A MONUMENTAL BLUE AND WHITE 'LANDSCAPE' CHARGER, KANGXI PERIODChina, 1662-1722. Massively potted with shallow rounded sides rising from a short tapered foot to a broad everted rim. Superbly painted in rich tones of intense cobalt-blue with a vast mountainous lakeside landscape with towering trees, houses and pavilions, a pagoda, fishermen, and other figures, all enclosed by a double line border, the rim similarly painted within a continuous band enclosed by a further double line border. The recessed base left unglazed. Provenance: US trade, by repute acquired from a New York private collection.Condition: Superb condition with minor wear and firing irregularities, including some kiln grit and a small firing crack to the rim, remnants of old varnish around the foot. A charger of such large size in this pristine condition must be considered exceedingly rare.Weight: 8.6 kgDimensions: Diameter 55.3 cmAuction result comparison: Compare a blue and white fish basin, 60.5 cm diameter, similarly painted with a monumental lakeside landscape, at Christie's Hong Kong, in Important Chinese Ceramics and Works of Art, on 28 November 2012, lot 2236, sold for HKD 1,100,000.康熙時期青花開光山水盤中國，1662-1722年。折沿，厚胎，質堅密，青花髮色深沉，盤中圓型開光繪製山水樓閣，林間小屋與人物，水上小舟及漁夫。筆觸準確，描繪細膩。底部露胎。 來源：美國古玩市場，據説購於紐約私人收藏。 品相：狀況極佳，有輕微磨損和燒製瑕疵，包括一些窯砂和邊緣的缺損，足部周圍有舊清漆殘留物。在這種原始狀態下，如此大尺寸的青花盤極爲罕見。 重量：8.6 公斤 尺寸：直徑55.3 厘米 拍賣結果比較: 比較一件青花魚盤，直徑 60.5 厘米，描繪湖邊山水景觀，見香港佳士得Important Chinese Ceramics and Works of Art 2012年11月28日 lot 2236, 售價HKD 1,100,000。
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A composition stone fountain or bird bath, late 20th century, with circular basin above the cherub support, 60cm high, 44cm diameter, together with a a pair of composition stone planters, late 20th century, each applied with a Tudor rose to the body, 32cm high, 44cm diameter, and a composition stone strawberry planter, 32cm high, 43cm diameter Note- these are on view in the Gardens of our Donnington Priory saleroom Provenance: The property of a lady and gentleman, removed from a Cheshire country house Condition Report: Note- these are on view in the Gardens of our Donnington Priory saleroom - they are to be collected and viewed by appointment only. All elements with marks, knocks, scratches, abrasions consistent with age and use Overall these pieces lack significant age but have clearly all been consistently stored and used outside, the surfaces with dirt, discolouration and algae growth. The fountain basin has old cracks and repairs, the metal pipe is misshapen and bent Condition Report Disclaimer
A collection of silverware including an Armada dish, two waiters, two pierced bon-bon dishes, a triangular pin tray, four spirt labels, a cream jug and a sugar basin, 28.8ozt gross, together with three continental metalwares dishes set with coins, a small commemorative dish, a base metal spirit label and a ceramic spirit label
Venetian school; first half of the 17th century."Venus and Cupid".Oil on canvas. Re-coloured.It presents repainting and restorations.Measurements: 125 x 110 cm.In this sumptuous scene the author presents us a moment of intimacy in which he shows us two gods of the Olympian pantheon in an everyday way. The monumental woman in the centre of the scene dominates the composition both by her bulk and by the reflection of light from her nudity. Seated in front of a large silver basin, the rosy-cheeked young woman is preparing to wash herself and can be seen drying one of her feet. On the left-hand side of the image, a small infant can be seen, who can be deduced to be Cupid by his small wings and by the bow and the dates on the ground next to his figure. Unlike the young and beautiful Venus, who is concentrating on herself, Cupid looks directly at the viewer, while pointing at the young girl, thus making it clear that she is the undisputed protagonist of the scene, as well as demonstrating the maternal-filial relationship between the two. This type of scene in which Venus is accompanied by Cupid has been very popular throughout the history of art, with the intention of reflecting love and eroticism. In this work, the author presents an image with a markedly theatrical character. This can be deduced from the attitudes adopted by the characters, whose poses are stereotyped, thus representing archetypes that coincide with mythological characters. There is an ideal of beauty that is not based on reality, although the painter's study of nature is undeniable, but rather an idealism based on reality through his sum of experience, that is to say, an aesthetic sublimation that reflects a beauty that transcends reality.The work belongs to the Venetian school, which was aesthetically defined by its departure from the classicism of the Roman school. The result is scenes that show a greater interest in the application of colour than in drawing. These are works in which the atmospheric, as can be seen in this particular work, plays a major role. It should also be noted that the socio-political situation of the city of Venice led to the development of an aesthetic taste of a sumptuous and magnificent nature.
