The Vintage Haeger USA Pottery Wash Basin and Pitcher Set is a stoneware set with a high brown glaze. The pitcher and basin are numbered 4060. Haeger USA backstamp. Pitcher measures 8"L x 6"W x 10"H and the bowl measures 15"L x 12"W x 4"H. Issued: 20th CenturyManufacturer: HaegerCountry of Origin: USACondition: Age related wear.
We found 23407 price guide item(s) matching your search
There are 23407 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
23407 item(s)/page
Luneville Faience Assorted Wares, decorated with scattered sprigs and blooms including, tureens, jug and basin, water pale, chamber pots, etcBasin cracked. circular dish cracked. Toothbrush holder badly chipped. One tureen base cracked. One chamber pot cracked. Serving dish stained.Some crazing throughout but largely in good condition.
A Group of Continetal Porcelain 18th Century and Later, including a Paris basin and ewer, a Meissen jug and cover, eight similar side plates, a Ludwigsburg moulded tea cup and a similar custard cupEwer- old staple repairs to handle, large chip to spoutMeissen jug and cover - numerous losses and chipsCustard cup - with multiple chips to the rimMoulded tea cup - appears okSide plates - all seconds, with interior paint scratchesParis basin - chip to the rim, crazing and hairlines
Juan de la Corte (Antwerp, circa 1585 - Madrid, 1662)"David and Bathsheba"Oil on canvas. 152.2 x 189 cm.Published in the catalogue of the exhibition "Imágenes de un siglo. Luces del barroco. Pintura española del siglo XVII"(Images of a Century. Lights of the Baroque. Spanish Painting of the 17th Century), which took place at the University of Salamanca in 2006.Born in Antwerp, a fact which is documented in his will, Juan de la Corte probably trained in Flanders but developed his career mainly in Spain, especially at the Court in Madrid. As indicated in the exhibition catalogue: "His activity for the Crown of Spain, which continued from 1615, focused mainly on the Buen Retiro Palace, for which he made more than 50 paintings, of which almost all are lost according to the royal inventories."Regarding his favourite themes, Juan de la Corte himself, as reported by the Prado, confessed that he "focused on 'architecture, battles, and countries,' genres in which he was highly valued by his contemporaries." Specifically, the "proliferation of architectural perspectives" is a prominent aspect of his work, which can be seen by taking a visual stroll through the artwork we have here.It is interesting to note that, as the catalogue states, the biblical and historical paintings of Juan de la Corte generally form part of series, some of which have King David as the protagonist, one of the most iconographically rich characters of the Old Testament, as in the case of this painting.In the same collection as this painting, there is another signed by Juan de la Corte depicting David defeating Goliath, and the same subject is developed in another canvas, dated 1639, that is in a private collection. In their catalogue of the artist's work, Ángulo and Pérez Sánchez also recorded a depiction of David and Bathsheba on the throne which was in the Buen Retiro and would also have been part of a series dedicated to the biblical king.As they continue to describe in the aforementioned catalogue:"The scene we see here shows the moment when David observes Bathsheba, the wife of General Uriah, bathing in the garden as narrated in the Book of Kings (11.11,2-5). David fell in love with her and ordered her husband to fight in the most dangerous place on the battlefield, thus making sure he was killed. The prophet Nathan later reproached the king for his adultery, telling him that he would not escape the wrath of God, even if he repented. Generally, the scene takes place outdoors, in a garden where Bathsheba washes her feet in a basin or pool while being attended to by her maidservants. In this depiction, Juan de la Corte adheres to the conventional iconographic model, although he undoubtedly distinguishes himself from most Spanish painters of his time by portraying Bathsheba almost naked, covered by veils or semi-transparent cloths. One of her maidservants combs her long hair, and another brings her a tray with a pearl necklace, while from one of the windows of his palace, on the left, King David attentively observes the scene.In the case of this painting, the architecture and landscape in which the painter has placed the scene is also remarkable, giving us the chance to appreciate a good example of a Spanish garden from that time.Juan de la Corte tended to frame his scenes in architectural backgrounds, frequently taken from prints by artists such as Vredeman de Vries and Cornelis Galle. Examples of the former served as models for his garden scenes."Bibliographical references:- "Imágenes de un siglo. Luces del barroco. Pintura española del siglo XVII". Salamanca, 2006.- Museo del Prado. (s.f.). "Corte, Juan de la". https://www.museodelprado.es/aprende/enciclopedia/voz/corte-juan-de-la/4236322c-50b0-4cfa-aa66-36a16bb44dda
Africa.- Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, and Explorations of the Nile Sources, 2 vol. first edition, frontispieces, 11 plates, 2 maps, of which one folding with tears and tape repair verso, vol. 1 with front free endpaper, frontispiece and title detached and loosely inserted, scattered faint spotting, ex-library with usual ink-stamps, abrasion marks to front pastedowns where labels removed, cracked hinges, original pictorial cloth, a little rubbed, bumping to corners and extremities, [Czech p.10], 1866 § Stanley (Henry M.) In Darkest Africa, 2 vol., frontispieces, plates and illustrations, 2 folding maps only (of 3), one with short tear, original pictorial cloth, slight mottling to boards, bumping to corners and spine extremities, 1891 § Burton (Capitaine) Voyage aux Grands Lacs de L'Afrique Orientale, half-title, illustrations (some full-page), 2 maps (one folding), previous owner's ink inscription, spotting, front free endpaper clipped at upper corner, contemporary morocco-backed boards, g.e., a little rubbed, bumping to corners and extremities, Paris, 1862; 8vo (5).
