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An Elizabeth II Silver Rectangular Four-Piece Tea Service and a Pair of Edward VII Silver Two-Handled Vases, the tea service by Adie Brothers Ltd, Birmingham, 1960 and 1962, with gadroon mounts, angular handles, moulded bulbous bodies and on ball feet, comprising - teapot, 5.75ins high, hot water pot, 8ins high, each with composition finials and handles, two-handled sugar basin and milk jug, gross weight 49ozs, and a pair of Edward VII silver two-handled urn pattern spill vases, the bodies with leaf moulded ornament on circular footrims, 5.5ins high, by Elkington and Co.,Birmingham, 1906, loaded

Two Centurian Victor pudding basin motorcycle helmets and one other with a peak.

A Dutch Silver Dish and a Russian Silver Sugar-Basin, the First Maker's Mark Lacking, Probably Second Half 19th Century, shaped square and engraved with foliage, 20cm square, the second 1874, tapering circular and on four ball feet, with overhead swing handle, engraved with initials, the interior gilt, 13.5cm diameter, 15oz, 467gr (2)

Portmeirion 'The Botanic Garden' pattern ceramics, to include two tiered cake stand, wash basin and jug, three three large bowls, measuring jug, trinket dishes etc (18)

A PAIR OF CORNISH SERPENTINE FONTS, the circular basin on four turned columns around a central support, on outswept circular bases, height 12cm; together with another font of similar form, height 19cm (3)

A Victorian stoneware basin, 75cm x 45cm.

A stone basin. 

A Japanese Satsuma pottery vase, 32cm high; together with a Portmeirion 'Botanic Garden' jug and basin, jug 21cm high; and two Chinese Dogs of Fo, 13.5cm high.

20TH CENTURY ROYAL DOULTON EWER AND BASIN, along with two matching chamber pots and a vase, with floral and gilt decoration

REPRODUCTION BLUE AND WHITE EWER AND BASIN,the ewer 20cm high and the basin 32cm diameter

A smaller stone basin, 64x48x17cm

A Victorian mahogany washstand with integral basin

A Royal Doulton Art Nouveau inspired jug and basin set together with a Japanese bronze vase, gem set trees, trug, copper wares etc

A studio pottery part tea set together with a brass shell case "hat", electroplated cream jug and sugar basin, Star Trek plates, cigarette boxes, glass centre dish, ebonised part dressing table set etc

A Crown Devon Fieldings jug and basin, together with assorted vases, dressing table set etc

A pewter sugar basin and cream jug, hip flask etc Condition Report:Available upon request

Silver three-piece tea service by Mappin & Webb comprising oval teapot with ebonised handle and lid knob, two handled sugar basin and milk jug, all raised on ball feet, monogrammed WGT on all plus teapot has inscription from R A F 1887-1923 (possibly reference to Fry's Chocolate Factory?), hallmarked London 1923 plus silverplate sugar tongs marked HW Ltd

A George V silver coffee pot, matching hot water jug and sugar basin, Robert Pringle and Sons, London 1918, 41½oz gross.

Coleridge (Samuel Taylor). Aids to Reflection, London: Wiliam Pickering, 1843, marbled endpapers and pastedowns, marbled edges, contemporary green half morocco, worn, 12mo, together with:Baker (Samuel). The Albert N'yanza, Great Basin of the Nile, and explorations of the Nile sources, new edition, London: Macmillan & Co, 1870, half-title, numerous maps and illustrations, light dust-soiling, spotting to preliminary leaves, contemporary ownership inscription to front free endpaper, contemporary calf gilt, rear board detached, worn, 8vo, withBrief Memoir of the late William Muir, Mechanical Engineer, London & Manchester, c.1890, 45pp, spotted and soiled, original red leather gilt binding, worn and rubbed, portion of backstrip missing, 12mo, with 2 cartons of others, some 19th-century antiquarian, some 20th-centuryQty: (2 cartons)

§ JAMES MORRISON R.S.A., R.S.W., L.L.D. (SCOTTISH 1932-2020) MONTROSE BASIN LOOKING WEST, 1984 Mixed media(39cm x 48cm (15.25in x 19in))

ROYAL DUX; a model of a maiden with shell basin, two Murano clowns and a Murano decorative basket (4).

