We found 23406 price guide item(s) matching your search

A sculpted white marble wall fountain and basin in the Renaissance style, 20th century, with pedimented wall mount centred by a Bacchic mask, the basin of oval section and tapering from, the front with a projecting lion's mask, each end with a stylised upscrolling handle, raised on twin accentuated hairy paw feet, on an oval socle, inscribed ROMANVS CIVITAS to the front, 165cm high overall, 174cm wide, 74cm wideBidders from the UK and outside of the European Union should be aware that additional import charges may apply 

A Continental sculpted marble garden fountain, late 18th/early 19th century, the figural fount carved as a standing putto holding a fish above a marble basin, on a fluted marble columnar pedestal, 169.5cm high, together with a later shaped limestone surround with spreading exterior mouldings, 18cm high, 320cm diameterBidders from the UK and outside of the European Union should be aware that additional import charges may applyCondition Report: The figure is minorly scuffed and knocked in places overall consistent with age and use. There are traces of limescale, lichen and weathering to the surface overall. One old weathered slit on the base of the figure (this appears to be a natural fault as to be expected with a natural product such as stone)The basin in similar condition to the figureThe plinth has a more significant knock of circa 8cm, and one washed out natural stone inclusion on the fluted foot of the fountain.The surface here is also quite heavy weathered The surround is weathered but is essentially in good overall order Please refer to additional images for visual reference to condition   Condition Report Disclaimer

A monumental wall fountain, of architectural form, 20th century, the pediment above an ashlar block back and flanking pilaster columns, and with wrought iron spout, the basin with ogee molded front and sides, 160cm high, 160cm wide, 95cm deep Bidders from the UK and outside of the European Union should be aware that additional import charges may apply

An Italian Rosso Verona marble fountain, 20th century, the raised central section above the dish basin and baluster support terminating in an integral square socle, 101cm high, 185cm diameter Bidders from the UK and outside of the European Union should be aware that additional import charges may applyCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Overall this appears in fair condition overall for age and use, there are some minor chips which are visible on the additional photos, This has been drilled to take pipework and to be used as a fountain. The rose is detached - this would require cementing in place when installed by the purchaserSome unevenness to the surface which appears to be natural variation in the stone, there is lichen growthPlease refer to additional images for visual reference to condition Additional measurements:This is 95cm high from the floor (to the rim) The sqaure Foot is approximately 83 cm x 83 cm Condition Report Disclaimer

A French limestone corner wall fountain basin, 19th century, the front centred by a stylised scallop-shell carved in low relief, on twin serpentine supports flanking a shaped terminal, 88cm high, 75cm wideBidders from the UK and outside of the European Union should be aware that additional import charges may applyCondition Report: There is an older filling of a hole in the rear corner, probably where a spout has been fitted previously.There are some minor chips to the edgesThere is weathering to the surface as can be seen the photos, this is consistent with its age, use, and storage in an exterior setting. Please refer to additional images for visual reference Please not these additional photos were taken when wetCondition Report Disclaimer

A sculpted marble planter in the manner of a Roman marble basin and tripod, 20th century, the basin with everted rim above a waisted band with three lion's masks carved in relief, with fluted underside, held on three rectangular section fluted and foliate cast legs with paw feet, around a central spiral carved baluster supporting column, the waisted triform socle on a circular base, 120cm high, 100cm diameterBidders from the UK and outside of the European Union should be aware that additional import charges may apply The Roman original which this example closely reproduces is currently held at the Capitoline Museum in Rome, and was one of the antiquities in that collection for which Giovanni Battista Piranesi created an etching Cf. Luigi Ficacci, Piranesi, the Complete Etchings, Taschen, 2001, p 650, fig. 830Condition Report: The surface of the marble is in all areas knocked, scuffed, chipped, cracked, and worn overall, this is by design to simulate great age. It is almost certainly of 20th century make simulating antiquity - the 'damages' mentioned above are realistic to simulate both great age and use.  There are vacant socket holes to various areas - the ones to the rim filled with lead and again these appear to all be by design and simulating antiquity and historic 'adaptions'.  The interior of the recess with discolouration and signs of use, again simulating age. Further discolouration to other areas of the marble Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A Continental sculpted white marble basin on plinth, 19th century, the oval section basin with scalloped sides supported on twin entwined dolphins, the rectangular base with recessed relief carved figures of Poseidon and Venus to back and front respectively, the sides carved with foliage and shell motifs, 116cm high, 64cm wideBidders from the UK and outside of the European Union should be aware that additional import charges may applyCondition Report: Marks, knocks, scratches, scuffs, abrasions consistent with age and use.There are some old damages and small older restorations, Some natural cracks to the marble consistent with the natural nature of the product Please note this appears quite bright in the catalogue and online images - please see the additional image for its true appearance including weathering and discolouration from age and storage outside Please refer to additional images for visual reference to condition    Condition Report Disclaimer

