We found 23407 price guide item(s) matching your search

A large Copeland Spode jug and basin set of typical design. Est. £15 - £20.

A large decorative gilt jug and basin set with pink floral decoration. Est. £20 - £30.

Genuine Fossilised Dinosaur Egg – Hadrosaur. Length 16.5cm (6.5 inches). Cretaceous period (c. 85 – 65 million years ago). From the Xixia basin, Henan province, China. Provenance: Purchased from the Bartlett Street Antiques Centre, Bath in 1997. From a private Sussex collection.

Hand Wash Basin

Leach Pottery a porcelain teapot and cover, incised with a band of stylised leaf panels, glazed to the foot in celadon, a Leach Pottery jug and cover sugar basin, incised with an oak leaf motif, glazed celadon, five Leach Pottery bowls painted Z motif and a collection of Leach Pottery impressed seal marks, 15cm. high (teapot), (a lot) Provenance Mary Gibson-Horrocks

A Richard Perry Son & Co brass kettle designed by Dr Christopher Dresser, cylindrical with angular spot and over-slung articulated handle, the flat cover with ebonised wood finial, the body with a leather jacket, and a Roberts & Belk sugar basin and cover on crow's foot base stamped mark, regd. mark and Dr Dresser's design, 13.5cm. high, (4)

A 19th century mahogany tripod table with piecrust edge, snap action, turned column and legs terminating in claw and ball feet. CONDITION REPORT: The table top is manufactured from two sections of mahogany. The smaller section is slightly loose. If this was fixed back in place the dividing line between the two planks would be almost invisible. This would be very easy to do. The table top is itself flat with no warping. The colour is generally good and there are only very minor surface scratches and small old dowel repairs. The bearers beneath the top have been moved and we believe the basin top to be a marriage. The centre turned column and legs are structurally sound. One leg has had an old break and there is a bracing hoop at the back of the leg and a drilled repair through the front. The same leg has had a break across the pad foot and repairs to the pad foot. Leg two has repairs around the edges of the pad foot. All legs have evidence of old castor holes. We believe the base and top to be a marriage. There are numerous holes to the underside of the top suggesting that the top was in a former life on a different base.

A MOCHA WARE CACHE POT, JUG, BASIN AND CHAMBER POT, C1830 AND LATER   of buff earthenware, decorated with bands of seaweed, cache pot 9.5cm hCache pot with hole in base and associated cracks, two other items in good condition. Footrim of chamber pot chipped

English Pink & White Toilet Basin & Jug and a Modern designed bowl with matching jug (2)

AN EDWARDIAN SILVER MINIATURE TETE-A-TETE, maker Henry Clifford Taylor, Birmingham 1910, comprising oblong two handled tray, 5 1/2" long, two cups and saucers, two handled sugar basin and milk jug (Est. plus 21% premium inc. VAT)

A SILVER FOUR PIECE TEA AND COFFEE SERVICE, maker James Dixon & Sons, Sheffield 1946, of oval form with cast and applied scrolling foliate rims, all engraved with a monogram "RS", comprising tea and coffee pots, the hinged covers with lobed circular ivory knops and angular handles, two handled sugar basin and milk jug, teapot 10 1/2" wide, 55ozs 12dwts total gross (Illustrated) (Est. plus 21% premium inc. VAT)

A COMPOSITE ART DECO FOUR PIECE SILVER TEA AND COFFEE SERVICE, maker Viners, Sheffield marks, of canted rounded oblong form, the angles engraved with an Art Deco motif and raised upon four hoof feet, comprising teapot (1948), coffee pot and milk jug (1949) with ivory handles and knops and two handled sugar basin (1947), teapot 10 1/4" (25.5cm) wide, 63ozs 5dwts total gross (Est. plus 21% premium inc. VAT) CITES CERTIFICATE AVAILABLE

