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Click here to subscribeA Bachelor's Three-Piece Tea Service, the oval bodies partly reeded, comprising - a plated tea pot, a George V silver two-handled sugar basin and milk jug, Birmingham 1914, weight 3.3ozs, contained in black leather covered presentation case, a child's silver spoon and fork with reeded and leaf borders, Sheffield 1919, in fitted case, and a pair of plated fish servers with engraved blades and king's pattern handles
Y An Austro-Hungarian silver baluster five piece tea and coffee service by Vinzenz Mayer's Sohne, Vienna 1872-1922 .800 standard, the kettle on stand with an ivory handle over, a bud finial to the dome centred cover, scroll foliate panels, the stand with burner, an ivory handle, on four acanthus supports with palmette feet, 47cm (18 1/2in) high, the cream jug, tea and coffee pots with ivory handles, the tea pot 27.5cm (10 3/4in) long, the coffee pot 26.5cm (10 1/2in) high, 5087g (163.6 oz) Mayer's Sons were one of the leading silversmiths and jewellers of the Austrian empire and were holders of an Imperial warrant.Condition Report: Kettle on stand - Marks are clear, some play to the hinge. Splits to the ivory. WobblesTeapot - Cover fits tightly. Play to the hinge. Slightly wobbles. Splits to the handlesSugar basin - Wobbles. Cover sits wellCoffee pot - Play to the hinge. Stands well. Splits to the ivoryCream jug - Slightly wobbles. Splits to the ivory handleLight scratches and wear commensurate with age and use throughout Condition Report Disclaimer
A George III silver oval sugar basin and cream jug, maker's marks worn (A..?), London 1804, with threaded rims and handles, engraved with a shoulder band of a ribbon meander with fern sprays, engraved with an armorial and two crests, the sugar 19cm (7in) long, 361g (11.6 oz)The arms and crests of GORE-BOOTH, Baronets of Artarman co. Sligo. The assay date of 1804 directs us to Sir Robert Newcomen Gore (1752-1814) the 3rd Baronet, who at his marriage in 1804 to Hannah Irwin adopted by royal licence the name GORE-BOOTH. The motto: IN HOC SIGNO VINCES (Under this sign thou shalt conquer) Sir Robert Newcomen GORE-BOOTH (1752-1814), the 3rd Baronet, was born at Bath, Somerset the second surviving son of Booth GORE senior (1712-1773), the first Baronet of Artarman co. Sligo, created 1760, by Emily NEWCOMEN (1716-1778) of Carlow Ireland, who married in 1743. The third Baronet married in 1804 Hannah IRWIN (1781-1868) daughter of Henry IRWIN. He succeeded to the Baronetcy at the death of his older brother Booth GORE (1744-1804), the 2nd Baronet, who was a bachelor. Their father Booth GORE (1712-1773), the 1st Baronet, was the son of Nathaniel GORE (1692-1773) of Sligo by Letitia BOOTH the heir of her father Humphrey BOOTH who was descended from the maternal line of the Salford branch of the ancient BOOTH family of Dunham MASSEY.
A patinated metal basin or jardiniere, probably 20th century, of demilune form, the bulbous body relief cast with bellflower swags, 35cm high, approximately 136cm wideCondition Report: Probably missing element to central cartouche, where something appears to have once been affixed.Surface weathering overall and light oxidisation to interior.Would benefit from overall gentle clean.Condition Report Disclaimer
A white painted reconstituted stone planter in the 17th century taste, modern, the rectangular basin with vine motif and raised on four balusters, 94cm high, 25cm deepCondition Report: The painted surface is quite cracked and weathered overall. Some of the visible cracks may be to the underlying surface, but due to painted coating it's difficult to tell.Condition Report Disclaimer
A pair of black painted cast iron planters in late 18th Century style, each with circular basket top raised on baluster columns and splayed tripod legs terminating in paw feet in the Herculaneum manner, 85cm high, 79cm diameter (2)Condition Report: The tops are possibly associated.The later painted finish is quite worn to the tops, particularly bottom rim where there is also some light coloured and brown surface oxidisation. To one area this has extended to the underside of the basin, where there is some peeling. Some chipping of the paint to the bases. They would benefit from a surface clean.The later added slightly corroded chicken wire lining has been secured with old cable ties in places.Condition Report Disclaimer
Modern diorama of the inside of Nelson's cabin on board HMS Victory, constructed predominantly from painted wood with seated figure of Nelson in his sleeping cabin holding a map and manuscript, with folding wooden bedstead, gun, wash basin, sword etc, mounted on a display stand, max width at base 47cm x max height 28cm. Provenance: Sotheby's Marine Sale 18 June 2003 Lot 184.
