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Twenty Loose 1980's 1st /2nd & 3rd Wave Vintage Star Wars Figures, Bossk bounty hunter, Han Solo Hoth outfit, 2x IG-88, Imperial Stormtrooper (missing cape) Lando Calrissian with cape, Leia Organo missing Bespin cape, 3 x Rebel soldiers , Dengar, with Imperial rifle, Han solo Bespin outfit, Lobot, Ugnaught with apron (missing toolkit)2 x AT AT drivers, 2-1B, AT-AT Commander, Imperial Tie Fighter pilot and Zuckuss, all in fair to excellent condition.(20 items)

An assortment of police uniforms and badges, including a J Compton, Sons & Webb Ltd cape, Thames Valley Police jumps, jacket, High Vis, Collar Titles, side cap and more (parcel)

A Boer War and World War One Royal Berkshire Medal group, awarded to Private Alfred Hancock (2nd 4582 and 6th 9925), fighting in the Africa campaigns and later during World War One in France and Flanders, medal comprising Queen's South Africa with three clasps (Transvaal, Orange Free State and Cape Colony), King's South Africa medal with two clasps (South Africa 1901 &1902), Victory and British War, complete with Royal Berkshire cap badge and research

Charles E. Peers (South African, 1875-1944), a collection of prints of pencil sketches, to include 'Groot Constantia Homestead- Cape of Good Hope', framed, 20 x 29cm; 'Rhodes Memorial - Cape of Good Hope', framed, 18 x 30cm; 'The Gateway', unframed, 14 x 32cm; and 'Camps Bay', unframed, 20 x 30cm, all titled in pencil to lower margin

Two T.W. Bowler coloured Etchings of Cape Town "On the beach near the military hospital" and "Near the Amsterdam Battery".

World Maps, a collection of 19th century coloured maps engraved by John Rapkin and published by John Tallis, to include Northern Italy, Denmark, British possessions in the Mediterranean and Cape Colony, etc, various sizes approx 32 x 25cm, in mounts but unframed (approx 15)

Taxidermy: Cape Greater Kudu (Strepsiceros strepsiceros), circa late 20th century, adult bull shoulder mount looking straight ahead, right horn 113cm, left horn 116cm, tip to tip 58cm, from the wall 83cm, height 145cm

A c.1900 Small Child's Dress and Cape, the hand stitched burgundy wool dress trimmed with red velvet and entirely lined in an earlier cotton fabric, the matching velvet cape trimmed with cream lace; an embroidered wool cape, with drawstring to form the hood. (3)

3 Ostrich eggs, 2 on stands, 1 decorated with Cape Town, South Africa

Results of Astronomical Observations made during the Years 1834, 5, 6, 7, 8, at the Cape of Good Hope, being the Completion of a Telescopic Survey of the ... Visible Heavens, Commenced in 1825, first edition, London: Smith, Elder and Co., 1847, 4to, half-title, lithographic frontispiece, 17 engraved or lithographic astronomical plates to rear (4 folding), advertisement leaf to rear, half-title and advertisement leaf slightly browned, original blindstamped cloth, with slight wear to lower corners and small tear to upper spine

A collection of silver napkin rings to include a selection of Henry Griffith & Sons rings; a banded ring with unmarked panel to the front (hallmarked Birmingham 1952),a geometric engraved ring with initial panel to the front (hallmarked Birmingham 1950), an oval form ring with raised borders (hallmarked Birmingham 1952), a demi lune shaped ring (hallmarked Birmingham 1957), an unassociated silver hallmarked napkin ring with a round initial panel to the front (hallmarked Chester), a silver plate napkin ring, a silver white metal Indian napkin ring and a silver white metal Cape Peninsula souvenir napkin ring. Weight of silver hallmarked rings 64.8g.

A good collection of GB and world stamps, decimal and pre decimal dating form the 19th Century. The collection of world stamps ( Mostly British examples ) include Queen Victoria examples, King Edward VII, King George V and George VI and Queen Elizabeth II etc. Varying sizes and countries with multiple Commonwealth examples. Together with a collection of loose Kilo ware some within booklets to include multiple United States of America examples, Porto Rico, Guatemala, British Guiana, Canada, French, Cape Of Good Hope, British South Africa ,Japan, Hong-Kong ,British North Borneo, multiple Penny Reds within a Stanley Gibbons album, First Day Covers, unchecked face value unused postage stamps and many more.  

