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South Africa. Cape Military Cycle Club Victorian badgeGood rare silver plated title strap, the letters inlaid with blue enamel; mounted with five pointed star bearing VR to voided centre with spokes. Scroll work finial. Vaughton & Sons, B'ham Original stout brooch pin GC

Victorian 1894 hard-backed travelling sketchbook initialled AG depicting life on board ship, Cape St Vincent, Gibraltar, Cape Trafalgar, Vesuvius, Stromboli, etc, 17 x 26cm,

19th century oval oil on canvas, portrait of a woman wearing a fur cape, unsigned, 28.5" x 22.5", unframedGood condition, no canvas damage or repairs

IAN FLEMING, THUNDERBALL, PUBLISHED BY JONATHAN CAPE, COPYRIGHT 1961 BY GLIDROSE PRODUCTIONS LTD, FIRST EDITION (?), WITH DUSTCOVER

A CAPE DI MONTE FIGURE OF FRUIT SELLER SCENE

A CAPE DI MONTE FIGURE GROUP OF A BOY AND A GIRL ON A SWING A/F TOGETHER WITH A DRESDEN CHERUBIC CANDLESTICK AND A FLORAL VASE (3)

THREE CAPE DI MONTE FIGURES TOGETHER WITH A ROYAL COPENHAGEN DOG FIGURE AND ANOTHER (5)

THREE COALPORT FIGURES OF BUILDINGS TOGETHER WITH A FLORAL TRINKET POT AND A CAPE DI MONTE FIGURE OF CHERUBS (5)

Box of antique clothing and accessories to include: a long black Victorian skirt, a black Victorian cape with lace edging and applique decoration, a later black slip skirt and a small envelope bag with 'Soft Collars' written on it containing two antique lace collars and two crochet trims. (4)(B.P. 21% + VAT)

Box of vintage fur items to include; various stoles in different colours and fur types (mink, rabbit, fox etc) and a cream colour fur cape. (B.P. 21% + VAT)

A blonde mink fur short jacket and cape and a black fox fur jacket. The cape has a 'Emba the American Mink' label. (3) (B.P. 21% + VAT)Cape - generally good condition, very minor wear to fur. Someone has hand sewn in a panel of fabric to protect the collar area.Fox fur - fur is in good condition, some small pale stains to liningMink jacket - Generally good condition, one pinprick hole to lining and fur slightly worn around the collar. 

X-Men: A black X-suit as worn by Halle Berry for her role as 'Storm',Twentieth Century Fox / Marvel Studios, 2000,a bespoke flightsuit production made for the film, comprising; a black fitted catsuit made of imitation leather/vinyl, biker style leather embellishments to the shoulders, hips and back, fastened by a zip to the front, the suit enhanced with silver piping and adorned with 'X' insignia to collar and mirrored on the suits incorporated belt buckle, with a silver floor-length cape attached to the suit by large poppers and with wrist hoops, as worn by Halle Berry for her role as 'Storm' in the film, displayed on a custom-made mannequin and stand, the base labelled X-Men; accompanied by a Twentieth Century Fox wardrobe department stock issue sheet dated 22nd December 2000, and letters regarding the provenance, display dimensions 15 1/4in x 19 3/4in x 62 3/4in (39cm x 50cm x 159cm)Footnotes:This instantly recognisable costume, adapted from Marvel's original comic book design for the X-Men character 'Storm' - a Maasai woman with the mutant ability to manipulate the weather and create lightning storms. Made for and brought to life in various battle scenes in the first film from the franchise by Halle Berry.Provenance:Originally donated by Twentieth Century Fox to UNICEF Ireland and auctioned to raise funds for the charity in 2001. Later acquired by Australian internet provider Internode and offered as a competition prize. Then offered at auction by the competition winner at Leonard Joel's in Australia in 2014.For further information on this lot please visit Bonhams.com

Postcards, Gold Coast, a collection of approx. 120 cards of the Gold Coast many published by the Methodist Book Depot, Cape Coast Gold Coast. The majority RP's inc. Harper Rd Kumasi, Chief, Assembly of Ashanti Chiefs, P.O. and War Memorial Kumasi, Drying Cocoa Beans, Fish Drying Kilns, Fish Seller (Censor postmark), Gold Mine Obuasi, Corn Stack. Also villages, good ethnic, street scenes etc (mainly gd)