A carved limestone font, 17th century, of hexagonal form, the basin above a knopped and finned pillar and spread base, 92cm high, 52cm diameterBidders from the UK and outside of the European Union should be aware that additional import charges may apply

A silver oblong baluster cream jug and sugar basin by Walker & Hall, Sheffield 1910, the sugar basin with twin scroll handles and on four pad feet, 16.5cm (6 1/2in) long, 352g (11.3 oz) Condition Report: Sugar basin - Marks slightly rubbed, wobbles, three feet pushed into the body Cream jug- Marks slightly rubbed, wobbles, two feet pushed into the body, spout dented Light scratches and wear commensurate with age and use Condition Report Disclaimer

BURTON (Richard F)The Nile Basin, first edition, London 1864, 8vo, half-title with modern ownership signature, 3 maps, 4pp. publishers' catalogue at end, a few fore-edge foxing marks, sewing broken in places with some gatherings starting, publisher's cloth lightly rubbed; Etruscan Bologna, 1876, 8vo, cloth slightly marked with faded spine; BURTON (Isabel) Life of ---, 2 vols. 1893, publisher's cloth; HITCHMAN (F) His Early Private and Public Life, 2 vols., 1887, publisher's cloth (6)

A 20th century carnival glass iridescent dish in the manner of Tiffany having a shallow basin and stepped base. Diameter measures 27cm.  

A 20th century earthenware bowl with polychrome glaze and crackle glaze surface. At the basin of the dish a group of birds are depicted and surrounded by Art Deco patterning. Marked Keralouve Lalouviere to the base. Measures 27cm in diameter. Overall condition is good with chip to the base. 

A PORTO-VECCHIO BATHROOM BASIN (diameter 41cm x height 15cm)

Hallmarked silver embossed cream jug and basin Frazer Haws. Garrards. 31 Regent Street 1882/3 4.47 ozt. 3 other cream jugs 8.84 ozt marks rubbed to one.

Bisto porcelain tea service inc 9 cups, 9 saucers, sugar basin, 12 side plates approx 30 pieces

Y A silver four piece oblong baluster tea set by Walker & Hall, Sheffield 1916, the tea pot with an ivory finial to the domed cover and warming bands to the angular handle, a tongue and shell border, engraved with a monogram and on four ball feet, 30cm (11 3/4in) long, 2148g (69.05 oz) grossCondition Report: Tea pot - Marks clear, engraving crisp, hinge and handle tight, splits to the ivory, slightly wobbles, cover sits wellHot water - Marks clear, engraving crisp, hinge tight, handle with some play, splits to the ivory, slightly wobbles, cover sits well, large dent to the bodyCream jug - Marks clear, engraving is crisp, stands wellSugar basin - Marks clear, engraving is crisp, slightly wobblesAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

Y A Victorian silver three piece circular tea set by Benjamin Smith III, London 1840, the tea pot with a flower finial to the domed cover and a shaped border, the foliate capped loop handle with ivory warming bands, the body chased with foliate swags, two shaped vacant reserve and four foliate feet, 29.5cm (11 1/2in) long, 1579g (50.75 oz) grossCondition Report: Tea pot - Marks are clear, slight play to the hinge, cover sits well, some play to the handle, splits to the ivory, wobbles, minor dents to one vacant reserveCream jug - Marks are clear, hinge has been repaired, wobbles, minor crease to the bodySugar basin - Marks are clear, dent to the chased decoration approx. 2cm long, bottom of one handle slightly pushed into the bodyAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