A group of Caughley porcelain circa 1780-93 comprising a large Parrot Pecking Fruit mug, 13.5cm high (repaired); four fluted 'Flaming Pearl' bordered tea bowls and four matching saucers; a 'Dresden Sprigs' coffee cup and saucer; a 'Hop Pole' pattern fluted slop basin and large Fisherman pattern leaf-shaped dish, 16cm wide (repaired)
Y A Victorian matched three-piece coffee service Samuel Hayne & Dudley Cater, London 1844/5, comprising a teapot, a milk jug, and twin handled sugar basin, each of baluster form, with panels of c-scrolls and foliate design, S-scroll handles with ivory insulators to the teapot, raised on a bracket with four scroll feet(Height of teapot: 18cm, combined weight: 50.7oz)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A George III card tray Robert Makepeace & Richard Carter, London 1778, of circular outline with a beaded and chased foliate border, raised on three stylised feet; together with a card tray, Hamilton & Inches, Edinburgh 1920, piecrust border, crest and motto engraved to centre, raised on three leaf clasped ball feet; a twin handled sugar basin, Brook & Son, Edinburgh 1920 with unassociated sugar tongs and a George III cream jug, London 1815(Diameter: 20cm, combined weight: 30.5oz)
A late 19th-Century/early 20th-Century Dutch twin-handled basket JM van Kempen & Zn., Voorschoten, of oval outline, pierced sides with undulating beaded border, the cast handles of scroll foliate form, raised on four pierced feet; together with a pair of smaller twin handled Dutch pierced baskets; various sugar baskets, including a swing-handled sugar basin, Richard Meach London 1776, with pierced sides and blue glass liner(Width: 37cm)Provenance: Property of the late the Hon. Elizabeth Fairbairn
A mid 20th-Century Norwegian three-piece coffee service Magnus Aase, Bergen, stamped 830S, comprising a coffee pot, a twin handled sugar basin and a cream jug; the coffee pot of baluster form, each of panelled form with scalloped beaded rims, S-scroll handles, the shell clasped legs to four feet, engraved gothic B and 3-8-1937 to underside of each(Height of coffee pot: 26cm)
A George V matched cafe-au-lait set The Barnards, London 1916/7, comprising a waterpot, a coffee pot, a cream jug, and associated twin-handled sugar basin, all of baluster form, with S-scroll wooden handles to water and coffee pot; together with a five bar toast rack, Birmingham 1916(Height of coffee pot: 18cm, weight (all in): 26.3oz)
An Edwardian three-piece coffee service Walker & Hall, Sheffield 1907, comprising coffee pot, twin-handled sugar basin and cream jug, all of rounded rectangular baluster outline with gadrooned rim, engraved crest and motto to centre for the MacRae family, with angular handles, each raised on four ball feet(Height of coffee pot: 23cm, combined weight: 42.1oz)
Y A late Victorian four-piece tea set John Alexander Fettes, Glasgow 1901, comprising a waterpot, teapot, twin-handled sugar basin and a milk jug, each of baluster form, with embossed floral detail, S-scroll handles with ivory insulators, raised on a moulded circular foot with similar decoration(Height of the waterpot: 24cm: combined weight: 59.2oz)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A Victorian three-piece bachelor's tea-service London 1890, comprising teapot, twin handled sugar basin and milk jug, all of pear form, with embossed panels with hunting scenes and scroll decoration, naturalistically formed handles, undulating rim, the hinged lid with a domed finial; together with a George IV salt, London 1825, of oval outline, embossed floral decoration, raised on four shell feet; a George II milk jug, London circa 1740, of baluster form and a modern condiment(Height of teapot: 13cm, combined weight: 29oz)
Sale Item: WEMYSS STYLE BASIN & EWER SET (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Full title: A large Chinese blue and white basin with pheasants in a landscape, 20th CDescription: H 17 cm - Dia.: 40,2 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
