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Click here to subscribeFour trays of Royal Albert 'Old Country Roses' tea and dinnerware to include: twelve teacups and saucers, thirteen tea plates, teapot, milk jug, sugar basin, two cake plates, six dinner plates, five side plates, two sandwich plates, small oval meat plate, two oval bowls, three small dishes, gravy boat and saucer, trinket box, ring holder and tray dressing table set etc.(B.P. 21% + VAT)
Three boxes of assorted china to include: Foley china part tea ware, hand painted with pastel coloured flowers and trellis to include: teacups, saucers, tea plates, and sandwich plate, milk jug and sugar basin, Zeh Scherzer Bavaria Germany part tea ware 'Elite' pattern to include teacups and saucers, tea plates and sandwich plate, Sutherland part tea ware with blackberry pattern, large Royal Albert 'Celebration' teapot decorated with pink, red and white roses, pagoda plates, Staffordshire Imari pattern pedestal platter with non-matching lid, blue and white lidded vegetable dish, pots, vases, jug, etc. (3)(B.P. 21% + VAT)
Five trays of Mason's Ironstone 'Mandalay' tea and dinnerware etc. to include: six dinner plates, six tea plates, six cups and saucers, six bowls, sandwich plate, coffee pot, large bowl, teapot, sugar basin, milk jug, and sucriere, large jug, two lidded vegetable dishes, lidded trinket box, gravy boat and saucer, etc. (5) (B.P. 21% + VAT) In general no obvious damage. Good condition. Please note, we cannot look at every single item when there are so many in the lot.Sugar bowl is chipped - appear first quality, no evidence of crazing.
Three trays of assorted china to include: one tray of Clare fine bone china, decorated with sprays of pink, blue and grey flowers with wavy gilt edging, comprising six tea cups and saucers, six tea plate, a sandwich plate, milk jug and sugar basin, together with a tray of Tuscan fine bone china 'Windsor' pattern to include coffee pot, six cups and saucers, sugar basin, milk jug, knife and spoon rest, butter dish and butter knife, on a white ground with gilt edges, and a tray of Mason's Ironstone 'Brown Velvet' to include a trio, a ring holder, dressing table dish, two jugs and a vase. (3)(B.P. 21% + VAT)
A Chinese export porcelain blue and white basin of large proportions, Qianlong (1736-1795), the interior Fitzhugh type chrysanthemum sprays later Canton clobbered with the eight Daoist emblems, within a gilt cell-diaper border, further gilt highlights throughout, 41cm diameter CONDITION REPORT:The piece has been extensively repaired, showing re-joined hairline cracks across the surface (some showing flaked losses to the edges) and a large star crack to the base. The gilt highlights throughout are extensively rubbed. The clobbered decoration shows surface wear, surface scratching and losses.
A mid 19th century 36 part tea set by H & R Daniel, "Savoy" pattern with gilded 'C' scroll borders and hand painted polychrome sprays, comprising 17 cups and saucers, pedestal bowl and 2 plates. The numbers 8822 can be found stamped under a number of the pieces) Condition: Generally good condition, two cups with hairline cracks + star crack in sugar basin noted. Some wear to gilt and some cups stained; otherwise, no obvious further damage, repair or restoration.
VICTORIAN & LATER 3 PIECE SILVER TEA SERVICE - London 1848 and 1904 comprising squat globular teapot with fruit finial, 13.5cms H, 26cms across, 16cms body diameter, matching two-handled sugar basin with gilded interior, 11cms max H, 21cms across, 14cms diameter with a later milk jug having matching handle and chased decoration with gilt lined interior, 14cms H, Makers Edward, John & William Barnard & Holland, Aldwinckle & Slater respectively, the teapot inscribed around the lower body 'Presented to Jane Jones on her marriage from Harry, Ned, Jack, Reg, Char, Ettie, Hilda and Hope Marshall, Bob and Eila Anderson, Sidney and Bertha Platt, January 1911', 42 ozt gross
Attributed to Arthur Ernest Anderson (d. 1936) of Bristol: A set of twelve carved and polychrome wood carousel juvenile gallopersprobably early 20th century the horses with elaborate cartouche and foliate decorated scrolling saddles, and curling manes, their open mouths with integral horse bits, each on later gilt metal spiral twist supports with ball finials on swept stiff leaf scrolling rectangular gilt wood bases, repainted and and with restorations and later additions, each 125cm high, 110 wide, 29cm deep (the bases, 35cm wide) approximately (12)Footnotes:Williams & Anderson were a well established Bristol maritime wood carvers originally based at premises in Commercial Row in Hotwells near the harbour of the city. The firm began trading in mid 19th century with John Anderson and his uncles the Williams brothers producing many of the figure heads for the sailing ships that filled Bristol's docks during the 1840's and 50's. The firm was later registered with the names J. R. Anderson between 1889 and 1900 and then by 1919 Arthur Ernest Anderson. However by 1919 the demand for carved ship figureheads had completely died out and the company had already turned to producing carved fairground carousel figures which they subsequently became associated with in the later years of trading. Interestingly, there is a photograph of the young Duke of York, later George VI, riding one of the Blists Hill Gallopers in 1924.Arthur Anderson is known to have produced many dozens of animals for the fairground rides of British fairs in the late Victorian and Edwardian periods through to the 1920's. Sadly the business, which by this time was situated at