A Selection of over One Hundred Sea Charts From Around the World Comprising Exotic Ports and Destinations. Many of Topical Geo-political Areas and Important Routes of Trade Passage. Cancelled Charts From the Liverpool Chart Office.Selection Include: Hua-lien Kang to San-tiao Chiao Chi-lung and Approaches, Harbours in T’ai-wan, Kao-hsiung, T’ai-tung Kang to Hua-lien Kang, O Luan Pi to Kao-hsilung, Kangtaiwan Strait Southern Part (Taiwan) Mu Ko Similan to Ko Lanta Yai (Thailand) Tuas Bay West Jurong Channel and Pesek Basin, Sinki Fairway (Singapore) Pulau-pulau Mantanani to Pulau Banggi , Balabac Strait, Western Approaches to Main Strait (Malaysia) Plans in Seto Naikai, Wakkanai,kobe Ko, Western Part of Kobe Ko, Kanmon Kaikyo, Osaka, Tokyo Wan to Inubo Saki, Hannan Ko, Tokyo, Amagasaki-nishinomiya-ayshiya (Japan) Lillebaelt Northern Part, Limfjorden Aalborg, Fehmarnbelt and Mecklenburger Bucht (Denmark) Malaren- Western Part (Sweden) Gulf of Finland, Klaipeda and Approaches (Baltic Sea) Westkapelle to Stellendam and Maasvlakte, Nieuwe Waterweg Nieuwe Maas Oude Maas and Europoort, Valkenisse to Antwerp (Netherlands) Approaches to Calais, Entrance to La Gironde, Approaches to Cherborg, Dunkerque to Vlissingen, Nice to Livorno Including Gulf of Genoa (France) Isole Eolie, Ports of the North Coast of Sicilia, Approaches to Augusta and Siracusa, Ports on the East Coast of Sicilia, Port of Genova, Port of Genova West Part, Ports in the Gulf of Genoa, Ports of Napoli, Capo Passero to Capo Colonne, Ports in the Tyrrhenian Sea, Approaches to Cagliari, Approaches to Savona and Vado, Isola Del Giglio to Isola D’ischia, Ports and Harbours in Golfo Di Napoli (Italy) Barcelona, Ports on the East Coast of Spain North West Coast Ria De Ferrol, South Coast Cabo De Santa Maria to Cabo Trafalgar (Spain) Burgas and Approaches, Southern Approaches to Kerch Strait, Approaches to Tuapse and Sochi, Yalta to Tuapse (Black Sea Ukraine and Russia) Nisos Rodhos to Taslik Burnu, Taslik Burnu to Anamur Burnu (Mediterranean Turkey) Riviere Saloum (Senegal) Cotonou to Pennington River (Nigeria) Conakry and Approaches (Guinea) Entrance to River Congo (Angola and Congo) Ras Tarf to Oran (Africa North Coast) Sassandra to Lagos (Africa West Coast) Approaches to Durban (South Africa) Red Sea Masamirit to Bab El Mandeb (Red Sea) New Brunswick Approaches to St John, Demarcation Bay to Liverpool Bay, Tuktoyaktuk Harbour and Approaches X2, Beaufort Sea, Liverpool Bay, Demarcationbay to Phillips Bay, Kugmallit Bay X2, Mackenzie Bay, Police Point, Franklin Bay and Darnley Bay, Nova Scotia Strait of Canse (Canada) Beaver Inlet, Kren Itzin Islands, Unimak and Akutan Passes, Alaska Peninsula, Dixon Entrance to Cape St Elias, Unalaska I to Amukta I, Bering Sea Eastern Part, Point Barrow to Herschel Sound, Cape Prince of Wales to Point Barrow, Arctic Coast, Unalaska Island X3 (Alsaka) Approaches to Chittagong (Bangladesh) Approaches to Melbourne, Approaches to Port Phillip (Australia) Plus Eleven Routeing Charts of the South Atlantic Ocean February to December Inclusive
