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A BLUE AND WHITE CAFE AU LAIT GLAZED BASIN Decorated to the interior with scrolling vines 28.5cm diameter Condition: Condition Report Some signs of age and use but generally in good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Provenance: Lots 1-62 from a private family collection
A Victorian Harlequin Silver Three Piece Oval Tea Service, by Frederick Braysted & Gold Smith Alliance Ltd., London, 1878 and 1891, with bead mounts and scroll handles and engraved with initials, comprising - teapot with ebonised handle, 5.5ins high, two-handled sugar basin and milk jug, gross weight 40ozs
A Late Victorian Silver Goblet and an Edward VII Two-Handled Sugar Basin and Milk Jug, the goblet by James Deakin & Sons, Sheffield, 1900, with part reeded body and circular footrim, 8.75ins high, the milk jug and sugar basin by West & Sons, Dublin 1908, with gadroon mounts and part reeded bodies, sugar basin 3.75ins high, combined weight 20.5ozs
An Elizabeth II Silver Circular Bottle Coaster and Mixed Silverware, the coaster by M.C. Hersey & Son Ltd, London 2009, with pierced sides and turned mahogany base, 5ins diameter by 1.75ins high, a late Victorian silver oval sauce boat, London 1898, 3.5ins high, a similar oval two-handled sugar basin, Birmingham 1898, 3.75ins high, two other silver jugs, three silver spill vases and a circular sugar bowl, combined weighable silver 15.9ozs
A George VI Harlequin Silver Circular Four Piece Tea Service, by A. Wilcox, Birmingham, 1945, and G. Bryan & Co., Birmingham, 1946, of Art Deco design, on circular footrims, comprising - teapot, hot water pot, each with ebonised finials and handles, two-handled sugar basin and milk jug, gross weight 45ozs
An Aynsley Orchard Gold coffee set, comprising six cups and saucers, a coffee pot, a cream jug, and a sugar basin, decorated with fruit and having gilt interiors, pattern No. C746, the cups, saucers and sugar basin by N Brunt, the coffee pot and cream jug by D. Jones, cups 7 cm diameter, coffee pot 18 cm high
A large Chinese porcelain basin, Qianlong (1736-1795), of circular form, decorated centrally in the famille rose palette with blossoming chrysanthemum sprays, bamboo and rocky outcrops, all within a gilt highlighted spear head border, 38.5cm diameter, together with a 19th century Cantonese punch bowl, 26cm diameter, and an 18th century Chinese blue and white bowl of large proportions, 23.5cm diameter (3) (at fault)
A Regency mahogany two tier washstand, together with a Staffordshire blue and white jug and basin, width 50cm depth 38cm height 101cm**CONDITION REPORT**PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Italian school; 17th century."Christ washing the feet of the apostles".Oil on canvas.Measurements: 32 x 39,5 cm; 46,5 x 52 cm (frame).It is represented here a scene narrated by the Gospel of John, widely treated in the baroque painting. Christ kneeling before Peter, prepares to wash his feet. The rest of the apostles surround the two figures and exchange impressions, looking stunned by the idea of being washed by their Lord. The figure of Jesus, distinguished from the others by his attitude and the light that seems to emerge from within him, determines the arrangement of the rest of the figures. The architectural space, with bare walls, has a greater presence on the right-hand side of the scene, being configured along a diagonal that allows for greater amplitude in the rest of the scene. The interior is spartan and dark, so that the figures are constructed by the chiselling of light. Stylistically, the work belongs to the Italian school of the Baroque, in which a classicist conception of drawing and pure, emphatic forms stand out.The Gospel of John tells us that during the Last Supper, Jesus rose from the table, took off his cloak and tied a towel around his waist. After pouring water into a basin, he began to wash his disciples' feet. Simon Peter pretended to refuse, but when Jesus insisted that otherwise he could have no part with him, he agreed to have his feet washed. The washing of feet was a common ritual in Eastern culture, in fact, in the Old Testament we find examples of this practice, for example in the visit of the angels to Abraham. Such an action is associated with hospitality, but Jesus' gesture towards his apostles adds a new significant dimension that alludes to humility.
