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An early 20th Century three piece electroplated Britannia metal coffee set, having engraved oak leaf decoration, gilt interiors and a bone knob, together with a Georgian style silver plated milk jug and sugar basin, coffee pot 23 cm

A hand beaten brass basin bearing struck ownership marking "W M Clark ESQ", mid 19th Century, 42 cm

An 'Army & Navy' style oval teakwood three-tier washstand, late 19th century with brass galleries and columns, the upper tier with an aperture for a wash basin (41 cm diameter) stamped B737I to the underside, now fitted with an unassociated copper pan, the stand: 69 cm wide x 50 cm deep x 85 cm overall height

Charles Napier Hemy, RA RWS (British, 1841-1917)The Riverside, Limehouse signed and dated 'C.N.H. 1914' (lower right)oil on canvas122.5 x 182.9cm (48 1/4 x 72in).Footnotes:ProvenanceWith the Fine Art Society.Anon. sale, Christie's, 17th May 1923, lot 155 for £157.10.0 (F.A.S vendor), acquired by Gooden and Fox.William Hesketh Lever, 1st Viscount Leverhulme (1851-1925), Lancashire.The Bungalow and Rivington Hall, Horwich, Lancashire sale, Knight, Frank & Rutley, London, 9-17 November 1925, lot 1105, p.68.Bolton Museum and Art Gallery (acquired from the above sale).Sale, Bonhams, 25th January 2012, lot 165, where acquired by the current owner. ExhibitedLondon, Royal Academy, Summer Exhibition, 1914, no. 369.London, Royal Academy, Winter Exhibition, 1922. LiteratureRoyal Academy Pictures and Sculpture 1914, illustrated p 82.The name Limehouse comes from the lime kilns established there in the 14th Century and was used to produce quick lime for building mortar. In 1660, Samuel Pepys visited a porcelain factory in Duke's Shore, Narrow Street, whilst the Limehouse Pottery, on the site of today's Limekiln Wharf, was established in the 1740s as England's first soft paste porcelain factory.Limehouse became a significant port in late medieval times, with extensive docks and industries such as shipbuilding (which was established in the 16th century and thrived well into the 19th century), ship chandlering and rope making. By the Elizabethan era many sailors had homes there and by early in the reign of James I about half of the population of 2000 were mariners. Limehouse Basin opened in 1820 as the Regent's Canal Dock. This was an important connection between the Thames and the canal system, where cargoes could be transferred from larger ships to the shallow-draught canal boats. As the age of steam led to bigger ships, the facilities at Limehouse became inadequate. However, local ingenuity found a highly successful alternative: many of the Royal National Lifeboat Institution's lifeboats were built in Limehouse between 1852 and 1890. Though no longer a working dock, Limehouse Basin with its marina remains a working facility. The wharf buildings that have survived, are now highly desirable residential properties. Taylor Walker began brewing at the site of today's 'Barley Mow' pub in 1830. This stretch of the Thames was known as Brewery Wharf, whilst from a little further along the embankment, the first voluntary passengers left for Australia.From the Tudor era until the 20th century, ships crews were employed on a casual basis and would be paid off at the end of their voyages. Inevitably, permanent communities of foreign sailors became established, including colonies of Lascars and Africans from the Guinea Coast. From about 1890 onwards, large Chinese communities at both Limehouse and Shadwell developed, established by the crews of merchantmen in the opium and tea trades, particularly Han Chinese, creating London's first and original Chinatown. The resulting opium and gambling dens soon attracted a wider clientele than visiting Chinese sailors, luridly described by, amongst others, Sir Arthur Conan Doyle and Oscar Wilde. Like much of the East End it remained a focus for immigration, but after the devastation of the Second World War many of the Chinese community relocated to Soho.The Hemy family set sail for Australia when he was 10 years old and, as he later recalled, 'I can remember it (the open sea) entered my soul, it was imprinted on my mind, and I never forgot it'. Hemy sketched and painted at locations on Narrow Street's river front and other notable artists who used Limehouse as a backdrop for their paintings included James McNeill Whistler (1834-1903) and James Jacques Joseph Tissot (1863-1902). Whistler was living near the docks in Wapping between 1859-1863 and produced a series of etchings known as 'The Thames Set', which must have been a great influence on Hemy. These concentrated on the picturesque wooden buildings of the lower Thames, the barges, wharfs, warehouses and inns of Wapping, Rotherhithe and Limehouse, together with the barge men and labourers who worked there. Whistler also produced a major oil painting titled Wapping, exhibited at the Royal Academy in 1864, no. 585, (collection National Gallery of Art, Washington). In 1869, Hemy was living in Fulham, not far from Whistler's studio in Chelsea. He may have been introduced to Whistler by his friend Tissot, whose work in the 1870s had a more direct influence on Hemy. Tissot painted scenes of beautiful ladies and sea captains on board ships and in interiors with the Thames and the black masts of ships seen through the windows in the background, e.g. An Interesting Story of c. 1872 (collection National Gallery of Victoria, Melbourne). An interested spectator of Hemy at work was a young Frank Brangwyn. As a boy in the 1870s, Brangwyn often wandered down among the old buildings of the Thames where he would watch 'a magnificent looking man in a velvet coat painting a big picture. I would sneak up and admire him.'The Thames estuary continued to draw Hemy and he painted a series of pictures of the busy mouth of the Thames i.e. The Shore at Limehouse (exh. R.A. 1871, no. 435), Blackwall (exh. R.A. 1872, no. 198), London River - the Limehouse barge-builders (exh. R.A. 1875, no. 108), The harbour master's home, Limehouse (exh. R.A. 1901, no. 1039), 1901, Home at last, 1909, Limehouse Hole, (exh. R.A. 1910, no. 862) and The barge, Limehouse, (exh. R.A. 1918, no. 356). London River, his 1904 R. A. exhibit (no. 236), an evocation of Hemy's favourite stretch of the Thames with Hawksmoor's famous St. Anne's church prominent on the skyline, was bought by the Chantrey Bequest for £1,000 and now hangs in Tate Britain.The old buildings on the banks of the river at Limehouse and Wapping provided excellent subjects and Hemy used the boatmen as models; his knowledge of the sea enabling him to establish an easy rapport with them. Of his RA exhibit Limehouse barge builders of 1875 (collection South Shields Museum and Art Gallery), Hemy wrote, 'I painted the picture altogether from nature sitting in a barge and talking with the workmen.'Hemy's memorial exhibition took place at the Fine Art Society in 1918 where 101 of his works were shown.For further information on this lot please visit Bonhams.com

