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Lot 665

Brophy (John). Various editions, to include the Primer of Life, The Five Years, The Rocky Road, Jonathan Cape and other publishing, many with dust jackets, first editions and others, (a quantity)

Lot 664

Brophy (John). Various editions, Behold the Judge, Green Ladies, Story of a Success, Waterfront, the Human Face etc., many with dust jackets, Jonathan Cape and other publishing, (a quantity).

Lot 101

CLASSIC SOUL/FUNK/DISCO LPs - Another stirrin' selection of 14 x LPs here. Artists/titles are The Human Body - Make You Shake It, Lyn Collins - Check Me Out... (PE-6605 sealed), Randy Brown (WAY LP1), Roy Ayers Ubiquity - He's Coming (original US pressing with label variation - 'Side 1/2' at 9 O Clock with the catalogue number at 3 O Clock - Ex/VG+), Gary Bartz - Music Is My Sanctuary (ST-11647), Dollar Brand - Cape Town Fringe, Manfredo Fest - After Hours (DR2012), Young-Holt Unlimited - Oh Girl (SD1634 US original sealed), Donald Byrd - Places And Spaces (US 1975 on Blue Note w/printed inner), Ivan "Boogaloo Joe" Jones (P10072), Sam Dees - Secret Admirer, Lonnie Liston Smith, Paulinho Da Costa and Cal Tjader. Condition is generally Ex to Ex+.

Lot 459

FOX FUR CAPE. A fur evening cape by Griffin & Spalding, Nottingham, the hem scalloped.

Lot 584

CAPE, CHANNEL ISLES ETC:- Two Cape-made mustard spoons, a Jersey made mustard spoon and sixteen other various mustard spoons (Scottish & London-made), including one by Hester Bateman, most pieces either crested or initialled, late 18th - late 19th century; 7.3 oz

Lot 661

A LATE VICTORIAN CIRCULAR TEA POT with part-fluted decoration and a "cape" rim, by Elkington Co.Ltd., London 1896; 5" (12.8 cms) high; 21.3 oz

Lot 221

Cape of Good Hope Bank 1871 Cheque Black on White, used to Bearer, William Brown & Co, London - Ewan Christian, Agent, Cape Town. One Penny Duty Stamp embossed. Printers watermark "To Counteract Fraud".

Lot 1120

Norfolk 1903-Postcards from Cape of Good Hope, Great Yarmouth, circle (Dec 5/03) and 1901 Inland Revenue addressed Great Yarmouth, back stamped (Dec 14/01).

Lot 3233

Eve Arnold. Eve Arnold in Britain, published by Sinclair-Stevenson for the National Portrait's Gallery 1991; All In A Day's Work, published by Hamish Hamilton Ltd 1990; The Untouched Woman, published by Jonathan Cape 1979; Eve Arnold in America, published by Secter & Warbury, London 1984, (4).

Lot 3163

Fleming (Ian). Goldfinger; From Russia with Love; The Spy who loved me, book club editions, with pictorial dust jackets, published by Jonathan Cape and The Viking Press, (3).

Lot 3108

Indian Big Cats. - Johnson (Martin) Lion African Adventure with the King of the Beasts, 1929; Daniel (J.C.) The Leopard in India, New Delhi, 1996; Turnbull-Kemp (Peter) The Leopard, Cape Town, 1967; and 5 others similar, publisher's cloth and boards, dust-jackets, 8vo (8)

Lot 3311

CAPE OF GOOD HOPE, NATAL, ORANGE RIVER COLONY, TRANSVAAL, RSA..- Four stockbooks, mostly used 1893-modern, 300 - 400 stamps.

Lot 351

Constantin Guys (French, 1802-1892) Portrait of a lady in a headdress and flowing cape pen and wash 24 x 17cm (9 x 7in) Provenance: The Lefevre Gallery, 30 Bruton Street, London, W1. Condition is fine.