A large life time collection of world stamps across twenty two albums. Various examples dating from the 19th Century to include stamps from Armenia, Australia dating from 1913 to the early 2000, South Australia and New South Wales stamps from the 19th Century and later, Austria, Aden, South Africa, Ajman, Albania, Algeria, Andorra, Angola, Argentina, Bahrain, Barbados, Bavaria from 1849-1919, Belgium from 1869, Bolivia, Bosnia, Brazil, Brunei, Bulgaria, Burma, Cameroon, Colombia, Congo, Costa Rica, Crete 1905, Cuba, Cyprus, Czech Republic, Canada, Cape Of Good Hope, Ceylon, Chile, China from 1987 onwards, Dabuan, Danzig, Denmark from 1873 onwards, Djibouti, Ecuador, Egypt from 1888 onwards, Estonia, Ethiopia, Finland, an album of stamps from France dating from the 19th Century including French offices from Turkey, Africa, Egypt, Indies etc. An album of German stamps dating from the 19th Century, Gibraltar, Greece, Guatemala, Hawaii, British Honduras, Hong Kong, Hungary from 1874 onwards, Iceland, multiple India examples dating form 1855, Iran, Iraq, Ireland, Italy from 1862 onwards, Ivory Coast, Japan, Jordon, Jugoslavia, Korea, Latvia, Liechtenstein, Lithuania, Madagascar, Malaya, Paraguay, Persia dating from 1906 including overprinted examples, Peru, Philippines dating from the 19th Century, Poland, Porto Rico, Malta, Mauritania, Mexico, Monaco, Mozambique, Netherlands, Newfoundland, New Zealand dating from 1874 onwards, Nicaragua, Nigeria, Norway, Nyasaland, Pakistan, Portugal, Prince Edward Island, Qatar, Reunion, Romania, Russia, Rwanda, Sarre, San Marino, Siam (Thailand), Slovenia, Somali, Spain, Sri Lanka, St. Pierre and Miquelon, St Vincent, Sudan, Sweden ,Switzerland, Syria, Tasmania, Togo, Transvaal, Trinidad & Tobago, Tunisia, Turkey, Uruguay Vatican City, Venezuela, Wurtemberg, Yemen and many more. 

Brides of Dracula (1960) - Jill Howarth as a schoolgirl, production made pale yellow cape with beige ribbon. Inscribed Western Costume Co label (J. Howarth) within.

JOE EVERSOHN - SOUTH AFRICAN (XXI). 'Cape Town Fishermen', signed lower left, mixed media, framed and glazed, 67 x 47 cm

A George V silver three piece tea service, comprising teapot of cape form, two handled sugar bowl and milk jug, each partially gadrooned with an upper floral banding and partial silver gilt interior on oval feet, Birmingham 1915, the teapot 15cm H, 34oz all in. (3)

Forty-two mainly female superhero comics including Ms Tree, Baffling, Cape and Mask, Sheena, Evangeline, Liberty Meadows, Lilly Rose, New Love, Bloody Mary, Seduction Of The Innocent, Torchy, Amy Racecar etc. 

Ian Fleming For Your Eyes Only Five Secret Occasions in the Life of James Bond published Jonathan Cape 1960 2nd impression in dust-wrapper (ex library), Victor Canning’s Doubled In Diamonds 1966 first edition, The Melting Man 1968 first edition and Fall From Grace 1980 – all in dust-wrappers (4)

ROALD DAHL "George's Marvellous Medicine" with illustrations by Quentin Blake 1st Edition published 1981 by Jonathan Cape Ltd, London, pale blue cloth board bound with tooled and gilded spine together with dust jacket

ROALD DAHL "The Twits" with illustrations by Quentin Blake 1st Edition published 1980 by Jonathan Cape Ltd of London, red cloth board bound with tooled and gilded spine together with dust jacket

ROALD DAHL "The BFG" with illustrations by Quentin Blake 1st Edition published 1982 by Jonathan Cape Ltd, London, grey cloth board bound with tooled and gilded spine together with dust jacket

