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Size:(Total Height With Stand 15CM, The basin Height11.5CM, Length28CM, Width18.6CM) Condition:(Original Good Condition, No Hairlines, No Cracks, No Repairment Checked by UV&Strong Light, Traces of Age. Factory default in the bottom part.) Shipping:(Shipping Estimation:165 EUR for Within Europe & USA & China by DHL or local carrier.) Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. All lots are sold AS IS and in accordance with our terms of sale. All sales are final. No refunds. No exceptions. All wood stand and coin is for photo assisting only, not belongs to the lot unless futhur specified.
Geologie - - Jean Etienne Guettard. Memoires sur différentes parties de la physique, de l'histoire naturelle; des Sciences et Arts. 3 Bde. und Nouvelle Collection de mémoires sur différentes parties intéressanted des Sciences et Arts). 2 Bde. in 3 Bden. (6 Bde.) Mit 262 gestochenen Tafeln. Paris, Lamy & Costard, 1774-1786. Geglättete polierte Kalbsledereinbände d. Zt. mit Maroquin-RSchild, gelben Eckstücken und marmorierten Vorsätzen. DSB V, 579. - Schuh 2021 (nur 3 Bde.): "Very rare." - Roller/Goodman I, 491. - Ferchl S. 204. - Poggendorff I, 973. - Pritzel 3631 (abweich. Tafelanzahl). - Quérard III, 514. - Nicht bei Honeyman und Norman. - Prachtvolles Exemplar dieses bedeutenden französischen Luxusdrucks. Erste Ausgabe, selten in vollständiger Form: "un des plus grands livres de science du XVIIIe siecle". Eine zweite, erweiterte Ausgabe wurde in Paris beim Verleger Costard von 1774 - 1786 in 7 Bänden veröffentlicht. Die "Memoires" sind hauptsächlich mineralogischen, geologischen und paläontologischen Themen gewidmet, die sich mit der Geographie von Felsen, Gesteinsformationen, Minen und Mineralien sowie Fossilien, darunter Berichte über die Entdeckung der französischen Kaolinlagerstätten durch Guettard französischen Kaolinvorkommen, Verwitterung von Gebirgen, Fossilienfunde, Beschreibung und Klassifizierung verschiedener Korallen, Schwämme und insbesondere röhrenförmige Muscheln. 28 Taxa werden hier zum ersten Mal beschrieben. Außerdem gibt es Aufsätze über Papierherstellung. Die 256 gestochenen Tafeln stammen von Jean Robert und werden hier zum ersten Mal veröffentlicht. Mit der finanzieller Unterstützung seiner Gönner und der Akademie sammelte Guettard nicht nur Proben von Gesteinen, Kristallen, Fossilien und Mineralien, sondern auch ein umfangreiches Archiv mit Zeichnungen und Stichen von vielen dieser Objekte, die er auf seinen Reisen beobachtet oder auf dem Feld gesammelt hatte. Der französische Geologe und Mineraloge war auch der erste, der die geologischen Gegebenheiten Frankreichs vermaß und kartierte.geologischen Gegebenheiten Frankreichs und untersuchte das freiliegende Gestein des Pariser Beckens. - Lediglich in Band V und VI stellenweise mit minimalen Wasserflecken, insgesamt gute und frische Exemplare. Gorgeous copy of this important French luxury print. With 262 engraved plates. First edition, rare in complete form: "un des plus grands livres de science du XVIIIe siecle".A second, expanded edition was published in Paris by the publisher Costard from 1774 - 1786 in 7 volumes. The "Memoires" are mainly devoted to mineralogical, geological and paleontological topics, dealing with the geography of rocks, rock formations, mines and minerals as well as fossils, including reports on the discovery of French kaolin deposits by Guettard French kaolin deposits, weathering of mountains, fossil finds, description and classification of various corals, sponges and especially tubular shells. 28 taxa are described here for the first time. There are also essays onpapermaking. The 256 engraved plates are by Jean Robert and are published here for the first time. With the financial support of his patrons and the Academy, Guettard not only collected samples of rocks, crystals, fossils and minerals, but also an extensive archive of drawings and engravings of many of these objects, which he had observed on his travels or collected in the field.observed on his travels or collected in the field. The French geologist and mineralogist was also the first to survey and map the geological features of France.He also mapped the geological features of France and examined the exposed rock of the Paris Basin. - Only in volumes V and VI with minimal water stains in places, overall good and fresh copies.