A collection of silver, comprising an Indian cylindrical jar and cover, embossed with figures and exotic birds in a landscape, 10.5cm high, two small twin handled trophy cups, a rectangular cigarette box, a ceramic cream jug and sugar basin with pierce decorated holders, and a pair of clothes brushes, 17oz weighable (qty)

A George V silver circular sugar basin and milk jug, with beaded borders, by William Suckling Ltd, Birmingham 1930, and assorted other silver comprising a christening mug, an oval capstan inkwell, a late Victorian circular salt, a preserve spoon with mother o'pearl handle, a vesta case, a pair of candlesticks with weighted bases, a circular photo frame, a baby's dressing set in fitted case, and various silver backed dressing table pieces including three hand mirrors, four hair brushes and two clothes brushes, 14oz weighable (qty)

A Continental silver sweetmeat dish, of shaped oval form, pierced and embossed with figures and swags of flowers, stamped 800, 20cm wide, a silver cream jug, Birmingham 1972, and other silver comprising a baluster small castor, a twin handled sugar basin, a shaped square section tea caddy and cover, an embossed quatrefoil shaped small dish, and a pierced bottle coaster with turned wooden base, 19.5oz weighable (7)

A late Victorian silver cream jug, with girdled body and leaf capped scroll handle, by Thomas Hayes, Birmingham 1897, a late Victorian silver sugar basin, a pair of George III bright-cut table spoons by Peter & Ann Bateman, London 1794, a set of six bright-cut teaspoons, London 1807, three further George III table spoons, a Victorian fiddle pattern caddy spoon with scalloped bowl by William John Smily, London 1850, three other silver spoons and a pair of sugar tongs, 23oz overall (qty)

Bernard Leach (1887-1979) for Leach pottery, St Ives. A celadon glazed porcelain standard ware tea service and other items 1940'scomprising a globular teapot incised with leaves and with bamboo handled, unmarked, six tea cups and saucers, six tea plates and a sugar basin incised with leaves, a preserve pot and cover incised with oak leaf, a small bowl marked BL covered jug, a small jug, a covered dish, a mustard pot and cover and a pepper pot, (qty)teapot handle to spout 20cm.Condition:Most marked for Leach pottery. All in good condition except mustard with has a hairline and damage to cover.