A set of four KPM Berlin plates painted with flowers with pierced borders; items of Dresden porcelain painted with scenes of courting couples, comprising two comports and a bowl; a Paris porcelain two-handled vase painted with birds and five Dresden teacups and saucersKPM plates light rubbing and scratchingone comport restored and stapled and other chipped to the basinone tea cup crackedGeneral wear and rubbing to gilt throughout
Haas and Czevek, Schlaggenwald, Bavarian porcelain cabaret set hand painted with Angelica Kaufmann neoclassical figures in garden settings within gilt decorated design on peach ground, comprising a twin handled circular tray, 12¾in. (32.4cm.) diameter, coffee pot, four cups & saucers and a sugar basin, stamped maker's mark and blue beehive below. * Light rubbing to gilt decoration, no chips or cracks found.
A collection of Royal Crown Derby various dates & marks, to include a 'Kings Imari' pattern teapot & cover, of oval form, 9½in. (24.2cm.) handle to spout, sugar basin & cover in the same pattern, together with tea cup & saucer, vase, miniature jug & saucer. (7) * Teapot with crack inside spout area; other pieces with rubbing to gilt etc, overall good.
Victorian silver milk jug & sugar basin James Deakin & Sons, Sheffield, 1888, of shaped circular form with crimped edge and foliate scroll & wreathen decoration, gilt interiors, basin measuring 3 3/8in. (8.7cm.) diameter and 1 7/8in. (4.8cm.) high, weight 3.0 tr.oz. (2) * Both pieces very good, nothing to note.
A Sèvres style part dinner / tea service probably late 19th / early 20th century, blue interlaced L marks, hand painted with courting couples and floral sprays with shaped reserves with gilt trim, on bleu-céleste ground, comprising a teapot, jug, twin handle sugar basin, nine dinner plates, 9¼in. (23.5cm.) diameter, 12 tea cups with eleven saucers, together with a later tripod jug. (37) * Dinner plates with rubbing to blue ground etc, no chips, teapot, jug sugar basin, light rubbing only, two cups with cracks or nibbles to rims, others good, seven saucers with tiny chips / nibbles etc, others good.
A George IV / William IV Irish silver three piece tea service William Nolan, Dublin, 1830, comprising a teapot, milk jug and twin handle sugar basin, of segmented melon form, the teapot with scroll handle, leaf capped spout, the hinged cover with corresponding finial, each piece with engraved dragon,11in. (28cm.) spout to handle, weight 46.0 tr.oz. (3) * Teapot with tiny small dents, basin with dents to two segments, overall good.
A George V silver three piece tea service Martin Hall & Co, Sheffield, 1927, of compressed spherical form, chased borders, family crest on each, raised on four scroll feet, comprising a teapot, 10¾in. (27.4cm.) tip of spout to handle, jug, twin handle sugar basin, weight 33.7 tr.oz. (3) * Original J Paint & Son Ltd receipt, dated Feb 11th 1989. * Each piece good with very light wear.