Postcards, Gold Coast, a selection of approx. 85 cards of the Gold Coast, mostly published by the Methodist Book Depot Cape Coast, Gold Coast. Including good ethnic & ways of life specifically Tanoso Ashanti, Spinning flax, palm kernels, weaving cocoa baskets, shaping pots, market Kumasi, plantains, fish market, corn stack, regimental band. Also street scenes, villages, buildings etc (mainly gd)

Fleming, Ian. For Your Eyes Only, first edition, London: Jonathan Cape, 1960. Publisher's black cloth lettered in gilt, complete with dust-jacket (priced 15s.). Contents good and bright; binding and boards good; some discolouration to edges of text-block and endleaves; dust-jacket with discolouration and fading to spine; some creasing/wear to edges with chipping and slight loss at corners/headcaps

Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Publisher's cloth lettered in gilt, complete with dust-jacket (priced 15s.). Contents good and bright, but with dampstaining to end section and lower board (also inner dust-jacket, which lightly shows through); small ink ticks next to list of other books in series; binding good; dust-jacket with general discolouration, light creasing to edges, and slight loss/short tears around headcaps/corners

Fleming, Ian. The Spy Who Loved Me, first edition, London: Jonathan Cape, 1962. Publisher's cloth lettered in silver with vibrant red endpapers, complete with dust-jacket (priced 15s.). Contents good and bright; binding good with light bumps to corners; dust-jacket with general discolouration, slight loss and short tears around headcaps/corners

Fleming, Ian. You Only Live Twice, first edition, second state, London: Jonathan Cape, March 1964. Publisher's black cloth lettered in silver, complete with dust-jacket (priced 16s.). Contents good and bright; binding good and tight; dust-jacket with a little general discolouration and faint chipping around corners/headcaps. Together with On Her Majesty's Secret Service, seventh impression, London: Jonathan Cape, 1964 (2)

Fleming, Ian. The Man With The Golden Gun, first edition, London: Jonathan Cape, 1965. Publisher's black cloth lettered in gilt, complete with dust-jacket (priced 18s.). Contents good and bright; binding good and tight; dust-jacket well-preserved with very faint wear around headcaps

Fleming, Ian. Dr. No, first edition, first issue, London: Jonathan Cape, 1958. Octavo, publisher's plain black cloth boards, first state (no silhouette to upper board), unclipped dust-jacket (priced 13s. 6d., advertising From Russia With Love), bearing bookseller's ticket to front pastedown (Bowes & Bowes, Cambridge). Contents generally very good, clean, bright; binding good but with shelf-lean; dust-jacket unclipped with some discolouration/marks and splitting/loss to corners/headcaps

Lady Dorothea Duff, nee Reynolds-Peyton. Logbook or journal, typed, recording a voyage from Port Lincoln, South Australia to London by way of Cape Horn, 1935, in the four-masted barque "Ponape". The daily entries, which run from 11 April 1935 to 17 August 1935, record the coordinates (latitude and longitude), weather, and various occurrences on board. The evocative descriptions reveal Dorothea's adventurous spirit. April 25th: 'This evening just before it got dark, I climbed out on to the end of the jibboom with the 2nd Officer, and I saw and patted the figure head. It was fun. The ship was moving along quite fast, and when we were on the end of the jibboom it looked as though we were quite separate from the Ship, and as if she was following us.' April 28th: 'This morning at about 12.30 I and the Mate (King Kong) climbed the rigging of the Main mast and went out on the Royal Yard Arm. It was quite exciting as it was fairly windy and the upper part of the rigging swayed about a bit...we looked down at the sea and saw some porpoises swimming under the surface...they looked very funny and quite small from the height we were at. They looked like fish on a Lalique glass plate.' April 30th: 'At 10 P.M. we had a rum grog with the Captain. He gave me what he calls a 2nd Mate's drink, which is about 4 times as strong as an ordinary one, but I knocked it back for the honour of the Union Jack.' 152 pages, typed, on paper bearing manufacturer's watermark (Abermill Bond), bound in olive green paper covers bearing engraved bookplate for Dorothea Duff (depicting sailing ship), the pages sewn with silk cords and a tied luggage tag, inscribed in black ink, 'First Diary, from Australia to England 1935.' Contents good, clean, bright; contemporary ink splash to title page; lightly folded corners; paper covers worn around edges. Together with a manuscript book of poems by Dorothea Duff, 1969-71, in blue ink on 28 pages of a lined notebook bound in blue quarter-cloth (2)Provenance: Vendor met Dorothea Duff in 1974, and they quickly became friends. The vendor had been an Officer in the WRAF and then trained airline stewardesses for Laker Airways, and she had sailed all her life; sharing stories one day, Dorothea gave her this logbook and collection of poems as a gift

