados, B. Guiana, Canada, Cape Triangulars, Cyprus, Great Britain, Malaya, Malta, Newfoundland, Australian States; Mixed condition (100's).

ϒA George IV silver compressed spherical tea pot, stand and cream jug by William Eaton, London 1823, 1820 and 1822, the tea pot with a lobed finial and ivory spacer to the lobed centre hinged cover, the cape rim gadrooned with a shell and acanthus above the spout, a leaf-capped reeded loop handle with ivory spacers, the body half reeded, on a collet foot, engraved with a crest, 28cm (11in) long; the tea pot stand with a wooden base, 16cm (6 1/4in) diameter, loaded, the tea pot and cream jug 1103g (35.45 oz) gross The crest of a pelican in her piety for STUART. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

A 1970s Brownie uniform with enamel badges, retro childrens' clothing and a mid 20th century child's velvet cape from Harrods, all contained in a retro suitcase

An amateur hand made orange cape with a black faux fur collar and tasselled ends, small quantity of 1950s-1980s LPs to include Tamla Motown Marvin Gaye's 'I heard it through the Grapevine', two glass paperweights with bubble decoration and an Indo Persian metal vase 14" high

Two World War I medals and a South Africa medal to '1324 J. Perry Cape Rly Shptrs'

A South African conflict and WW1 medal group, comprising Victorian South Africa medal, with South Africa 1902, South Africa 1901, Transvaal Orange Free State and Cape Colony clasps, a further Edwardian African medal with Somaliland clasp, a WW1 trio 1914-15 Star Campaign and Victory medals, each with ribbons and all similarly marked, 4706 DVR G E Hutcherson RMA, and 87908 DVR G E Hutcherson, with associated items, in a glazed case, 50cm W.

SCRIMSHAW, an engraved whale's tooth decorated with "Ship Pacific off the Cape of Good Hope" on reverse with Sailor and Companion, 6.5" height

A muskrat fur cape

A ROYAL WORCESTER CHINA VASE, 1916, of flared rounded cylindrical form, painted in polychrome enamels by R. Austin with an oval panel of Cape flowers on a gilt highlighted pink ground, signed, indistinctly inscribed "ER ... THUNB... (?), puce printed mark, shape 2470, bears original "Hollwills of Durban" label, 7 1/4" high (Est. plus 21% premium inc. VAT)

FINE TSONGA DANCE WAND / LADLE SOUTH AFRICA 65cm longcarved wood, wire and pokerwork, the bowl referencing a fattened cow, standing on four short legs and with "horns" at the terminal, the long handle with wirework decoration and a single supporting leg Provenance:University of Potchefstroom, South AfricaMichael Heuermann, Cape TownBernice and Terence Pethica Collection Published:Klopper, Nettleton and Pethica, The Art of Southern Africa, The Terence Pethica Collection, 2007, p. 182, n° 92 Note:"Some Tsonga carvers specialised in the production of carvings like this one that have a dual function. The playful display of virtuosity evidenced in these works suggests that carvers and their patrons valued novelty and innovation." (Klopper, Nettleton and Pethica 2007).

TSONGA SPOON SOUTH AFRICA 64cm longcarved wood, the looped top leading to a handle executed in an interweaving design, decorated with pokerwork detailingProvenance:Michael Heuermann, Cape TownBernice and Terence Pethica CollectionPublished:Klopper, Nettleton and Pethica, The Art of Southern Africa, The Terence Pethica Collection, 2007, n° 116Cf. Brenthurst Collection, Art and Ambiguity, p. 177, n° 548Note:"Virtuoso carvings like this became fairly common in the nineteenth century. The skilled carvers who produced these spoons appear to have worked for different markets, adjusting their output to serve the needs of particular patrons." (Klopper, Nettleton and Pethica 2007).