A group of Herculaneum porcelain tea and coffee cups with saucers, together with a slop basin, circa 1810-15, patterns including numbers 1221 ('Doll's House'), 26, 286 and others, sold together with a Neale porcelain tea bowl and saucer and two books on Liverpool porcelain (20)Condition:Gilt and blue trio - some wear to gilt, two small chips to foot of coffee cupPattern 549 teacup and saucer - (tree decoration) - glaze fault to teacupPeach teacup and saucer - two hairlines descending from rim of teacup together with rubbing to the lower gilt band of the cup, two small patches of discolouration to foot of saucerNo other damages or repairs but there is some other minor gilt wear to other pieces, including a larger patch to the slop bowl
A small group of Liverpool, Lowestoft and Worcester porcelain, 18th century, comprising a Lowestoft slop basin, painted in underglaze blue and overglaze iron red with the 'Two Birds' pattern featuring, a bird and flowering rocks, 15cm diameter (cracked); a Seth Pennington and John Part 'Fisherman' coffee cup, 6.5cm high; a Seth Pennington and John Part 'Porter and Ferry Boat' tea bowl, transfer-printed in underglaze blue, 8.5cm diameter; a Worcester 'Three Flowers and Butterfly' slop bowl, 15.2cm diameter and a Worcester strap flute floral sauceboat, 7.5cm high (cracked); and a further Three Flowers and Butterfly bowl, 12cm diameter (6) (some damages)
Beaglehole ( J. C., editor). The Journals of Captain James Cook, 3 volumes in 4, Cambridge: Hakluyt Society, 1968, colour & monochrome illustrations, folding maps & plates, some light toning & minor spotting, original uniform cloth in dust jackets, covers lightly rubbed, 8vo, together with:Dawson (Samuel Edward), The Saint Lawrence Basin and its border-lands, 1st edition, London: Alston Rivers, 1905, 48 monochrome illustrations, period inscription to the head of the front endpaper, front & rear gutters cracked, some light marginal toning, original gilt decorated green cloth, spine slightly rubbed to head & foot, 8vo, plusBurnett (Frank), Through Polynesia and Papua, wanderings with a camera in southern seas, 1st edition, London: Francis Griffiths, 1911, numerous monochrome illustrations, top corner of the front endpaper removed, some light marginal toning & spotting, top edge gilt, original gilt decorated red cloth, spine lightly faded & rubbed to head & foot, 8vo, and other early 20th century & modern exploration reference, including The Hakluyt Society, 28 volumes, all original cloth in dust jackets, 8vo, some vellum bindings, mostly original cloth, some in dust jackets, some odd volumes, overall condition is generally fair/good, 8vo/folio QTY: (5 shelves)
Morel (Edmund D). The British Case in French Congo, the story of a great injustice, its causes and its lessons, 1st edition, London: William Heinemann, 1903, folding map at rear, publisher's advertisements at front and rear, a few leaves chipped with marginal loss, original black pictorial cloth gilt, rubbed with extremities frayed, 8vo, together with:Baker (Samuel W.). The Albert N'Yanza, Great Basin of the Nile and Exploration of Nile Sources, London: Macmillan and Co, 1892, half-title, black and white illustrations throughout, gift bookplate to front pastedown, original green pictorial cloth gilt, lightly marked, cocked, 8vo, withGeddie (John). The Lake Regions of Central Africa, a record of modern discovery, London: Nelson and Sons, 1898, wood-engraved plates throughout, endpapers toned, original red pictorial cloth gilt, lightly rubbed, 8vo, with 40 others on Africa, 19th and early 20th-century QTY: (43)
Cretaceous Period, circa 90 million years B.P.. A vertebra with partial neural arch from the dinosaur Deltadromeus agilis. 364 grams, 12.2 cm (4 3/4 in.). From the Kem-Kem Basin, Morocco, North Africa.From an old German paleontological collection.Deltadromeus meaning 'delta runner' has extraordinarily delicate and long limbs making it one of the fastest dinosaurs to have existed. This meat-eating dinosaur is an early off-shoot of the theropod line on northern continents that gave rise to Tyrannosaurus and the raptor Deinonychus. [No Reserve]
Upper Palaeocene, Thanetian Stage, circa 56 million years B.P.. From Otodus obliquus Agassiz 1843 (mackerel shark). 234 grams, 79 mm (3 1/8 in.). From the Ouled Abdoun Basin Formation (Phosphate beds), Oued Zem, Morocco, North Africa.From an old Oxfordshire fossil and mineral collection. [No Reserve]