Ladies 1930 black fur cape

COHEN MORRIS: (1887-1970) British-Canadian Adventurer, aide-de-camp to Sun Yat-sen and a Major-General in the Chinese National Revolutionary Army. Rare book signed, a hardback edition of Two-Gun Cohen by Charles Drage, published by Jonathan Cape, London, 1954 (second impression). Signed in bold black fountain pen ink by Cohen to the front free endpaper, also adding some Chinese characters and with a small square red stamp alongside, further signed by Charles Drage in black fountain pen ink above, adding the date 9th December 1954 in his hand. Bound in red cloth (spine faded) and lacking the dust jacket. About VG Cohen's life story is an interesting one - he arrived in China in 1922 and trained Sun Yat-sen's small armed forces to box and shoot, and he soon became one of Sun's main protectors, accompanying the Chinese leader to war zones and conferences. Cohen carried two guns with him and the western community were intrigued by Sun's gun-toting protector and began calling him 'Two-Gun Cohen', a name which stuck, hence the title of the present biography. When the Japanese invaded China in 1937 Cohen joined the fight and undertook some tasks for the British Intelligence Agency, Special Operations Executive (SOE). Cohen was in Hong Kong when the Japanese attacked in December 1941 and, on the fall of Hong Kong, the Japanese imprisoned Cohen in Stanley Prison Camp. He was not released until late 1943 as part of a rare prisoner exchange.

LATROBE CHRISTIAN IGNATIUS: (1758-1836) English Clergyman of the Moravian Church, Artist, Musician & Composer. Through his six volume Selection of Sacred Music (1806-26) Latrobe was responsible for introducing the music of Haydn, Mozart and other continental European composers to English audiences. A.L.S., C. I. Latrobe, two pages, 4to, London, 24th December 1810, to 'Dear Madam' [Barbara Ann Wilberforce]. Latrobe requests that, as Mr. Wilberforce is sometimes overwhelmed with letters, his correspondent mentions to Wilberforce that he has 'received today a very satisfactory official answer to my letter to Earl Bathurst respecting the Cape Missionary Establishments of the United Brethren, and would not trouble him to speak to his Lordship, as he kindly proposed doing, on our behalf'. Latrobe continues to remark that, without his knowledge, his petition had been attended to 'and directions sent to Sir John Craddock (sic) to put our claim to the possession of the lands granted at Bavians-kloof….' adding that this is all he wished for 'and permanency of possession is to us no farther an object, than that it secures to our Hottentot Congregations those advantages which they derive from being formed into a Christian community'. Latrobe also remarks that the letter received from Lord Bathurst's office is 'the most acceptable Christmas box ever given me as it reports security to our worthy missionaries and their flocks at the Cape' and concludes 'Now tho' the enemies may grin, they dare not bite, and will, as at the beginning, get leisure to discover, that the mission, instead of injuring, will be of advantage to them, and become its friends'. Some heavy traces of former mounting to two edges of the letter, slightly affecting a few words of text but not the signature, and some light age toning and a few small tears, G Barbara Ann Wilberforce (1777-1847) English Spouse of the abolitionist William Wilberforce. Henry Bathurst (1762-1834) 3rd Earl Bathurst. English Politician, President of the Board of Trade 1807-12, Foreign Secretary 1809 and Secretary of State for War and the Colonies 1812-27. Although not an abolitionist, Bathurst was a friend of William Wilberforce and pressed his Colonial Governors to improve the living conditions of slaves. Sir John Cradock (1759-1839) 1st Baron Howden. British Politician and General, Governor of the Cape Colony 1811-14.  As a promoter of the missionary activity of the Moravian Church Latrobe journeyed to the Cape of Good Hope to visit the Moravian mission stations and described his time there in Journal of a Visit to South Africa in 1815 and 1816: With Some Account of the Missionary Settlements of the United Brethren, Near the Cape of Good Hope, which he also illustrated.