George V silver matched four piece tea service, with gadrooned rims and squat bulbous bodies, comprising teapot, hot water pot, milk jug and sugar basin, the teapot by the Goldsmiths & Silversmiths Company, the remainder by Roberts & Belk, all hallmarked for Sheffield 1918, gross weight 1797 grams
Australia. Map of the North Eastern Tourist District including New England Tableland and Showing Principal Fishing Streams New South Wales Australia, Map of the South Eastern Tourist District including Burringjuck, Federal territory, Jenolan, Yarrangobilly and Wombeyan Caves, Mount Kosciusko and Principal Fishing Streams, New South Wales Australia, Map of the Central Northern Tourist District including a portion of Artesian Water bearing Basin new South wales Australia [and] Map of the Central Southern Tourist District including Riverina New South Wales Australia, published Sydney, circa 1930, together four colour printed lithographic touring maps, sectionalised and laid on linen, each with a large strapwork cartouche and table of explanation, each with an inset map of New South Wales, each approximately 700 x 650 mm, each bound in contemporary cloth boards with colour printed label to upper cover, some spotting to boardsQty: (4)NOTESUncommon tourist maps of New South Wales, created to facilitate navigation through the state. Touring by car was expanding in popularity and the maps reflect the increasing use of motor vehicles for recreational purposes. The map of the North-Eastern region has a small decorative vignette which states 'Wild Flowers. Yours to enjoy not to destroy.; Australians protect our wild flowers, refrain from uprooting. Flowers will become extinct unless some are left for seeding'.
Stanley (Henry M.). In Darkest Africa, or the Quest, Rescue and Retreat of Emin, Governor of Equatoria, 2 volumes, 1st edition, London: Sampson Low, Marston, Searle and Rivington Limited, 1890, 37 wood-engraved plates, photogravure portrait frontispiece to volume 2, 3 lithographic maps of which 2 folding, lithographic geological profile printed in colours, folding text leaf (Appendix B) folding maps with a few splits and repairs, collector's ink-stamps ('R. F. Browne') to volume 1 p. 225 and volume 2 p. 1, advertisement leaf discarded, 20th-century maroon half morocco (21.5 x 13.2 cm), together with: Du Chaillu (Paul B.), A Journey to Ashango-Land: and Further Penetration into Equatorial Africa, 1st edition, London: John Murray, 1867, 19 wood-engraved plates including frontispiece (3 further text-illustrations listed as plates), folding map, 32 pp. advertisements, no half-title (not known if required), 20th-century black half morocco gilt, 8vo (21.8 x 13.2 cm), Baker (Samuel W.), The Albert N'yanza, Great Basin of the Nile, 2 volumes, 1st edition, London: Macmillan and Co., 1866, engraved frontispiece to volume 1, tinted lithographic frontispiece to volume 2, 2 maps (one folding), 11 wood-engraved plates, tinted frontispiece and folding map repaired, no half-titles (not known if required), contemporary pink straight-grain half roan, spines sunned, rubbed, worming to volume 1 front joint, 8vo (21 x 13 cm), Faulkner (Henry), Elephant Haunts: being a Sportsman's Narrative of the Search for Doctor Livingstone, with Scenes of Elephant, Buffalo and Hippopotamus Hunting, 1st edition, London: Hurst and Blackett, 1868, wood-engraved frontispiece, lacking advertisements, contemporary prize binding of streaked calf gilt, spine perished, covers detached, 8vo (21.2 x 12.6 cm), Murray (Alexander), Account of the Life and Writings of James Bruce, of Kinnaird, Author of Travels to Discover the Source of the Nile, 1st separate edition, Edinburgh: for Archibald Constable and Company, 1808, 20 engraved plates including frontispiece (all with tissue-guards), 2 engraved folding maps, toning, occasional browning, plates spotted, frontispiece with gift inscription verso showing through recto, contemporary half russia, covers detached, 4to (28.8 x 21.6 cm) & 3 others (The Life and Explorations of David Livingstone, London: Adam & Co., c.1876?, 20 tinted lithographic plates including additional title-page, pp. 595-8 loose, original embossed black morocco gilt, 4to; Slatin Pasha, Fire and Sword in the Sudan, 'popular edition', 1899, contemporary tan calf gilt, not collated; Livingstone, Missionary Travels and Researches in South Africa, 1st edition, 1857, incomplete, lacking at least one folding map and advertisements)Qty: (10)NOTESCzech Africa pp. 15 (Baker), 93 (Faulkner: 'rather scarce').