George V and later silver to include a pair of pedestal bonbon dishes, a porringer a christening mug and other silvervarious dates, makersfirst Birmingham, 1913, E S Barnsley & Co., of plain ogee form with three husk handles and beaded rim on a domed foot stamped RD 620724, a twin handled porringer with spoon and a christening mug both engraved with inscriptions dated 1927, a small sugar basin and matching electroplated milk jug, a large trumpet shaped spill vase and a a cased set of six fancy pattern coffee spoons, (qty)first height 7cm., weight approx. 19.63ozt.Condition:Knock to foot of one pedestal bonbon dish. Christenig mug with a knock. Spill vas epushing down on foot

An Edwardian silver sugar caster, a swing handled sugar basket and a cigarette casefirst Birmingham, 1905, William Hutton & Sons, plain octagonal baluster form with pierced domed cover on a spreading foot, second Birmingham, 1906, Hayes & Co., plain form with wavy edged rim and swing handle, on feet, the cigarette case with linear engine turned decoration, (3)first height 16.5cm., 9.49oztCondition:Overall fair condition to caster and sugar basin. The cigarette case with rubbed decoration

An Edwardian silver three piece tea setBirmingham, 1908, makers mark rubbedcomprising teapot, cream jug and twin handled sugar basin, of oval lobed tapering from, on claw feet, the teapot with ebonsied loop handle and fluted knop finial, initialled, (3)Handle to spout width 29cm, weight overall approx. 30.9oztCondition:Dints and small dents to the lobed areas. repair to side of jug. Marks rubbed on all three pieces

A George V silver three piece bachelors tea serviceBirmingham, 1923, Ernest Druiff & Coof plain circular bellied form with pierced and beaded galleried rim, on legs, comprising teapot with ebonised scroll handle and hinged cover with fluted knop finial, sugar basin and milk jug, crested, (3)teapot handle to spout 21cm., weight approx. 16.8oztCondition:occasional minor dings and knocks mark partially rubbed on teapot

A George V silver three piece tea serviceBirmingham, 1930, Syner & Beddoesof circular panelled tapering form on a domed foot, comprising teapot with fruitwood scroll handles and hinged cover with domed cover and knop finial, twin handled sugar basin and milk jug, (3)teapot handle to spout 27cm., weight approx. 29.77oztCondition:Good condition

A George V silver three piece tea setSheffield, 1926, Walker & Hall, to include a teapot, cream jug and twin handled sugar basin, of plain ovoid tapering form with angular scroll handles, (3)teapot width, handle to spout 28cm, weight approx. 35.56oztCondition:

A George VI silver five piece tea and coffee serviceBirmingham, 1947, Barker Brothers Silver Ltdof plain shaped oval tapering form on legs, comprising tea pot, coffee pot and hot water jug with hinged covers and ebonised scroll handles and finials, twin handled sugar basin and milk jug with reeded borders and handles, (5) height of coffee pot 25.5cm. weight approx 81.13oztCondition:

Arts and Crafts hammered copper to include a John Pearson, Newlyn trayfirst circular with raised border and punched decoration, stamped J.P together with a footed bowl with applied brass border to rim, a large chalice, a circular tray engraved with a yacht to centre stamped Harold Holmes, a twin handled sugar basin and matching milk jug and a vase, (7)first diameter 30.5cm.Condition:fair condition

A Rosenthal Studio-linie, programme plus porcelain dinner service, designed by Wolf Karnagel, printed marks with facsimile signature comprising; six soup bowls and stands; six side plates; six dinner plates; two covered bowls; a large basin; and a double-lipped bowl.

A 19th century mahogany wash stand with twin hinged top over single drawer on square tapering supports joined by crossed lower tier, 88cm high x 46cm wide x 41cm deep with Royal Doulton Persian pattern wash set comprising Basin, jug, soap dish, beaker and chamber pot Condition Report:Available upon request

Eight trays of blush ivory floral design items; Crown Devon Fieldings and other; jug and basin set, basins, chamber pot, pedestal dish, egg stand, cheese dishes, vases, breakfast mug and saucer, bowls, teacup and saucer with Tenby design, various centre bowls, cruet set, urn etc. (8) (B.P. 21% + VAT)  Too many items to do individual conditions on.  Let us know if there is a particular item you are interested in.  all a bit grubby, many items have crazing.  One pedestal dish has a large chip, some bowls have hairline cracks as does the tureen.

