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A water jug, 30cm tall, wash basin, 38cm diameter, and potty, 32cm diameter set with printed mark to base Persia? with orange and beige floral decoration on a cream ground, together with a salt glazed barrel later converted to a lamp base, 26.5cm tall approx (excluding fittings) (af) an oriental papier mache bowl with ebonised finish and gilt floral detail, a Spode Royal Jasmine wall plate, 26cm diameter and two hand bells, 27cm and 20cm tall, etc
A collection of Colclough Wayside pattern tea wares comprising teapot, sugar bowl, milk jug, five cups, six saucers, six side plates, and a sandwich plate, together with a collection of Paragon china teawares comprising six cups and six saucers, milk jug and sugar basin, plus one further tea cup
Basin and ewer with open handle, D. João V, King of Portugal (1706-1750), 833/1000 silver, engraved decoration en relief "Scallops and plant motifs", carved "Caryatid" ewer handle, Portuguese, restoration, signs of use, Lisbon assay mark (1727-1755), maker's mark attributable to José Tavares Delgado (1755-1761), Dim. - (gomil) 31,5 x 23,3 x 13,2 cm; (lavanda) 52,3 x 42,5 cm; Peso - 3.124 g.
Miniatures: A Spode type Hydra jug and basin painted with flowers, a Crown Staffordshire two handled mug with flowers on a gilded blue ground, two continental cups and saucer one with Watteauesque scenes, the other in blue with the Onion pattern, a Doulton mustard pot with applied designs and a silver coloured metal coloured hinged cover, and two small mugs, one from Spode, together with a small creamboat probably Machin,two handled mug 4cms high,
COMPTON, EDWARD HARRISON (1881-1960), "Kleine Teichbaude", Blick auf die rustikale Bergherberge im Talkessel um den Kleinen Teich 'Mały Staw' in Polen, Öl/Leinwand, u.re. signiert 'E. Harrison Compton', HxB: ca. 92x65 cm (102x76 cm mit Rahmen). Altersspuren, leicht craqueliert, fleckig. Mit Rahmen (part. beschädigt). | COMPTON, EDWARD HARRISON (1881-1960), "Little Pond Lodge", view of the rustic mountain hostel in the valley basin around the Small Pond 'Mały Staw' in Poland, oil/canvas, u.r. signed 'E. Harrison Compton', HxW: ca. 92x65 cm (102x76 cm with frame). Signs of age, lightly craquelured, stained. With frame (partially damaged).
A contemporary medical / industrial twin basin washstand of polished steel construction with each bowl removing form the tubular stand on castors. Potential planter / plant stand. Measures approx; 89cm x 76cm x 38cm. COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .
Large Edwardian cut-glass wash basin and pitcher, approx 36 diameter x 14h cms and the pitcher approx 33 cms h. This lot includes two Edwardian glass faceted water jugs, approx 32 cms and 29 cms respectively and a cut-glass Victorian crystal brandy dispenser, circa 1880, the lidded dispenser having a faceted lid with a turned finial, the globular body is faceted and etched Brandy, the dispenser is fitted with a brass spigot and supported on a flared spreading foot, approx 35 cms h.