A COMPOSITE THREE PIECE SILVER COFFEE SERVICE, maker Thomas Bradbury, various marks, of octagonal baluster form, comprising coffee pot (London 1900) with hinged cover and angular composition handle, two handled sugar basin and cream jug, (Birmingham 1923), pot 8 1/2" high, 23ozs 3dwts total gross (Est. plus 21% premium inc. VAT)

A COMPOSITE VICTORIAN SILVER FOUR PIECE TEA AND COFFEE SERVICE, maker H.H. & J.E. Bingham, Sheffield 1871/2/3, of fluted tapering oval form bright cut engraved with panels of foliage enclosing two oval panels, one engraved "R", comprising tea and coffee pots, the hinged covers with melon fluted ivory knops, two handled sugar basin and milk jug, teapot 10 1/4" wide, 69ozs 16dwts total gross (Est. plus 21% premium inc. VAT)

A LATE VICTORIAN SILVER THREE PIECE TEA SERVICE, maker Martin, Hall & Co., Sheffield 1900, of oval form with bright cut engraved foliate rim enclosing two vacant panels hung from ribbon tied pendant husk swags, comprising teapot and hinged cover with ebony finial and earred loop handle, two handled sugar basin and milk jug, teapot 10 1/2" wide, 26ozs 12dwts total gross (Est. plus 21% premium inc. VAT)

A LATE VICTORIAN BACHELOR'S SILVER THREE PIECE TEA SERVICE, maker Barraclough & Barraclough, Sheffield 1896, of semi-wrythen fluted squat baluster form with engraved and cut everted rims, raised upon three trefoil feet, comprising teapot with ebonised finial and earred scroll handle, two handled sugar basin and milk jug, teapot " wide, 18ozs 12dwts total gross (Est. plus 21% premium inc. VAT)

A COALPORT CHINA PART TEA AND DESSERT SERVICE, c.1920, printed and overpainted in colours with the "Batwing" pattern with cobalt blue panels, comprising twelve each dessert and tea plates, tea cups and saucers, pair of bread and butter plates, milk jug and sugar basin, two comports, two shaped dishes and custard jug, green painted mark, pattern No.2665 (57) (Est. plus 21% premium inc. VAT)

A COLLECTION OF ARTS AND CRAFTS PEWTER, maker John Gatecliffe, including three "D" shaped napkin rings, one with inset cabochon, pair of sauce boats, pair of candlesticks, 5 1/2" high, beaker, teapot, sugar basin and two plates, 9" and 8" diameter, marked (15) (Est. plus 21% premium inc. VAT)

A SHELLEY CHINA QUEEN ANNE PART SERVICE, 1930's, printed and overpainted with the "Blue Iris" pattern, comprising twelve plates, eleven saucers, ten cups, two bread and butter plates, milk jug and sugar basin, printed mark in green, inscribed pattern number 11561 (37) (Est. plus 21% premium inc. VAT)

MARY RICH (b.1940), a studio porcelain miniature coffee service with purple/blue and gilt peacock feather banding on a green ground, comprising four cans and saucers, creamer, sugar basin and coffee pot and cover with swing caned handle, 4 1/2" high over finial, seal mark (11) (subject to Artists Resale Right) (Illustrated) (Est. plus 21% premium inc. VAT)

A George I style silver teapot and sugar basin, Heming & Co, London 1937, Britannia standard, compressed baluster form with hammered finish, the teapot with domed hinged cover and octagonal spout, wooden scroll handle and finial, 24cm wide, 36ozs, monogrammed.Illustrated

A George III mahogany three tier basin stand, with single drawer, having a later top, on square chamfered legs, 32.5cm square x 78cm high.

A pair of silver plated rectangular entree dishes, muffin dish, fruit basin and plated teapot.

