We found 31923 price guide item(s) matching your search

Vintage Star Wars Yoda Action Figure, dark green skin, brown eyes, with original cape, brown snake, belt, dark cane and Palitoy ROTJ 65D cardback, E, cardback G

Farm carts with horses and ponies by various makers including Britains and Charbens comprising Britains Farmer's Gig, post WW2 version complete with whip holder but farmer missing arm, pre WW2 rake, 2 wheeled cart, pre and post WW2 tumbrels (all 4 damaged or incomplete), Charbens Cape Cart (2) farm carts (3), coster and Dairy cart, Governess carts (2 both damaged), otherwise G-VG, (14),

Vintage Star Wars Last 17 Luke Skywalker In Battle Poncho Action Figure, with original black palace blaster, cape, belt and ROTJ tri-logo 70D cardback, E, cardback G

Vintage Star Wars Last 17 Lando Calrissian General Pilot Action Figure, with original black palace blaster, cape and ROTJ tri-logo 70D cardback, Clipper sticker to reverse, E, cardback F-G

Everyman's Library - The Millennium Library, all with dj, one or two have a small alphabet sticker to the spine, one dj damaged James Joyce 'The Dubliners' on the spine, a few stains to one or two jackets, the whole pretty good (6 boxes) - it is believed the collector bought all the Millennium volumes (we have not counted). One further box containing: Conan Doyle, A  "Beyond the City", Everett & Co, pictorial ep, turquoise cloth, dj but backstrip is in poor repair, small 8vo "The Adventures of Gerard", ex-library, John Murray 1959, red cloth, dj price clipped Christie, Agatha "The Clocks", The Book Club 1963, red cloth (no dj) Christie, Agatha "Miss Marple's Final Cases and Two Other Stories", Book Club Associates 1979, red cloth, dj  Priestley, J B "Lost Empires", Heinemann 1965, brown cloth with silver titles, dj not price clipped, ink name on ffep, backstrip of dj rather chipped and yellow speckled top edge Alcard, Edward "Temptress Returns", Putman & Co 1952, map on ep, photographic illustrations, blue cloth, dj not price clipped, some loss  Webb, Mary "Precious Bane", illustrated by Rowland Hilder, Jonathan Cape 1932, colour frontis, pictorial ep, cloth with gilt titles but all rather worn Snow C.P. ' Corridors of Power' MacMillan 1964, d-j, red cloth MacLean, Alistair  "HMS Ulysses", Collins and The Book Society 1955, map ep, red cloth, boards damp damaged, dj  "The Guns of Navarone", Collins 1957, blue cloth, corners bumped, dj not price clipped  (7 Boxes Total)  

Victorian black silk cape

Ideal - A boxed vintage Superman 'Speeding' action figure by Ideal. The plastic battery operated figure which stands approximately 26cms in height, appears to be in Very Good condition overall with some signs of play, and still has its 'flying cord attached' and comes with red cape which has become detached from the figure. The figure is accompanied with a plastic 'glow in the dark Kryponite boulder', and its Superman 'S' ring. The figure is housed in a Fair Plus box with some creasing , detached flap, small tears and age related scuffing. The cellophane window is dusty but is not cracked. (This does not constitute a guarantee)

A Windsmoor black wool ladies cape and a black suede and faux fur jacket

A post-WWII Second World War c1950s British nurses' uniform cloak / cape in black, with a selection of original enamel Red Cross medals to the breast, most named or numbered to the original recipient (medals not matching). With original buttons. 

James Bond 007 - On Her Majesty's Secret Service - Ian Fleming - original First Edition, Second Impression 1963 by Glidrose Productions Ltd, Pub. Jonathan Cape. Hardcover, with dust jacket. The title page features a stamp ' With The Author's Compliments ' and a handwritten addendum ' In Memory Of The Heady Days In Room 39 ', in an unknown hand. History unknown, and sold strictly 'as is'. Unusual piece of Bond memorabilia. 

