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A GROUP OF TWO SILVERPLATED PITCHER AND WASH BASIN, ONE WALLACE MELFORD, WALLINGFORD CT, 19TH CENTURYpitcher with a gadrooned rim and foot, monogrammed K, centered, manufacture stamp with numerals M601 underside; height: 22 cm (8 5/8 in.), weight: 1.089 kg (38.4 oz)wash basin with sleek in design, sterling 62 with effaced manufacturer's mark underside; height: 13 cm (5 1/8 in.), diameter: 23 cm (9 in.), weight: .544 kg (19.2 oz)PROVENANCEPrivate Brooklyn Heights collection

Ministry of Housing and Local Government River Great Ouse Basin Hydrological Survey Area No 33 pamphlet

A Yamaha pudding basin helmetsigned 'For Barry' with multiple signatures and appearing in new condition, size unknown and accompanied with a blue helmet bag. Footnotes:Offered from the collection of the late Barry SheeneFor further information on this lot please visit Bonhams.com

Assorted motorcycling wearincluding two leather jackets (brand and size unknown); a pair of Scott leather trousers (UK size 30'/76cm); a pair of Frank Thomas riding boots (size unknown); a Davida pudding basin helmet (size S); Centurion open face helmet (size 2 56/57); a Vemar helmet; a Shark helmet (size M/57); an Everoak Racemaster open face helmet (size unknown); goggles and two pairs of leather riding gloves. (Qty)For further information on this lot please visit Bonhams.com

A Royal Crown Derby 1128 Imari pattern two handled sugar basin with lid

A large 19thc china wash basin ewer of panelled design with C scroll handle to top, decorated with handpainted rose sprays and finger grip to front (30cm x d.23cm at widest)

Romanesque baptismal font, 11th-12th century.Stone.Measurements: 22 x 50 x 50 cm.Baptismal font in carved stone with crosses inscribed in circles and vertical incisions alternating around the cup. It has different types of crosses on its belly, one of which is similar to those used in Anglican churches, with its four equal arms, widening outwards and ending in the shape of a hammer, forming a circle. The baptismal font often consisted of a basin, shaft and foot, but sometimes, as in the present case, it was limited to a hemispherical bowl with the belly carved with religious motifs. Medieval historians agree that there were workshops in the Romanesque period that specialised in making baptismal fonts. Depending on the importance of the temple for which they were intended, the work was more or less elaborate. The baptismal font is carved from a large single block of stone. The type of stone material is usually sandstone or limestone. The shape of the baptismal font contains numerous Christian symbolisms related to the sacrament it serves: Baptism.

A THREE-PIECE SILVER COFFEE SET stamped sterling to bases, probably American, of 18th Century style, comprising; teapot with pineapple finial and wooden handle, cream jug and sugar basin, combined gross weight 22 tr. ozs

A Royal Doulton 'DE LAMERIE' part tea / dinner service comprising eight soup bowls, two platters, two tureens with covers, sauce boat and stand, eight dinner plates, fourteen side plates, seven tea plates, six tea cups and saucers, milk jug, covered sugar basin, etc. (quantity)

A Belleek cream jug and sugar basin and cover

A Royal Worcester china part tea set with "Shakespeare's House" decoration comprising circular tea pot, milk jug, sugar basin, 4 cups, 4 saucers and 3 plates

An Edward VII silver three-piece tea set comprising oval tea pot with raised scroll decoration, hinged lid and ebonised handle together with matching two-handled sugar basin and milk jug, Birmingham marks 1907

A SILVER WINE COASTER ROBERTS & DORE LTD., LONDON 1969 13cm (5in) diameter With a turned wood base Together with a collection of electro-plated items, comprising: a circular salver, with beaded border, husk band and on three claw and ball feet, 20cm (8in) diameter; a wine coaster, with gadrooned and foliate border, 17.5cm (7in) diameter, with turned wood base; an oval twin handled sugar basin, 20cm (8in) diameter; a napkin ring, 5.5cm (2 1/4in) diameter; and a glass bowl with electro-plated cover, 13.5cm (5 1/4in) diameter Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer

