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A Wedgwood Sandon pattern twenty piece coffee set including cream jug, sugar basin, six cups, six saucers, six side plates, all decorated with enamel floral sprays and gilt borders and a Royal Doulton Rose Elegans pattern twenty four piece tea service decorated with grey border and floral sprays with gilt decoration
A Dresden Continental porcelain part tea service, including twelve side plates, twelve saucers, twelve cups, two handled sugar basin, cream ewer, cake plate, associated letter rack and a similar decorated coffee set including seven saucers, six coffee cans, milk jug and oval sugar basin, all decorated with handpainted floral sprays and gilt reserves (one cup hairline crack)
A Victorian Plated Baluster-Shaped Five Piece Tea and Coffee Service and a Mixed Lot of Plated Ware, the tea and coffee service engraved with strap work and leaf and floral swags, comprising, - teapot, 6.75ins high, coffee pot, 9.25ins high, hot water pot, 9.75ins high, two-handled sugar basin and milk jug and a large selection of plated ware, various
A George V Silver Rectangular Harlequin Four Piece Tea Service by Atkin Brothers, Sheffield 1924, with moulded rims and angular handles, comprising - teapot with ebonised finial and handle 6.5ins high, two-handled sugar basin and milk jug, and oval hot water pot, Sheffield 1920, with ebonised finial and handle, 8ins high, all with presentation inscriptions and monograms, combined gross weight 50oz
Meissen porcelain yellow ground teapot and cover, circa 1750, damaged spout, decorated with a panel of flowers, chip to cover, together with a yellow ground hot milk jug (lacking lid) and basin, with kakiemon decoration, & a pair of Meissen yellow ground tea cups and saucers, with floral patterns, all with underglazed blue crossed sword marks, two with painters marks, all circa 1750
A pair of Victorian pottery tureens, printed in brown with Canterbury pattern, to/w a Royal Doulton coffee pot with matching cup and sugar basin, Doulton blue and gilt vase, pair of blue and gilt Aynsley 'Georgian Cobalt' tea cups and saucers, French cup and saucer printed with Napoleon, pair of Vienna vases and covers and a conical pill-box with hinged top (box)
Russian or Greek icon, 17th century."Orthodox monastery of the Virgin Mary of Balikli".Oil on panel.Carved, painted and gilded wood.With label on the back of the Hagia Sophia Museum, Istanbul, Turkey.Measurements: 32 x 26,5 x 3 cm.The icon with figures at the therapeutic spring in the Balikli Monastery, placed inside an Ottoman frame of painted and gilded wood. This icon depicts the therapeutic spring of the Balikli Monastery, or the Monastery of the "Mother of God in the Spring" in Istanbul, the Mother of God and the Christ child are depicted on top of a golden fountain from which the sick and the faithful drink. The church now standing on the site was rebuilt and restored in 1835, but has the same dedication as the shrine erected on the same site between the late 5th and early 6th century (destroyed in the first half of the 15th century). The complex is named after a sacred spring, reputed to have healing properties, which is an important Eastern Orthodox center and a popular pilgrimage site. The spring's holy water flows into a marble basin in which fish swim, as seen in this icon. These fish give rise to the Turkish name of the Balikli complex which means "the place where there are fish".Many icons depicting this sacred site have been painted, always with Mary holding the Christ child and sitting in the chalice-shaped bowl of a fountain from which waters flow into a well below. Often, as in our icon, there are two angels above, as well as various characters at the font.
An extensive collection of early 19th Century Bloor Derby Imari to include: Teapot (piece broken from spout but present); teapot stand, sugar basin and cover with rope twist handle detail and bun feet; serving bowl (old repairs, stapled), 4 coffee cans, 3 teacups, 5 saucers and a slop bowl - all pieces except the slop bowl are discoloured by heat damage (AF) together with a set of six early 19th Century John Rogers & Son blue and white transfer printed soup plates, Monopteros pattern, incised mark to underside together with similar HM & Co 131 square shaped dish and an Old Chelsea blue and white sugar basin (finial missing from cover) 1 box
AN IMPRESSIVE MAMLUK STYLE POTTERY BASIN BY THÉODORE DECKPARIS, 19TH CENTURY of tapering form with wide flaring rim and rounded base, moulded and decorated in cobalt blue, turquoise and white with a band of inscription interspersed by pole medallions containing rosettes surrounded by floral interlace, above and below arabesques, Théodore Deck stamp to base47.6 cm. diam.FootnotesInscriptions: al-maqarr al-'ali a/l-mawlawi al-amiri a/ l-kabiri al-ghazi a/l-mujahidi al-murabiti/al-maliki al-nasiri, 'The high authority, the lordly, the great Amir, the conqueror, the holy warrior, the defender, [an official of] al-Malik al-Nasir'. PROVENANCE 24 Apr 2018Théodore Deck (1823-1891) was one of the most highly esteemed French ceramicists in the late 19th Century; stimulated by the zeitgeist of Orientalism which pervaded French society at the time, he was known for taking inspiration from Middle Eastern artefacts and developing colourful glazes which mimicked those found on Iznik and other Islamic ceramics. He was celebrated particularly for the deep turquoise which he developed, known as "bleu de Deck". His work was displayed at the 1862 International Exhibition in London, from which the South Kensington Museum (now the V&A) purchased three of his works. Thanks to his technical ability and innovations he was appointed the art director of the Sèvres manufactory in 1887; the first ceramicist to hold the position. For a similar basin in the Mamluk style by Théodore Deck sold at Christie's see Arts & Textiles of the Islamic & Indian Worlds, 22 April 2016, lot 436.