A collection of seven haystack copper measures, late 19th/early 20th century, each applied with a 'H R' lead excise seal, ranging from one gallon to a half gill, a copper whiskey, brandy and rum measure, a Tuderic for Liberty sugar basin and jug, a Waring plate jug and tankard (14)

A VICTORIAN WALNUT BASIN OR JARDINIERE STANDLATE 19TH CENTURYThe stand recessed with a 19th century pottery rectangular vessel decorated with chinoiseries in underglaze blue and polychrome paint74cm high, 97cm wide, 68cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some old chips, splits and losses.Some old repairs and old replacementsEvidence of old worm, particularly to the frieze of the surroundThere is a straight join to each end of the shorter frieze, suggesting a possible adaption to fit the basinPlease refer to the additional images as a reference to the construction and fitting of the stand to the basinWritten script to the underside: 'Rorstrand', dated or numbered '1867'Old scratches, fading and discoloration to the basin element.Stand is of solid structure, with no breaks to legs or uprights detected.Please see additional images for a visual reference to condition.Condition Report Disclaimer

A French silvered metal holy water font in 15th century Gothic style, late 19th century, the arched and hinged doors cast with diaperwork and fleurs-de-lys and opening to figural reliefs of the apparition of an angel, the entrance of a King into a city, and a burning of a woman at the stake, the central relief with signature I. BLOCH (E)? to the maquette, the basin cast with a winged mask, 27cm high, 16cm wide (opened)Illustration charge £10

A large Chinese blue and white basin painted with an extensive pagoda lake landscape within an elaborate diaper and foliate border, Qing Dynasty, 19th century, 61cm diameter [star crack].

A late 18th/early 19th century German faience shell shaped basin, the centre with figural panel the outside moulded with cherubs, mark to base for Hannoversch-Münden, 47cm wideOverall good antique condition with fritting/small chips and glaze wear.

Edwardian Silver sugar castor, (Sheffield 1905), 16.5cm high, Victorian silver reeded sugar basin, (London 1894) and Edwardian silver two handled trophy, (Birmingham 1902), all approx 8.5ozs

SILVER, BRITANNIA METAL & EPNS TEAWARE - a mixed group to include a pair of Georgian silver sugar tongs, Victorian three piece Britannia metal tea service, semi-Rococo design to include a teapot with floral finial and ceramic heat isolators to the handle, 22cms H, 25.5cms across, twin-handled sugar bowl, 14cms max H and milk jug, 13cms max H, along with a later EPNS two-handled sugar basin and matching milk jug with shaped upper rim on plain tub bodies and hairy paw feet, 21cms across the sugar basin

3 PIECE EPNS TEA SERVICE - of square panelled form, plated wine coaster with pierced rim, Mappin & Webb panelled circular EPNS sugar basin with swing handle and blue glass liner, various other items of silver plate and cutlery

A NEW CHELSEA STAFFORDSHIRE COFFEE SERVICE - glazed in white with a burgundy band and gilded highlights, hand painted with roses, comprising six cups, six saucers, coffee pot, cream jug and sugar basin, manufactured exclusively for Stonier & Co Ltd, Liverpool.

A traditional 3TH black lever basin mixer tap and pop-up waste, boxed.

A traditional 3TH black lever basin mixer tap and pop-up waste, boxed.

A traditional 3TH black lever basin mixer tap and pop-up waste, boxed.

A tray of assorted metal wares, four graduated copper measures, plated toast rack, plated milk jug and sugar basin on stand, brass bowl etc

Liberty & Co. Tudric pewter sugar basin and cream jug

A Wedgwood ‘Sarah’s Garden’ basin bowl, of circular form, with butterfly, dragonfly and flower motif decoration, 43.5cms diameter, in original box.

FOLK ROCK - LP COLLECTION. A smashing collection of 25 folk rock LPs. Artists/ titles include Beau - S/T (S63751, record Ex/ sleeve VG+), Davey Graham inc All That Moody (ROLL 2023, 10"), Folk Blues And All Points In Between (SEE48), After Hours (ROLL 2022, 10"), The Complete Guitarist. Michael Chapman - Rainmark (SHVL 755, EMI logo on label), Stefan Grossman - Yazoo Basin Boogie (TRA 217), Neil Innes - A Go Go, Off The Record, Talking Off, The Book Of Records, Rutland Times. Nadia Cattouse - Earth Mother. Carol Of Harvest, Sandy Denny - Like An Old Fashioned Waltz. The Waterboys inc S/T, A Pagan Place, This Is The Sea (x2) inc (CHEN3) & (790457-1). Lindisfarne, Terry Riley, CSN, Mick Abrahams. Condition is generally VG+ to Ex+.