Cretaceous Period, circa 90 million years B.P.. A vertebra with neural arch from the dinosaur Deltadromeus agilis. 247 grams, 87 mm (3 3/8 in.). From the Kem-Kem Basin, Morocco, North Africa.From an old German paleontological collection.Deltadromeus meaning 'delta runner' has extraordinarily delicate and long limbs making it one of the fastest dinosaurs to have existed. This meat-eating dinosaur is an early off-shoot of the theropod line on northern continents that gave rise to Tyrannosaurus and the raptor Deinonychus. [No Reserve]
Cretaceous Period, circa 90 million years B.P.. Two front leg bone sections from the Dinosaur Deltadromeus agilis; one repaired. 389 grams total, 75-86 mm (3 - 3 3/8 in.). From the Kem-Kem Basin, Morocco, North Africa.From an old German paleontological collection.Deltadromeus meaning 'delta runner' has extraordinarily delicate and long limbs making it one of the fastest dinosaurs to have existed. This meat-eating dinosaur is an early off-shoot of the theropod line on northern continents that gave rise to Tyrannosaurus and the raptor Deinonychus. [2, No Reserve]
Upper Palaeocene, Thanetian Stage, circa 56 million years B.P.. From Otodus obliquus Agassiz 1843 (mackerel shark). 155 grams, 65 mm (2 5/8 in.). From the Ouled Abdoun Basin Formation (Phosphate beds), Oued Zem, Morocco, North Africa.From an old Oxfordshire fossil and mineral collection. [No Reserve]
Eocene Period, circa 54 million years B.P.. A large Otodus obliquus tooth from the front of the mouth with good serrations. 57.7 grams, 82 mm (3 1/4 in.). From the Ouled Abdoun Basin Formation (Phosphate beds), Oued Zem, Morocco, North Africa.From an old German paleontological collection. [No Reserve]
Upper Palaeocene, Thanetian Stage, circa 56 million years B.P.. From Otodus obliquus Agassiz 1843 (mackerel shark). 174 grams, 77 mm (3 in.). From the Ouled Abdoun Basin Formation (Phosphate beds), Oued Zem, Morocco, North Africa.From an old Oxfordshire fossil and mineral collection. [No Reserve]
Late Cretaceous Period, circa 100-66 million years B.P.. A near complete Charonosaurus sp. hadrosaur egg, retaining the leathery surface, and possibly showing the internal remains at one corner. 1.73 kg, 14.1 cm (5 1/2 in.). From Xixia Basin, Henan Province, China.Ex Eons Ago, USA, circa 2008.Prepared by Christine Coyle, U.S.A.From the private collection of Mr A Hills, Kent, UK.Dinosaur eggs are known from about 200 sites around the world, the majority in Asia and mostly in terrestrial (non-marine) rocks of the Cretaceous Period. It may be that thick calcite eggshells evolved during the Cretaceous (145 to 65 million years ago). Most dinosaur eggs have one of two forms of eggshell that are distinct from the shells of related modern animal groups, such as turtles or birds; however, some eggs closely resemble the type of shells seen in present day ostrich eggs. [No Reserve]
Late Permian-early Triassic Period, circa 252-250 million years B.P.. On a rounded matrix. 8.85 kg, 32.5 cm (12 3/4 in.). From Madagascar.From a Cambridgeshire, UK, collection.Claudiosaurus is an extinct genus of diapsid reptiles from the Late Permian Sakamena Formation of the Morondava Basin, Madagascar. It is theorised that this was a semi-aquatic, lizard-like dinosaur.
MIXED VICTORIAN & LATER EPNS TABLEWARE to include a good bright cut four piece tea service, comprising tea pot, 17.5cms (overall h), coffee/hot water pot, 25.5cms (h), sugar basin, 15 (h) x 22cms (across) and milk jug, 15.5cms (h), ivory heat isolators to the handles of the two larger pieces, other items include a pair of continental white metal candle sticks, circular bases, gadrooned and acanthus leaf decoration, 20.5cms (h), pierced set of six egg cups, planished unmarked white metal bowl, 6.5 (h) x 22.5cms (diam.), four bottle condiment stand etc.Provenance: private collection DenbighshireGOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference EJMS4XMS
A CANTON FAMILLE ROSE PORCELAIN BASIN The interior decorated with birds and butterflies among peonies, louts flowers and floral scrolls, outer border with bats among floral scrolls and panels with birds and flowers, 19th Century 40.5 cm diameter Condition: Condition Report Hairline crack at base (partly visible also on the well), minor firing defects This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

-
23407 item(s)/page