Wash basin stand

A tray containing a Royal Osborne wall plate, Chelsea China pink rose wash jug and basin with similar milk jug and an oriental style lidded urn

A tray of Richmond bone china tea china, Richmond milk jug and sugar basin, preserve pot etc

A tray of twenty-one piece tea service, collection of thimbles, antique Empire Works teapot and basin etc

A small Gebruder Heubach bathing girl, seated leaning forward with hand between feet, green glazed basin and impressed starburst to base —3 ¼in. (8cm.) high

MASONS MANDALAY TEAWARE to include teapot, coffee pot, milk, jug, sugar basin, tea plates and cups and saucers (approximately 40 pieces)

Circa 1340 AD. A Western medieval cervelliere's or early bascinet skull in iron, probably Italian, the dome bowl following the shape of the skull, narrower on the front and wider at the occipital bone; the protection of the area is wider than in the usual cervelliere, and all around the rim of the helmet the fastening holes to the inner felt or leather lining, or the sewing to a textile cap, are visible. See Boccia G.L., Rossi F., Morin M., Armi e Armature Lombarde, Milano, 1980; Nicolle, D., Italian Medieval Armies, 1300-1500, London, 1983; Vignola, M., I reperti metallici del castello superiore di Attimis, in Quaderni Friulani,di Archeologia, XIII, 2003, pp.63-81; Scalini, M., A bon droyt, Spade di uomini liberi, cavalieri e Santi/Epées d'hommes libres, chevaliers et saints, Milano, 2007. 881 grams, 22cm (8 1/2"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent; accompanied by an academic report by military specialist Dr Raffaele D'Amato. The cervelliere was a very common skull protection since the 13th century Italy, made of metal and shaped like a simple skull. It (from Latin cervellerium, cerebrarium, cerebrerium or cerebotarium) was a helmet basic typology developed in Middle Ages. It was made of a single piece of cup-shaped metal covering the top of the skull and could be worn over or under the hauberk and other typologies of heavier helmets. Over time, the cervelliere experienced several evolutions. Many helmets became increasingly pointed and the back of the skull cap elongated to cover the neck, thus developing into the bascinet. The skull protection of our specimen has parallels with the helmets worn by the warriors represented in the killing of the innocents painted in the Church of Saint'Abbondio, Como, dated at 1340 AD (Boccia, Rossi, Morin, fig.10 pp.30-31), which Boccia correctly classified like cervelliere. This specimen is therefore still a cervelliere, or eventually an early form of bascinet of which the cervelliere was the ancestor, although this specimen begins the transformation of the simple skull in the wider bowl that, fitted with a peak, will give origin to the bascinet. Its conformation distinguishes it from the various similar head protections classified as bascinet in the 15th century. The statement that we are still dealing with a cervelliere is based on the morphological data of the object. The shape, above all, is markedly hemispherical, tightening towards the front and falling slightly on the nape. A similar skull is visible on the cerviellere found in the castle of Attimis (Italy, Trentino Alto-Adige), recently published by Vignola (Vignola, 2003, pp.66 ff."). Differently from the usual cervelliere, the bowl shows side protections, and the sides are protecting also the ears, which is not the characteristic of the usual cervelliere. The type then turned out to define in anatomical way and adherent to the skull. Another characteristic trend is the series of holes visible all along the lower edge, from front to the neck. Correctly Vignola suggested, by analysing the specimen of Attimis, that such parallel holes were destined to receive the sewing, to fasten the helmet with a falsata (padded or quilted headgear"). The presence of similar holes in the other helmets of the same category was absolutely fundamental to allow a similar helmet to be worn, as well as to absorb the trauma of a stroke directed towards the plain surface of the cervelliere skull. The falsata had probability the possibility to be fitted with stripes for the protection of the nape, and of thongs to fasten the helmet under chin, too. Moreover, a cap was sometimes worn over the helmet, forming an external textile headgear prolonged over the ears (Nicolle, 1983, pl.B2), often visible in the iconography of the period and considered like a civilian cap by many art historians not particularly skilled in the military equipment study. Most probably our specimen is from a battlefield or a river find. The piece is in good condition and considering the rarity a high start price is expected. Under the profile of the chronology such protections for the head had a long life, from 13th until 16th century, however, conforming with the date proposed by Vignola for the piece of Attimis, the specific morphology of the helmet found precise elements of comparison with the 14th century iconography. By looking at the helmet from the sides, it shows a typical gleaning towards the lower edge, raising to the brow part. This is visible on many cervelliere and bascinets of the 14th century, on the prototypes visible in the so-called biadaiolo (code of the mid-14th century) of the Medicean Laurentian Library in Florence, in the already quoted frescoes of Saint Abbondius and even in some cervelliere represented in the Manesse Code. The ancient sources call such type of objects bascinet, having the shape of a basin or basin without lip, although the shape of the helmet that is modernly designated with this name, has a rather ogival shape as for the head gears of the second half of the fourteenth century. Cervelliere or early bascinets like our specimen, may be dated to the first half of the 14th century, but the formal adherence to the progression of the skull makes it difficult to secure a chronological staggering. However, an artifact examined by Scalini, datable to 1330, from Perugia, shows protective side parts like this specimen, which descend to protect the ears, and allowed also a more comfortable overlap to the knitted shirt. This specimen was used to draw water from a well, until that is was not recognised for its importance. (Scalini, 2007, pp.106-107"). Anecdotally, medieval literature credits the invention of the cervellière to astrologer Michael Scot (Michele Scoto) in 1223. This history is not seriously entertained by most scholars, but in the Chronicon Nonantulanum is recorded that the astrologer devised the iron-plate cap shortly before his own predicted death, which he still inevitably met when a stone weighing two ounces fell on his protected head. Fine condition. Extremely rare.

