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Lot 48
AN ETRUSCAN CARNELIAN SCARAB. MALE FIGURE AT THE FOUNTAIN.4th - 3rd century B.C.11x5x7,5 mmA man with a cloak is in the act of putting his foot into a basin, with his hands he holds a container probably for pouring a liquid and washing himself. Hatched border. Wear marks. Provenance: From a private collection, France, acquired on the art market in the early 2000s
Lot 109
Winnifred Campbell, a twenty one piece Art Deco 1936 robin's egg blue decorated pottery tea service, with stylised triangular handles to side and panelled cups, comprising seven cups, six saucers, six side plates, milk jug and sugar basin, impressed mark verso, dated 1936, slight variations in colour (cups: 7.5cm x d.8cm saucers: 13.5cm side plates: 16cm), no signs or damage or restoration
Lot 159
A Sèvres jewelled blue-ground basin (jatte ovale), circa 1780-84, some decoration laterThe exterior with gilt foliate swags heightened in jewelled enamelling under a white-ground jewelled border of flower heads and S-scrolls, the interior with gilt foliage and scrollwork, a white-ground jewelled border of scrolls and husks between beading under the rim, some of the decoration added later, 26.8cm long, 21cm wide, gilt interlaced LL monogram and gilder's mark for Le Guay, incised mark (some losses)Footnotes:A pair of Sèvres cups and saucers and matching milk jug with the same jewelled border as on the interior of the basin are in the Wallace Collection, illustrated in Rosalind Savill, The Wallace Collection Catalogue of Sèvres Porcelain, vol. II (1988), C421-3, pp. 636-639. Another cup presumably from the same tea service is in the Musée National de Céramique at Sèvres (no. 3218).For further information on this lot please visit Bonhams.com
Lot 170
A Sèvres large hard-paste porcelain basin (jatte ovale), circa 1785Painted with scattered flower sprays, a gilt dentil border to the rim, 31cm long, 9cm high, interlaced LL monogram in blue and faint traces of a painter's mark, incised JFor further information on this lot please visit Bonhams.com
Lot 83
George VI silver four piece tea service, Sheffield 1942, comprising plain slight baluster teapot with ebony finial and handle, matching hot water jug, height 21cm, sugar basin and milk jug, each piece engraved with a gothic 'M' gross weight approx. 1,811g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 104
George V silver three piece tea service by Walker & Hall, Sheffield 1932/33, comprising footed U-shaped teapot with ebony finial and handle, height 16.5cm, matching sugar basin and milk jug, gross weight approx. 775g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 106
George VI silver three piece tea service, London 1937, plain form, the teapot with replaced ebonised finial and wooden handle, height 16.5cm, with matching sugar basin and milk jug, gross weight approx. 809g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 116
George V silver three piece tea service, Birmingham 1926, comprising teapot of footed and fluted oval section, with ebony finial and handle, matching footed sugar basin and milk jug, the teapot 15cm, gross weight approx. 667g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 118
Late Victorian silver three piece tea service, maker TH, Birmingham 1895, comprising baluster teapot, repousse decorated with flowers and a vacant cartouche, hinged domed cover, wooden handle, raised on stepped hoof feet, height 15.5cm, sugar basin and milk jug, gross weight approx. 614g (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 172
A LARGE CANTON SHELL-SHAPED WATER BASIN, QING DYNASTY, QIANLONG PERIOD, CIRCA 1750Modelled in the form of scallop shell raised on three pad feet, the interior painted with carp, shellfish, shrimps and crustaceans amongst seaweed fronds, all within lotus scroll borders, the underside with lotus panels to the various lobesLength: 49cm Width: 33cmCondition ReportUV light inspected. Some hairlines to enamel. Hard to quantify amount of restoration. Lets just say: 'you pick it up, you know it feels like it has significant restoration.' Although the restoration is to a very high standard, and is not picked up by the UV light. It is still a rare example of this Canton enamel basin, unusual decoration and size.