A Chelsea style porcelain figure of a youth wearing a yellow floral jacket and carrying a cape, gold anchor mark verso, possibly Samson, 25.5cm high

A faux fur cape

Star Wars: A collection of thirteen Star Wars, original, vintage, Kenner / Palitoy loose figures to comprise: Bossk, FX-7, Han Solo (Hoth Battle Gear), two examples, one with Rebel / Smuggler Blaster, IG-88, Lando Calrissian, incorrect cape, Princess Leia (Bespin Gown), Luke Skywalker (Bespin Fatigues) with Yoda on his back, Imperial Stormtrooper (Hoth Battle Gear), two examples, both with Hoth Rifle, and Rebel Soldier (Hoth Battle Gear). © 1980. Figures have some general wear expected with age, The weapons within this lot are unverified for originality, buyer please assess. (13)

Vintage furs to include a black fur cape and a brown deerstalker-style fur hatLocation:

Five late 20th/early 21st century ladies jackets to include a Dennis Basso cream faux fur jacket, size Large (40" Chest), and a Dream Keeper Collection black velveteen with fuchsia satin trim evening cape style jacket, one size (up to 44" Chest)Location: Rail

A vintage black faux fur cape (wear and tear to collar) together with three vintage evening bags one being an early 20th century French beaded bag with fine beadwork in silver, white and gold and a gold tone chain handle with cream silk liningLocation: RAB

Interesting Grouping of Ephemera Items, including Notice from the Justices of Peace in Warwick as to compensation to be paid to persons whose "carriages, wagons .." who have been impressed for the conveyance of His Majesty's Forces 1830, also "London Gazette Extraordinary" Four French ships captured off Cape Ortegal 1805..., & Letters (from Philip Beddingfield?) to Lordships Royal Navy to obtain advancement for his son a Midshipman awaiting promotion to Lieutenant 1769, etc c.14 in all. Viewing recommended.

A framed and glazed “Impressions of Nelson Rolihlhla Mandela Collection” (1918-2003) entitled “Coloured Left Hand”, black and white lithograph, limited edition No'd. 359/500, published by Ross MacLean Calder Cape Town 2003, signed by Mandela, 50 cm x 65 cm

A Wedgwood type pearlware figure group of a mother and child, the mother in pink and yellow cape with child on her knee sat on a mossy outcrop 34 cm high

JAMES SMITH MORLAND (1846-1921) BOY WITH A PONY Signed and dated 1893, watercolour and bodycolour 31 x 49cm. * The artist moved to Cape Town in 1888 and, choosing to settle there, he only rarely returned to Great Britain thereafter. ++ Generally good condition

TWO MEISSEN FIGURES (2)Mid 18th centuryThe first modelled as a young man holding a basket of flowers and a posy, the second as a girl seated playing the bagpipes, blue crossed swords marks, 18cm and 12.5cm highMan- extensive restoration, including, the black bow tying his hair, his left shoulder, arm and hand, to the basket of flowers, his right, sleeve, cuff, hand and posy, his left shoe, applied branch, flowers and leaves.Girl- restoration to neck and chest, to both hands and bagpipes, to puce cape and to left foot

A collection of medals, comprising a South Africa Medal named '4190 Pte J. Grant. RL: Fusiliers' with South Africa 1902, Transvaal, Orange free State and Cape Colony bars, an Edward VII Long Service and Good Conduct Medal named '4191 Sjt. W.G. Beeston. R.Fus.', a Greatr War Victory and War Medal named '53132 Pte. J. Frost. The. Queen's R.' and a Lusitania medal (5)Condition report: All with surface scratches, knocks and scratches. No ribbons.

A GEORGE III SHALLOW CIRCULAR TEA POT with part-fluted decoration, a collet foot and a "cape" rim, maker's mark partially worn "H?" or "PH", London 1805; 4.75" (12 cms) high; 24.5 oz

A GEORGE V TEA POT of squat circular form with part-fluted decoration and a gadrooned "cape" rim, the handle with bifurcated, serpent joints, by Mappin & Webb, Sheffield 1912; 5.6" (14.2 cms) high; 32 oz

A MIXED LOT:- A George III Old English pattern soup ladle, initialled, by Thomas Dicks, London 1813, three George III Old English pattern dessert spoons, initialled, a three-prong dessert fork initialled, by L. Twentyman of the Cape a Victorian Fiddle pattern fish slice, two salt spoons, seven Fiddle tea spoons, and eight Fiddle dessert spoons (most pieces initialled); the ladle 13" (33.5 cms) long; 31.4 oz (lot)

* Vic Andrews [1922-2013]- Ostriches in The Kalagari at Sunset,:- signed bottom right pastel, 55 x 82.5cm. * Biography. Born in London, Viv Andrews spent his adult life in South Africa. He settled in the Transvaal and his subjects were drawn from outings in Natal and the Western Cape, Rhodesia, Mozambique, Zululand and Botswana. He has had one-man exhibitions throughout South Africa and New Zealand. *Notes With The Tryon Galleries.

An Indo-Portuguese carved wood and ivory faced figure of the Madonna and Child: with stained eyeballs, eyebrows and hairline, dark mohair wig, having carved ivory hands, on a wood body, wearing a floral embroidered long dress and pearl set purple cape, holding the Christ Child with ivory face and hands, overall height 30cm. * Notes sold with a letter pertaining to the purchase of the figure.