An Edwardian boat shaped silver sugar basin, reticulated border above body chased with floral and foliate scrolls, central cartouche with matching sifting spoons, both hallmarked by Josiah Williams & Co., London, 1908, approx 9.47 ozt (294.6 grams) together with two Edwardian cut glass toilet bottles with silver chased cover, hallmarked Birmingham, 1905 (4)
William James, tätig 1730 – 1780, zug.Die Mole mit dem Dogenpalast am Becken von San Marco und dem Bucentaur, um 1760Öl auf Leinwand.56 x 91 cm.Gut ausgewogene Komposition mit niedrigem Horizont, sodass auch der hinter dem Dogenpalast aufstrebende Campanile noch genug Raum zum oberen Bildrand hat. Im Vordergrund mehrere Gondeln und das Staatsschiff des Dogen, der Bucentaur. William James war zwischen 1746 und 1771 als Vedutist tätig; die einzigen Informationen über seine künstlerische Persönlichkeit finden sich in Edward Edwards‘ Anecdotes of Painters von 1808, in dem James als „Schüler“ oder Mitarbeiter von Canaletto während dessen Aufenthalt in England zwischen 1746 und 1755 erwähnt wird. Sein künstlerischer Werdegang wurde teilweise durch eine Reihe von Londoner Ansichten rekonstruiert, die sich im Besitz des Ashmolean Museums in Oxford und der British Royal Collections befinden. Im Text des oben genannten Edwards findet sich jedoch die einzige Erwähnung seiner Malerei venezianischer Sujets, die der Biograf selbst als stark mit Canaletto verwandt ansieht. Die Zuschreibung einiger Ansichten, die auf den internationalen Markt gelangten, an William James und vor allem das Vorhandensein einiger Leinwände, auf denen sein Name vollständig auf einer an den Originalrahmen angebrachten Plakette steht, lassen auf eine reiche Produktion von Stadtpanoramen schließen, die im Allgemeinen dem malerischen Repertoire von Antonio Canal entnommen sind, Werke, die es dem englischen Maler ermöglichten, zu den „vedutisti di Venezia“ (Vedutenmalern von Venedig) gezählt zu werden, obwohl seine biografische Abfolge keinen Hinweis auf einen möglichen Aufenthalt in der Lagunenstadt gibt. James war einer der bekanntesten Schüler Canalettos, der den Geschmack der venezianischen Stätten indirekt aufnahm, indem er die Werke betrachtete, die der Meister mit nach England gebracht hatte, und indem er an seiner Seite arbeitete, als er die große Nachfrage seiner Auftraggeber nach Ansichten der von ihnen so geliebten Lagunenstadt befriedigte. Werke seiner Hand kamen ins Victoria und Albert Museum, in den Kensington-Palast sowie ins Ashmolean Museum in Oxford. (†)Anmerkung:Überreste des letzten im Dienst befindlichen Burcentaur, der jedoch erst 1728 gebaut wurde, befinden sich im Arsenale in Venedig und maß einst – um eine Größenvorstellung zu geben –43,8 × 7,3 × 8,4 m. (13309316) (13)William James, 1730 – 1780, attributedPIER WITH DOGE’S PALACE AT THE SAN MARCO BASIN AND BUCENTAUR, ca. 1760Oil on canvas.56 x 91 cm.Well-balanced composition with a low horizon, so that the campanile rising behind the Doge’s Palace still has enough space to the upper edge of the painting. There are several gondolas and the doge’s ship of state, the Bucentaur in the foreground. William James was active as a veduta painter between 1746 and 1771; the only information about him as an artist is found in Edward Edwards’ Anecdotes of Painters of 1808, which mentions James as a “student” or collaborator with Canaletto during his stay in England between 1746 and 1755. His artistic career has been partially reconstructed through a series of London vedutas held by the Ashmolean Museum, Oxford, and the British Royal Collections. Edwards’ text, however, is the only one that mentions his painting of Venetian subjects, which the biographer himself regards as closely related to Canaletto. The attribution to William James of some vedutas that reached the international market and, above all, the presence of some canvases on which his name is written in full on a plaque affixed to the original frames, suggest an ample production of urban panoramas, generally taken from Antonio Canal’s image repertoire. His works enabled the English painter to be counted among the “vedutisti di Venezia” (Venetian veduta painters), although his biography gives no indication of a possible stay in the lagoon city. James was one of Canaletto’s most famous students, absorbing the ambience of the Venetian sites indirectly by studying the works the master had brought to England and by working alongside him when he met the great demand from his patrons for vedutas of the lagoon city they loved so much. (†)Notes:Remains of the last Bucentaur in service, which was not built until 1728, are held at the Arsenale in Venice and to give an idea of proportions it once measured 43.8 × 7.3 × 8.4 m.