Lot 300
An English 'Factory 22' tea service, circa 1830-40, possibly William Ridgway, painted with rectangular panels of flowers reserved against lemon yellow, cobalt and gilt grounds, comprising a teapot of flattened melon shape with a flanged shoulder and tilted flower finial, but with a triangular fifteen hole strainer, 14.5cm high; cream jug (lacking handle), ten teacups, twelve coffee cups, slop basin, seven saucers and a square plate, single number '914' to the cream jug and '395' to some saucers, otherwise unmarked, sold together with a further 19th century English square plate, painted with flowers, marked pattern number 733, 22cm wide; and a Coalport Adelaide shape part tea and coffee service, circa 1835, pattern 3/38, painted with polychrome flowers reserved against a scrolling gilt, pale yellow and grey border, comprising fourteen teacups, three coffee cups, fourteen saucers and one plate, 20.5cm diameter, sold together with three Coalport saucers and matching slop basin in pattern 2/984, and a further Ridgway part service, circa 1825, pattern 2/1510, comprising three coffee and one teacup with high loop handles, nine teacups, bread and butter plate and a slop basin, numbered in iron red (qty) (damages)Condition:Factory 22 service - Teapot - Handle broken and re-attached, finial to cover chipped.Cream jug - handle broken, but present.Saucers - 3 cracked, 2 with hairlines.Slop - Cracked.Teacups - 2 stained yellow. 1 badly cracked. 1 with hairline. 1 both cracked and stained.Coffee cups - 1 with hairline around upper portion of handle. 1 slightly yellowed. 1 with short firing crack to upper portion of handle. A fourth cup with a hairline.Some slight gilt wear noted throughout.The lone floral square late has loss to enamels.Coalport Adeleide service - 20.5cm diameter plate with stapled repairs.Teacups - Seven missing handles. One handled teacup with a hairline and another with a foot rim chip.Coffee cups - One chipped.Saucers - One with a faint Y-shaped hairline visible to the rear. Generally, crazed throughout with a few pieces slightly stained yellow.Pattern 2/984 saucers and slop basin - Slop basin with signs of use and scratching to the interior.Ridgway service - Wear to gilding on handles and rims. Teacup with hairlines. Bread and butter plate with crude repaired break. Slop basin with Y-shaped crack to the centre, together with an upper rim chip. Saucers with gilding wear to the centres. One saucer chipped with associated crack. A second saucer with small crack to the foot. One saucer has a much paler yellow ground.
Lot 50
A collection of Royal Albert "Old Country Roses" tea wares comprising teapot, milk jug, sugar basin, six teacups and saucers, six side plates, a twin-handled serving / cake plate and a further serving plate, together with a salt and pepper, a collection of four Royal Doulton "Bunnykins" figurines, "Girl Skater" (x2), "Sleigh Ride" (x2) and a pair of oval brass wall plaques, each featuring a lady in Classical robes with column in foreground, 12.5 cm wide x 23 cm long including hanging loop
Lot 295
An original listing handbill (approx 8.5 x 11") for events at the Village Gate, NYC in the summer of 1961. The handbill lists Aretha Franklin, Art Blakey, John Coltrane, Horace Silver, Ray Bryant and has been signed with a dedication in ballpoint pen by Art Blakey. Shows evidence to tape to the edges on the reverse of the handbill. Affixed by tape to the lower portion of the handbill (total combined size 8.5 x 16 1/3") is a c early 1960s 'Basin St East' postcard signed by Joe Morello, Danny Barcelona, Paul Desmond. Also a piece of Hugo Land sheet music.
Lot 154
John Young, Eugene Cernan, or Thomas Stafford Four views of spectacular moonscapes from orbit, Apollo 10, 18-26 May 1969 Vintage gelatin silver prints on fibre-based paper, [NASA photos No AS10-30-4460, AS10-31-4553, AS10-32-4771, AS10-32-4819], 20.3 x 25.4cm (8 x 10in), blank on versos, number AS10-30-4460, AS10-31-4553, AS10-32-4771, AS10-32-4819 in blue pen in white margins, (4)Footnotes: AS10-30-4460: floor of Crater Mendeleev on the farside known as Basin 9 at the time of the mission; AS10-31-4553: close to nearside terminator over crater Lade (right); AS10-32-4771: close to nearside terminator over crater Lade (left); AS10-32-4819: close to nearside terminator over crater Triesnecker in Center Bay.
Lot 749
A PARTHIAN SILVER FIGURAL DAGGER HANDLE, IRAN, 247 BC to 224 ADFinely modeled as a standing nobleman wearing long robes with thick hems, the hands placed in front below the chest, the face with large almond-shaped eyes and a prominent bearded chin, the curled hair arranged in an elaborate coiffure.Provenance: Galerie Veronique Prevot, Paris, France. RD Collection Paris, acquired from the above. Veronique Prevot is an expert and dealer of Asian and non-European art, with a gallery located in Paris near Hôtel Drouot. She regularly exhibits at Printemps Asiatique Paris and lends her expertise to various auction houses. Condition: Very good condition, commensurate with age. Wear, minor losses, small nicks, light scratches, tiny dents, and encrustations.Weight: 55.8 g (excl. base) and 76.2 g (incl. base) Dimensions: Height 8.6 cm (excl. base) and 11.6 cm (incl. base)Mounted on an associated base. (2)The Parthian Empire, also known as the Arsacid Empire, was a major political and cultural power in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy (province) under Andragoras, who was rebelling against the Seleucid Empire. Mithridates I (r. c. 171-132 BC) greatly expanded the empire by seizing Media and Mesopotamia from the Seleucids. At its height, the Parthian Empire stretched from the northern reaches of the Euphrates, in what is now central-eastern Turkey, to present-day Afghanistan and western Pakistan. The empire, located on the Silk Road trade route between the Roman Empire in the Mediterranean Basin and the Han dynasty of China, became a center of trade and commerce.The Parthians largely adopted the art, architecture, religious beliefs, and royal insignia of their culturally heterogeneous empire, which encompassed Persian, Hellenistic, and regional cultures. For about the first half of its existence, the Arsacid court adopted elements of Greek culture, though it eventually saw a gradual revival of Iranian traditions. The Arsacid rulers were titled the "King of Kings" as a claim to be the heirs to the Achaemenid Empire; indeed, they accepted many local kings as vassals where the Achaemenids would have had centrally appointed, albeit largely autonomous, satraps.