Large Royal Doulton jug & basin

Ca. 1570-1070 BC. A finely modelled swivel ring featuring a gold bezel incorporating a glazed composition scarab inscribed to the underside. The ring is of a later period - possibly Victorian or Georgian. The swivel ring originated in Phoenicia and was extremely popular across the Mediterranean basin in Antiquity, similar items having been found in Cyprus, Greece, Egypt, and Etruria.Size: D: 16.71mm / US: 6 1/4 / UK: M1/2; 6.34gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Ca. 400 BC. An onyx scaraboid engraved to the underside with a standing figure holding a palm branch. The gemstone has been set in a gold swivel ring, which features granule decoration at the shoulders. The ring is composed of a thick and plain loop, which has been threaded through the ends of the bezel. This unique design allowed the wearer to swivel the bezel to show off the engraved design as desired. The swivel ring is Phoenician in origin and was extremely popular across the Mediterranean basin in antiquity. Similar items have been found in Cyprus, Greece, Egypt, and Etruria, demonstrating the widespread appeal and influence of Phoenician art and jewelry.Size: D: 18.34mm / US: 8 1/4 / UK: Q; 10.79gProvenance: Private London collection; British art market 1990s.

Early Dynastic Period, ca. 2750-2649 BC. A skillfully carved alabaster bowl, featuring a conical-shaped body with walls flaring outwards, creating a deep basin. Alabaster bowls were highly valuable in Ancient Egypt due to their lustrous, translucent appearance and durability. These bowls were often used to store food and drink or to serve offerings to the gods and goddesses in religious ceremonies. Alabaster bowls were also used to hold cosmetics, perfumes, and ointments, as well as to store jewelry and other precious items. The material was also used to create sculptures and decorations for tombs and temples. Not only were alabaster bowls highly valued in Ancient Egypt, they were also widely traded and exported, making them both a symbol of wealth and a source of income for the ancient Egyptians. For a similar, see The Metropolitan Museum of Art, Accession Number: 12.181.80.Size: L:40mm / W:110mm ; 210gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Original vintage travel poster Docklands Transport 1993 featuring a dynamic illustration of the Route of the Limehouse Link - This view of the Docklands highways, looking east, exposes the route of the Limehouse Link by peeling back the streetscape above Narrow Street. The 1.8 kilometre tunnel provides direct access to the Isle of Dogs and beyond and is a major engineering achievement. Its western portal is at the City end of Narrow Street, near the River Thames. The tunnel goes under Limehouse Basin, taking traffic out of the narrow streets of historic Limehouse, and emerges at two portals near Canary Wharf. Opened May 1993. Excellent condition. Country of issue: UK, designer: Stephen Conlin, size (cm): 76x51, year of printing: 1993.

Ca. 600-800 AD. A pottery bowl characterized by a shallow form with a rounded base and a wide basin adorned with intricately painted black lines of incantations against evil spirits. Incantation bowls such as this one are believed to have been used as a means of warding off evil spirits and demons in the ancient Near East. Produced between the 6th and 8th centuries CE, these bowls were used in Jewish, Christian, and Mandean communities, and have been found in large numbers throughout Mesopotamia. Scholars believe that these bowls were buried upside down, often beneath a threshold, as a means of trapping evil spirits within the vessel. Cf. The British Museum, Museum number 1957,0925.1.Size: L:75mm / W:150mm ; 295gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.

Kashan, Ca. 1100-1200 AD. A pottery bowl with truncated cone-shaped walls, rising from a low ring foot left unglazed. The body of the bowl features a lustrous pale blue glaze, imbuing the piece with a sense of understated elegance and refined taste. The interior of the basin exhibits further embellishments, characterized by intricate black painted rays, radiating from the central circle at the bottom of the bowl. The decorative elements of the piece are testament to the Seljuk era's vibrant artistic traditions, marked by a fascination with geometry and balance.Size: L:105mm / W:210mm ; 545gProvenance: Acquired from M.A; previously in a collection formed on the UK/International art market since the 1970s.