A GROUP OF FIVE TIBETAN RITUAL IMPLEMENTS, 19TH CENTURYTibet. Comprising a small copper kapala, with a silver repousse cover topped by a vajra finial and a gilt-copper stand of triangular form with a head at every corner; a bronze butter lamp with a circular basin and a wick-fitting decorated with Amitayus; a gilt and silvered bronze openwork belt hook with a recumbent deer amid scrolling foliage; a turquoise-inlaid silver spoon; and a bronze spoon.Condition: Overall good condition with wear, manufacturing flaws, traces of use, minor tarnishing, small dents, minimal losses.Provenance: From a private collection in Austria.Weight: 484 g (total)Dimensions: Height 9.9 cm (the kapala) and 24.3 cm (the butter lamp), Length 13.6 cm (the silver spoon), 9.6 cm (the bronze spoon), and 14.1 cm (belt hook)
A LACQUER STAND FOR A HIBACHI (BRAZIER), EDOJapan, 19th century, Edo period (1615-1868)The top of a square form, set on four cabriole legs and fitted with a circular metal ash basin, decorated in gold hiramaki-e with scrolling and blossoming vines on a roiro-nuri ground, perched with heart-shaped apertures, the silvered metal hardware with a finely incised floral decor.HEIGHT 15 cm, LENGTH 27.6 cm, DIAMETER (ash basin) 21 cm WEIGHT 1749 gCondition: Good condition with minor traces of wear and age, malachite encrustations, small cracks to the lacquer, and a restoration the apron of one leg. Provenance: Czech private collection.
A PAINTED TERRACOTTA FIGURE OF A ZEBU, MATURE HARAPPAN PERIOD, 2600-1900 BCIndus Valley Civilization. The humped bull standing foursquare, its head with large eyes, a short muzzle, and long curved horns, the animal further modeled with a tail. The eyes, horns, neck, and back encircled by brown-painted stripes.Condition: Good condition, commensurate with age. Extensive wear, minuscule nicks, minor losses, expected old fills, repairs, and encrustations.Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was an engineer and fashion stylist from Bologna, Italy. Born as the son of Enrichetta Bertuzzi, the founder of Hettabretz, one of the most important leather merchants in Italy which crafted womenswear for royals and celebrities including The Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and created exclusive pieces, some of which were exhibited in the Costume Institute at Metropolitan Museum of New York. He was also an avid collector of antiques for more than 60 years. His collection includes archaic and contemporary art, focusing mainly on Asian ancient pieces. Over decades he developed close relations with galleries, museums, curators, and auction houses while shaping his collection. He edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. An old receipt from Bruno Cooper, Norwich, dated 4 December 2010, and describing the piece as a terracotta painted ox with basis, Mohenjo-daro civilization, 2nd millennium BC, accompanies this lot.Weight: 510.6 gDimensions: Height 14.6 cmThe Indus Valley Civilization was a Bronze Age culture in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilizations of the Near East and South Asia, and of the three, the most widespread. Its sites spanned an area from northeast Afghanistan and much of Pakistan to western and northwestern India. The civilization flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan. The cities of the ancient Indus were noted for their urban planning, baked brick houses, elaborate drainage systems, water supply systems, clusters of large non-residential buildings, and techniques of handicraft and metallurgy. Both Mohenjo-Daro and Harappa likely grew to a size of 30,000 and 60,000 individuals, and the civilization may have contained between one and five million total population during its florescence. It is also known as the Harappan civilization, after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province of British India and is now Punjab, Pakistan. The discovery of Harappa and soon afterwards Mohenjo-Daro was the culmination of work that had begun after the founding of the Archaeological Survey of India in the British Raj in 1861. There were earlier and later cultures called Early Harappan and Late Harappan in the same area. The early Harappan cultures were populated by Neolithic civilizations, the earliest and best-known of which is Mehrgarh in Balochistan, Pakistan. Harappan civilization is sometimes called Mature Harappan to distinguish it from the earlier cultures.Terracotta figures such as the present lot have been unearthed at Mohenjo-daro and Harappa, suggesting