Harold Wyllie (1880-1973), pencil and watercolour, Views of Cape Town from the sea, signed, 11 x 28.5cm

A late 1950s/ early 60s Skee tex of London moss green coat with integrated cape. Approx chest size 50 cm

A first edition of "The Man with The Golden Gun" issue date 1965 by Jonathan Cape and a First edition of You only Live Twice in original dust jacket.

Tony Grogan (South African School) 'Clarke Street, Cape Town', watercolour, signed and dated '90, framed under glass, 55 x 35cm

Queen's South Africa with two clasps Cape Colony, Transvaal (2241 Private) 1914-15 Star (11834 Private) British War Medal (11834 Cpl) A group of three to Private (later Corporal) Thomas Kennedy of the King?s Royal Rifle Corps and Labour Corps (3)

Queen's South Africa Medal (two clasps: Transvaal, Cape Colony) 65776 Gnr R. Bunting R.F.A.

Queen's South Africa Medal (Three clasps: Transvaal, Orange Free State, Cape Colony) 6842 Pte T. Monaghan Northumberland Fusiliers. (2nd Battalion) Clasps confirmed on the roll.

An interesting selection of books including titles relating to the countryside, racing, horses etc. (14):The Land of Wales - Eiluned & Peter Lewis (B. T. Batsford 1945)Kilvert’s Diary 1870-1879 - William Plomer (Ed.) illustrated by John Piper (Jonathan Cape 1946)The Adventures of Hadrian Hedgehog - Candida Lycett Green and Christopher Thynne (Collins 1968)Hadrian in the Orient - Candida Lycett Green and Christopher Thynne (Collins 1969)A Mouse Named Mus - Irene Brady (Macdonald 1972)The Brigadier: The Story of Brigadier Gerard - John Hislop (Secker & Warburg 1973)Ardizzone’s Kilvert - William Plomer (Ed.) abridged for children by Elizabeth Divine and illustrated by Edward Ardizzone (Jonathan Cape 1976)Haddelsey’s Horses - Caroline Silver with paintings by Vincent Haddelsey (Jonathan Cape 1978)Rook - Deborah King (Hamish Hamilton 1980)Portrait of a Country Artist C. F. Tunnicliffe R.A. 1901-1979 - Ian Niall (Victor Gollancz 1980)Cecil Aldin: The Story of a Sporting Artist - Roy Heron (Webb & Bower 1981)Drawn for a Friend - Joan Wanklyn (Threshold Books 1986)Red Letter Days - Molly Keane & Snaffles (Andre Deutsch 1987)George Soper’s Horses: A Celebration of the English Working Horse - Paul Heiney (H. F. & G. Witherby 1990)

Little Red Riding Hood, a young girl wearing a red cape, seated under a tree holding a basket, oil on canvas.

Bindings. Other Men’s Flowers. An Anthology of Poetry Compiled by A. P. Wavell, London: Jonathan Cape, 1968, contemporary light blue calf by Bayntun; Memoirs of Samuel Pepys, London: Frederick Warne and Co., c.1880, contemporary blue half morocco by Mudie; The Collected Works of Dante Gabriel Rossetti, London: Ellis and Elvey, 1890, 2 volumes, contemporary olive-brown crushed morocco gilt for John Bumpus; The Complete Works of Robert Burns, Edinburgh: William P. Nimmo, c.1880, contemporary tan half calf, and 21 others similar, mainly 19th-century editions of English literature in fine leather bindings, all 8vo (qty: 26)

FRANCIS JUKES (BRITISH, 1747 - 1812)VIEW OF EASTWARDS TOWARDS CAPE SEPET, NEAR TOULON aquatint on paper, titled, attributed and dated 179422cm x 36cm Mounted, framed and under glass.Note: The narrative states that the original drawing was done “On the Spot, by Capt. J. Knight, R.N.”. The significance of this is that Knight was placed in command of H.M.S. Victory, following an outbreak of hostilities between Britain and Spain in the early 1790’s. Victory, of course, later became Nelson’s flagship at Trafalgar. It follows that the original drawing must have been taken from the deck of Victory. Knight was later appointed to high office.