Ca. 1200 AD. A beautiful tray hammered from a thin sheet of bronze into a rectangular shape with a shallow basin and broad lateral panels with a pronounced edge. The interior of the basin is adorned with elaborate and intricate decoration. A central roundel featuring three playful hares serves as the focal point of the design, surrounded by calligraphic panels, floral motifs, and depictions of birds. The hares in the central roundel may symbolize various meanings, such as fertility, rebirth, or abundance, reflecting the importance of nature in the Seljuk worldview. The calligraphic panels around the roundel feature blessings, adding a spiritual element to the design and reflecting the Islamic cultural values of the time. Bronze trays such as this one were often used for serving food or as decorative display pieces, with their ornate designs and calligraphic inscriptions serving as expressions of wealth, status, and cultural identity.Size: L:185mm / W:285mm ; 315gProvenance: Private UK collection; From an old British collection formed in the 1990s.

A part Paragon Rockingham tea set consisting of hot water jug, six cups, two small saucers, one large saucer, three tea plates and a cake plate, plus Grosvenor Rutland sugar basin and three tea plates in similar pattern.

A Cauldon part tea set, white with pink roses including three cups and five saucers, eight tea plates, two bread and butter plates, slop basin and milk jug and a tea service, white with gold decoration to include seven cups, ten saucers, ten tea plates, two bread and butter plates and two sugar bowls.

Mid-20th century mahogany and marble washstand, with basin, jug and other accessoriesDimensions: Height: 73cm  Length/Width: 48cm  Depth/Diameter: 44cm

A 19th century porcelain ewer and basin, painted with flowers and with basketweave decoration, the jug 22cm high, (repairs to each). 

SHERATON ADDERLEYS EWER AND BASIN AND MATCHING CHAMBER POT with floral and gilt decoration Qty: 3

A hand basin and pedestal with taps.

A cast iron wall/wash basin bracket, 24'' wide x 18'' deep.

An Ideal Standard hand basin and pedestal.

Scottish & Other Pamphlets. Vol. in old & worn half leather cont. Reflections on the Late Dreadful Catastrophe which Happened in the Canal Basin at Paisley ... Eighty-Five Individuals were Drowned, Glasgow, 1810; David Service, The Caledonian Herd-Boy with Other Poems, Greenock, 1814; Martin Doyle, Common Sense for Common People, Dublin, 1835; Catechism on the Government and Discipline of the Presbyterian Church, Ogle & Son, Glasgow, 1839; The Town`s House on the Market Day, Paisley, 1840; James Burn, A Lecture upon the ... Character of Odd-Fellowship, Glasgow, n.d.; Campbelton Case, Edinburgh, 1842; William Logan, An Exposure of Female Prostitution, Glasgow, 1843; Plea for a Church to be Erected at North Berwick as a Memorial of the Martyrs of the Bass Rock, Edinburgh, 1844; Health of the Towns Association, Public Meeting, 1844; Speech of the Marquis of Normanby, 1844; Robert Vincent, A Treatise on the Influence of Music., pres. copy, Dublin, 1845; Address of the Literary Association of the Friends of Poland, 1846; A Brief Moral Discourse ... by a Private Tutor, pres. copy, Glasgow, 1846; To the Rev. Alexander Stewart ... Free Church, Cromarty, Edinburgh, 1847; J.W. Massie, The Church and the Pastor, n.d.; Dr Buchanan & Prof. Miller, Speeches on the Sustentation Fund, Edinburgh, 1848 & Adam Blyth, Treasury Gifts, Edinburgh, 1848. Bookplate of Allan Fullarton, Messenger at Arms, Glasgow, David Murray`s copy with his inscription & bookplate (to lower paste-down).

Edwardian silver sugar basin and cover, raised on bun feet, assay marked London 1905 weight 220g Condition reportOverall in good condition 

A 1930's Burleigh Art Deco tea set with butterfly and floral decoration comprising fourteen angular tea cups with floral handles, fourteen saucers, twelve tea plates, a pair of serving plates, square tapered tea pot, milk jug, cream jug and sugar basin

A Royal Albert Crown China tea set with floral decoration comprising six tea cups with ornate butterfly wing handles, six saucers, six tea plates, serving plate, milk jug and sugar basin

A good quality Lorna Bailey china Art Deco-style coffee set comprising a square coffee pot with solid handle and cover, matching milk jug, cream jug and sugar basin together with four matching square cups and saucers

A Limoges china Art Deco tea set comprising angular tapered white glazed tea pot with silver edging, matching two-handled sugar basin, lidded milk jug, eight tea cups and eight saucers

A good quality silver three-piece tea set comprising circular teapot with polished wood handle, matching two-handled sugar basin and milk jug, Sheffield marks 1959

A George VI silver oval three-piece tea set comprising a rectangular tea pot with hinged lid and ebonised handle, matching two-handled sugar basin and milk jug, Sheffield marks 1946