Collection of ten 20th-century books, comprising: 1. Wells, H. G. The Shape of Things to Come, first edition, London: Hutchinson, 1933, publisher's blue cloth, lacking dust-jacket. 2. Joyce, James. Ulysses, London: Bodley Head, 1954, green cloth lettered in gilt, dust-jacket wit slight loss. 3. Fleming, Ian. From Russia, With Love, London: Jonathan Cape, 1957, blue cloth, lacking dust-jacket. 4. Fleming, Ian. The Man with the Golden Gun, London: Book Club, 1965, with dust-jacket. 5. Maugham, William Somerset. The Razor's Edge, US edition, Heinemann, 1944, lacking dust-jacket. 6. Golding, Louis. The Miracle Boy, limited edition, signed and numbered 50 of 50, London: Alfred A. Knopf, 1927, gilt cloth. 7. Dexter, Colin. The Remorseful Day, London: Macmillan, 1999, inscribed and signed by author, 'So glad you enjoy old Morse! And every best wish to you & yours in life always, Colin Dexter.' 8. Hewlett, Dorothy. Elizabeth Barrett Browning, London: Cassell, 1953, signed by the cast of The Barretts of Wimpole Street, 1953, Speedwell Players, for Edward Newman (producer), with loosely inserted programme and telegram for the same. 9. Morecambe, Eric. The Reluctant Vampire, London: Methuen, 1983, signed by the author on title page. 10. Thomas, Dylan. Under Milk Wood, London: Dent, reprinted 1954, bearing gift inscription from 'Willy Nilly Postwoman!' (10)

ALICE GASKELL ETC. An Alice Gaskell (Cape Cornwall) deep bowl. Diameter 17cm, height 12cm. & a Praze-an-Beeble Pottery bowl, diameter 18cm. Condition: Both good. No damage or restoration.  WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.

A Merchant Navy postcard archive, P2, relating to numerous voyages of 'B' also 'The Skipper', many addressed to Ethel Smith in Plumstead, Cape Town, circa 1902-1906, on board SS Croxdale in 1902 and SS Forest Brook in 1905, postcards sent from all over the world, including Russia, India, Italy, USA, Argentina, Ceylon, Singapore, Germany and Algeria, references several times to not being close to Cape Town yet, with variety of cancellations, some multiples on each card, including Paquebot and Russo-Japanese war card with Aden cancellation, 1905, with some postal stationery, various countries, and Imperial Military Railways pass 1901, most P-F and pu (apx 100)

An early 20th century Chinese silk cape: the collar embroidered with butterflies and flowerheads, with all over floral designs to the powder blue ground.

An Elizabeth II Yeoman Warder/Beefeater uniform, comprising hat, tunic by Costello of London, belt and heavyweight cape by Crown Military uniforms, this was worn by a late Beefeater who worked at the Tower of London for 5+ years

*REG WATKISS (B. 1933) 'Headland at Cape Cornwall' signed and dated '71 lower right, further signed and titled verso, mixed media, 25cm x 46cm 

19th century school, portrait of a young girl in a bonnet and red cape, watercolour, unsigned, 15cm by 12cm, within gilt frame

Cinga Samson (South African, born 1986)Gathering I; Gathering II & Man of God. (3). signed and dated 'C.Samson/2014'acrylic, pen and pencil38 x 34.5cm (14 15/16 x 13 9/16in).eachFootnotes:Samson was born and raised in a township in the Mthatha area of the Eastern Cape, a region of rolling hills. He claims that the beauty of the natural landscape developed an appreciation for the aesthetic from an early age. In his 20s, Samson joined an artist collective in Cape Town, Isibane. This was formative in developing his professional career, offering support, resources and materials. He spent four years honing his skills under the guidance of the collective.Devotion to his craft still underpins his practice. He keeps a house as a 'formality', but spends most of his time in the studio. His quest for virtuosity is driven by his desire to provide homegrown inspiration for Africa's next generation of artists:'I want you to look at my work and think, 'That's exquisite, that's incredible, I am blown away - and I know it is completely African''. (The artist in an interview with the New York Times, Feb 2020).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