GAYLORD SOLI (Dakota, USA, 1939)."Mariam, 2017.Oil on canvas.Signed, dated and titled on the back.Certificate of authenticity enclosed.Size: 67 x 61 cm; 97 x 81 cm (frame).Gaylord Soli's artistic production is imbued with a feeling of freedom and spontaneity in both image and technique. Thematically, an idea is allowed to metamorphose, expand and grow as the work is executed. The works he creates are based on his years of travels in Mongolia, Pakistan, Iran and the Amazon basin, and his lifelong fascination with primitive cultures. As the present work exemplifies, with a rich palate, he layers, sketches and textures his canvases in a unique kinship with early artistic and organic processes. His paintings show the influence of Picasso, Tamayo, Auerbach and Hans Hoffman, and are informed by a deep love of music and the spiritual.Gaylord Soli was born in 1939 on a farm in North Dakota, shortly after his parents emigrated from Oslo, Norway. At the age of three, Gaylord's family moved to Los Angeles, California. He has made Southern California his home ever since, and currently works daily in his studio in Orang County. Much of Gaylord's early years were spent on adventures around the world. These missions ranged from camera safaris to the Kalahari Desert in Africa, anthropological research on the native tribes of the Amazon River, studies of the Mayan ruins of Chitchen Itza on the Yukatan Peninsula, and the ancient world of Alexander the Great from Syria to Mongolia. All of these places and experiences have had a causal effect leading to the exotic overtones, the romantic spirit and, at times, a primitive quintessence found in Gaylord's paintings. Gaylord himself is quoted as acknowledging the profound influence these early experiences have on his art: "I have been fortunate to have travelled extensively around the world. This has allowed me to explore and experience primitive cultures. I think my art reflects these experiences. Having built a series of successful businesses around his passion for art and design, Gaylord Soli founded Clearwater Publishing in the 1980s and began producing high quality screen prints for fine artists such as Ivan Earl, Richard Diebenkorn, Mel Ramos and Peter Max.
A unusual Chinese blue and white pedestal bowl or basin, 19th century,painted with scrolling foliage and bands of repeating characters,34cm diameter, cracksThe potting of the pedestal basin is out of alignment. There is a large circular crack to the interior centre of the bowl and two further cracks to the rim extending down the side of the bowl, undulation to the potting of the foot and a small hairline crack. A further hairline crack to the interior of foot.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 34cm diameter, cracks
Bust of Menelaus, hollow cast in spelter gilded with bromide, mythological subject bearing the head of the king of Sparte after the marble statue in the Vatican Museum, represented helmeted and bearded, in profile, basin style on a square foot. Dimensions 37 x 17 cm. Good condition and very attractive!
Five trays of Wedgwood 'Whitehall' ruby and gilt dinnerware to include: six dinner plates, six soup bowls and saucers, six side plates, six bowls, six cups and saucers, sugar basin, milk jug, six tea plates, two lidded vegetable dishes, oval meat plate, and gravy boat and stand. (Appears unused and in original bags, advised bought in 1973) (5) (B.P. 21% + VAT)
Five trays of china to include: four trays of Royal Doulton 'The Majestic Collection' Booths 'Floradora' dinnerware to include: nine dinner plates, six side plates, eight bowls, eight tea cups with nine saucers, nine tea plates, gravy boat on stand, two lidded vegetable dishes, and another serving dish. Together with a tray of Roslyn fine bone china part tea ware 'Moss Rose' design to include seven teacups with six saucers, six tea plates, sandwich plate, milk jug, and sugar basin. (5)(B.P. 21% + VAT)
Two boxes of assorted china to include Wedgwood 'April Flowers' elongated bowl, Wedgwood specimen vases, large Wedgwood vase, blue and white figurines, modern Staffordshire type cats, Salisbury fine bone china transfer printed and hand painted tea ware in cream, gilt, turquoise, and red, Grafton china coffee pot with coffee cups, saucers, milk jug, and sugar basin, with Czechoslovakian coffee pot with coffee cups and saucers, milk jug, and sucriere, etc.(B.P. 21% + VAT)
Four trays of Denby 'Whisper' tea, coffee and dinner ware, pale grey with impressionistic floral decoration to include: coffee pot with six coffee cups and saucers, sugar basin, teapot with six tea cups and saucers, five side plates, oval plates with oval flan or vegetable serving dish and another dish, together with a pepper pot. (4)(B.P. 21% + VAT)
Neapolitan Baroque Aqua Santa, oval white marble plinth with masterly and deeply sculpted reliefs of Maria in the centre surrounded by volutes, borders and flowers; on the sides two medallions of St Joseph and St John; in the centre basin richly decorated; fine veins, Southern Italy early 18th Century. 52x40cm
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