Edwardian-style ceramic basin, white with green foliate decoration and a matching wall lamp (2) Condition ReportNo obvious cracks or crazing to either. The basin has a chip to the back, see attached images.dimensions are; width 30cm at rear 33cm max, 28.5 back to front and 11cm deep not including waste.
A blue and white 'Romance of the Western Chamber' basinKangxiDepicting Zhang departing to take his exams, bidding his farewell to Yingying and her servant Hongniang, his servant prepares his chair and luggage, the cavetto with panels of lotus blooms on a hatch pattern ground, the rim with demi-flowerheads, bamboo and foliage.42.5cm (16.3/4in) diam.For further information on this lot please visit Bonhams.com
A famille verte basin19th centuryPainted with a central scene of ladies in boats gathering lotus flowers with further figures overlooking on a pavilion terrace, within border panels of precious objects on geometric pattern grounds. 40.5cm (16in) diam.For further information on this lot please visit Bonhams.com
A blue and white 'ladies' basinKangxi six-character mark and of the periodFinely potted with deep rounded sides and foliate rim, the centre painted with a lady riding a horse, accompanied by two attendants within a fenced garden setting, the cavetto and rim painted with eight radiating panels containing flower motifs and figures of elegant ladies divided by diaper-patterns. 34cm (13 3/8in) diam.Footnotes:Provenance: An Asian private collectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
100 – 300 AD. Gandharan. Magnificent yellowish-grey schist head of a Buddha. This sculpture features thick, rich lips, an aquiline nose, half-closed eyes with well-defined eyelids, arched brows, an urna on the forehead, prominent ears and carefully modelled, wavy hair, culminating in an usnisha. It is flattened at the back. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist head example belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Excellent condition. Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s;Size: H:235mm / W:160mm (w/o stand); 5.7kg
100 – 300 AD. Gandharan. A rare grey schist figure of Atlas in a crouching position, with his hands braced against his knees, resting on a rectangular base. Atlas is depicted bare-chested, with a cloth garment draped around his waist. His hair, short beard and features have all been carefully modelled, underlining the high quality of this piece. Atlas is an important figure in Greek art and architecture, usually employed to support the pediment of a frieze, whether actual size or in miniature. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand. Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s; Size: H:324mm / W:188mm (w/o stand); 4.7kg
100 – 300 AD. Gandharan. A grey schist figure of Atlas in a crouching position, with his hands braced against his knees, resting on a rectangular base. Atlas is depicted bare-chested, with a cloth garment draped around his waist. His hair, short beard and features have all been carefully modelled, underlining the high quality of this piece. Atlas is an important figure in Greek art and architecture, usually employed to support the pediment of a frieze, whether actual size or in miniature. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; some signs of restoration; on a custom-made stand. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. Size: H:254mm / W:170mm (w/o stand); 2 kg
100 – 300 AD. Gandharan. A rare Gandharan yellowish-grey schist panel depicting a drunken Hercules embracing a female companion. Both individuals are depicted with their richly-draped clothing falling away to reveal their naked bodies, and another figure can be seen to the right of the female companion, clutching at her gown as it falls. The figures are framed by a border of grapes and leaves, a symbol of drunkenness and the god Dionysus. The Greek hero Herakles/Hercules is famous for his acts of penance known as the Twelve Labours, but also for his uproarious drunkenness. This is a fantastic representation of a classical motif in the oriental style. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. Gandharan art frequently incorporates elements of Greek classical mythology. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist panel belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. Size: H:240mm / W:163mm ; 2.3 kg