Y A Victorian silver three piece baluster tea set by Daniel & Charles Houle, London 1863, the tea pot with a quatrefoil finial to the domed cover, ivory warming bands to the leaf caped double scroll handle, the body chased with strap work, floral sprays and C-scrolls, engraved with a crest and on three foliate feet, 25cm (9 3/4in) long, 1630g (52.4 oz) grossCondition Report: Tea pot - Marks clear, wobbles, hinge good, cover fits well, handle tight, ivory band with chips and splits, other band replaced by being filled, crest crispCream jug - Marks clear, wobbles, crest clearSugar basin - Marks clear, slightly wobbles, crest clearAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

Y A Victorian silver oval three piece bachelors tea set, maker's mark E.E over E.E (not traced), London 1874, the tea pot with an ivory oval finial to the flat cover and a loop handle, with beaded borders and engraved with foliate swags and oval vacant reserves, 20cm (8in) long; together with an associated silver tea spoon and a pair of sugar tongs, 610g (19.6 oz) gross Provenance: Berwick House, Shrewsbury, ShropshireCondition Report: Tea pot - Marks clear, play to the hinge, cover sits well, handle tight, splits to the ivory, signs of removed engraving from one reserve, stands wellSugar basin - Marks clear, signs of removed engraving from one reserve, slightly wobblesCream jug - Marks clear, signs of removed engraving from one reserve, slightly wobblesSpoon and sugar tongs - Marks clearEngraving crisp throughoutAll with light scratches and wear commensurate with age and useCondition Report Disclaimer

A tray of twentieth century plated wares, Sheffield plate, Milk jug and sugar basin, tankards, comport etc

Royal Doulton Art Nouveau jug and basin set 

[Travel/Pacific] The Riddle of The Pacific illustrated 1924. Life in the Pacific Fifty Years Ago 1930. In Southern Seas 1924. The Right Hon. R.J. Seddon's Visit to Tonga, Fiji, Savage Island and the Cook Islands 1900. Rip Tide In The South Seas 1936. In the South Seas by R.L. Stevenson 1900. Drowned Ancient Islands of Pacific Basin. South Sea Reminiscences 1922. Islands of the South Pacific etc (19)    

HALLMARKED SILVER, THREE ITEMS to include a three footed sauce boat with scroll handle, Sheffield 1930, indistinct makers mark, twin-handled sugar basin, Sheffield 1906, makers Mappin & Webb and a mother of pearl handled jam spoon, Birmingham 1922, makers mark indistinct, 9.1 troy ozs weighable

A collection of ceramic's. J & G Meakin 'Tuscany' tea/ dinnerware's, Alfred Meakin Jug & Basin, Arthur Wood Vase, Jersey Pottery vase, Ellgreave Pottery cups/saucers examples etc

100-300 AD. Gandharan bronze frieze plaque with Buddha. Depicted are four standing figures wearing simple monastic robes, with their right hands raised in the air. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: Private London collection, formed since the 1980s on the UK and European art market. Size: L:145mm / W:210mm ; 735g

100-300 AD. Gandharan bronze frieze plaque with Buddha and his followers. Buddha, standing in the centre and wearing a simple monastic robe, is flanked by a group of followers. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: Private London collection, formed since the 1980s on the UK and European art market. Size: L:105mm / W:205mm ; 441g

100-300 AD. Gandharan (or later) bronze sculpture of Buddha. He sits high upon a throne, holding the palm of his left hand in the air and the right one resting on his leg. He wears a simple monastic robe that clings to his legs, showing his bare chest. Incised lines has been added to suggest the folds of the cloth. The head is topped by an elaborate crown. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market. Size: L:145mm / W:88mm ; 440g

100-300 AD. Gandharan. A grey schist figure of standing Buddha. He is depicted wearing a flowing gown and sporting a topknot (ushnisha). He has urna on his forehead, arched brow, heavily lidded, half-closed eyes, a bulbous nose, full lips, rounded chin and large, pendulous ears. He stands atop a plinth decorated with rosettes and is backed by a circular halo. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. Size: L:550mm / W:135mm ; 9.4kg