Lot 888

A Continental figure, of a young boy with a dog and basket of flowers, raised on a square base, height 4ins, together with a figure of a putti standing by a small tree Condition report: Boy with dog has chips to flowers, restoration to base, dog's ear and back of cape, putti by the tree has chips and restoration to leaves

Lot 220

Deirdre Nenty-Creer, two oil on canvas, Cape Crowne Cranes in landscape and crane at waters edge, one framed, 12ins x 10ins

Lot 206

Photography - Travel - Africa and the East - Tribal - an album, Hong Kong, South Africa, England, September to November 1950, many annotations, The Bank from Gloucester Hotel, Adamson's House, Manila, Natal, Umgeni Zulu Reserve, Natal, Weaver Bird Nests, The Kraus Kop, Zululand, Rhino, Kruger National Park, Transvaal, Impala, Cape Province, etc; other albums, some onboard ship, some native views, Devil Dancer, etc (4)

Lot 307

Mid 20th century teak cased wall mounted world clock depicting time zones, for Sydney, Tokyo, Bahrain, London, Cape Town Buenos Aires & Washington DC, length 8'

Lot 1021

Arthur Ransome; The Swallows and Amazon collection including Swallows and Amazons, Coot Club, Winter Holiday, Secret Water etc (Jonathan Cape); all green cloth with gilt lettering to spines.

Lot 1119

Early 20th century postcard album including steam trains, Californian steam boat, shipping/liners, torpedo boats California, prominent American buildings, Scotland, Cairo street scene, British Columbia, English topographical, Cape Horn railway tunnel, Japanese scenes, Mexican interest including American soldiers viewing a Mexican troop train, early motoring card, trucks and Fort DIX, further Californian scenes, schoolgirls in Zanzibar etc.

Lot 1085

Cape of Good Hope 1886 Official Handbook, Royal Album of London views and a quantity of card and other games including Jaques

Lot 193

Ten crested ware ceramic animals to include Willow Art winking cat 'Cheshire Cat Still Smiling for the City of London', Arcadian tortoise Tintern Abbey, Valentine swan Cape Town etc and a lustreware cat for the City of Hereford

Lot 646

BOX 46 - SOUTH AFRICAN WINEBoland Cellar Reserve No1 Shiraz 2013Footprint 'The Long Walk' Shiraz 2015Waitrose Fairtrade South African Merlot 2015Cape Heights Cabernet Sauvignon 2015Cimarosa SA Cabernet Sauvignon 2014ASDA Extra Special Fair Trade Pinotage 2014Capaia ONE 2009Yellowwood Mountain Cabernet Sauvignon 2015Spar South African Red NVCimarosa South African Merlot W. Cape 2014Zebra View Cabernet Sauvignon 2015Yellowwood Mountain Merlot 2015

Lot 1330

An unusual Chinese porcelain figure of a young woman, 20th century, standing scantily clad with orange red and gilt cape, impressed mark, 30.5cm.high.

Lot 53

Queens South Africa medal with four bars, Orange Free State, Transvaal, Cape Colony

Lot 131

Late 19th century Set of four Samson porcelain Meissen style figures bearing crossed sword marks to base, one depicting the Queen with crown to head, with foot raised and rearing horse to base, further blackamore figure with an elephant head-dress bearing a tribal staff with lion detail to base, a figure of a lady water carrier with camel motif to base, and a model of a bird man with a feathered cape and bird on arm, 6" high (4)

Lot 584

Barrow J. : An Account of Travels into the Interior of Southern Africa in the Years 1797 and 1798, including cursory observations on the geography of the southern part of that continent; natural history and sketches of the physical and moral characters of the tribes surrounding the settlement of Cape of Good Hope. Vols I & II, 1801 (1st.Ed.) & 1806. Qto. Full calf, gilt, marbled edges & eps. Engraved folding maps. CONDITION REPORT: Both volumes retain the original boards and the spines have been professionally re-backed and gilded. Some sporadic foxing and offsetting in the text blocks o/w clean and tight.