Y A GEORGE III SILVER FOUR PIECE OBLONG BALUSTER TEA SET THOMAS WALLIS (II) & JONATHAN HAYNE, LONDON 1817 AND 1818 The tea pots with oval finials to the domed covers, chased floral borders, leaf capped scroll handles with ivory bands, engraved with bands of flowers, a girdle, engraved W and on four ball feet The largest teapot 31.5cm (12 1/2in) long The smallest teapot 29cm (11 1/2in) long 2354g (75.7 oz) gross Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lot Ref: M1W72YXH Y - Indicates that this lot may be subject to CITES regulations when exported. Condition Report: All by Thomas Wallis (II) & Jonathan Hayne. Large tea pot, sugar basin and cream jug London 1818, the smaller tea pot London 1817 Large tea pot - Marks partially rubbed, cover sits well, slight play to the hinge and handle, splits to the ivory, wobbles, dent towards one corner at the base, engraving good Smaller tea pot - Marks obscured, cover sits well, slight play to the hinge and handle, slightly wobbles, one foot possibly re-soldered, rubbing to the engraving, splits to the ivory, one band an ivorine replacement Cream jug - Marks partially obscured, stands well, rubbing to the engraving, repair to the bottom of the handle Sugar bowl - Marks partially obscured, wobbles, one foot pushed in, rubbing to the engraving, repairs to the handles All with light scratches and wear commensurate with age and use Condition Report Disclaimer

An early 20th century Bristol floral decorated toilet set, comprising two jugs, basin, chamber pot and a soap dish, retailed by Pountney & Co Ltd

A blue and white ceramic basin with plug hole

CHRISTOPHER DRESSER (1834-1904) FOR JAMES DIXON & SONS SUGAR BASIN, LONDON 1880 silver, stamped JWD with registration lozenge and hallmarks for London 1880Dimensions:7cm highNote: Literature: James Dixon & Son, Catalogue 1885, p.96 where an illustration of the complete afternoon tea set of this design is illustratedRudoe, J., Decorative Arts 1850-1950: A Catalogue of the British Museum Collection, p.177, pl.21 where an illustration of the matching teapot in electroplate is illustrated.

Silver cream jug and a sugar basin, on ball feet, marks for RP, London, together with a collection of silver plate, to comprise a chamber stick, probably Sheffield plate, 19th century, two spoons, a lighter, a bottle coaster, a pierced twin handle basket, and two swing handle bread baskets, together with a Chinese hardwood stand (Qty)

Seven trays of Royal Worcester 'Bernina' English bone china dinnerware and coffeeware to include: lidded tureens, bowls, sauce boat and stand, serving plates, coffee pot, coffee cups and saucers, various plates, lidded milk jug, sugar basin, meat plates etc. (B.P. 21% + VAT)

A SOLID BLACK MARBLE WASH BASIN

A CREAM SOLID MARBLE WASH BASIN

A CREAM SOLID MARBLE WASH BASIN

JAUME PLENSA (Barcelona, 1955)"Freud's children", 2001.Steel, plaster and water pump, copy 25/25.Signed and numbered.Size: 31 x 31 x 26 cm."Freud's children" is a simple piece in its configuration and subjugating in its minimal forms and enigmatic silence. The hands cupped to catch water from the basin formally contrast the organic and the formal minimalism of the cylinder, and at the same time put the elusive and elusive idea of water and the solidity of metal into dialogue. Plensa studies these synergies and latent dialogues between materials as bearers of meaning. And so, through the visual, he constructs meanings that do not require explanatory words. Rather, they awaken feelings and ideas linked to commitment, to the collective, to love, to the unconscious and to mutual help.Jaume Plensa studied at the Escuela de La Llotja and the Superior de Bellas Artes de Sant Jordi, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and was recently awarded an honorary doctorate by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mould iron using the casting technique, and developed a sculptural concept based on zoomorphic elements. His work gradually evolved, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work in terms of both material and form, and began to use different materials such as metal waste, polyester and resins. During these years he produced series of walls, doors and architectural constructions, seeking to give space an absolute protagonist role. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting four classical operas by Falla, Debussy, Berlioz and Mozart with "La Fura dels Baus", and alone in a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has held solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he unveiled his work "Breathing", a memorial to journalists killed in the line of duty, at the BBC headquarters in London. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, and the National Prize for Plastic Arts in 1997, awarded by the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MOMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA and the Museo Reina Sofía in Madrid.

A box containing an encrusted jardiniere, ceramic jar, jug and basin, ceramic figures.

Four Victorian terracotta chimney pots, late 19th century,: comprising a pair of octagonal section, 47cm high; and two cylindrical examples, the largest 55cm high; a marble urn, and a stone composition basin

A George V silver sugar basin, maker Joseph Gloster Ltd, Birmingham, 1912: of circular outline with wavy edge border and scroll handles to the sides, raised on four swept feet, 15.5cm wide, together with a silver cream jug, 10.5cm high, total weight of silver 200gms, 6.43ozs

A mixed lot of silverwares, various makers and dates: includes berry spoon, sugar basin, silver bowl, bon bon dish, two silver peppers, three silver napkin rings and a plated example, total weight of silver 602gms, 19.35ozs

A George V silver twin handled basin, maker Blackmore & Fletcher, London, 1915: with scrolling loop handles to the side, on a circular foot, 9cm high together with a silver napkin ring, total weight of silver 129gms, 4.15ozs.