[BOER WAR]: HELY-HUTCHINSON WALTER (1849-1913) Anglo-Irish Diplomat & Colonial Administrator, Governor of Natal 1893-1901 and Governor of Cape Colony 1901-10. An interesting A.L.S., Walter Hely-Hutchinson, four pages, 8vo, Natal, 8th November 1899, to Murray, on the printed stationery of Government House. Hely-Hutchinson thanks his correspondent for their letter and remarks 'I have just repeated Royston's pigeon post message to you. Reuter says the Boers caught his messenger; and a telegram has just come in from Pretoria with practically the same list of wounded', further continuing 'Tugela Ferry reports hearing about 8 shots this morning in Umbulwana direction; firing then ceased. I wonder whether our four inch gun has got to work & silenced them? They seem very cheery at Ladysmith…..If old Joubert keeps hanging on to Ladysmith, things will come all right soon'. In a postscript Hely-Hutchinson writes 'Please say to your Corps how much I value their patriotic service: & that I intend to make the corps the subject of a special report to the G[overnor] G[eneral]'. Some light creasing and a couple of minor stains, G 

[CAPE OF GOOD HOPE - BATTLE OF CONGELLA]: CHAMBERS COURTNEY (d.1848) British Lieutenant-Colonel who served at the Battle of Waterloo under the Duke of Wellington and later Commanded the 25th Regiment of Foot at the Cape of Good Hope. A.L.S., C Chambers, three pages, folio, Cape Town, 10th August 1842, to [Abraham Josias] Cloete. Chambers states 'It occurred to me a few days ago that from your having had 400 of the 25th Regiment under your command at Natal you might probably wish to have my opinion upon the measures you carried into effect when employ'd upon a service of no ordinary nature, but one that required as much discretion and sound sense as any that ever perhaps agitated the minds of the Colonists at the Cape - English and Dutch' and continues to inform Cloete that, having considered the matter with close attention, he is 'quite satisfied that the course you pursued was not only the best, but the only judicious right and just one', further remarking 'I cannot understand the motives or views of those who have manifested so much hostility to your proceedings'. In a postscript Chambers also adds 'Major D'Urban who was with you fully concurs in my opinion and indeed so do all the officers of the Regiment whose age and experience enable them to form a correct judgement'. A letter of good content written a few months after the Battle of Congella. VG Abraham Josias Cloete (1794-1886) Afrikaner General in the British Army. In 1842 Cloete was sent with reinforcements from Cape Town to relieve a small force under Captain Thomas C. Smith of the 27th (Inniskilling) Regiment of Foot which was besieged by insurgent Boers near Port Natal (now Durban). Cloete's firm action not only avoided a battle but pathed the way for a permanent settlement of the subsequent Natal Colony. He later served as Quartermaster-General in the Xhosa Wars of 1846. Benjamin D'Urban (1777-1849) British Lieutenant-General and Colonial Administrator, Governor of the Cape Colony 1834-38. Durban in South Africa is named after him.

MAITLAND PEREGRINE: (1777-1854) British General who fought in the French Revolutionary and Napoleonic Wars, later a Colonial Administrator serving as Governor of the Cape Colony 1844-47. An interesting A.L.S., P Maitland, four pages, 4to, Romney, Hampshire, 1st January 1848, to [Abraham Josias] Cloete. Maitland states that he is obliged to his correspondent for their letter 'and Sir H. Pottinger's proclamation against Sandille' and continues to explain that he has made use of the document in a letter to Lord Grey 'who has been pleased to affirm on the faith of Sir H. Pottinger's despatches, that I have made much too favourable representations of affairs in Kafirland, and conveyed to him very erroneous information on that subject' further reflecting 'Hence, I suppose arises one difficulty that stands in the way of my getting anything done for the officers I recommended by the Duke of Wellington's permission, for some mark of Her Majesty's favour', explaining 'Three or four times have I written, and three or four times I have seen Fitzroy Somerset on this subject, but still nothing has been done. I thought some demur might arise from the notion that to confer honours or promotion on the officers immediately under me, while I was passed over, might be considered as casting a shade on my conduct, and to obviate this, I assured Fitzroy Somerset, that I desired nothing for myself. Still nothing has been done'. Maitland further makes reference to the Cape Colony, 'The accounts I have seen from the Cape have seemed to me highly corroborative of my position that British Kafirland was virtually subjugated. If the Savages can't be provoked into any fresh hostilities after the lapse of nine months but submit to the marching of the troops through their fastnesses without attempting retaliation on the Colony, it is clear they have had enough of War and had already given in. In my despatch from Block Drifts…..I said “They are now fully convinced that though they may elude us in the bush for a time, and plunder the Colony in small parties with some success, yet when we encamp in their Country and scour it, they cannot hold out but must starve or submit.” I seem to have had said this truly of them, with the exception of Landilli and his few followers…..' A letter of good content. Two extremely small, very minor tears to the lower edges, otherwise EX Abraham Josias Cloete (1794-1886) Afrikaner General in the British Army.