Lot 120

A Queen's South Africa Medal Group, to include a Victoria South Africa medal with bars for Transvaal, Orange Free State and Cape Colony, and Edward VII with bars for S A 1901 & 1902 with oak leaf on ribbon, a 1914-18 medal and a Victory medal with oak leaf stamped on collar 3467 PTE RR Leader C.M.R 2nd medal stamped 2 Lieut R R Leader A.S.C 1st WW medal, stamped Major RR Leader, together with a miniature group, a South Africa medal with two bars 1901 and 1902 stamped 2nd Lieut RR Leader A.S.C, a three bar South Africa medal, Transvaal Orange Free State and cape colony stamped for Lieut R R Leader

Lot 141

A 19th century General Officer's military uniform with oak leaf silver braid, cross cannon and sword buttons, together with a similar jacket, a waistcoat and a cape

Lot 346

A pair of Sable Antelope horns, mounted on an oak shield, bearing an ivorine label 'Sable Antelope, G.E.A., 1917' with deep carved 'R.W.' to the reverse, together with 'The Waterbuck', with remains of Roland Ward paper label, and 'The Lichtensteins Harte Beest', with deep carved 'R.W.' and 'Cape Buffalo' with deep carved 'R.W.' to the shield, (4)

Lot 59

AN EDWARDIAN SILVER TEAPOT maker J.A., London 1903, of globular form with cut cape rim and on four supports, 355g (11.4 troy ozs) gross

Lot 136

[MISCELLANEOUS] Lofting, Hugh. Doctor Dolittle's Post Office, first edition, Cape, London, 1924, grey cloth, colour frontispiece, text illustrations, octavo; Blunden, Edmund. Shells by a Stream, first edition, Macmillan, London, 1944, green cloth, dustjacket, octavo; Shute, Nevil. The Rainbow and the Rose, first edition, Heinemann, London, 1958, boards, dustjacket, octavo; and a further thirteen assorted works, (16).

Lot 613

A shoulder cape with matching fur collar, gloves and a quantity of linen

Lot 41

Llosa (Mario Vargas) The Time of the Hero. 1967, London, Jonathan Cape, 8vo, first UK edition, signed by the author to title, d.j., light foxing to edge of text block, a good copy; The Storyteller, 1989, New York, Farrar Straus Giroux, 8vo, d.j., signed to title, good; A Writer's Reality, 1991, London, Faber & Faber, first UK edition, 8vo, signed to title, d.j. extremities a little bumped and frayed, good; A Fish in the Water, 1994, London, Faber, first UK edition, signed by the author, d.j., still with Waterstone's Manchester promotional band and wrapped in cellophane; Aunt Julia and the Scriptwriter, 2006, Faber, hard cloth in slipcase, cling wrap preserved (5).

Lot 35

Fleming (Ian) Thunderball, 1961, London, Cape, 8vo. first edition with dust jacket. Corners a little bumped, d.j. not price-clipped, with minor nicks to extremities. Overall a good copy.

Lot 39

Thomas (Dylan) Under Milk Wood, 1954, Dent, London, 8vo First edition, dust jacket, a little frayed and chipped at spine [&] Adventures in the Skin Trade, 1955, London, Putnam, 8vo First Edition, d.j. designed by Gross-Andre, tear to upper cover. [With:] Rushdie (Salman) The Satanic Verses, large 8vo first edition, 1988, London, Viking, uncorrected advance proof copy, publisher's rubbed wraps; O'Hagan (Andrew) Be Near Me, 2006, limited edition of 50 in full cloth signed by the author, with slipcase; Barnes (Julian) Arthur & George, 2005, London, Cape, number 13 of 125 copies signed by the author with decorated boards, slipcase and Ellroy (James) two first UK editions by Century, My Dark Places [&] American Tabloid, signed by the author, d.j.s, still with Waterstone's Manchester promotional bands and wrapped in cellophane (7).

Lot 1389

Medals, Boer War, WW1 PoW Casualty 1914 Star/Clasp Trio, Memorial Plaque, group of four - Sussex Regt., Queen's South Africa/five clasps (Cape Colony, Orange Free State, Transvaal, South Africa 1901 and South Africa 1902) - 5866 Pte. J. Tugnott (sic), R. Sussex Regt., 1914 Star/clasp Trio - 5866 Pte. J. Tugnutt, R. Suss. R. (EF), bronze memorial plaque - John Tugnutt, with researchPrivate Tugnutt served with the 21st Sussex Mounted Infantry in the Boer War (five-clasp QSA entitlement only). He entered France with the regiment on September 20th, 1914, and was taken as a prisoner-of-war, but died of his wounds on November 15th, 1914.