A large Chinese Swatow blue and white basin: painted with a medallion of trees, buildings and rockwork within a wide band of floral panels reserved on a diaper ground, late Ming Dynasty, 47cm [extensive riveted repairs].

An English polychrome delftware basin and a pair of dishes: the basin painted with a Chinese landscape in manganese, blue and yellow, mid 18th century, 35cm [damages]; the dishes painted with Chinese landscapes in blue and manganese within a cracked ice border, 34.5cm [one with minor chips, the other with significant damage] 3.

An Art Nouveau period silver three-piece bachelor's tea service, maker Albert Edward Jones, Birmingham, 1907: of cylindrical outline with sinuous floral decoration, includes teapot, cream jug and sugar basin, together with a non matching silver tea strainer, total weight of silver 496gms, 15.96ozs.

A George V silver three-piece silver tea service, maker's mark worn, Chester 1915: of bulbous octagonal outline, raised on a circular foot, includes teapot, cream jug and sugar basin, total weight of silver 640gms, 20.57ozs.

A George VI silver four-piece tea service, maker Charles S Green & Co Ltd, Birmingham, 1940: of plain cylindrical form, raised on a circular foot, includes teapot, hot water jug, cream jug and sugar basin, total weight of silver 112-0gms, 36.01ozs

A Victorian silver sugar basin and matching cream jug, maker Holland, Son & Slater, London, 1881/83,: together with a pair of silver oval salts, 7.5cm wide, total weight of silver 176gms, 5.68ozs

Seven pieces of Royal Crown Derby including pair of campana-shape urns, 6.8cm, a small spill vase, fan-shape pin dish, miniature tray, miniature jug and basin.Qty: 7Condition report:There is a hairline crack to the inside of the small spill vase. All other items are in very good condition. Please see additional uploaded images.

Comprising: a teapot, milk jug and sugar basin, the teapot with hinged cover and wooden finial, gadrooned rim, bulbous body surmounted by a wooden handle, raised on four scrolling and foliate feet, the milk jug and sugar basin each with gadrooned rim, ovoid body surmounted by leaf-capped handles, raised on four scrolling and foliate feetthe teapot 21cm high1338g all in(3)

Comprising: a teapot, coffee pot, milk jug and sugar basin, the coffee and teapot with floral embossed hinged cover, surmounted with a floral finial, each body embossed with flowers, scrolls and opposing vacant cartouches, applied leaf-capped handles, on moulded acanthus feetthe coffee pot 27cm high, 2318g all in(4)

Comprising: a teapot, milk jug and sugar basin, each chased with pergolas and foliage, the teapot with loose cover and bone handle, the milk jug and sugar basin with stylized bamboo handles, distressthe teapot 12cm high, 510g all in(3)

Comprising: a coffee pot, tea pot, sugar basin and milk jug, the coffee pot with gadrooned hinged cover, ebonised finial and leaf-capped handle, the teapot with gadrooned hinged cover, floral finial, the body inscribed 'Presented To Miss C Young by the PHYSICIANS SURGEONS of the JOHANNESBURG HOSPITAL on the occasion of her MARRIAGE APRIL 1903', ebonised leaf-capped handle, each shaped oval, gadrooned body, applied leaf-capped handles, on a reeded basethe coffee pot 24,5cm high, 1297g all in(4)

Comprising: a teapot, sugar basin and milk jug, the teapot with hinged cover, ebonised finial and leaf-capped handle, each shaped oval, wavy rim, the body embossed, on a flat basethe teapot 11cm high, 630g all in(3)

Comprising: a teapot, hot water pot, milk jug and sugar basin, the teapot and hot water pot with hinged cover, ebonised finial and leaf-capped handle, each with faceted body, raised on hoof feet, distressthe hot water pot 23cm high, 1459g all in(4)

Comprising: a coffee pot, teapot, sugar basin and milk jug, the coffee and teapot with hinged cover, ebonised finial and handle, the sugar basin and milk jug with reeded rim, opposing handles, on an oval base, each body inscribed 'W'the coffee pot 23cm high, 1744g all in (4)

Comprising: a coffee pot, 6 duos, a creamer and cover, a two-handle sugar basin (cover lacking), all on a shaped serving tray, printed factory mark(16)PROVENANCEDr and Mrs D Davies Collection

Comprising: 2 warming plates and covers, 2 dinner plates, 2 teacups and saucers, 2 toast racks, 2 egg cups, 2 salt and pepper sets, 2 mustard pots, a milk jug and a sugar basin, printed factory mark(22)PROVENANCEDr and Mrs D Davies Collection

Chinese vase. Qing dynasty, 19th century.Blue-grey celadon porcelain.Some old restoration.Measures: 58 x 23 x 23 cm.Chinese vase, late Qing dynasty, 19th century. Hexagonal shape with open mouth, with side handles in the shape of small Foo dogs. Polychromed in bluish-grey celadon enamel.Celadon refers both to a glaze colour and to a type of pottery specific to China (Chinese: qingci, literally 'green porcelain'). Korean celadon ware from the Goryeo period (918-1392) used this translucent green or blue-grey glaze. There is, however, early celadon in China, where the process was invented in the Yue region of the Yangtze River basin. Celadon is very popular in Asia, as it allows the colour of jade, the sacred stone, to be obtained.