100-300 AD. Gandharan. A grey schist figure of a seated Buddha. He is depicted wearing a flowing robe and a topknot (ushnisha). He is characterised by his arched brow, heavily lidded, half-closed eyes, a bulbous nose, full lips, rounded chin and large, pendulous ears. He is flanked by two small figures. He sit atop a decorated pedestal, in the shape of a lotus, and is backed by a circular halo. His hands are arranged in his lap, upturned with one hand lying over the other. This is gesture is the Dhyana mudra or the gesture of meditation, of concentration on the Good law, and of the attainment of spiritual perfection. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets. Size: L:310mm / W:210mm ; 6.4kg

100-300 AD. Gandharan. A grey schist torso of a Buddha. He is depicted wearing a flowing robe and a topknot (ushnisha). He is characterised by his arched brow, heavily lidded, half-closed eyes, a bulbous nose, full lips, rounded chin and large, pendulous ears. He is backed by a circular halo. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1990s on the UK / International art markets. Size: L:340mm / W:270mm ; 10.5kg

100-300 AD. Gandharan. Schist figure of a two- faced Buddha atop a lotus. Buddha, backed by a halo, gazing serenely into the distance. He is dressed in an elegant sanghati or mantle and wears elaborate jewellery, including a beaded necklace, armbands and bracelets, reflecting his spiritual wealth. The Buddha sits cross-legged with both hands in front of him. This gesture, known as the Dhyana Mudra, is considered to symbolise wisdom in the Buddhist tradition. The Buddha used the Dhyana Mudra during his final meditation, during which he attained enlightenment. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this stucco figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in before 2000 on the UK / International art markets. Size: L:370mm / W:165mm ; 7.5kg

100-300 AD. Gandharan. Beautiful schist figure of a female figure, who stands on a lotus, gazing serenely into the distance. She wears an elaborate robe about the waist. She stands cross-legged with both hands in front of her. This gesture, known as the Dhyana Mudra, is considered to symbolise wisdom in the Buddhist tradition. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this stucco figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in before 2000 on the UK / International art markets. Size: L:410mm / W:130mm ; 6.3kg

100-300 AD. Gandharan. A huge grey schist figure of a standing Buddha figure. This excellent figure is backed by a circular halo and dressed in a flowing Kasaya (monastic robe). The head features thick, rich lips, an aquiline nose, half-closed eyes with well-defined eyelids, arched brows, an urna on the forehead, prominent ears and carefully modeled, wavy hair, culminating in an ushnisha. The figure stands atop a rectangular base. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. Provenance: Property of a Middlesex collector; acquired on the London art market before 2000; formerly in an old English collection since the 1970s. Size: L:1120mm / W:365mm ; 60k+g

100-300 AD. Gandharan. A grey-brown schist relief panel bearing Buddhist scenes arranged over two register. Upper register: Buddha, identifiable by his characteristic topknot and large, pendulous ears, stands at the centre, wearing a flowing Kasaya (monastic robe). His hands are arranged as if for the Vitarka Mudra (the Mudra of Teaching or Discussion), a common mudra representing the discussion and transmission of Buddhist teachings. This Mudra is formed by joining the tips of the right thumb and index finger together to form a circle, keeping the other three fingers pointing straight up, and holding the hand outwards (we can infer this mudra from the arm positioning, even where hands do not survive). He is flanked by two robed attendants or worshippers on each side. These figures stand atop a rectangular plinth decorated with geometric motifs. Lower register: partially preserved and unidentifiable Buddhist scenes. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. Provenance: Property of a Middlesex collector; acquired on the London art market before 2000; formerly in an old English collection since the 1970s. Size: L:With stand: 480mm / W:305mm ; 17.2kg

100-300 AD. Gandharan. Stunning carved schist stone panel fromGandhara representing Buddha and four attendees. Buddha is presented standing on the right, dressedin an elegant sanghati or mantle, backed by a halo. It is noteworthy that threeof the four attendees have clearly foreign features. The tree under which theBuddha reached enlightenment marks the top of the composition. It had beenunder worship by local villagers, for it was known to be the residence of anature divinity, who here emerges from the tree and altar to praise the Buddha.Gandhara was an ancient region in the Peshawar basin in the north-west of theancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art,to which this figure belongs, was the golden age of artistic production in thearea. Provenance: From an important private London Collection (H.G); previously acquired in Paris in 2006. Formerly in the collection of Alain Kottlar since 1960s. Size: L:950mm / W:580mm ; 50k+g