A George VI and Elizabeth II harlequin silver four-piece tea service of "Art Deco" design with stepped lids, the cylindrical tapered bodies with reeded band and moulded footrims, all by Mappin & Webb, comprising - teapot with composite finial and handle, 6.75ins high, Sheffield 1949, two-handled sugar basin and milk jug, Sheffield 1950, and hot water pot with composite finial and handle, 8.25ins high, Sheffield 1963 (gross weight 44ozs)

A late Victorian/George VI harlequin silver bachelors oval three-piece tea service with part reeded bodies, all by James Dixon & Sons Ltd, comprising - teapot with ebonised finial and angular handle, 5ins high, two-handled sugar basin, both Sheffield 1937, and milk jug, London 1889 (gross weight 13ozs)

A George V silver oval two-handled sugar basin with reeded mounts and bulbous panelled body, on ball pattern feet, 3.75ins high, and matching milk jug, by Mappin & Webb, Birmingham 1915, and a small selection of other silver items, various (combined weighable silver 17ozs)

A George III silver sugar basin, maker's mark rubbed, London 1814, shaped overall form, bright cut engraved decoration, monogram and crest, 8oz, width 21cm.

A Victorian mahogany two-tier washstand, with a basin recess, under-tier with a single drawer, width 37cm; modern mahogany three-tier wall shelves; wine table; magazine rack; and two coffee tables. (6)

A CONTINENTAL BLUE AND WHITE POTTERY WALL HANGING WATER HOLDER AND BASIN mounted on a wooden frame, height 110cm

Decorated with Chinese lady with deer in garden in center of basin with Chinese valuables on border, 37 cm. in diameter.

Thirteen Victorian and later pottery tiles, a jug and a basin

A brass and walnut book slide, An Art Deco lady lamp and blue and white jug and basin set.

