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An Edward VII Silver Oval Three-Piece Tea Service by Charles Westwood & Sons, Birmingham 1905, with shaped rims, the bulbous bodies embossed with cartouche and band of leaf scroll ornament, comprising - teapot with ebonised finial and scroll handle 5.5ins high, two-handled sugar basin and milk jug, gross weight 26ozs
A George V Silver Rectangular Three-Piece Tea Service by James Dixon & Sons, Sheffield 1933 and 1934, with bead mounts, moulded bodies and on ball feet, comprising - teapot with ebonised finial and handle 5.75ins high, and with presentation inscription, two-handled sugar basin and milk jug, gross weight 28ozs
An Edward VII Silver Rectangular Three-Piece Tea Service by George Nathan & Ridley Hayes, Chester 1902, with gadroon and shell mounts, the bodies embossed with scroll and floral ornament with reeded and fluted decoration to base on bun feet, comprising - teapot with ebonised finial and handle 6.75ins high, two-handled sugar basin and milk jug, gross weight 33ozs
A Victorian Silver Four-Piece Tea and Coffee Service and a Plated Tray, the service by Joseph & Albert Savory, London 1845, of baluster form with scroll and shell cast mounts, the domed covers with bird and leaf finials, the bodies embossed and chased with scroll and floral ornament, double C-scroll handles on panel feet, comprising - teapot 7ins high, coffee pot 10.25ins high, two-handled sugar basin and milk jug, gross weight 77ozs, crested, the plated circular tray with shaped and moulded rim and with scroll mounts, engraved with floral and leaf scroll ornament on four panel feet, 22.5ins diameter, crestedNote: Ivory Exemption Submission Reference: H1Q711NY
An Edward VII Harlequin Silver Oval Four-Piece Tea Service by William Hutton & Sons, London & Sheffield 1902, with part reeded bodies, comprising - teapot 7ins high, hot water pot 8.75ins high, each with ebonised urn pattern finials and angular handles, two-handled sugar basin and milk jug, gross weight 46ozs
An Early Victorian Silver Four-Piece Tea and Coffee Service by William Robert Smily, London 1851, of octagonal panelled form, the domed covers with turned finials, engraved with scroll ornament and on scroll moulded bases, comprising - teapot 8.5ins high, coffee pot 11.5ins high, two-handled sugar basin and milk jug, gross weight 78ozs, engraved with presentation inscription to base of coffee pot dated 'Sept.18thAD 1851' Note: Ivory Exemption Submission Reference: 6FWMTUEC
A George V Silver Octagonal Sugar Basin and Cream Jug and Mixed Silverware, the sugar basin and cream jug by Alexander Clark & Co. Ltd, Birmingham 1932, the milk jug with angular handle 2.75ins high, a George V silver oval sauce boat, no maker's mark, London 1932, with shaped rim and double C-scroll handle, 4.5ins high, a silver circular trinket box, two condiment spoons and a pair of tongs, combined weighable silver 15ozs
A Selection of Clarice Cliff Crocus Pattern, including miniature tankard-shaped jug, 2.5ins high, and a sugar basin, 3.25ins diameter x 1.75ins high, each with black 'Bizarre Clarice Cliff Newport' stamp to bases, a beehive honey pot, 3ins high overall, with light green 'Clarice Cliff' stamp to base, and a drum-shaped preserve pot and cover, 3.25ins high overall, with black 'Brice Rogers Cottage Pottery Crocus Bizarre by Clarice Cliff Newport' stamp to base
An Elizabeth II Silver Four-Piece Tea Service by William Greenwood & Sons, Birmingham 1955, of melon shape, chased and engraved with band of leaf and scale ornament, comprising - teapot 5.5ins high, hot water pot 7.5ins high, both lacking finials and handles, two-handled sugar basin and cover and milk jug, weight 66ozs
A Clarice Cliff Bonjour Liberty Stripe Part Tea Service, decorated in pale blue and cafe au lait bands on a cream ground, comprising four conical cups and saucers, each cup 2.5ins high, milk jug 4ins high overall and sugar basin 3ins wide x 2.35ins high, with black 'Bizarre Clarice Cliff Wilkinson' stamps to bases (10)
An English Bone China Part Tea Service, 19th Century with moulded spiral fluted bodies decorated in blue and gilt with trailing leaf scroll ornament, comprising teapot and cover 7ins high, stand, oval two handled sucriere and cover, milk jug, slop basin, ten tea bowls, eight tea cups, and twelve saucers
WEMYSS WARE: a large bulbous jug painted with roses, impressed and painted 'Wemyss' to base and oval Thomas Goode stamp, 26cm high; together with a matching wash basin 38cm diameter and pair of vases with frilled rims Condition Report : jug good, jsut some crazing, bowl wth cracks and water damage to base, one of the vases with rim chip Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A pair of Royal Albert Old Country Roses photograph frames; milk jug, sugar basin and cake knife conforming; Wedgewood Wild Strawberry pattern two handled bowl; Ainsley Cottage Garden pattern box and cover, vases, etc; Noritake cabinet cup and saucer; Beswick terrier; Royal Albert tea service for six; Foley China tea service for six comprising cups, saucers, sides plates, milk jug and sugar basin; etc (qty)