David Koloane (South African, 1938-2019)Diskiology I & II, 2010, pair (2). mixed media on paper 170 x 126cm and 165 x 126cmFootnotes:ProvenanceAcquired at Goodman Gallery, Cape Town, South Africa in 2013;The Saatchi Collection.ExhibitedCape Town, Goodman Gallery, David Koloane: Twenty Ten and Other Things, 2010London, Saatchi Gallery, Pangaea: New Art From Africa And Latin America, 2014LiteratureSaatchi Gallery, 'Pangaea: New Art From Africa And Latin America', 2014, pg.56-57This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Manuel Figueira (Cape Verdean, born 1938)Maguy estrelas metal da cancela (Maguy metal stars of the gate) signed and dated 'MANUEL FIGUEIRA/ 2003' (lower left); signed, titled and dated (verso) watercolour on canvas99.5 x 100cm (39 3/16 x 39 3/8in).For further information on this lot please visit Bonhams.com

Esther Mahlangu (South African, born 1935)Untitled signed and dated 'Esther Mahlangu 2014' (lower left)acrylic on canvas100 x 149cm (39 3/8 x 58 11/16in).Footnotes:ExhibitedCape Town, Irma Stern Museum, 'Esther Mahlangu at 80', 2015. London, British Museum, 'South Africa: The Art of a Nation', 2016, (serigraph print).London, Frieze Art Fair, BMW Pavilion, 2016.For further information on this lot please visit Bonhams.com

JIM IRVINE; a wood fired stoneware bottle with ribbed body, incised signature, height 26.5cm.Irvine is influenced by the intimacy of the Cape Cod landscape, its wilderness, ocean, rivers, ponds, salt marshes and sea life.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

LAWRENCE (T E): 'The Mint' London, Jonathan Cape, 1955: First Edition, 4to, publishers blue cloth, spine sunned: together with 30 other vols, misc military reference and related, various sizes, some in dustjacket, generally in good condition. (One shelf)

FIVE ROYAL WORCESTER PAPAL SERIES FIGURES, comprising The Privy Chamberlain of the Sword and Cape to the Pope in Spanish Costume no.144, An Officer of the Palatine Guard no. 84 (with certificate), Colonel of the Noble Guard in Gala Uniform no. 79 (with certificate), Papal Gendarme no. 90 (with certificate), and Trooper of the Papal Swiss Guard no. 112, marks to bases, the tallest 33cm high

South Africa.- De L'Isle (Guillaume) Carta Geografica Capo del Buona Speranza, scarce map showing the second early expansion of the Cape of Good Hope Settlement beyond The Castle, with illustrated title vignette in the lower left corner, engraving with hand-colouring, 350 x 440 mm (13 3/4 x 17 1/4 in), under glass, numbered in ink '117' upper right corner, framed, [circa 1750]; together with an engraved view, 'Gezicht op Kaap de Goede Hoop', showing the Cape of Good Hope, 290 x 380 mm (11 1/2 x 14 7/8 in), under glass, framed, 18th century (2).

Cape Verde.- Norie (John William) A New Chart of the Cape Verde Islands..., inset maps of 'Port Praya', Porto Grande in the Islands of St Vincent', and 'English Road in the Island of Bonavista', engraving, sheet 700 x 425 mm (27 1/2 x 16 3/4 in), old folds expertly repaired verso, some surface dirt and handling creases, small repairs to nicks at extremities, unframed, 1824.

India.- Faden (William) The Southern Countries of India from Madrass to Cape Comorin, Describing the Routes of the Armies Commanded by Colonels Fullarton and Humberston during the Campaigns of 1782, 1783, & 1784, Surveyed by Col. Kelly & Capt. Wersebe and Others, showing south from Mangalore, including the northern part of Ceylon, engraving with outline hand-colouring, 870 x 1040 mm. (34 1/4 x 41 in), with red ink manuscript additions, on two sheets conjoined, mounted on linen, some damp-stains and surface dirt, cockling to sheet and rough edges, presented on original wooden rollers, 1791.