SILVER TWIN-HANDLED SUGAR BASIN of faceted form on hoof feet, London 1918, 8.1ozs

A 19th century carved sandstone basinOf typical form with a drainage hole, sold together with a framed photograph of the basin filled with Nicky's Pekineses, Zephyr, Zeta and Zelda, 74cm wide x 55cm deep x 16cm high, (29in wide x 21 1/2in deep x 6in high)

A silver sugar basin, 4.2 oz; a silver vase, 3 oz; items of plated ware

An Edwardian silver cream jug of plain baluster form, beaded S shaped handle, on three trefoil supports, 1906, maker Charles Edwards, 12.5cm tall, together with a George V silver sugar basin with a baluster cut rim and two scroll handles on four supports, 1912, Robert Stebbings, 7.5cm tall, approximately 300 grams

An Elizabeth II silver helmet shaped pedestal cream jug, with a ring turned body, Birmingham, 1969, together with an Edwardian silver twin handled pedestal sugar basin, Birmingham, 1905, approximately 230 grams

A George V silver sauce boat, with a flared rim, leaf scrolling handle on three paw feet, Chester, 1912, together with another silver sauce boat, a silver twin handled sugar basin and a cased set of six fruit knives and forks, weighable silver approximately 495 grams

A George V silver teapot with a flared rim, circular body on four leaf capped legs with pad feet together with a matching sugar basin, Birmingham, 1915 and another silver sugar basin approximately 905 grams

A Camusso Peruvian silver five piece teaset, comprising a coffee pot, teapot, cream jug, lidded sugar basin and open sugar basin, with flame finials, scrolling handles and leaf capped feet, with import marks, approximately 1355 grams

A George III silver three piece teaset, comprising a teapot, twin handled sugar basin and cream jug, with a gadrooned rim and reeded body, London, 1818, possibly William Sharp, approximately 1250 grams

A George V silver three piece teaset, comprising a teapot, twin handled sugar basin and a cream jug, with a gadrooned edge and bulbous body, Sheffield, 1925, Walker and Hall, approximately 1280 grams together with an electroplated spirit kettle on stand

Chinese green glazed stoneware basin of circular form, Han dynasty, 23cm diam, also a Tang style sancai amphora stoneware basin with twin dragon scroll handles, 21cm high.  (2). 

AN 18TH CENTURY MUGHAL INDIAN BRASS EWER & BASIN, the ewer 27cm high x 26cm wide. the basin 15cm high x 33cm diameter.

A 14TH / 15TH CENTURY MAMLUK BRASS BASIN, The body with calligraphic decoration, 27cm diameter x 11.5cm high.

A FINE LATE 19TH CENTURY ISLAMIC DAMASCUS BRASS BASIN, inlaid with silver calligraphy, 32cm diameter.

A group of English porcelain toy pieces, circa 1820Comprising a Spode ewer and basin, painted with pattern 711 of flower sprays reserved on a solid gilt ground, ewer 9.1cm high, SPODE 711 in red, a Spode watering can of the same pattern, 9.8cm high, SPODE 711 in red, another Spode watering can of pattern 1216 in Imari style, 9.8cm high, and an English porcelain basket and pierced cover, also with flowers on a solid gilt ground, 8.9cm high (6)

Two boxes of various china to include; various floral teaware, floral serving bowls including some Limoges, Crown Devon sugar basin and cover and salad bowl with tongs etc. (B.P. 24% incl. VAT)

19th Century spongeware pottery basin, together with 19th Century blue and white transfer printed Dillwyn cabinet plates etc. (B.P. 24% incl. VAT)

Decorative/Interior Design: A quartz basin, with plug hole, 38cm diameter

A Copeland wash set comprising jug and basin, bowl, soap dish and urn and cover, decorated flowers on a blue ground CONDITION REPORT: Soap dish cover broken through cover, rivet repairs to underside but associated chip to top, stained to interior of base. Pail cracked through cover and crack to main body, small bowl with a 'V' shaped section broken from rim and glued, basin and ewer in good condition.

A Victorian mahogany circular shaving mirror and two two-tier washstands, one fitted a jug and basin

A silver mustard pot and cover, London 1924, a cream jug, two toast racks, two small ladles, a sugar basin and a napkin ring