HALLMARKED SILVER, 4 ITEMS - to include a neat oval tea caddy with hinged lid, Birmingham 1922, Maker George Unite, 8.5cms overall H, 8cms across, a matched caddy spoon which fits neatly into the lid, Sheffield 1913, Maker W S Savage & Co, 6.5cms L, 3.2cms bowl diameter, globular cut glass scent bottle with silver top and modern chrome and black atomiser, Birmingham hallmark and maker to the silver, 13.5cms overall H, and a George III two-handled sugar basin, London 1802, Maker probably William Bennett, 12cms H top of handle, 18cms across, 13.6ozt weighable
A LARGE FAMILLE ROSE PORCELAIN BASIN The centre with a peacock perched on a blossoming tree, within a pink and green diaperwork border, the sides decorated in the 'Hundred Antiques' pattern and the broad rim with reserved of fruit and stylised foliate borders 40.5cm diameter Condition: Condition Report Some occasional glaze losses throughout and general signs of age and use, overall in good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
(Venezia 1873 - Roma 1950)Cm 76x95 | In 29.92x37.40Oil on canvasby A. M. Comanducci Born in Venice on September 15, 1873, he lived in Rome. Self-taught, he set out to paint at the age of seventeen, studying life. He treats all genres, from landscapes to portraits, transfusing into his works a heartfelt and exquisite melancholy that is found especially in his landscapes, which thus remain most moved and dearest. He is a poet of the palette, who, to the emotional expression of figure and landscape, combines a marked decorative sense of form and color and a skilful taste for the harmony of composition. He exhibited his early works at the Permanente in Venice. With an "Interno di San Marco" he won the Fumagalli prize. From 1897 he exhibited at those Venetian Biennials: in that year: "Café in Constantinople" and "The Rich"; in 1889: "Silver Light" and "After the Rain (St. Mark's Square)"; in 1901: "Farrier" and "August"; in 1903: "Velieri in Canale della Giudecca"; "La chiesetta di notte" and "Campagna bionda," currently in the International Gallery in Venice; in 1905, "Giorno d'autunno"; "A Burano" and "Nel Lazio"; in 1907, "Assisi" and "Mercato di cocci (Assisi)"; in 1909, "Sagra di San Giovanni"; in 1910, thirty-one paintings, "Umbrian and Tuscan Landscapes and Visions"; in 1912: "Portrait of Nino Barbantini"; "A Sunrise" and "Serenade"; in 1914, "Boat Trip"; "The Dancer Dora Angel"; "The End of the Fires" and "Capriccio in Grey and Purple." After the First European War he resumed exhibiting: in 1922: "A Procession in Bergamo"; "In Val Brembana" and "Assisi"; in 1926: "A Hermitage (Assisi)"; "In Vittorio Veneto" (1916) and "The Choice"; in 1928: "Val di Non"; "Lo sterro" and "Vento di terra"; in 1930, "II pescatore e la sua barca" and "Vita di bordo"; in 1932: "Le Mantellate"; "Mimose"; "Anticaglie"; "Veduta di Roma"; "Pesci" and "Angolo." In 1922 at the Primaverile Fiorentina he exhibited "Val Brembana"; "The Chinese Shawl" and "Chrysanthemums." In 1924 at the Venice International an individual exhibition of his works was ordered. "UMBRE AND TUSCAN LANDSCAPES AND VISIONS" by Ferruccio Scattola We turned to Ferruccio Scattola, to get some biographical information. He answered us with a short page, but so limpid and sincere that we certainly could not say more or better. We reproduce it without fail: "I was born in I873. Having finished a few courses of study, I set out to paint alone without guidance uncertain whether to enter the Academy or some artist's studio; so I continued and continue to study nature. However, I do not like art that reproduces it in too objective a form; on the contrary, I am convinced that only is excellent work that, which through the artist's sensitivity, translates it with a style. Nature attracts me in all its forms, giving me a continual restlessness; I attempt different aspects and expressions of the real, I am persuaded, however, to prefer certain forms and motifs that I loved from my earliest years and to which I return at intervals. For some years now I have been trying to give my painting a decorative style; decoration, in my opinion, can contain in itself the most beautiful qualities of the work of art, both intimate and grand, both intellectual and sensory. If I introduce myself as a landscape painter this year, I also treated the figure, painted a few portraits, and hope to soon have the opportunity to make these new studies of mine known" Ferruccio Scattola's paintings, discreet and gentle, with graceful breaths of wind that swell the snowy sails in the festive basin, with gentle illuminations that feather everything so that the outline of the city seems on the milky water an ephemeral apparition, with mirrors of calm lagoon toward St. Francis of the Desert ploughed by the boat of silent friars returning to the home convent; they denote with delicate art a trembling sensibility.