A VICTORIAN SILVER "TEMPERANTIA" BASIN (VENUS ROSEWATER DISH), ELKINGTON & CO., BIRMINGHAM, 1872 electrotyped after a basin following designs by Francois Briot (1545-1620), the central raised medallion with Temperance holding a wine cup surrounded by a band with cartouches of the four classical elements with herms and strapwork between, the outer border with cartouches of the seven Liberal Arts and one of their patron Minerva between further strapwork and masks, with ovolo rim 46.5cm diameter, 2035gr (65oz) The Temperantia Basin (also known as the Temperance Dish) is one of the most copied and adapted pieces from the Renaissance period (Victoria and Albert Museum No.2063-1855). The same Elkington silver electrotype model, commonly known by the misnoma the Venus Rosewater Dish, is especially renowned when held aloft annually by the Wimbledon Ladies Singles champion.
A Royal Crown Derby 1128 Imari pattern part tea set, comprising a hot water pot, teapot, cream jug, sugar basin, spoon, six tea cups, six saucers, eight 16cm diameter plates and six 22cm diameter plates CONDITION REPORT: One teacup is second quality, all of the other pieces are first quality, the condition is good throughout
Harvie-Brown (John Alexander, editor). [A Vertebrate Fauna of Scotland, part set, comprising:] The Outer Hebrides; The Orkney Islands; Iona and Mull; Argyll and the Inner Hebrides; The Moray Basin; The North West Highlands and Skye; The Tay Basin and Strathmore; Forth, all 1st editions, Edinburgh: David Douglas [-Oliver & Boyd, 1888-1935. 8 works in 9 volumes, 8vo, original green cloth, all plates and maps as called for, bookplates of Eric Hosking, Outer Hebrides and Orkney Islands with ink-stamps of the Edward Grey Institute, Oxford, Iona and Mull largely unopened, Argyll and the Inner Hebrides with tipped-in typescript gift inscription to Eric Hosking (and damp-staining to half-title and title-page), Moray Basin with tipped-in autograph letter signed from co-author Thomas E. Buckley to ornithologist Thomas Parkin (and another similar letter possibly from Buckley, though unsigned) and Parkin's bookplates and ownership inscriptions, Outer Hebrides, Orkney and Argyll and the Inner Hebrides spines faded and chipped, North West Highlands contents leaves clumsily opened, together with 3 other works (Baikie & Heddle, Historae Naturalis Orcadensis, Zoology, Part I, 1st edition, 1848, inscribed 'To Charles Neaves Esquire, with the author's compliments', lapwing bookplate of Norman F. Ellison; Harvie-Brown, The Capercaillie in Scotland, 1st edition, 1879; Baxter & Rintoul, The Geographical Distribution and Status of Birds in Scotland, 1st edition, 1928) (qty: 11)THE LIBRARY, PICTURES & CAMERA COLLECTION OF ERIC HOSKING OBE HON. FRPS FBIPP (1909-1991)Footnote: Mullens & Swann p. 282 (all works except Forth, not listed). Three further volumes were published: Sutherland, Caithness and Cromarty; The Shetland Islands; and The Tweed Area.
Group of Canton porcelainChinese, 19th Centurycomprising of a basin decorated to the exterior with a woman reading a book, 21.5cm across, a pillow brick with similar decoration, 15cm across and a shaped bowl decorated with figures playing musical instruments 18cm across (3)Condition report: Decoration worn off the pillow brick, all three very worn with imperfections and minor chips
A Welsh Claypits Ewenny pottery baluster shaped vase with slip glazed banded decoration, having incised marks to base. 24cm high approx. Together with a plain clay pits Ewenny pottery baluster shaped jug and basin. Incised marks to base. 34cm high and 40cm diameter approx. (3)(B.P. 21% + VAT) The vase is rubbed and marked in places but appearing basically jug, the jug has frits and glaze blemishes, some crazing but no obvious damage. The bowl has a long hairline crack and wear to edge particularly.