100-300 AD. Gandharan. Schist figure of a bodhisattva, backed by a halo, who stands, gazing serenely into the distance. He is dressed in an elegant sanghati or mantle and wears elaborate jewellery, including a beaded necklace, armbands and bracelets, reflecting his spiritual wealth. His identity as a bodhisattva is established by the presence of an incised urna on his forehead, perhaps originally ornamented with a jewel. Together, these details create a majestic impression of a bodhisattva or individual who is able to reach nirvana (enlightenment) but delays doing so through compassion for suffering beings. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure example belongs, was the golden age of artistic production in the area. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in before 2000 on the UK / International art markets. Size: L:800mm / W:240mm ; 32kg

100-300 AD. Gandharan. Superb life-size schist head of Buddha, with characteristic topknot (Ushnisha) and elongated, pendular ears. His forehead is ornamented with a well-defined urna and his heavy-lidded eyes are half closed and combined with his noble nose, small, fine lips and prominent chin, create a noble, otherworldly impression. The back is rough and unfinished, suggesting this piece was originally placed in an architectural setting. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this head belongs, was the golden age of artistic production in the area. Provenance: From an important private London Collection (H.G); previously acquired in Paris in 2006. Formerly in the collection of Alain Kottlar since 1960s. Size: L:with stand: 480mm / W:240mm ; 31kg

A Royal Winton Queen Ann chintz pattern coffee service for six including coffee pot, milk jug and sugar basin.

A good quantity of modern Doulton dinner, tea and coffee ware in blue and white with gold rims and bands including ten each dinner and side plates, tea cups and saucers and, dessert dishes, eight soup plates, six oval serving dishes, four coffee cans and saucers three steak plates, gravy boat, milk jug, salt and pepper, sugar basin and teapot, (81 pieces in total).

KENSINGTON CERAMIC DISH IN THE MANNER OF CONSTANCE SPRY, along with a mixture crock, and other ceramics including a wash basin, ginger jar and vases

Collection of assorted Chinese and Japanese ceramics, inc. famille rose basin, Imari plate, Cloisonné vase, etc.

A Victorian pine wash stand and basin, 60 cm x 40 cm x 93 cm

A granite style hand basin 16 1/2" x 13".

A George VI silver waiter, of shaped circular form, Birmingham, 1936, Deykin & Harrison, together with a lobed circular sugar basin and a silver sifting spoon, approximately 210 grams

An Elizabeth II silver four piece teaset, comprising a hot water pot, teapot, cream jug and sugar basin, all of baluster shape, Birmingham, 1975, Joseph Gloster Ltd, approximately 1510 grams

A George V silver four piece tea set, comprising a hot water pot, tea pot, cream jug and twin handled sugar basin, with a flared swag decorated rim, Birmingham, 1927, Docker & Burn Ltd, approximately 2150 grams

A Chinese silver three piece teaset, comprising a teapot, cream jug and twin handled sugar basin, of compressed circular form, decorated with figures, dragons, ducks, blossom trees etc, with a bamboo styled hand and spout, marked WH 90 and text mark, probably Wang Hing & Co. approximately 810 grams CONDITION REPORT: Surface scratches and minor dents conversant with use and wear, the spout of the teapot has a small split, spout of cream jug is dented

A Chinese silver twin handled sugar basin, decorated with a figural scene and panels of bamboo, fruit and flowers with bamboo styled handles, marked for Luen Wo, approximately 195 grams CONDITION REPORT: Surface scratches and minor dents conversant with use and wear, initialled,

{ Option of lots: 730, 731, 732 } William Holland BATEAU BASIN Copper Outer Nickel Inner As The Original Creator Of Contemporary Copper Baths William Holland Hold A Global Reputation Of Excellence. With Over 35 Years Combined Experience In Specialist Manufacture And British Copper Bath Design, We Pride Ourselves On Creating Bathware Of Exceptional Quality And Beauty 660mm

{ Option of lots: 730, 731, 732 } William Holland BATEAU BASIN Copper Outer Nickel Inner As The Original Creator Of Contemporary Copper Baths William Holland Hold A Global Reputation Of Excellence. With Over 35 Years Combined Experience In Specialist Manufacture And British Copper Bath Design, We Pride Ourselves On Creating Bathware Of Exceptional Quality And Beauty 660mm