A late Victorian silver sugar basin, with shaped and beaded border, on ball feet, by Horace Woodward & Co, London 1897, 9.5cm wide, a silver bachelor's milk jug and sucrier, both London 1896, a French silver beaker, with tapered banded decoration, 8cm high, four various silver napkin rings, and a silver mounted wine stopper, 14.5oz weighable. (9)
A silver twin handled sucrier, with gadrooned borders, pierce-decorated with panels of stylised foliage, by Elkington & Co, with blue glass liner, Birmingham 1965, 12cm wide; and a silver octagonal sugar basin, with pierced border, on pedestal foot, Birmingham 1916, 11.5cm wide, 10.5oz overall. (2)
A George III silver milk jug, with reeded and engraved decoration, on ball feet, maker's mark worn, London 1810, 10.5cm high; a late Victorian silver milk jug and sugar basin, with lobed and florally embossed decoration, by Samuel Walton Smith, Birmingham 1894, and a Continental silver cream jug, import marks for London 1897, 10oz overall. (4)
An Edwardian silver sugar basin, of spirally lobed outline, on shell capped pad feet, by Goldsmiths & Silversmiths Co. Ltd, London 1901, 11cm wide, together with a silver pedestal sugar basin, Birmingham 1940, another silver plain bowl by Mappin & Webb, London 1919, and two small silver cream jugs, 15oz overall. (5)
HIBBERT, Samuel. History of the Extinct Volcanos of the Basin of Neuwied, on the Lower Rhine. Edinburgh: W. and D. Laing, 1832. First edition, 8vo (214 x 127mm.) 2 hand-coloured geological maps, 1 engraved and folding, the other wood-engraved, 6 plates drawn by Mrs. Hibbert and etched by W. Penny, including 3 double-paged. (Toning to margins.) Near contemporary brown half calf over marbled paper-covered boards (wear to spine ends). Provenance: A.C. Ramsay, Scottish geologist (gilt name to upper cover); L.R. Wager, geologist (name inscribed to front-free endpaper); by descent, from the estate of Rendel Williams.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Extensive collection of mainly 19th century English pottery including Imari printed blue and white plates, Mintons dishes, jug, etc, together with blue and white transfer printed tureen and cover, further salt glazed ware, Imari vase, 19th century blue and white printed ewer and basin and other pieces
A Habitat Olivia freestanding kitchen suite in light beechwood comprising a sink unit with two divisional basin and drainer, a pair of units with open shelves containing loose wicker baskets beneath two freize drawers, pair of three door pedestal cupboards, an open side table/unit with frieze drawer, chopping block and stand, a kitchen table fitted with three through frieze drawers, all beneath block work tops, and a set of six rush seated graduated ladder back dining chairs (14)
Ca. 2700-2000 BCA finely modelled pottery cup with a circular foot, a broad base, tall walls, and a slightly flared rim surrounding the deep basin. The cream-slipped exterior is decorated by bands of decoration; the centre is painted with a large red band, encircled by two bands of horizontal painted lines hued in black pigment.Size: L:70mm / W:80mm ; 100gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.
Ca. 2700-2400 BCA pottery cup with a petite circular foot, a broad base, tall walls, and a slightly flared rim surrounding the deep basin. The cream-slipped exterior is adorned with linear motifs that form rectangular shapes. The internal section of the rim is painted with a brown stripe. For similar pottery styles see Excavations at Mohenjo Daro, Pakistan: The Pottery, with an Account of the Pottery from the 195 Excavations of Sir Mortimer Wheeler. Size: L:51mm / W:75mm ; 52gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.
Ca. 2700-2000 BCA pottery cup with a petite circular foot, a broad base, tall walls, and a slightly flared rim surrounding the deep basin. The cream-slipped exterior is adorned with surrounding by three ibexes alternating with three vegetal-floral.Size: L:65mm / W:125mm ; 180gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.
Balochistan Nal. Ca. 2300 BCA beautifully painted pottery cup with a circular foot, a broad base, tall walls, and a slightly flared rim surrounding the deep basin. The cream-slipped exterior is decorated by a cencentral panel of registers, each separated by a section of interlaced hatching. Between these, a red painted rectangle with thick lines, with an internal rectangle of hatching design. Below the rim of the cup are three bands of lines, the central line painted in a deep blood red, encircled by two black lines. Decorated in red, purple and black paint.Size: L:85mm / W:120mm ; 222gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.
Ca. 2700-2000 BCA wheel-thrown pottery cup with a circular foot, a broad base, tall walls, and a slightly flared rim surrounding the deep basin. The cream-slipped exterior is adorned with a zoomorphic motifs and red central conical circles conjoined by black painted hexagons. Size: L:85mm / W:150mm ; 248gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.

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23406 item(s)/page