India.- Wyld (James) Map of the Peninsula of India, from the 19th Degree of North Latitude, to Cape Comorin, large two-sheet map of India with part of Ceylon in the lower right, engraving with some outline hand-colouring, platemarks approx. 510 x 835 mm. (20 x 32 7/8 in), each sheet approx. 590 x 850 mm. (23 1/4 x 33 1/2 in), minor surface dirt, the northern section sheet with small split to central vertical fold, unframed, 1844.

A Petrol Blue Satin underslip edged in Black lace, Late Edwardian. An Edwardian Satin Jacket with a Bobbin design buttons, the collar has a scrolled lace design and black satin refers the back design of the jacket has bonds of rolled and scroll design covered buttons with two large woven buttons in the central back design 1910. Size 14, Made in Italy. A short Opera Cape with a red satin lining. The Slub Taffeta cape has embossed flowered in a Trompe Louie design of flowers with trailing lobes. This design is carried down the front of the cape, the collar is of a Peter Pan design edged in rolled sequins, the hemline is edged in heavy Tulle and lace design (1900-1908) (3)

A 1870s Decorative Jacket in silk and chiffon with a gathered silk peplum, the front of the bodice is embellished with lace and swatches of chiffon. The lower part of the bodice fastening with a overlay of gathered silks, the fine Tulle overlay on the sleeves has a decorative panel by the elbows, the sleeves taper into a gathered cuff. Italian Made, worn in places, the cream silk lining is worn.Another silk and chiffon bodice 1870s, cream lace high collar, cream lace on the sleeves. The Yoke of the Bodice is decorated in black lace and followed through the gathered silk chiffon with two rows of Jet edging. The Chiffon sleeves, which flow to the elbows are decorated in Jet edging and from there the black lace over cream silk, the velvet edged cuff are edged in velvet ribbon with no line. A black Lace and Jet Mourning cape 1870s/80s. The item is covered in lace and tulle and heavily embellished in Jet. The shoulders are encrusted in Jet and Jet beads. The back of the cape has tiers of rows of lace and the hemline is encrusted in a row of Jet and Lace trimmings falling into two tiers of lace edging. The front of the cape has long strips of Jet foliage and lace strips in pleats into two large points hook and eye fastenings and a silk lining. (3)

F. BRUSAGLINO, MILANO A GOOD CARVED WHITE MARBLE BUST OF A YOUNG LADY wearing a fur cape and hat, on a polished marble socle base, signed to the reverse. 18ins high.

An Edwardian duchess silk wedding cape with frogging.

A 1920s cape together with an Edwardian grosgrain coat with silk piping.

Raymond of London black velvet cape 70s

Moffat weavers of Scotland pure wool cape

A Victorian velvet and silk embroidered short cape with ribbon work together with a Victorian silk embossed evening cape and a Victorian silk embossed bodice.

A 1930s Silk lined fox trimmed wool gabardine cape together with a 1950s mink shawl and a 1950s wool coat with mink collar by Harrods.

A vintage policemans jacket and gaberdine cape.

A 1930s panne velvet cape with silk and lame and silk flowers together with a 1930s silk slip and a 1930s silk chinese inspired fitted jacket and silk day dress. 

A Victorian silk & net top and skirt together with a Victorian beaded velvet morning cape.  Skirt, condition good with slight signs of wear expected with age.Jacket size XS, lace slightly torn across shoulder(easily mendable)  otherwise very good for age.Cape a bit of beaded fringe missing in places. 

* Battle of Trafalgar. An ostrich egg, finely carved in shallow relief, circa 1805, the 4 sides depicting half-length busts of the Commanders of four famous British naval victories: 1) Admiral Lord Howe, Glorious First of June, 1 June 1794; 2) Admiral John Jervis, 1st Earl of St Vincent, Battle of Cape St Vincent, 14 February 1797; 3) Admiral Duncan, Battle of Camperdown, 11 October 1797; Admiral Lord Nelson, Battle of Trafalgar, 21 October 1805, each presented with backdrop drapery decorations and battle date in an oval rope medallion frame, the Commanders' names carved within the resulting lozenge frame around the central drill hole at the top of the egg and presented on flags draped from the trumpets blown by winged angels, the base showing Britannia within a hatched oval frame, and surrounded by additional naval and decorative motifs carved into the remaining blank areas, 15cm tallQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. A museum-standard piece showcasing virtuoso ostrich egg carving. The artist has left the work unsigned. Jack Webb's notes suggest that it may have been made by a French Prisoner of War not long after the Battle of Trafalgar.