Lot 351
Philipp Ferdinand de Hamilton, 1664 Brüssel – 1750 Wien, zug. LANDSCHAFT MIT JAGDHUND AN EINEM WASSERBECKENÖl auf zweiteiliger Holzplatte, teils parkettiert.54 x 42,5 cm.In Prunkrahmen.Beigegeben ein kurzer Bericht mit Benennung von Dr. Alexandre Sonoc, Chefkonservator des Museums Baron Samuel von Brukenthal, Sibiu, der das Gemälde dem Künstler zuschreibt und als Darstellungsthema eine Fabel von Aesop (185) benennt.Landschaft mit Gebäuden und den Resten eines Gatters. Vor einem in den Himmel ragenden breiten Baum ein gefleckter Jagdhund mit einem Rippenstück im Maul, am hölzernen Rand eines mit Schilf bewachsenen Wasserbeckens stehend und aufmerksam sein Spiegelbild darin betrachtend. Malerei in der Manier des bekannten Malers. Vertikal rest.Der Künstler war ein in Österreich tätiger Maler aus den südlichen Niederlanden des 18. Jahrhunderts. Von 1705-1750 war er Hofmaler in Wien und ist wie sein Bruder Johann Georg de Hamilton (1672-1737) für Jagdszenen bekannt.Provenienz:Sammlung Nieuwenhuys, Brüssel bis 1883Sammlung Baron Léon de Somzée (1883-1901), Hotel de Somzée, BrüsselLiteratur:Emile Chambry. Fables d‘Esope. Edition des Belles Lettres, Chambéry 1927, Fable 185, S.81. (1361172) (18)Philipp Ferdinand de Hamilton,1664 Brussels – 1750 Vienna, attributedLANDSCAPE WITH HOUND AND A WATER BASIN Oil on two-part panel, partially parquetted. 54 x 42.5 cm.Accompanied by a short report by Dr. Alexandre Sonoc, chief conservator of the Baron Samuel von Bruken-thal Museum, Sibiu, who attributes the painting to the artist and names a fable by Aesop (185) as the sub-ject of the depiction. The artist from the Southern Netherlands was active in Austria in the 18th century. From 1705 to 1750 he was appointed a court painter in Vienna and like his brother Johann Georg de Hamilton (1672 - 1737) he is known for his hunting scenes.Literatur:Emile Chambry. Fables d`Esope. Edition des Belles Lettres, Chambéry 1927, Fable 185, p.81.
Lot 537
George III silver teapot of compressed baluster form, with gadrooned border, hinged domed cover and silver handle with ivory insulators, on four ball feet (London 1818) Joseph Angell I, together with a George III silver milk jug and sugar basin (London 1809) marks rubbed and a pair of late 18th/early 19th century silver sugar tongs. All at approximately 40ozs. (4). APHA Ref: LDTTTRW5
Lot 136
A George III silver sugar basin, Henry Chawner, London 1793, of lozenge form with loop handle and raised on an oval stepped base with bright cut engraving, 12cm wide, 9cm high (not including handle), approximately 175g CONDITION REPORT: there is solder visible to the underside, all the way around the oval, which makes me think that the entire plinth is a later addition.
Lot 382
§ § Edward Seago R.B.A., A.R.W.S., R.W.S. (British, 1910-1974) 'The Yacht Basin, Dordrecht'watercoloursigned in pencil, Colnaghi & Co label verso26 x 37.5cm***CONDITION REPORT***Watercolour on paper in good untouched condition, perhaps one or two dirt specks near the top right corner but otherwise looks good, old discoloured card mount and slim glazed oak frame, Colnaghi label verso giving the title.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 100
A Chinese bronze 'landscape' basin, Republic period, with a flat base and thick rim, engraved to the central roundel with a pavilion within watery landscape, ruyi clouds and a band of lotus and leaves on dotted scroll ground to the cavetto, the rim decorated with peonies and branches of magnolia, 31.2cm diameter 民國 銅刻山水圖紋臉盆Condition Report: 品相報告With varying degree of corrosion and scratches to the surface
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