An Art Deco Shelley 1930s morning teaset comprising teapot in cylindrical form with a triangular shaped handle (h: 11cm x 21cm x 9cm) and a pair of matching teacups (h: 6.5cm x 10cm) and saucers (d: 14cm) , with triangular shaped handles, sugar basin (d: 4.5cm x 8cm) and milk jug (h: 6.5cm x 5cm) a/f, complete with a single side plate (d: 12cm), all stamped Shelley, with stylised lotus flower design and green and purple handpainted border with pattern number 11746, no signs of chips, cracks or repairs to saucers, small firing edge to one saucer, signs of black from kiln, teapot spout is perfect as is handle, sugar basin has slight discolouration to small area, milk jug base a/f, loose
A pair of 19thc Sheffield plated baluster candlesticks on moulded chased bases, one a/f, (h: 17cm x 11cm x 4cm) a two handled Epns sugar basin, a set of six Epns mother of pearl handled fruit knives and forks and a set of six unused plate A1 beaded pattern tea spoons, complete with original box
Africa.- Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, and Explorations of the Nile Sources, 2 vol., first edition, engraved portrait and tinted lithograph frontispiece, 12 wood-engraved plates, illustrations, 2 colour maps, 1 folding, vol. 2 with previous owner's ink signature to front free endpaper, scattered very faint spotting, 1866; Ismailïa: A Narrative of the Expedition to Central Africa for the Suppression of the Slave Trade, 2 vol., first edition, engraved portrait frontispieces, 51 wood engraved plates, 2 colour maps,1 folding with large tear, neat old repair to verso, publisher's advertisements at end vol. 1, previous owner's discreet blind-stamps, scattered faint spotting, rebacked retaining original backstrip, 1874, first edition, original pictorial cloth, gilt, slight bumping to corners and extremities, [Czech pp.10-11], 8vo (4).
A Noritake porcelain part dinner and tea service with four dinner plates, seven dessert plates, six bowls, six cups and saucers, a teapot, sauce boat, milk jug, sugar basin and cover, a serving dish and further dishes; together with a Limoges porcelain dessert service; and further plates to include a restored Meissen plate with pierced edge (qty)The Noritaki service in good condition with one tea plate with a chip. The Limoges dessert service is seemingly in good condition with some minor wear to the gilding. The Meissen plate restored. Further items in the lot in moderate to poor condition.
A quantity of silver comprising of three silver jugs; a sugar basin; two salts; and a mustard pot, total weight: 588gQty: 7The larger jugs in good condition. The small jug with a slight dent. Condiments in good condition barring the mustard pot which has dents around the base. Sugar basin in poor condition.
A Meissen porcelain solitaire tea set decorated with scenes of hunting consisting of a tray, 27cm wide; sugar bowl and cover; a teapot; milk jug; and cupWear to the gilding overall. The teapot with signs of wax beneath the base. The knop with chips to the flower. Similar chips to the knop on the sugar basin and cover. The milk jug with hairline crack throughout. The cup in good condition barring the wear. The tray also in good condition except for the wear.
A French faience water fountain or cistern (lavabo), 19th century, the baluster shaped reservoir painted with flowers and foliage beneath a shell surmount, the D-shaped basin with mask handles, mounted onto a wooden backing, total height 71cm, together with a matched two-handled octagonal dish, another water reservoir painted in shades of blue with a floral garland and foliate scrollwork, height 45cm, and a third smaller example, height 27cm (extensive faults, repairs and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Keeling & Co Losol Ware part wash set, decorated with sprays of flowers against a speckled gold ground, comprising jug and basin, pail and liner, two chamberpots, soap dish, liner and cover, shaving bowl and liner and toothbrush vase.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A vintage Royal Copenhagen 'Brown Iris' pattern tea and cake service, to include teapot, hot water pot, milk jug, sugar basin , bowl, two serving plates, twelve tea cups and saucers and twelve cake plates, decorated with bearded Iris, gilt trim and highlights, underglaze marks to bases. (43) * Condition: One tea cup with large crack and one with handle repair (glued), otherwise good.
A Scottish three piece silver bachelor's tea service, Hamilton & Inches, Edinburgh, 1906, of panelled oval form with foliate scroll decoration, comprising of teapot, milk jug and twin handle sugar basin, teapot measuring 8½in. (21.6cm.) long, weight 22.8 tr.oz. * Condition: Sugar basin with two feet/legs slightly pushed into belly, tiny flea-bite nibbles to all, overall good.
A CHINESE FAMILLE ROSE 'THE GENERALS OF THE YANG'S FAMILY' BASIN19TH CENTURYBrightly enamelled with a central medallion depicting a seated emperor, encircled by colourful figures carrying weapons, fans and other implements, the border with smaller panels of songbirds, 39.5cm.PLEASE NOTE THIS LOT IS TO OFFERED WITHOUT RESERVE.

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23407 item(s)/page