Très grande ammonite cornée sur matrice Very Large Horned Ammonite on MatrixKranosphinctes sp.Late JurassicMorondava River Basin, Atsimo-Andrefana Region of Toliara, MadagascarA fine, majestically-sized horned ammonite from the Jurassic Age is displayed on matrix, with several smaller associated ammonites completing the aesthetic presentation. Measuring 65 x 47 x 17 cm This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Paire de vertèbres articulées de dinosaure Articulated Pair of Dinosaur VertebraeSpinosaurus aegypticusLate CretaceousKem Kem Basin, MoroccoFused grouping of two extremely rare, articulated Spinosaurus cervical (neck) vertebrae complete with associated processes. The preservation is outstanding with minimal compression and exhibits a rich orange-brownish coloration. Spinosaurus was a unique carnivorous dinosaur which is thought to have been able to thrive in water as well as on land. Possessing webbed feet and crocodile-like jaws packed with deadly teeth, it was more than capable of hunting large fish in aquatic environments. On land, it probably preyed on the gigantic herbivorous dinosaurs of the Cretaceous Period. It has been suggested that Spinosaurus might have been the largest predatory Dinosaur of them all — up to 60 feet long and weighing up to 20 tons, bigger than Tyrannosaurus rex and bigger than Carcharodontosaurus. Specimen measuring 35 x 33 x 14 cm. Height overall with stand: 47 cm (2) Footnotes:Offered with a custom-fitted black metal stand.For further information on this lot please visit Bonhams.com
A five-piece silver tea service, Elkington & Co., Birmingham 1932, comprising a teapot, hot water jug, milk jug, sugar basin and an inscribed tray with handles, approximately 4900g gross/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A four-piece silver tea and coffee service, BB, Birmingham 1901, half-ribbed with C scroll handles, comprising a teapot, a coffee pot, a sugar basin and a cream jug, approximately 1560g/Ivory registration reference: 36YK79Y9/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A Coalport Pembroke pattern tea service, pattern 966, comprising a teapot, cover and stand, sugar bowl and cover, two milk jugs, nine teacups, nine saucers, three plates, six circular dishes, four associated plates and a spoon tray/Provenance: The Estate of Anthony J Beeson/see illustration CONDITION REPORT: Teapot has haircracks under lip of tip of spout, otherwise good. Saucers have some stacking wear but in generally good condition. There are four associated side plates with this lot. Teapot stand is crazed and lightly stained. Two of the three side plates are crazed and slightly stained. One of the jugs has a patch of staining under the foot. Sugar basin and cover appear generally good. One of the large shallow bowls has a small chip under the rim, another has a short haircrack to the rim. There is an associated spoon tray with the lot. Teacups are generally in good condition although a few have very rubbed gilt to interiors and handles. Coffee cups generally appear in good condition although some are faintly stained to interiors.
A half-ribbed silver cream jug, Chester 1899, a two-handled sugar basin and matching cream jug, approximately 205g CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A French silver tea and coffee set, .950 standard, Christofle, circa 1900, the pieces with pine cone finials, Greek key decoration to the rims and armorials to the side, comprising teapot, coffee pot (both with ivory heat absorbers) sugar basin and cover and jug, the coffee pot 21cm high, approximately 2808g/Ivory registration reference 6VZQJ9J3/see illustration CONDITION REPORT: There are scattered small dents to each piece. The sugar base and cover has a dent to the rim, the jug has a few dents, the biggest at the base of the baluster. The coffee pot has repair to base of finial, mainly visible to underside of cover. The tea pot also has a repaired finial, very visible to underside. The set is very good quality but considering this the heat absorbers in the handles look quite crude, perhaps these are replacements.
A Cantonese Porcelain Basin, 19th century, of circular form with ogee rim, painted in famille rose enamels with insects amongst flowering tendrils29cm diameterA Similar Circular Box and Cover, typically painted with figures in interiors and with precious objects and foliage10cm diameterAn Ovoid Tureen and Cover, 19th century, painted in underglaze blue with scrolling lotus20cm diameter, on hardwood stand (3)Basin with restorations to rim. Tureen with star crack to base. Some typical minor wear and scratching throughout.
