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Otto Hellmeier. Raistinger Moor. Signiert, Öl/Hartfaserplatte, 20 x 30 cm. Das Ammerseebecken stellt mit seinen Moorgebieten ein Feuchtgebiet von großer Bedeutung dar; hier voralpines Moorland südlich von Raisting/Oberbayern, Weilheim-Schongau. / Otto Hellmeier. Raistinger Moor. Signed, oil/hardboard, 20 x 30 cm. The Ammersee basin with its moorland represents a wetland of great importance; here pre-alpine moorland south of Raisting/Upper Bavaria, Weilheim-Schongau.
Two Sèvres 'bleu mosaique' plates, circa 1755-65Painted with bouquets of flowers under a border reserved with flower sprays within rectangular gilt scroll cartouches, alternated by bands of geometric basket-weave patterns in blue, white and gilding, 25.5cm diam., (three rim chips to one plate, some scratching) (2)Footnotes:The border decoration on plates with this typical blue and white border are often linked on stylistic grounds to the arms of the Wittelsbach family. A Sèvres service was given by Louis XV to the Prince-Elector Carl Theodor von der Pfalz in 1760. The service differs from this one in the addition of ornithological elements. In 1756, Madame de Pompadour had already given a jug and basin of this distinct pattern to the Wittelsbach Elector; see Rosalind Savill, Everyday Rococo Madame de Pompadour & Sèvres Porcelain, vol. 2 (2021), p.708. The author notes that David Peters already identified another dozen plates purchased by Madame de Pompadour in April 1762, which subsequently arrived at Versailles, where the decoration was described as 'mosaïque blue, dessein de Choisy de Roy'. Madame de Pompadour ordered vast amounts of this popular pattern. Savill (op. cit., vol.2, fig.15.47) illustrates a plate - probably one of eighteen bought by Mme de Pompadour in December 1758 - now in the collection at Stratfield Saye House, Hampshire.For further information on this lot please visit Bonhams.com
A Sèvres hard-paste covered ewer and basin, circa 1786Decorated with scattered flowers including cornflowers under a formal neo-classical band of dashes in yellow alternating with rosebuds on a puce ground, all picked out in gilding, the jug with a gilt-metal mounted thumbpiece the jug: 20cm high., the basin 26.7cm diam., interlaced crowned double L and date letter 'jj' for 1786, unidentified painters mark Y for Bouillat the base, in black to the basin in gold to the jug (basin with old overpainting to the side of the well, cover restored) (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A BRONZED IRON 'TEMPERANCE' BASIN AFTER FRANÇOIS BRIOT (1545-1620), IN RENAISSANCE STYLE, LATE 19TH CENTURYthe well with a central classical figure of Temperance inside a border of four cartouches interspersed with carytids, the rim with further classical cartouches of Minerva and the Arts42.3cm diameter
A collection of Oriental blue and white ceramics, comprising of: a large 20th Century vase, with scenes of immortals in a foliate and tree setting, 47cms high; a pair of figures of immortals dressed in robes, one possibly holding a snake, the other holding a dog of foo; and a reproduction ‘Willow’ pattern jug and basin.
‡ A GEORGE IV MAHOGANY AND PARCEL GILT BIDET STAND AND WEDGWOOD QUEENSWARE BIDET CIRCA 1825, THE STAND IN THE MANNER OF GILLOWS The kidney shaped basin with impressed marks, the stand with two sets of impressed branded marks for George IV and Queen Victoria and a sticker for Windsor Castle, room 238, no. 12 46cm high, 61cm wide, 38cm deep Provenance: The Royal Collection, Windsor Castle, EnglandExhibited: Wellcome Institute Library. Condition Report: The basin with crack and split, also a section of loss Stand cleaned and repolished, the gilt almost certainly refreshed, some marks, knocks, scratches, abrasions consistent with age and use Condition Report Disclaimer
An Ottoman silver ewer and basin. Late 19th/early 20th century, 900 standard. The melon fluted baluster-shaped ewer designed with a curving swan-necked spout and an elongated scrolling handle, the hinged cover with a foliate thumbpiece and flower finial, the basin with flared and fluted sides to a flat base, both the basin and the ewer stamped with Tughra mark, the mark either that of Sultan Abdul Hamid II (1876-1909) or Mehmed V (1909-1918), lacking pierced support, basin 10.6cm high, 32cm dia., ewer approx. 30.3cm high, total weight approx. 60ozt (2)Footnotes: https://www.christies.com/en/lot/lot-4893786Condition Report: Good overall condition commensurate with age but some dings and wear noted. General scratching and nicking commensurate with age. Some dings to the body of the ewer. A small split noted to the cover where thumbpiece meets. Some dings to the basin and bruising to the lobed rim in places. Please note that the support is lacking. Handle and spout both pushing in at base. No Tughra mark noted to flower finial. Some minor bruising to spout. Basin 25.2ozt. Further images available to download via this link: https://we.tl/t-owHsbeYlWa
A Ridgway (Cauldon Place) 'Savoy' bone china tea service, pattern 2/9123, circa 1835-40, the pink borders painted with flowers, comprising twelve teacups, twelve saucers, twelve sideplates, a pair of bread and butter plates, a muffin dish cover (no stand), slop basin and sugar bowl, and one further dish, numbered; sold together with a Coalport reproduction Caughley-style maskhead jug, 11.5cm high (43)Condition:One teacup is chipped with an associated crack. One saucer has a Y-shaped crack to centre. Second saucer has a hairline to rim. Third saucer has multiple hairlines. Fourth saucer has some noticable crazing lines. Fifth saucer badly cracked.One sideplate cracked and chipped.One cakeplate fairly scratched.No other damages or repairs. Decoration and gilding generally in good condition
An Edwardian Aynsley part tea service, circa 1900-1910, transfer-printed in underglaze red and blue with flowers and foliage, augmented with over-glaze gilt, the cups of quatrefoil form, set comprising ten teacups, ten saucers, twelve sideplates, pair of cake/bread and butter plates, cream jug and sugar basin, printed factory marks (36)Condition:Tje majority of the service has tightly packed and fine glaze crazing throughout alongside light yellow discolouration to some cups. One cup has some stained crazing to the underside base. There is gilding wear to the handle of the cream jug.Saucers - 1 cracked. One broken and with glued repair. Sideplate - one with reglued break to rim.Scratches to both cake plates.No other damages or repairs.