CETSHWAYO: (c.1826-1884) King of the Zulu Kingdom 1873-79 and its leader through the Anglo-Zulu War of 1879. Cetshwayo famously led the Zulu nation to victory against the British in the Battle of Isandlwana in January 1879. An exceptionally rare dark fountain pen ink signature ('CETYWAYO') on an oblong 12mo card. Attractively matted in ivory with decorative borders beneath a colour reproduction image of a painting of Cetshwayo by Karl Rudolf Sohn and framed and glazed in a modern wooden frame to an overall size of 11.5 x 13.5. Together with a large portion of a 12mo envelope which originally contained the signature, annotated in fountain pen ink 'Cetywayo's signature…..Given by Col. Hassard'. Autographs of Cetshwayo are extremely rare in any form. One very small, extremely minor stain just above one letter of the signature, VGColonel Charles Fairfax Hassard (1822-1900) British Army officer who commanded the Royal Engineers in South Africa and served as second in command to Frederic Thesiger, 2nd Baron Chelmsford, during the Anglo-Zulu War. Hassard was Cetshwayo's gaoler when the Zulu chief was held captive at Cape Town. Provenance: The present signature was formerly part of the Ray Rawlins collection of autograph letters and historical documents and is illustrated in his Guinness Book of World Autographs (1977). The signature was sold by Sotheby's in their sale of the Rawlins collection on 2nd, 3rd & 4th June 1980 (lot 298, Estimate £100-150, Hammer price £180) and has not appeared on the market since. We have been unable to locate any other signature, letter or document of Cetshwayo as ever having previously appeared at auction.

1- Trollope, A: Orley Farm, in 2 vols. Chapman and Hall, 1862, 1 st . edns. half titles and all plates present. Cont. half leather; rubbed & with small cuts; 2- Marryat, Captain: The Pirate and The Three Cutters. Longman.. 1836, 1 st . edn. with 20 engraved plates by C Stanfield. PP: (viii)including extra engraved title, 315. Cont. half leather; hinges cracked and crudely glued back ; name to title page and page one; occasional foxing ; 3- Du Maurier, George: Trilby, A Novel. NY, Harper 1895, Limited edition, #576/600 copies. Full vellum like cover with gilt decoration & teg; little rubbed; 4- Lawrence, T.E: Seven Pillars of Wisdom . Jonathan Cape, 1935, 1 st . trade edn. Original cloth. (5)

Admiral Fraser of North Cape signed note. Admiral of the Fleet Bruce Austin Fraser, 1st Baron Fraser of North Cape, GCB, KBE was a senior Royal Navy officer. He served in the First World War and saw action during the Gallipoli Campaign and took part in the internment of the German High Seas Fleet at the end of the War. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

A good military group of medals to Pte W Parsons, Royal Sussex Reg 6634, 2608 Pte W Parsons London Reg to include Queens Africa medal with three bars, South Africa 1901, orange free state, Cape Colony to 6634 and WWI trio, Faithful service and Legion of Frontiersmen for Meritorous Service, all with new ribbons but with original bar , 1914 -15 star named as Corporal

Four bottles of Port Cockburns fine ruby, Boplaas Cape vintage Reserve 2006, Taylors Select Port, and fine old Ruby

A George III steel engraved map 'Atlantic Islands' (Cape Verdis, Canaries, Azores and Madeira) by  T Clerk for Thomson's New General Atlas 50 x 60 cm, mounted framed and glazed to/w a French map engraving of the West African Coast and Atlantic Islands, by Andre after Harrison, 36 x 24 cm, mounted framed and glazed, and an unframed map engraving of Great Britain (3)

