We found 31923 price guide item(s) matching your search
There are 31923 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
31923 item(s)/page
CLASSIC SOUL/FUNK/DISCO LPs - Another stirrin' selection of 14 x LPs here. Artists/titles are The Human Body - Make You Shake It, Lyn Collins - Check Me Out... (PE-6605 sealed), Randy Brown (WAY LP1), Roy Ayers Ubiquity - He's Coming (original US pressing with label variation - 'Side 1/2' at 9 O Clock with the catalogue number at 3 O Clock - Ex/VG+), Gary Bartz - Music Is My Sanctuary (ST-11647), Dollar Brand - Cape Town Fringe, Manfredo Fest - After Hours (DR2012), Young-Holt Unlimited - Oh Girl (SD1634 US original sealed), Donald Byrd - Places And Spaces (US 1975 on Blue Note w/printed inner), Ivan "Boogaloo Joe" Jones (P10072), Sam Dees - Secret Admirer, Lonnie Liston Smith, Paulinho Da Costa and Cal Tjader. Condition is generally Ex to Ex+.
Eve Arnold. Eve Arnold in Britain, published by Sinclair-Stevenson for the National Portrait's Gallery 1991; All In A Day's Work, published by Hamish Hamilton Ltd 1990; The Untouched Woman, published by Jonathan Cape 1979; Eve Arnold in America, published by Secter & Warbury, London 1984, (4).
A Continental figure, of a young boy with a dog and basket of flowers, raised on a square base, height 4ins, together with a figure of a putti standing by a small tree Condition report: Boy with dog has chips to flowers, restoration to base, dog's ear and back of cape, putti by the tree has chips and restoration to leaves
Photography - Travel - Africa and the East - Tribal - an album, Hong Kong, South Africa, England, September to November 1950, many annotations, The Bank from Gloucester Hotel, Adamson's House, Manila, Natal, Umgeni Zulu Reserve, Natal, Weaver Bird Nests, The Kraus Kop, Zululand, Rhino, Kruger National Park, Transvaal, Impala, Cape Province, etc; other albums, some onboard ship, some native views, Devil Dancer, etc (4)
Early 20th century postcard album including steam trains, Californian steam boat, shipping/liners, torpedo boats California, prominent American buildings, Scotland, Cairo street scene, British Columbia, English topographical, Cape Horn railway tunnel, Japanese scenes, Mexican interest including American soldiers viewing a Mexican troop train, early motoring card, trucks and Fort DIX, further Californian scenes, schoolgirls in Zanzibar etc.
BOX 46 - SOUTH AFRICAN WINEBoland Cellar Reserve No1 Shiraz 2013Footprint 'The Long Walk' Shiraz 2015Waitrose Fairtrade South African Merlot 2015Cape Heights Cabernet Sauvignon 2015Cimarosa SA Cabernet Sauvignon 2014ASDA Extra Special Fair Trade Pinotage 2014Capaia ONE 2009Yellowwood Mountain Cabernet Sauvignon 2015Spar South African Red NVCimarosa South African Merlot W. Cape 2014Zebra View Cabernet Sauvignon 2015Yellowwood Mountain Merlot 2015
Late 19th century Set of four Samson porcelain Meissen style figures bearing crossed sword marks to base, one depicting the Queen with crown to head, with foot raised and rearing horse to base, further blackamore figure with an elephant head-dress bearing a tribal staff with lion detail to base, a figure of a lady water carrier with camel motif to base, and a model of a bird man with a feathered cape and bird on arm, 6" high (4)
Barrow J. : An Account of Travels into the Interior of Southern Africa in the Years 1797 and 1798, including cursory observations on the geography of the southern part of that continent; natural history and sketches of the physical and moral characters of the tribes surrounding the settlement of Cape of Good Hope. Vols I & II, 1801 (1st.Ed.) & 1806. Qto. Full calf, gilt, marbled edges & eps. Engraved folding maps. CONDITION REPORT: Both volumes retain the original boards and the spines have been professionally re-backed and gilded. Some sporadic foxing and offsetting in the text blocks o/w clean and tight.