Lot 1451

Book - Local Interest - Hooley (Teresa), signed and dedicated by the author in ink MS, Collected Poems, first edition, Jonathan Cape Ltd., London 1926, hb, dj, octavo

Lot 170

Len Deighton, An Expensive Place To Die, Jonathan Cape, London 1967, and Jack Higgins, The Eagle Has Landed, Collins, London 1975, with dust wrappers, (2).

Lot 76

H.S. Eade, Savage Messiah, Heinemann Ltd., London, 1931, being a biography of Henri Gaudier; Eric Gill, Autobiography, Jonathan Cape, London Third Impression 1941, and other art books.

Lot 99

John Fowles, The Collector, Jonathan Cape, London, Second Impression, May 1963; and other works by the author; The Magus, Jonathan Cape 1966; Daniel Martin, Jonathan Cape, 1977, signed; Mantissa, Jonathan Cape, 1982; A Maggot, Jonathan Cape, 1985, signed; and The Magus, Revised Version, Jonathan Cape, 1977, with dust wrappers, (6).

Lot 42

Clare Leighton, The Farmer's Year, A Calendar of English Husbandry, Second Impression, January 1934, with full page wood engravings, green cloth soiled; Clare Leighton, Wood-engraving and Woodcuts, London and New York, 1932; William Rothenstein, Twenty-four Portraits, London (1920), from and edition of 2000; Naomi Mitchison, Beyond This Limit, illustrated by Wyndham Lewis, Jonathan Cape, 1935; and Four editions from The Modern Masters of Etching series (No.1 Frank Brangwyn, No.2 James McBey, No12 F.L. Griggs, No.25 Robert Austin) (8).

Lot 158

John Fowles, Mantissa, Jonathan Cape, London 1982; The Collector, Reprint Society, London 1964; The French Lieutenant's Woman, Jonathan Cape, reprinted 1981; Harold Pinter, The Screen Play Of The French Lieutentant's Woman, with a foreword by John Fowles, Jonathan Cape, Eyre Methuen 1981, with dust wrappers; and John Fowles, Daniel Martin, Jonathan Cape, 1977, no wrapper, (5).

Lot 213

Erskine Childers, The Riddle of the Sands, Imprint Society, Barre, Massachusetts, 1971, illustrated by John O'Connor, from an edition of 1950 copies, signed by the illustrator, in a slip case; David Hockney and Stephen Spender, Hockney's Alphabet, Faber & Faber, for the Aids Crisis Trust, 1991; and Bruce Chatwin, Photographs and Notebooks, Jonathan Cape, London, 1993, (3).

Lot 238

John Fowles & Frank Horvat, The Tree, Aurum Press 1979; John Fowles, Islands, Little Brown 1978, with photographs by Fay Godwin; and John Fowles & Barry Brukoff, The Enigma of Stonehenge, Jonathan Cape 1980, (3).

Lot 140

Anita Brookner, Hotel du Lac, Jonathan Cape, London 1984; and Robert Harris, Enigma, Hutchinson, London 1995, both with dust wrappers, (2).

Lot 206

Romer Wilson, Latter Day Symphony, Nonesuch Press, 1927; Eric Gill, In Petra, S. Dominic's Press, Ditchling, Sussex 1923 (spine damaged); In A Strange Land, Jonathan Cape, 1944; Martin Armstrong, The Bird-Catcher And Other Poems, Martin Secker, 1929; Haldane McFall, The Art Of Hesketh Hubbard, Moreland Press, 1924; Lancelot de Giberne Sieveking, The Cud, Being The Experimental Poems, Mills & Boone, London 1922: another work by Martin Armstrong; and two further titles by Lance Sieveking, (8).

Lot 153

Ian Fleming, The Man With The Golden Gun, Jonathan Cape, London 1965; On Her Majesty's Secret Service, Jonathan Cape, Second Impression 1963; John Gardner, Licence Renewed, Jonathan Cape and Hodder & Stoughton 1981; and Ian Fleming, Thrilling Cities, Jonathan Cape 1963, with dust wrappers, (4).

Lot 71

D.M. Thomas, The White Hotel, Viking Press, New York, 1981, with dust wrapper; another copy, Gollancz Limited, London 1981, with dust wrapper; and Ararat, Gollancz Limited, London 1983, together with two poetical works, Two Voices, Cape Goliard Press 1968; and Selected Poems, Secker & Warburg 1983, (5).