Graham Evernden (British B.1947) - Cape Cornwall, signed limited edition coloured etching, 118/350, 44 x 53.5cm visible sheet size, together with a 19th century oleograph of a pair of horses in a landscape setting, indistinct signature C Vanaes? 45 x 62cm, and a coloured print of a continental landscape with single arched bridge, with Frost and Reed label verso, and indistinct artists name, 50 x 65cm all framed (3)

Two white glazed figures with underglaze blue decoration18th centuryThe first a bearded immortal holding a tiny ingot; the second a female general holding a battle banner in her right hand and her left hand resting on a sword hilt; both similarly attired in an applied hood and a long cape highlighted in underglaze blue (minor chips, firing cracks).7 1/2 and 7 1/4in (19 and 18.5cm) high (2).

Nelson Mandela, The Guard TowerThe Guard Tower, from 'Reflections of Robben Island' Lithograph printed in colours, on wove, signed and numbered 66/350 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered case together with another print by Grant Warren, 510 x 403mm (20 x 15 7/8in)(SH)

Nelson Rolihlahla Mandela (South African, 1918-2013)Hand of Africa (Right Hand), from 'Impressions of Nelson Mandela' Lithograph printed in black, on BFK Rives, signed and numbered 590/1000 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered slipcase, 660 x 500mm (26 x 19 3/4in)(SH)

Two brown fur coats, and a fur cape or stole. (3)

A FRAMED AND GLAZED WATERCOLOUR ENTITLED CAPE TOWN SHANTY TOWN SIGNED PATRICK DEROCK 50 X 82 CM

JOE EVERSOHN - SOUTH AFRICAN (XXI). 'Cape Town Fishermen', signed lower left, mixed media, framed and glazed, 67 x 47 cm

A velvet evening cap and matching cape, etc., with floral decoration and surround, in green and gilt colours, size unknown.

19th Century Queen Victoria South Africa medal, awarded to Private John Stanton, St. John's Ambulance, together with an Edward VII John's bronze medal, 1899 - 1902, contained in a brass snuff box engraved: John Stanton, in the form of a book. (3)(B.P. 24% incl. VAT) CONDITION REPORT: Approximate diameter of medals: 3.8 cm. South Africa medal - 1827, PTE, J. Stanton, St. John, AMB BDE.Bronze medal 1899 - 1902, 1827 PTE J Stanton Welbeck Div.Both medals are secure.Clasp for “Cape Colony”

Two boxes of stamps in folders and loose, First Day Covers, catalogues, schoolboy stamp books and approximately £100 face value GB, stamps to include: China postage due/Republic of China/North East China/People's Republic/Formosa, high revenue Germany, Indonesia special delivery, early France/Austria/Germany and Italy, Charity Tax Greece, Malaysia, Australian Antarctic Territory, Cape of Good Hope, mint Russia coat of arms, South and North Korea.Together with an album of Kensitas National Flags, Scotland 1967 One Pound banknote, 1984 signed rugby cover and limited edition signed Lieutenant Governor Sir Laurence Jones cover.

One large white fur cape, satin with pockets on the inside, made in India, grandfather bought in the 1920's, he was in the Everest expedition in 1924. with Mallory and Irvine

A large collection of children's wear including items from the Edwardian era, including wool tiered Christening cape, along with lace edging items and nightwear; a blue Georgette babies dress with embroidered edging of sheep and farm scene and a scalloped edge, also included is a smock dress circa 1930/40's, baby shawls and a pram cover with appliqued rabbits (Q)

Pair Dutch-style oils on panelBearded gentleman wearing large brimmed hat and another wearing a fur-collared cape, both oval, both in pierced foliate frames, each 20cm x 16cm (2) 

BARNARD CHRISTIAAN: (1922-2001) South African Cardiac Surgeon who performed the world's first successful human-to-human heart transplant. Brief T.L.S., Chris Barnard, one page (folding air mail stationery), 4to, Cape Town, South Africa, 21st July 1980, to David Folkson, on the printed stationery of the University of Cape Town. Barnard thanks his correspondent for their letter and informs him 'I first became interested in heart surgery as a high school boy'. Some very light, extremely minor creasing and a small tear to the left edge, not affecting the text or signature, otherwise VG

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Messenger and the Sentinel" Dated: '83 - 05 Oil on Paper laid on Canvas. Signed verso. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Overall Size: 11.25 x 15.25 in. (350 - 4303)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Shaman's Doll" Dated: '94 Oil on Canvas. Titled and signed verso. Having gallery label verso. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Overall Size: 18 x 16 in. (189 - 4309)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "The Crossing" Dated: '93 Oil on Canvas. Signed, dated and titled verso. Overall Size: 31 x 43.5 in. (140 - 4332) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France.