100 – 300 AD. Gandharan. A stunning schist figure of a standing buddha figure. This excellent figure is backed by a halo and dressed in a flowing Kasaya (monastic robe). The head features thick, rich lips, an aquiline nose, half-closed eyes with well-defined eyelids, arched brows, an urna on the forehead, prominent ears and carefully modelled, wavy hair, culminating in an usnisha. The figure stands atop a rectangular base, decorated with a miniature depiction of a seated buddha flanked by worshippers. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. Size: H:910mm / W:320mm ; 43 kg
C. 1526 - 1857 AD. Mughal Empire. An iron knuckleduster comprising rectangular open grip with guard. A long wedge-shaped blade projects from one short end of the grip while a shorter spike extends from the other shorter end; three further small spikes protrude from one of the long ends of the grip. The short sides of the grip are decorated with gilding with incised geometric motifs and incised chevrons can also be observed on the iron of the main blade. The Mughal Empire was an early-modern empire in South Asia stretching from the Indus basin to northern Afghanistan, Kashmir, the highlands of Assam and Bangladesh to the Deccan plateau in south India. During its expansion the Mughal military used a variety of weapons including swords, spears, bows and arrows, cannons, muskets and flintlock blunderbusses as well as knuckledusters like this example. Superb condition; on a custom-made stand. Size: H:278mm / W:110mm ; 540g
100 – 300 AD. Gandharan. A majestic schist standing buddha figure. The figure, bare-chested, wears an elaborate robe about his waist, while an intricate necklace rests on his upper torso. The head features thick, rich lips, an aquiline nose, closed eyes and flowing hair. Flat at the back; Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand. Size: H:450mm / W:200mm ; 12kg Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000;
100 – 300 AD. Gandharan. A majestic schist standing buddha figure. The figure, bare-chested, wears an elaborate robe about his waist, while an intricate necklace rests on his upper torso. The head features thick, rich lips, an aquiline nose, closed eyes and flowing hair. Flat at the back. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand. Size: H:455mm / W:165mm ; 8.5kg; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000;
100 – 300 AD. Gandharan. This striking Gandharan schist head of a Bodhisattva is executed in a highly stylised manner, with a severe face, heavy-lidded eyes and fleshy mouth. His finely modelled moustache and the prominent urna decorating his forehead underline his seriousness, as does his elaborate headpiece. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and north-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this schist head example belongs, was the golden age of artistic production in the area. This excellent example depicts a Bodhisattva, an individual on the path to enlightenment, and embodies a deep sense of spirituality. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand. Size: H:295mm / W:185mm (w/o stand); 14.5kg; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000;
100 – 300 AD. Gandharan. A seated Buddha stucco buddha with flowing robes which fall off the shoulder, round face, thin lips, broad nose, half closed eyes and carefully modelled, wavy hair, culminating in an usnisha. His hands are held in front of him. The back of the right hand rests on the upturned palm of the other with the tips of the thumbs lightly touching. In this gesture, known as the Dhyani, the top hand symbolizes enlightenment; the bottom hand, the world of appearances. Accordingly, this arrangement suggests the supremacy of the enlightened mind. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this stucco figure belongs, was the golden age of artistic production in the area. For further information on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition; on a custom-made stand. Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000; Size: H:325mm / W:210mm (w/o stand); 3500g