a commonality of style and purpose throughout the Indus Valley during the mature Harappan period (ca. 2600-1900 BC). In one excavated example from Chanu-daro a hole was poked in the belly, indicating that it would have been attached to a stick for use as a puppet or a small standard of the kind carried in the processions depicted on some seals. In others, the hole was indeed placed on the back of the animal, thus suggesting an alternative function, perhaps as part of a larger ensemble.Zebu cattle are thought to be derived from the Indian bos primigenius namadicus, a subspecies of the aurochs. Wild Asian aurochs disappeared during the time of the Indus Valley Civilization from their range in the Indus River basin and other parts of the South Asian region possibly due to interbreeding with domestic zebu and the resultant fragmentation of wild populations due to loss of habitat. Believed to have first been bred in northwestern South Asia, between 7000 and 6000 BC, they are understood to have been dispersed by 4000 BC and spread across much of South Asia by 2000 BC.Literature comparison: Compare a related painted terracotta figure of a unicorn, also dated ca. 2600-1900 BC, illustrated by Jonathan Mark Kenoyer, Cities of the Indus Valley, in Joan Aruz (ed.), Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus, 2003, no. 276, p. 390. Compare a related serpentine figure of a bull, 14.7 cm long, also dated ca. 2600-1900 BC, in the Metropolitan Museum of Art, accession number 1986.280. Compare two related terracotta models of a humped ox, 9 cm long, dated ca. 2500 BC, used to draw a toy chariot, in the Brooklyn Museum, accession numbers 37.96 and 37.97.
A BRONZE OIL LAMP DEPICTING GAJALAKSHMI WITH ELEPHANTS, SOUTH INDIA, KERALA, 15TH-17TH CENTURYFinely cast, the deep circular oil basin with a triangular outcropping, encircled by beaded decoration, supporting an arched backplate depicting a seated Lakshmi flanked by trumpeting elephants, below a central kirtimukha. The bronze with a fine, naturally grown patina with cuprite and malachite encrustations.Provenance: The Connemara Hotel Gallery, Madras, India, c. 1985. Collection Particuliere Française, acquired from the above. The Connemara Hotel is the Grande Dame of the Madras hospitality scene. Named after Lord Connemara, Governor of Madras from 1886 - 1890, the hotel as it stands today is an Art Deco building completed in 1937. After India gained its independence from the British, the hotel management refurbished the premises, with the important Sri Lankan architect Geoffrey Bawa responsible for the interior design.Condition: Good condition with old wear, minor casting irregularities, small nicks, minor dents, light scratches, minuscule losses, encrustations.Weight: 457.9 g Dimensions: Height 13.1 cmThe iconography of Lakshmi being bathed by elephants is derived from the story of the sea of milk being churned by the gods (devas) and demons (rakshas) to discover all its gifts. In addition to potions of immortality, the churning also produced other heavenly gifts, including a wish-granting horse and the Apsara damsels. Lakshmi also appeared, causing singing and dancing among the celestial beings and elephants to sprinkle her with holy water, thus giving her the second name Gajalakshmi.Literature comparison:Compare a closely related oil lamp stand with a depiction of Rama, Lakshmana, and Hanuman, 32.5 cm high, dated 16th-17th century, in the British Museum, registration number 1824,0414.7.Auction result comparison: Type: Related Auction: Christie's New York, 20 September 2006, lot 75 Price: USD 7,200 or approx. EUR 9,800 converted and adjusted for inflation at the time of writing Description: A bronze oil lamp, Travancore, circa 15th century Expert remark: Compare the closely related subject. Note the size (30 cm).
Royal Albert 'Lavender Rose' part dinner service comprising 8 cups, saucers and cake plates, cream jug, milk jug and sugar basin, cake and sandwich server plates x 2, 8 dinner plates, 6 side plates, 6 dessert bowls, 1 large bowl, sauce boat and stand, s&p, 2 tureens (1 lid missing) and 2 ashtrays
A GOTHIC REVIVAL RECONSTITUTED STONE OCTAGONAL FONT BASINWith quatrefoil frieze and waisted base with foliate carved motifs, 86cm wide; 40cm highCondition report: the base is included. Good overall condition one minor crack running through the top, and some restorations to the middle lip, some fresh chips to one side some older larger chips to the bottom of the top secttion, see additional images.