A Queen's South Africa Medal Group, to include a Victoria South Africa medal with bars for Transvaal, Orange Free State and Cape Colony, and Edward VII with bars for S A 1901 & 1902 with oak leaf on ribbon, a 1914-18 medal and a Victory medal with oak leaf stamped on collar 3467 PTE RR Leader C.M.R 2nd medal stamped 2 Lieut R R Leader A.S.C 1st WW medal, stamped Major RR Leader, together with a miniature group, a South Africa medal with two bars 1901 and 1902 stamped 2nd Lieut RR Leader A.S.C, a three bar South Africa medal, Transvaal Orange Free State and cape colony stamped for Lieut R R Leader
A pair of Sable Antelope horns, mounted on an oak shield, bearing an ivorine label 'Sable Antelope, G.E.A., 1917' with deep carved 'R.W.' to the reverse, together with 'The Waterbuck', with remains of Roland Ward paper label, and 'The Lichtensteins Harte Beest', with deep carved 'R.W.' and 'Cape Buffalo' with deep carved 'R.W.' to the shield, (4)
[MISCELLANEOUS] Lofting, Hugh. Doctor Dolittle's Post Office, first edition, Cape, London, 1924, grey cloth, colour frontispiece, text illustrations, octavo; Blunden, Edmund. Shells by a Stream, first edition, Macmillan, London, 1944, green cloth, dustjacket, octavo; Shute, Nevil. The Rainbow and the Rose, first edition, Heinemann, London, 1958, boards, dustjacket, octavo; and a further thirteen assorted works, (16).
Llosa (Mario Vargas) The Time of the Hero. 1967, London, Jonathan Cape, 8vo, first UK edition, signed by the author to title, d.j., light foxing to edge of text block, a good copy; The Storyteller, 1989, New York, Farrar Straus Giroux, 8vo, d.j., signed to title, good; A Writer's Reality, 1991, London, Faber & Faber, first UK edition, 8vo, signed to title, d.j. extremities a little bumped and frayed, good; A Fish in the Water, 1994, London, Faber, first UK edition, signed by the author, d.j., still with Waterstone's Manchester promotional band and wrapped in cellophane; Aunt Julia and the Scriptwriter, 2006, Faber, hard cloth in slipcase, cling wrap preserved (5).
Thomas (Dylan) Under Milk Wood, 1954, Dent, London, 8vo First edition, dust jacket, a little frayed and chipped at spine [&] Adventures in the Skin Trade, 1955, London, Putnam, 8vo First Edition, d.j. designed by Gross-Andre, tear to upper cover. [With:] Rushdie (Salman) The Satanic Verses, large 8vo first edition, 1988, London, Viking, uncorrected advance proof copy, publisher's rubbed wraps; O'Hagan (Andrew) Be Near Me, 2006, limited edition of 50 in full cloth signed by the author, with slipcase; Barnes (Julian) Arthur & George, 2005, London, Cape, number 13 of 125 copies signed by the author with decorated boards, slipcase and Ellroy (James) two first UK editions by Century, My Dark Places [&] American Tabloid, signed by the author, d.j.s, still with Waterstone's Manchester promotional bands and wrapped in cellophane (7).
Medals, Boer War, WW1 PoW Casualty 1914 Star/Clasp Trio, Memorial Plaque, group of four - Sussex Regt., Queen's South Africa/five clasps (Cape Colony, Orange Free State, Transvaal, South Africa 1901 and South Africa 1902) - 5866 Pte. J. Tugnott (sic), R. Sussex Regt., 1914 Star/clasp Trio - 5866 Pte. J. Tugnutt, R. Suss. R. (EF), bronze memorial plaque - John Tugnutt, with researchPrivate Tugnutt served with the 21st Sussex Mounted Infantry in the Boer War (five-clasp QSA entitlement only). He entered France with the regiment on September 20th, 1914, and was taken as a prisoner-of-war, but died of his wounds on November 15th, 1914.
John Fowles, The Collector, Jonathan Cape, London, Second Impression, May 1963; and other works by the author; The Magus, Jonathan Cape 1966; Daniel Martin, Jonathan Cape, 1977, signed; Mantissa, Jonathan Cape, 1982; A Maggot, Jonathan Cape, 1985, signed; and The Magus, Revised Version, Jonathan Cape, 1977, with dust wrappers, (6).
Clare Leighton, The Farmer's Year, A Calendar of English Husbandry, Second Impression, January 1934, with full page wood engravings, green cloth soiled; Clare Leighton, Wood-engraving and Woodcuts, London and New York, 1932; William Rothenstein, Twenty-four Portraits, London (1920), from and edition of 2000; Naomi Mitchison, Beyond This Limit, illustrated by Wyndham Lewis, Jonathan Cape, 1935; and Four editions from The Modern Masters of Etching series (No.1 Frank Brangwyn, No.2 James McBey, No12 F.L. Griggs, No.25 Robert Austin) (8).