Rownham Place at the junction of Hotwells Road and the Cumberland Basin, faltered in the difficult days of depression in early 1930s and finally closed its doors in 1936 when Anderson's estate was sold by auction at William Cowlin and Son, Princess Victorian Street, Clifton. An article cited in the Nation Fairground Archive further notes:'Their (Andersons) carved Galloper mounts were known for the burgeoning scrollwork under the animal's belly, complete with Italianate grotesque grins upon its flanks and a flying ribbon frozen onto the neck, lettered with name of a famous horse or friend. Later worked transmogrified even further, with animals heads carved into the body work creating a dream-like, surreal effect similar to the uncomfortable prose and jarring effects written by Lautreamont who twists the rules of nature to create fanciful cross-breeds and representations'. (Cameron, 2009)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century porcelain waterfall closet lavatory basin numbered 267648, 35.5cm wide x 51cm deep x 40cm high; a further lavatory basin, 34cm wide x 56cm deep x 40cm highCondition report: Two chips to the base of the waterfall closet, a small area of restoration to the rim of the other lavatory basin
Spanish school of the third quarter of the 18th century."Christ washing the feet of the Apostles".Oil on canvas. Without stretcher.Measurements: 65 x 160 cm.It is represented here a scene narrated by the Gospel of John, widely treated in the baroque painting. Christ kneeling before Peter, is preparing to wash his feet. The rest of the apostles surround the two figures and exchange impressions, looking stunned by the idea of being washed by their Lord. The figure of Jesus, distinguished from the others by his attitude, determines the disposition of the rest. The Gospel of John tells how, during the Last Supper, Jesus got up from the table, took off his cloak and tied a towel around his waist. After pouring water into a basin, he began to wash his disciples' feet. Simon Peter pretended to refuse, but when Jesus insisted that otherwise he could have no part with him, he agreed to have his feet washed. The washing of feet was a common ritual in Eastern culture, in fact, in the Old Testament we find examples of this practice, for example in the visit of the angels to Abraham. Such an action is associated with hospitality, but Jesus' gesture towards his apostles adds a new significant dimension that alludes to humility.
A Doulton Burslem iris pattern washbowl of rectangular form, and a Gloire-de-Dijon pattern planter Condition report: "Planter - crazing to interior base ans small hairline to interior, loss of gilt to rim which has been painted over in yellowWash basin is slightly crazed with some light surface scratches"
A Wemyss ware chamber jug and basin, c1900, painted with roses, basin 29cm diam, impressed mark, the basin with printed oval mark of the retailer T Goode & Co Jug - short hairline crack in the lip and near handle. Slight wear to enamel on rim of lip. Basin - star crack on underside of base and short hairline crack
Crocus, a Clarice Cliff Bizarre Tankard Coffee Service for Six, painted in colours between yellow and brown bands, comprising- coffee pot 7.25ins high, hot water pot 5.25ins high, milk jug, sugar basin, six cans and six saucers with painted and printed marks, Newport and Wilkinson backstamps to some
A George V Silver Rectangular Milk Jug and Sugar Basin, by Asprey and Co. Ltd, London 1926, with shell, scroll and gadroon mounts, scroll handles and on bun feet, 4.25ins high, weight 18ozsCondition ReportBoth pieces sit well on a flat surface. Both show original vertical solder joints to interior and exterior of the bodies. Neither has suffered any obvious damage/loss/restoration. Neither have been engraved with either a crest/monogram/design. Both appear to be in reasonably good condition with no obvious/loss/restoration.
A George V Silver Rectangular Four-Piece Tea and Coffee Service, By Barker Brothers Silver Ltd, Birmingham 1937, of panelled form and engraved with initials, comprising - teapot 6.25ins high, coffee pot 8.5ins high, each with ebonised finial and handles, two-handled sugar basin and milk jug, gross weight 61ozs
Ravel, a Clarice Cliff Bizarre Conical Part Tea Service and Other Pieces, the tea service comprising- teapot and cover 6ins high, milk jug, sugar basin and five cups, a matching Athol cheese dish and cover, a salt and pepper muffineer, an egg cup and a coaster 3ins diameter, all with printed marks, Wilkinson and Newport backstamps
A George V Silver Rectangular Three-piece Tea Service, by George Nathan and Ridley Hayes, Chester 1912, of panelled form with reeded mounts, moulded bodies, angular handles and on bun feet, comprising- teapot with ebonised finial and handle 6.5ins high, two-handled sugar basin and milk jug gross weight 27ozs
A Victorian Scottish Silver Three-piece Tea Service, by J.M. Glasgow 1852, of bulbous panelled form, engraved with oval bead ornament and strap work, with leaf capped scroll handles, on octagonal foot rims, comprising- teapot with cast finial 8.5ins high, two-handled sugar basin and milk jug each with pierced rims, gross weight 58ozs, engraved with initials and crest
A Shelley Sunset and Tall Trees pattern tea and coffee service. Comprising pot and cover, three tea cups and four saucers, four coffee cups and saucers, cream and milk jugs, sugar basin, four tea plates, two cake plates and a 24cm diameter bowl. Printed marks, numbered 11678CONDITION:Crack to sugar basin and spout of pot restored
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