DOULTON LAMBETH BOWL, AND OTHER CERAMICS the Doulton Lambeth bowl decorated with flowers, marked to base, along with a Colonial porcelain wash basin and jug, a further Colonial porcelain wash basin, as well as a blue and white booths lidded tureen jug 29cm high Qty: 5 The basin in the first image has some fading to gilt and the designs on the brim of the bowl, minor chips also present to the brim. Staining, residue and minor scratches to the inside of the bowlthe basin in the second image is in similar condition, with fading gilt and the designs at the brim, similar staining, residue and scratches to the inside of the bowl. The ewer is also in similar condition similar fading, scratches and stains, hairline fractures also present. The vase with floral decoration has a minor chip around the brim. Staining to the inside consistent with age and usage. The tureen has some cracking present to one of its handles. Minor staining and and dust present to inside. Some fading to gilt also present.
France The Red Cross booklets. A complete run of fifty-three from 1952 'Basin of Diana' to 2004, the 1962 Fragonard being the scarce second printing in purple-brown and grey, SG.XSB12a, cat. £1,000 (please note: the SG listing has the prices the wrong way round for this and the more common first printing). Very fresh and clean quality in both contents and covers throughout, displayed in a binder. Total cat. over £3,500, or €3,200 in 2022 Yvert.
AN ENGLISH DELFT BLUE AND WHITE WATER BOTTLE OR GUGLET AND AN ASSOCIATED WASH BASIN CIRCA 1760 The bottle possibly Liverpool, 24.5cm high; the wash basin probably London, with paper collection label for F.H. GARNER, 26.5cm diameter And a Dutch Delft blue and white baluster vase, late 18th century, 27.5cm high Condition Report: Damage, repairs and restoration throughout.Condition Report Disclaimer
Collection of silver including: a silver teapot with repousse decoration and angular ebony handle, bearing marks for Chester, maker and date indistinct, 13cm high overall, 444g approx overall, a silver toast rack, 89g approx overall, a silver sugar basin with twin handles, bearing marks for Dobson & Sons, London, 7.5cm high, 269g approx overall, a silver photo frame, silver box with wooden lining, etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
A Georgian style silver cylindrical mustard pot, the hinged cover with shell thumbpiece, Chester 1924 and a plated spoon, a Victorian partly fluted silver oval cream jug with shaped handle by Hilliard and Thomason, Birmingham 1884, an Edwardian silver circular basket with loop swing handle, cast foliate scrolling base, Birmingham 1908, and a facetted glass toilet jar with engine turned silver cover, Birmingham 1919, 320g weighable (4) condition: blue glass liner of mustard pot broken and reglued, sugar basin with slight denting and lacking liner
Four trays of china to include: Nicholas Mosse Irish pottery spongeware jugs, various other ewers and jugs, Victorian reed design jug and basin set, DM & Sons 'Squirrel' pedestal bowl, Mintons '18th Century Staffordshire salt glaze' cabbage design bowl, passion flower design pedestal bowl, floral hand painted loving cup (probably Coalport), pair of continental porcelain vases, chamber stick, figural candlestick, Beswick fox etc. (4)(B.P. 21% + VAT)
Six trays of china to include: spongeware (possibly Llanelly pottery) chamber pots and bowls, Victorian poppy design jug and basin set, Mintons 'Lawleys' lidded two handled soup tureen, two handled soup tureen without lid, opaque stone R W & B pedestal bowl, Royal Crown Derby 'Imari' pin tray, fluted floral terracotta Art pottery planters, Meissen bird design jardiniere and two similar continental pottery planters, Copeland Spode 'Spode's Byron' and Mason's Ironstone bowls, Chinese porcelain rice bowl etc. (6)(B.P. 21% + VAT)
A DUTCH DELFT CISTERN, COVER AND BASIN 19TH CENTURY Of gadrooned form and decorated in the late 17th century De Grieksche A Factory manner, painted with figures in 17th century dress taking tea, the cistern with metal spigot issuing from a mask, the basin with Pieter Kocx style mark for the De Grieksche A Factory, The cistern 44cm high; the basin, 35cm high Condition Report: Cistern and cover damaged and restored. Small chips to the rims of the cistern,Condition Report Disclaimer

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