An early 20th Century dusky pink full length laced evening dress, bolero attached detai, a mushroom velvet evening cape with a brown mink collar together with an oyster lace evening jacket with remnants from the same fabric. (3)

A 1960's pure new wool blue double breasted coat and a bright red textured wool cape with large toning buttons and deep front pockets

A late 18th/early 19th century Colonial silver helmet shaped cream jug, possibly South African Cape, angular scroll handle, 8.5cm high, maker JH, c.1800

DRAPKIN & MILLHOFF, Colonial Troops, Cape Mounted Rifles, Royal Italian Opera back, G

SMITH, Tour Round the World, no. 40 Houses of Parliament. Cape Town, postcard back, EX

Y A LATE GEORGE III SILVER COMPRESSED SPHERICAL TEA POT REBECCA EAMES & EDWARD BARNARD I, LONDON 1810 With a button finial to the dome centred cover, the shell-capped angular handle with ivory spacers, a cape rim, a moulded girdle, on four bun feet, engraved with a very worn crest 26.5cm (10 1/2in) long 731g (23.5 oz) gross Condition Report: Marks clear Play to the hinge Handle is tight Splits to the ivory Cover sits well Slightly wobbles Crest worn Dent to the finial Light scratches and wear commensurate with age and use   Condition Report Disclaimer

A SILVER TWIN HANDLED TROPHY CUP SEARLE & CO. LTD, LONDON 1923 With tongue-capped scroll handles, engraved 11th Philatelic Congress of Great Britain, Glasgow 1924. Awarded to George Milne, In recognition of the Philatelic Paper of the greatest merit read at the Congress, mounted with a Cape of Good Hope 4d blue triangle postage stamp 15.5cm (6in) high 372g (11.95 oz) gross Condition Report: In good condition, engraving and marks clear Condition Report Disclaimer

19thC oil on canvas portrait of a man with sword, dagger and order or similar medal with cape and feather headdress, with putti in flight playing a harp in the sky above, the man standing before a calm sea, 15.5 x 12cm, in ornate period gilt frame

An album of Canada mint and used stamps, Victoria to Elizabeth II, together with a Commonwealth album, Canada, Cape of Good Hope, Ceylon, Cyprus, Dominica, Falkland Islands, Fiji, Gambia, Ghana, Gibralter, Gold Coast etc

Stamps - QV stamp album, World Postage Album, just intact, 100's stamps, QV to GV era in Cape 4d triangles, mixed condition

THREE LADIES JACKETS TO INCLUDE A HOODED CAPE, LEATHER EXAMPLE, ETC

Ian Fleming, 'You Only Live Twice' (London: Jonathan Cape, 1964), 'Octopussy and The Living Daylights' (London: Jonathan Cape, 1966); John Gardner, 'Licence Renewed' (London: Book Club, 1981). (3)

Julian Barnes, 'Flaubert's Parrot', first edition (London: Jonathan Cape, 1984), with original dust jacket.

Herman Wouk, 'The Caine Mutiny' (London: Jonathan Cape, 1951) first edition; Frederick Forsyth, 'The Odessa File' (London: Hutchinson, 1972), first edition; Len Deighton, 'Billion-Dollar Brain' (London: Jonathan Cape, 1966), first edition. (3)

One box of fancy millinery feathers including ostrich and brightly dyed, a dyed 1940's Coney fur cape, and a box of fur collars and tippets

Eight baby dresses, mostly embroidered circa 1910/20 along with one late 19th Century / early 20th Century wool Christening cape

A 1930's brown velvet coat with fur cuffs, a 1930's cranberry velvet coat with balloon sleeves and diamond pleating, a 1930's moleskin cape, a 1970's velvet suit with long skirt and asymmetric fastening and loosely cut jacket (4)

Table linen and a 1930/40's silver fox fur cape (Q)

* By repute an 1881 Imperial DHF Challenge Penny Farthing bicycle, the black painted tubular frame applied with a leather seat and handlebar terminating in turned wooden handles, fitted with a rod action brake upon the 127cm diameter spoked wheel with solid rubber tyre, 150cm high, along with a 'Wilson Robinson' herringbone tweed jacket, two waistcoats, shirt and cape, along with a collection of 'The Boneshaker' magazine from the 1990'sNB the bicycle is unstamped however the vendor exhibited the bicycle as an Imperial Penny-Farthing (see exhibition details)

A FOX FUR COAT WITH A SYNTHETIC FUR CAPE, coat has a Canadian Fur Co label, approximate size 12-14, length 102cm, with two hook and loop fastenings together with a boxed brown synthetic fur cape labelled Bobby & Company Folkestone (2 + BOX)

An antique black velvet cape.

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract. Titled: "Safe Sex" Dated: '93 Oil on Canvas. Signed lower right / Signed, dated and titled verso. Exhibition label verso. Size: 32 x 41 in. (144 - 2724)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France