A Chinese porcelain snuff bottle, Qianlong six character mark, of rouleau form and decorated in blue and red palettes depicting Court figures, 8cm high, with a Tongzhi style water basin, 17cm wide, a Japanese famille rose bottle vase, 15cm high, and a blue and white printed ginger jar, 9.5cm high (4)
A group of Minton toy teawares 19th century comprising a service, circa 1835, pattern number 32, decorated in a grey transfer-print of leaves, over-painted in black and red, comprising a teapot and cover, teacup, saucer and side plate, twin-handled sucrier and a slop bowl; a further service, circa 1870, pattern 7970, of relief-moulded form decorated with mid-green highlights and floral sprigs, the covers with bud finials, comprising teapot and cover, sucrier and cover, coffee pot lacking cover, cream jug, teacup, saucer, small cake plate and slop basin, saucer impressed 'M' and with date code and small further group of Minton teawares (qty, 1 tray)The Enid and Bruce Moulder Collection.
A NORTH INDIAN OR PAKISTANI LOBED SPHERICAL THREE PIECE TEA SERVICEUNMARKED, MID 20TH CENTURYThe tea pot with an elephant finial to the domed cover, a carved horn handle, chased with animals in jungles or landscapes, engraved S. Abdulla & Bros, 24.5cm (9 3/4in) long; the cream jug and sugar basin with cobra handles, engraved Allah Ditta, 704g (22.6 oz)Condition Report: Numerous dents and foot bends in allCondition Report Disclaimer
19th century blue and white foot bath, depicting landscape with village, approx 32 x 42 x 20 cms, together Copeland Spode circular basin approx 37 cms diameter, three cereal bowls, four saucers, butter dish, bread plate, two fluted bowls (2nds), large fluted bowl (2nds), four tea cups, goliath tea cup, sugar bowl and cover, milk jug.
A small Cork Edge & Malkin Delhi pattern tea for two, transfer printed with flowers small teapot --4½in. (11.5cm.) high, sugar basin with lid, jug and two cups and saucers; a silk and wood pin cushion bellows; a Mason's Ironstone jug; another jug and mug; and a photograph of a lady printed on tin
Ca. 1st Century A.D. Roman. A delicate pair of Roman gold earrings, possibly from Pompeii, each with a solid shield centre, a gold drop, comprising of two cobalt blue and one emerald-green glass rounded, circular beads. The hoop is made from double twisted wires, which have been joined together, and each earring terminates in a closed-end fastening. Many rich Roman women owned expensive jewellery. They wore precious stones such as opals, emeralds, diamonds, topaz and pearls set as earrings, bracelets, rings, brooches, necklaces and diadems.The ancient Romans were a culture that believed in social status and jewellery was an important and essential accessory to provide the public with this display of wealth and fortune. The Etruscans set the trend of using gold and glass beads but as the power spead across the Roman Empire so did the elaborate jewellery designs seen.We see different cultural styles come from Rome’s conquered paths such as Greece, Egypt, North Africa and even the Orient. Artists had a wide range of natural resources across the empire to create ostenatious jewllery including sapphires, diamonds, emeralds, garnet and amber from Indian. Rome never had a rich natural resources of gold and it took time to acquire it. The first discovery of gold was from the Po River in the Western Alps and South of Piedmont. The Second Punic War (218-201 B.C.) was the most significant turning point in the history of gold within Rome. After the Romans had conquered Spain, they mined gold in the Aduar Basin, Malaga District, the Plains of Granada, and the slopes of the Sierra Nevada mountains. Another large natural resouce came from Britain with Julius Caesar’s conquests.Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991Similar to;https://www.christies.com/en/lot/lot-5628149Lot 424, Auction 2770. 2012. Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s. Size: L:Set of 2; 25mm / W:13mm ; 1.9g
A 20th century Noritake black ground and gilt decorated coffee set, each piece painted with floral sprays, comprising: coffee pot and cover, cream jug, sugar basin, six cups and saucers, a similar pedestal vase and cover, a pair of matching Noritake pedestal fruit bowls, one on plinth, 25cm diameter (one tray)Condition report: No chips, cracks or repair. Some slight gilt loss throughout.

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23406 item(s)/page