Public Health.- Houses of Parliament. First Report of the Commissioners...into...the Best Means of Preventing the Pollution of Rivers (River Thames), 2 vol., 12 maps & plans, most folding including large colour geological map of Thames Basin, 1866; Second Report...(River Lee), 2 vol., large folding colour geological map, 1867; Third Report...(Rivers Aire and Calder), 2 vol., 7 folding maps & plans, some colour, 1867, together bound in 1 vol., ex-library copy with ink stamp to titles, modern cloth; and 2 uniformly-bound volumes of First-Sixth Reports of the Rivers Pollution Commission 1870-74 covering the Mersey & Ribble rivers, treating sewage, pollution arising from woollen manufacturing, the rivers of Scotland, pollution from mining, and the domestic water supply of Great Britain, folio (3)⁂ The first such governmental documents published.
TWO LARGE BLUE AND WHITE WARES QING DYNASTY AND LATER 清康熙 青花花卉樹石紋盆 及 清或以後 青花高士弈棋圖大盤 one basin dated to the Kangxi period, Qing dynasty, finely painted with flowers, trees and large rocks in a garden setting, the everted rim painted with three branches of flowers; and one Qing-dynasty or later charger with foliate rim, painted with literati playing chess in a garden settingDimensions:diameters: 36.5cm and 39.5cmProvenance:Provenance: Private collection, London
Spanish brazier, 19th century.Copper and gilt brass.Wear due to use and the passage of time.Measures: 42 x 60 x 49 cm.Antique Spanish brazier from the 19th century, made of gilded copper, it consists of a base, brazier and a basin to stir the fire. Side handles decorated with faces of angels.The metal domestic brazier was a concave container generally fitted with a lid with slits through which the heat escaped. There were some more modest ones that simply had a metal grill so as not to burn. In order to avoid contact with the ground, the more expensive models usually included a foot or stand, sometimes highly decorated with the shapes of animal paws or claws.
A George V silver twin handled trophy cup and other silverLondon, 1922 by Rosenzweig, Taitelbaum & Co., having ogee shaped bowl with c scroll embossed decoration, on domed pedestal foot, together with a small plain ovoid pepper pot on ball feet, a sugar basin with wavy edge on feet, a small pedestal bonbon dish with pierced decoration, a pair of William IV fiddle pattern sugar tongs, and a thimble (6)first height 13.5 cm., weight approx. 12.11 ozt.Condition: Trophy without inscription, small dent to foot. Feet pushing sides of sugar basin and with other dents. Stem of bonbon with a crack and dents and damage
A set Norwegian .830 Dobbel Rokokko pattern set of six coffee spoons and sugar spoon, a toast rack and other silverfirst marked 830S marked for Bordrene Lohnem pierced foliate cast stems, together with an arched four division toast rack, Sheffield 1936 by James Dixon & Sons Ltd, a pair of dwarf candlesticks with weighted bases, a Victorian style embossed bonbon dish, a small plain bellied milk jug with scroll handle a matching sugar basin, both initialled M.B., and a boxed Kings pattern handled cake slice, (qty)various, weighable silver approx. 12 ozt.Condition: Overall good condition. Small ding to milk jug
A collection of Victorian and later silver various date and makers to include a twin handled sugar basin, crested, a German Hanau cream boat with London import marks and pseudo French marks, a six division toast rack, a fiddle pattern sauce ladle, initialled, five fiddle pattern teaspoons, cased set of six coffee spoons, a baluster form pepper caster, a bright cut butter knife, another butter knife, three napkin rings, odd teaspoons, a set of eleven mother of pearl handled fruit knives and forks, etc., (qty) various, weight approx. 27.38 ozt.Condition: Mostly fair condition. cellotaped crack to one handle of the fruit knives and forks
A Late Victorian silver cream jug and and a twin handled sugar basinfirst Birmingham, 1900 by Barker Brothers, of oblong bellied half fluted form with gadrooned rim on ball feet, second Birmingham, 1893 by Elkington & Co Ltd., tapering half fluted design with angular reeded handles, interior gilt (2)weight approx. 12.35 oztCondition: Overall fair condition commensurate with age

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23407 item(s)/page