Lot 24

Herbert Furst, The Wood Cut, an annual, No.1, 1927, Fleuron Limited; binding paper designed and engraved on wood by Paul Nash, with dust wrapper; Harold Munroe (Ed) The Chap Book A Yearly Miscellany, No.40, 1925; Jonathan Cape; and R John Beedham, Wood Engraving, Faber & Faber, reprint September 1938, with introduction and appendix by Eric Gill, with dust wrapper, (3).

Lot 66

Eric RaviliousMartin Armstrong, Desert, a Legend, Jonathan Cape 1926, with woodcuts by Ravilious, signed by the author, of a numbered edition of 100, dust wrapper restored, and another copy, unsigned, (2).

Lot 128

Michael AyrtonTittivulus: Or The Verbige Collector, Reinhardt, London 1953, illustrated by the author; J. Wentworth Day, Here Are Ghosts And Witches, Batsford Limited, 1954, illustrated by Michael Ayrton; John Arlott, Clausentum, Jonathan Cape, 1946, illustrated by Michael Ayrton, with dust wrappers, other works illustrated by Ayrton, together with catalogues and a commentary.

Lot 202

Cyril Connolly, The Missing Diplomats, Queen Anne Press, London 1952 wraps; Somerset Maugham, Points Of View, Heinemann, London 1958; A Maugham Twelve, Heinemann 1966, both with wrappers; Tro, Heinemann, 1950; Ernest Hemingway, The Old Man And The Sea, Jonathan Cape, 1952; Louis MacNiece, I Crossed The Minch, Longmans, London 1938; and Tennesee Williams, Cat On A Hot Tin Roof, Secker & Warburg, 1956, (7).

Lot 175

Helen Bradley, Miss Carter Came With Us, Jonathan Cape, London 1973; In The Beginning Said Great-Aunt Jane, Jonathan Cape, London 1975; The Queen Who Came To Tea, Jonathan Cape, 1978; and Miss Carter Wore Pink, reprinted 1973, with dust wrappers, (4).

Lot 119

David Armitage Bannerman, The Birds Of West and Equatorial Africa, in two vols, Oliver & Boyd, Edinburgh and London 1953, with dust wrappers; David A. Bannerman and W. Mary Bannerman, Birds Of The Atlantic Islands, Volume Three (Birds Of The Azores), and Volume Four, (The Cape Verde Islands), only; David A. Bannerman, The Canary Islands, 1922; and Gilbert Pearson, et al, Birds Of America, New York 1936, (6).

Lot 136

A Victorian Liverpool City Police whistle by R Kelly, Renshaw Street together with a lion head cape clasp

Lot 379

A QSA Queen South Africa Medal with Wittebergen & Cape Colony clasps named to 3983 Sergeant J. Moore of the Worcestershire Regiment

Lot 378

A QSA Queen South Africa Medal with Cape Colony & Orange Free State clasps named to 1727 Private J. Corridon of the Royal Munster Fusiliers

Lot 1513

Short Mink Evening Jacket, also a Cape, Collar and Stole Ladies Mink Evening Jacket in light brown, no fastenings, shawl collar. Also a dark brown cape with satin lining and small pockets. also a reddish brown fur collar and a mink stole with face and tails

Lot 668

A lady's Berkeley Furs mink coat, and a Bradleys fur cape, another, two fur stoles, and four handbags (box) Condition report Report by NG Coat approx. 62 cm lower armpit to lower armpit.

Lot 260

WORLD LEADERS: Small selection of four vintage signed sepia postcard photographs by various political leaders comprising Wilfrid Laurier (1841-1919, Canadian Prime Minister 1896-1911), Leander Starr Jameson (1853-1917, Prime Minister of the Cape Colony 1904-08, remembered for his involvement in the Jameson Raid), Alfred Deakin (1856-1919, Australian Prime Minister 1903-04, 1905-08 & 1909-10) and Robert Bond (1857-1927, Prime Minister of the Dominion of Newfoundland 1907-09). Each of the images are boldly signed by the subjects in dark fountain pen inks with their names alone. Bond and Jameson have also signed their names to the verso. VG, 4

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