John Fowles, Mantissa, Jonathan Cape, London 1982; The Collector, Reprint Society, London 1964; The French Lieutenant's Woman, Jonathan Cape, reprinted 1981; Harold Pinter, The Screen Play Of The French Lieutentant's Woman, with a foreword by John Fowles, Jonathan Cape, Eyre Methuen 1981, with dust wrappers; and John Fowles, Daniel Martin, Jonathan Cape, 1977, no wrapper, (5).
Erskine Childers, The Riddle of the Sands, Imprint Society, Barre, Massachusetts, 1971, illustrated by John O'Connor, from an edition of 1950 copies, signed by the illustrator, in a slip case; David Hockney and Stephen Spender, Hockney's Alphabet, Faber & Faber, for the Aids Crisis Trust, 1991; and Bruce Chatwin, Photographs and Notebooks, Jonathan Cape, London, 1993, (3).
Romer Wilson, Latter Day Symphony, Nonesuch Press, 1927; Eric Gill, In Petra, S. Dominic's Press, Ditchling, Sussex 1923 (spine damaged); In A Strange Land, Jonathan Cape, 1944; Martin Armstrong, The Bird-Catcher And Other Poems, Martin Secker, 1929; Haldane McFall, The Art Of Hesketh Hubbard, Moreland Press, 1924; Lancelot de Giberne Sieveking, The Cud, Being The Experimental Poems, Mills & Boone, London 1922: another work by Martin Armstrong; and two further titles by Lance Sieveking, (8).
Ian Fleming, The Man With The Golden Gun, Jonathan Cape, London 1965; On Her Majesty's Secret Service, Jonathan Cape, Second Impression 1963; John Gardner, Licence Renewed, Jonathan Cape and Hodder & Stoughton 1981; and Ian Fleming, Thrilling Cities, Jonathan Cape 1963, with dust wrappers, (4).
D.M. Thomas, The White Hotel, Viking Press, New York, 1981, with dust wrapper; another copy, Gollancz Limited, London 1981, with dust wrapper; and Ararat, Gollancz Limited, London 1983, together with two poetical works, Two Voices, Cape Goliard Press 1968; and Selected Poems, Secker & Warburg 1983, (5).
Herbert Furst, The Wood Cut, an annual, No.1, 1927, Fleuron Limited; binding paper designed and engraved on wood by Paul Nash, with dust wrapper; Harold Munroe (Ed) The Chap Book A Yearly Miscellany, No.40, 1925; Jonathan Cape; and R John Beedham, Wood Engraving, Faber & Faber, reprint September 1938, with introduction and appendix by Eric Gill, with dust wrapper, (3).
Michael AyrtonTittivulus: Or The Verbige Collector, Reinhardt, London 1953, illustrated by the author; J. Wentworth Day, Here Are Ghosts And Witches, Batsford Limited, 1954, illustrated by Michael Ayrton; John Arlott, Clausentum, Jonathan Cape, 1946, illustrated by Michael Ayrton, with dust wrappers, other works illustrated by Ayrton, together with catalogues and a commentary.
Cyril Connolly, The Missing Diplomats, Queen Anne Press, London 1952 wraps; Somerset Maugham, Points Of View, Heinemann, London 1958; A Maugham Twelve, Heinemann 1966, both with wrappers; Tro, Heinemann, 1950; Ernest Hemingway, The Old Man And The Sea, Jonathan Cape, 1952; Louis MacNiece, I Crossed The Minch, Longmans, London 1938; and Tennesee Williams, Cat On A Hot Tin Roof, Secker & Warburg, 1956, (7).
David Armitage Bannerman, The Birds Of West and Equatorial Africa, in two vols, Oliver & Boyd, Edinburgh and London 1953, with dust wrappers; David A. Bannerman and W. Mary Bannerman, Birds Of The Atlantic Islands, Volume Three (Birds Of The Azores), and Volume Four, (The Cape Verde Islands), only; David A. Bannerman, The Canary Islands, 1922; and Gilbert Pearson, et al, Birds Of America, New York 1936, (6).
WORLD LEADERS: Small selection of four vintage signed sepia postcard photographs by various political leaders comprising Wilfrid Laurier (1841-1919, Canadian Prime Minister 1896-1911), Leander Starr Jameson (1853-1917, Prime Minister of the Cape Colony 1904-08, remembered for his involvement in the Jameson Raid), Alfred Deakin (1856-1919, Australian Prime Minister 1903-04, 1905-08 & 1909-10) and Robert Bond (1857-1927, Prime Minister of the Dominion of Newfoundland 1907-09). Each of the images are boldly signed by the subjects in dark fountain pen inks with their names alone. Bond and Jameson have also signed their names to the verso. VG, 4
-
31923 item(s)/page