▲ Simon Carroll (1964-2009), an earthenware slab basin, 2003, with a trailing glaze to the dished bowl, raised on three lug supports, with additional brushed designs, with artist's monogram 'SPC' and dated '03', 39cm diameter23cm highCondition ReportFiring cracks to the body. No chips restoration.
A selection of vintage Portmeirion ceramic kitchen / table wares. The lot comprising three canisters with wooden lids, jug and basin, a fluted vase, cheese dish and cover and a dinner plate. Mostly in the Botanic Garden pattern with floral sprays, fruit and insects. Jug measures approx. 21cm x 16cm.
***PLEASE NOTE NO INTERNET BIDDING IS AVAILABLE FOR THIS LOT, PLEASE REGISTER FOR A TELEPHONE BID ONLY. A DEPOSIT WILL BE REQUIRED.*** A PAIR OF GILT-BRONZE AND CLOISONNÉ ENAMEL 'WAN SHOU WU JIANG' BOWLS WITH BLUE ANG GILDING ENAMEL PAINTED FLOWER SHAPED STANDS 清乾隆 「子孫永寶」款 掐絲琺瑯萬壽無疆盤一對及透明宝藍琺瑯貼金花卉紋菊瓣形底座 China, Qianlong period (1736-1795) The bowls feature short rounded sides that rise from a splayed foot to a slightly flared rim. Its exterior is adorned with a cloisonné enamel turquoise-ground frieze, embellished with four roundels, each containing one of the characters wan shou wu jiang (Endless longevity without limit). These roundels are separated by meandering lotus sprays, while the rim is bordered with archaistic kui dragon scrolls and the foot with upright lappets. The interior, foot, and base are gilded, with the base incised with a four-character seal mark that reads zi sun yong bao (For eternal protection of sons and grandsons) within a double-square. The chrysanthemum flower shaped stand is decorated with translucent cobalt blue cloisonné enamel glaze. The gold foil flower patterns, underneath the enamel glaze, shimmer subtly, imbuing the piece with a hazy beauty. D.16.8cm – H(bowl).4.9cm H.(stand)6.1cm Provenance: A very important private collection from south of Ireland 出處:愛爾蘭南部重要私人收藏。 NOTE According to the Qing Palace Archives, During the Grand Banquet for Longevity, only Emperor Qianlong used a complete set of Jingdezhen blue-and-white enamel bowls and plates, while others used porcelain. Since then, this type of cloisonné enamel Longevity without Bounds bowl has almost become a symbol of Qianlong. Wherever there is Qianlong, this utensil is present; wherever this utensil is found, it is exclusively for the emperor's use. Therefore, several important imperial palaces including the Forbidden City, Shenyang Imperial Palace, and the Imperial Summer Resort have equipped such tableware as a symbol of the emperor's Longevity without Bounds. The Longevity without Bounds bowl, as the top-grade imperial dining utensil, is the most important object during Emperor Qianlong's Longevity Celebration and is regarded as the supreme object in a bowl. See a similar bowl in the collection of the National Palace museum, Taipei or in Liaoning provincial museum; also a set of ten bowls of deeper shape, decorated with this design, in the Palace Museum, Beijing, included in the Museum’s exhibition The Imperial Packing Art of the Qing Dynasty, Beijing, 2000, cat. no. 99 Transparent cloisonné, also known as shaolan燒藍, was introduced from Europe. This technique involves applying transparent enamel to a base of gold, silver, or copper, which is then fired at low temperatures. The process often involves engraving decorative patterns on the surface of the vessel, followed by the application of various enamel colors such as blue, green, purple, yellow, and white, as well as the addition of gold or silver foil. Through the transparent enamel, the finished piece exhibits a dazzling and magnificent effect, making it highly valued for its aesthetic appeal. During the Qing Dynasty, this technique was only produced in Guangzhou, hence its alternate name Guang cloisonné.. A transparent cloisonné basin in the Palace Museum collection(故00118395) 故宫藏透明珐琅八吉祥纹面盆(故00118395)
A Spode bat-printed porcelain part tea service, circa 1810, pattern 558, comprising teapot and cover, sugar basin and cover, slop bowl, circular dish, twelve teacups, ten coffee cans and twelve saucers, printed with scenes from the 'Landscape Ruins' and 'Cottages' seriesProvenance: Ombersley Court, WorcestershireTea pot with a tiny chip to tip of spout, the cover with a firirng crack to rim. The sugar bowl with a piece from the sode vroken out anf glued, and a stsined hairline crack to the other side.Saucer dish in good conditin. Slop bowl in good condition. One teacup wth a broken handle and flat chip to front, one cup with a stained hairline crack in base. Coffee cups in good condition. Saucers in good condition.

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23407 item(s)/page