300 – 500 AD. Gandharan stucco halo. This discoid halo would originally have been part of a large Gandharan statue. In its present condition, it comprises a red border enclosing a reddish-brown rondel; two figures stand at either side of the rondel, so as to flank either side of the head of the halo’s original wearer. The figures, both with their own halos and both wearing red robes, each have one raised hand, with the palm facing outwards and the fingers upwards and hold their other arm close to the body. This gesture, known as the Abhaya Mudra symbolises wisdom and fearlessness. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent. The Kushan period (c. 75-451 AD) of Gandharan art, to which this stucco head example belongs, was the golden age of artistic production in the area. For further discussion on Gandharan art, see Jongeward, D. 2019, Buddhist Art Of Gandhara in the Ashmolean Museum. Oxford, Oxford University Press. Good condition. Provenance: From an old Oxford collection formed in the 1990s; Size: H:40mm / W:410mm ; 5300g
1971 Airstream Chassis no. 127TJ1333*Extensively restored and uprated throughout at a cost of £90,000*Self-levelling suspension and new, bespoke axles*Sleeps four Bonhams are delighted to offer this luxury vintage fully reconditioned Airstream International Overlander which featuring many modern luxury and technical improvements from a three year restoration built to travel across Europe and beyond. There are caravans, and then there are Airstreams, but even among Airstreams this example, that has had more than £90,000 spent on it stands out, not least because of the extensive polishing carried out to bring back its all-reflecting allure. This 1971 example's real details are out of sight, however, but they make being inside every bit as comfortable as being in a decent hotel. Refinements include stripping out and re-lining the interior, fitting new storage batteries, fitting new air-conditioning and gas central heating systems, installing a shower unit and as well as bespoke bedding and leatherwork. Power can be supplied from three sources: plugged in on-site, the on-board batteries or from a silenced diesel generator. Full specification includes Air conditioning / Gas central heating / Water heater / Fresh water tank / Waste tank . Kitchen with Oven, Hob, Fridge-Freezer, Microwave, using Gas & Electric (12V/240V) . 240V / 12V / Silenced generator / Electrics fused master control panel . Auto UK Satellite Dish for Digital channels and Auto synchronisation. Hydraulic self-levelling remote suspension / New axles with hydraulic brakes. New carpets throughout / New leather seats throughout / New carpets throughout. Master bedroom with fitted cupboards / Bespoke mattress / Sleeps 4 people . Bathroom with Power shower, Basin and Toilet. 24' Flat screen DVD TV's in Lounge and Master Bedroom. ALPINE music system with speakers, Blue Tooth / USB and MP3 connectivity. Window blinds / Sun screen front lid / LED upper strip lighting / Side awning / Electric front door step. Dimensions, Length: 28' (7.1M) . Width: 7'6' (2.3M) . Height: 8' (2.5M).Those with an eye on the towing side will be reassured by the two new axles and a new towing neck, complete with a reversing camera – all mod cons and a kitchen sink! A unique opportunity to purchase the iconic Airstream, much associated with road trips across the USA, Airstream caravans continue to grow in popularity this side of the pond. A fully restored and modernized example subject to a £90,000 upgrade over the past 3 years, all the hard work is done – surely the ideal way to visit Goodwood, the Silverstone Classic or any other historic motor sport festival.Footnotes:Vendor Score Total: 72/80Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments. Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 20/25Body Work: 4Chrome/Plastics/Trim: 4Glass: 4Paint: 4Wheels/Tyres: 4INTERIOR TOTAL: 20/20Dashboard/Door cards/Carpets: 5Headlining: 5Seats: 5Trim: 5RUNNING GEAR TOTAL: 20/20Axles: 5Brakes: 5Gearbox/Clutch: 5Suspension: 5ELECTRICAL TOTAL: 10/10Ancillary components: 5Main components: 5Car History File: 2/5For further information on this lot please visit Bonhams.com
Devon ware 'silverine' teapot, sugar basin and jug, Viners of Sheffield silver plated jug and tea and coffee pots, crumb tray and brush, ceramic biscuit barrel with plated mounts by J. Ridge & Co Sheffield, Woods Ware 'Iris' tea wares, plated sugar tongs, other metalware, glass and ceramics Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
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