A Brean basin mixer tap

Ca. Late 4th century BC A well-preserved bronze patera featuring a shallow bowl with a slightly rounded base, incised decoration at the bottom of the basin and a single handle attached to the bowl with riveted panel. These types of bowls were used to pour libations, wine or other liquid sacrifices. For a similar see Christie's Live Auction 12240 Antiquities, 6 Dec 2016, Lot 37. Item comes with a professional historical report from Ancient Report Specialists. Size: L:305mm / W:305mm ; 810g Provenance: Private London collection ( B.A); formerly acquired in the 1970s from John Lees collection.

Ca. 200-300 AD Over life size schist head of a bodhisattva, with elaborate coiffure featuring a topknot (Ushnisha) and carefully-detailed hair, neat headband, heavy, lowered eyelids, elegant nose, neat moustache, closed mouth and strong chin. His identity as a bodhisattva is established by the presence of a well-defined urna on his forehead. Together, these details create a majestic impression of a bodhisattva or individual who is able to reach nirvana (enlightenment) but delays doing so through compassion for suffering beings. The back is rough and unfinished, suggesting this piece was originally placed in an architectural setting. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this head belongs, was the golden age of artistic production in the area. For further discussion on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. A comparable item was recently sold at Bonham’s, see https://www.bonhams.com/auctions/24358/lot/3078/. Item comes with a professional historical report from Ancient Report Specialists. Size: L:570mm / W:350mm ; 40.65kg Provenance: Property of a London gallery, formerly in a Tescott collection (USA) , 1970s-1990s.

Ca. 200-300 AD A schist stone frieze embellished with a beautifully carved scroll of vegetal motif. Gandhara was an ancient region in the Peshawar basin in the northwest of the ancient Indian subcontinent. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Size: L:160mm / W:300mm ; 2.43kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Old Kingdom, Ca 2686-2160 BC A skillfully carved alabaster bowl, featuring a hemispherical body with walls flaring outwards, creating a deep basin. For a similar see Musée du Louvre, Paris - Inventory number: N 1150 A. Size: L:50mm / W:165mm ; 610g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Ca. 3rd Millennium BC A skillfully carved stone bowl, featuring a hemispherical body with walls flaring outwards, creating a deep basin. The Greco-Bactrian Kingdom was, along with the Indo-Greek Kingdom, the easternmost part of the Hellenistic world, covering Bactria and Sogdiana in Central Asia from 256 to 125 BC. It was centered in the north of present-day Afghanistan. Size: L:20mm / W:90mm ; 100g Provenance: Private UK collection; from an old Oxford collection formed in the 1990s.

Hellenistic, Ca. 400-300 BC A beautiful pottery bowl of hemispherical body elegantly flaring out of tiny foot. The basin is deep with wide opening, decorated on the outer edge with a subtle band of punched dot motif. Size: L:80mm / W:140mm ; 240g Provenance: Formerly in a collection of L. R., Bayern, formed before 1970.

A late 19th century cut glass water ewer and basin. Cut with bands of stars, with ewer with loop handle, the basin 39.5cm diam., the ewer 31cm high

A Royal Crown Derby 2451 twin handled sugar basin

A group of Worcester first period blue & white porcelain, comprising: a mug, 11.5cm high; a slop basin, 18cm diameter; a sugar bowl, 12cm diameter; a sauce boat, 15cm long; and a milk jug, 9.5cm high, (minor damage). (5)

SELECTION OF DECORATIVE CERAMICSincluding a Wedgwood 'The John Bromley Silhouette Vase'; a Royal Worcester The Rose Fairy wall plate; a Limoges trinket pot and cover with 22 carat gold detail; Hutschenreuther jug, plate and vase; James Kent Staffordshire floral decorated jug and matching basin; a Compton & Woodhouse Serenity figure (with certificate); a Country Artists Inspirations Bear, etc.

A Newhall floral design wash jug and basin, chamber pot, soap dish and vase

VICTORIAN STYLE STONEWARE EWER AND BASIN,decorated with fruit, the ewer 30cm high

STONEWARE COFFEE SERVICE,along with a blue and white ewer and basin, another basin and other ceramics

VINTAGE ENAMEL BREAD BIN, 37cm wide, along with a large basin (2)