{ Option of lots: 730, 731, 732 } William Holland BATEAU BASIN Copper Outer Nickel Inner As The Original Creator Of Contemporary Copper Baths William Holland Hold A Global Reputation Of Excellence. With Over 35 Years Combined Experience In Specialist Manufacture And British Copper Bath Design, We Pride Ourselves On Creating Bathware Of Exceptional Quality And Beauty 660mm

Three trays of 1950s Alfred Meakin 'Oklahoma' dinnerware to include: six dinner plates and a serving platter, seven smaller plates, 12 side plates, 6 cups and saucers, a gravy boat, a sugar basin and milk jug, two covered vegetable dishes. (3)(B.P. 21% + VAT)

A china plant stand made in Portugal, together with a jug and basin set. (B.P. 21% + VAT) Jug has a crack through base, crazing to jug and basin.

Victoria Plumb two tap hole basin. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Edward VII sugar basin and milk jug, each with cut card rims and raised on applied feet, combined weight approx 94gms, London 1906, makers mark WH & Co Ld (2)

A child's Victorian pearlware part tea set, a sugar bowl, two cups and a saucer and five French nursery plates CONDITION REPORT: The nursery plates are all in poor condition with repairs.The small tureen lacks cover and has minor chips to inner rim, crazing and light staining. Teapot - crazing and faint staining, small chips to spout, chip and hair crack under cover. Saucer - black rim rubbed and has small chip.Sugar basin and cover - Inner rim chip, staining.Jug - Handle repaired crudely, black rims rubbed.

A Sèvres style cased coffee service, circa 1840, painted with cherubs at various pursuits within tooled gilt foliate borders, comprising a cylindrical pot and cover, milk jug, sugar bowl and cover, basin, tea canister and cover, twelve coffee cans and twelve saucers, within a fitted silk lined leather-bound case, imitation Sèvres marks to bases CONDITION REPORT: Coffee pot - two firing flaws to footrim. The cover with two chips to the underside and a small chip to the flange. Watery gilding to handle and spout.Jug - has an underglaze flat chip to outer side of rim and another to rim near spout. Significant sanding and lack of gilding to one side of rim and to feet.Sugar bowl - the cover with two firing cracks to rim and two firing blemishes above. Minor chipping to finial. Bears date code for 1789Tea caddy - cover with several chips, caddy no damageBowl - three stilt marks on footrim from firing, two have a couple of small associated chipsCups - two broken through and restored which has discoloured. One cracked through and handle pinned. Another lacking handle.Another with handle broken off and pinnedSeven are without damage, but have firing flaws such as underglaze footrim chips, one has a lot of sanding to top rim and the gilding is quite rubbedSaucers - three have some rim chips, nothing large. The others are without damage but do have some firing flaws such as underglaze chips. All have some wear to gilding.

Rosenthal/A coffee service for six, including coffee pot, milk jug, sugar basin, cups, saucers and side plates (21)/together with a Branksome stoneware part service, dark blue glaze, purchased from Liberty's

Archibald Knox (1864-1933) for Liberty & Co, London, a Tudric pewter and enamel four-piece tea and coffee set, designed 1903, No. 0231, with turquoise enamel mounts and caned handles, comprising teapot, coffee pot, milk jug and sugar basin (4) CONDITION REPORT: Provenance: purchased from Bonham's auction 11/11/04, Lot 67Condition: Overall the appearance is very good.Teapot - the hinged cover doesn't quite fit true. Few marks (possibly remnants of a sticker?) to lid. Light scratching to body. Loss of enamel to part of lower leaf on one side. Damage to spout at front resulting in slight misshaping. Fabric cover to one end of handle is dirty and fraying, otherwise cane good.Coffee pot - light scratching throughout. Tip of spout damaged and small scratch to underside. Enamels good. Cane handle good.Milk jug - light scratching throughout. Major losses to enamels. Remains of label to base. Spout seems very slightly out of kilter but no damage apparent, just tiny frits to the tip.Sugar bowl - noticeable dent to one side and some scratching throughout, smaller dents in other places. Major losses to enamels.

An Adderseys 'Shantung' pattern wash set, comprising wash bowl and basin, chamber pot and more