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "Herald of the Morning" Oil on masonite painting. This stately ship could haul 1,600 tons of cargo, and was described as a perfect gem in hull and rigging, not unlike a long, light-heeled privateer. The Herald of the Morning boasted clear and roomy decks, and had two fancy brass cannons mounted on her poop deck that added to her bold fighting appearance. During her 20-year career she made 18 westward passages around Cape Horn. Weighing nearly 1,300 tons and measuring 203 feet from bow to stern, the Herald of the Morning was launched in 1853 and soon made her mark as one of the world's fastest sailing ships. On her maiden voyage in 1855, she sailed from Boston to San Francisco in just 100 days, the fastest passage of any ship that year. Size: 25.5 x 26 in. Unframed.

Cape Cobra Alligator skin handbag, Crocodile skin purse and two matching clutch bags & compact

Collection of vintage clothing and accessories to include a Snakeskin handbag with matching purse, Mappin & Webb Lizard skin handbag with matching compact & purse, other handbags, Ede & Ravenscroft graduation cap and striped blazer, ermine collar, mink fur cape, coney fur cape, other fur collars etc

FLEMING, Ian. Octopussy and The Living Daylights (3 copies). Jonathan Cape, London, 1966. All three 1 st edition copies. All in original publisher’s cloth with original RICHARD CHOPPING designed wrappers. Together with Goldfinger, Jonathan Cape, London, 1959 1 st edition without wrapper. [4]Condition report: Octopussy copies are unusually clean examples in near fine wrappers. One of these wrappers has a newer price sticker over the original price the other two have the original 10/6 price. Goldfinger has some edge spotting. Small tear in cloth at base of spine.

John Lennon, In His Own Write, Jonathan Cape 30 Bedford Square London, early edition, signed by John Lennon to the opening page in blue ink, the opposing side inscribed in another hand 'Foyles Luncheon, Dorchester Hotel 23rd April 1964'. Note: This whimsical book of surrealist poems, drawings and short stories was the first solo endeavour by any of The Beatles. Originally published in March 1964, it was a huge success – reportedly selling 50,000 copies on the first day of its release in England. To celebrate the books success, Lennon was invited to a literary luncheon hosted by Foyle’s at the prestigious Dorchester Hotel in London, for which he took a break from filming A Hard Day’s Night. Also in attendance were the Earl of Arran, Arthur Askey, Harry Secombe, Mary Quant, Helen Shapiro and a crowd of press people amongst others. Unfortunately, Lennon was not aware that he was expected to make a speech or that the event was anything more than a casual lunch; and according to his wife Cynthia they were both painfully hungover. When the moment arrived, with the press and attendees waiting with bated breath to hear from the ‘intelligent’ Beatle, a terrified John Lennon stood and said "Er, thank you all very much, and God bless you." Apparently the disappointment was palpable and it was seen as a typical Lennon snub of the establishment, but he tried to make up for it by signing copies of his book – including this volume for a relative of the current vendor who was in attendance.

P R GRATTAN Cape Province, Sandyhills, South Africa, signed, oil on canvas, 26 x 31cm Condition Report: Available upon request

Three vintage gent's jackets and a cape Condition Report: moth damage to some.

1 BOTTLE OF JOSEPH BARRY VS CAPE BRANDY - 40%

A Queen's South Africa medal (1899-1902) 3rd type reverse with Wittebergen, Transvaal and Cape Colony clasps, naming 6208. PTE. J. PAYNE. 58TH COY. 15TH IMP. YEO.

A Queen's South Africa medal (1899-1902), 2nd type reverse with ghost dates ,with South Africa 1902 and Cape Colony clasps, naming 5236 PTE. A. CARTER. 2 : R: BERKS. REGT.