* Chinese Export. An impressive 18th century Chinese armorial part tea service c.1782, comprising, teapot, 12 coffee cups, milk jug and cover, 3 tea bowls, 5 saucers, slop bowl, tea canister, shaped dish and a footed bowl, all decorated with an armorial and famille-rose pallette, several pieces with damage, the teapot 23cm high, with an original manuscript letter of provenance dated 2 October 1852The accompanying manuscript letter dated 2 Octr 1852 reads:'History of the China got from Bowley. The East India ship Gustavus was wrecked on the Goodwin Sands and Captn Bowbyes of the Revenue cutter got this sett of china presented to him for his valuable services in saving the officers & crew in 1782 and remained in the family until the death of the widow in 1851. Discription of the arms [:] A Dove Volant resting on a Bees Cape, That is industry promoted by peace, on the Dexter - is a Lady Supporter. In her right hand, the cape of Liberty on a rod. Sinester, Supporter, Scale of Justice in her left hand, and in her right hand - The Sword of Justice. The Shield contains a group of flowers. The arms of Industry, Peace, Liberty, Justice & Commerce - Suitable for any merchant.'Qty: (27) 

5972 Sapr T J Hutnell RE, South Africa Medal with Johannesburg Orange Free State and Cape Colony bar, together with King Edward VII 1902 Coronation medal and the Metropolitan Police coronation 1911 medal

The Old Man and the Sea, by Ernest Hemingway, published by Jonathon Cape, 1952 first edition, no dust jacket

Sudan : 1932-52 Mint and used collection of Air Mail stamps and covers in a loose leaf album with 100s of stamps and 32 covers including 1931 set in panes of 60 or 40, 1931 four First Flight Covers to England, 1931 First Flight Covers MALAKAL to MWANZA, Tanganyika, KHARTOUM to ATHENS, KHARTOUM to CAPE TOWN, 1931-7 set with shade and perf varieties, also set in mint blocks, used sets, 1938 Registered cover PORT SUDAN to ASCENSION ISLAND via Nigeria, 1932 Registered cover PORT SUDAN to CASABLANCA, 1931 Registered cover PORT SUDAN QUAYS to DARTMOUTH, Devon, 1936 Registered cover PORT SUDAN to MARSEILLES, 1931 First Flight Cover HALFA to CAPE TOWN, 1936 cover PORT SUDAN to LIMERICK, Sudan Railways envelope to England, 1933 much travelled cover to CEUTA, Morocco, re-addressed to Liverpool, returned to Khartoum, 1935 surcharges in mint blocks, misplaced surcharges, used set, 1938 surcharge set in mint blocks, 1950 set mint and used and set in mint Plate blocks, an interesting original lot. HEAVY LOT - OVERSEAS BIDDERS PLEASE ENQUIRE FOR SHIPPING COSTS

Cape of Good Hope : 1853 TRIANGULARS: paper slightly blued 1d (both shades, one with 3 margins and 4d (3 margins)), 1855-63 1d (3, one unused no gum with 3 margins), 4d (10, may include 1863-64 issues)m 6d (4), 1s yellow-green (2, one with 3 margins) and 1s deep dark green, 1863-64 1d (2), several with 3 margins, shades, above-average examples, a decent (and rather valuable) lot. Cat. approx. £6000.

GLOAG, Home & Colonial Regiments, Cape Mounted Rifles, EX

British Africa and Indian Sub-Continent 480 Stock cards mint/used packed with goodies all priced up from ex stamp shop stock. Countries include Malaysia. Hong Kong, Ceylon, Aden, Rhodesia/Nyasaland, Kenya/Tanganyika noted Sg95 £1 mint. Sth Africa including Cape of Good Hope triangles. Well worth a close look.

Rhodesias. Black folder of mint & used. Cape Of Good Hope earlies to 1/-. Rhodesia & Nyasaland 1954 & 1959 sets used: Southern Rhodesia Admirals to 2/- mint: George V used values to 5/-: George VI mint values to 5/-: Northern Rhodesia George V set to 5/- mint: George VI 1938 set m mint; QEII 1953 set m mint. Many are Unmounted mint within collection.