A large and impressive gold plated swan form bathroom set, to include a bath spout in the form of a swan's head and wings, height approx 30cm, width approx 25cm, a pair of similar gold plated swan basin taps, a two-swan bracket toilet roll holder and a gold plated swan towel rail with large hoop and miscellaneous fittings and fixtures. CONDITION REPORT In reasonable condition. They have been used, but there are no obvious faults to the finish of the plating, but there may be some areas of plate loss or wear. To our knowledge, all fittings should be present, but some fittings may need to be replaced.

ART DECO FOUR PIECE SILVER TEA SERVICE, London 1932 and 1934, maker's marks for David Landsborough Fullerton and Josiah Williams & Co, comprising teapot, 13cms H, 28cms across, 15.5cms diameter, hot water pot, 18cms H, 20cms across, 12 cms diameter, milk jug, 5.5cms H, 13cms across, 8.5cms diameter and sugar basin, 6cms H, 14.5cms across, 9.5cms diameter, the two main pots with ebonized handles and finial knops, 44 troy ozs gross

ROYAL ALBERT 'SERENA' TEASET, twenty three pieces to include teapot and cover, seven cups, six saucers, six side plates, sandwich plate, milk jug and sugar basin

SILVER SUGAR BASIN & TONGS - a circular twin-handled pedestal sugar basin, 4.7ozt, Birmingham 1932, two pairs of sugar tongs, Birmingham 1934, 0.8ozt and Sheffield 1930, 0.6ozt and two silver salt/mustard bots with Bristol Blue liners, marks indistinct, total 2ozt

A GREAT WAR PERIOD CIRCULAR CREAM JUG AND SUGAR BASIN with engraving and four feet by W. Atkin, Birmingham 1915, a Victorian embossed cream jug, a mug and a sauce boat; the latter 6" (15 cms) long; 20.1 oz (5)

A VICTORIAN ENGRAVED SALVER of shaped circular outline with a scroll border, crested, by Henry Wilkinson, London 1859, together with a Victorian cream jug and matching sugar basin with embossed and chased decoration, bead borders and gilt interiors, crested, by Messrs. Edward and John Barnard, London 1863 and an Old Sheffield plated salver; the latter 9.8" (25 cms) diameter; 44.55 oz weighable silver (4)

A MIXED LOT:- A waiter, a part fluted cream jug and sugar basin, a small dish, a napkin ring, a George III vinaigrette and a pair of dwarf octagonal candlesticks with traces of gilding, and detachable nozzles; the candlesticks 6.25" (15.8 cms) high; 13.6 oz weighable silver (8)

Two boxes of ceramics, copper lustre cups, Pool bowl, tankards, vintage tins, 19th century wash jug and basin

A tray of ceramics, Wedgwood Jasperware, bird figures, Crescent china milk jug and sugar basin, Coalport dish etc

Castleford type jug, moulded with a hunting scene, against a chocolate brown ground, 10cm; a pink and copper lustre jug; Creamware bullet-shape teapot; Staffordshire tea bowl and saucer, probably Hilditch & Co.; a Newhall type teacup; Derby slop basin; and a Chinese tea bowl and saucer.

Royal Crown Derby table service, Old Imari pattern, five place setting, comprising dinner plates, diameter 27cm, dessert plates, tea plates, tea cups and saucers; together with a sandwich plate and sugar basin.

A Royal Albert 'Heirloom' pattern part teaset, comprising 9 cups, 10 saucers, 12 tea plates, milk jug and sugar basin, 2 sandwich plates, 6 dessert bowls, and a Royal Winton tea plate and slice.

Crown Staffordshire 'Pan' design part tea set, mainly for six plus, decorated with hollyhocks to include six cups and saucers, preserve pot, two cream jugs, sugar basin and hot water jug

Copeland & Garrett late Spode 'New Fayence' part dessert service to include nine octagonal plates, two oval and two shell-shaped serving dishes, printed and over-painted with floral sprays, butterflies and bugs and Cauldon china tea set for 12, decorated with pink roses, royal blue and gilt borders including teacups, saucers, tea plates, two bread and butter plates, cream jug and sugar basin 

Electroplated wares to include teapot, hot water pot, tray, cream jug, sugar basin, etc (1 box) 

Late 19th/early 20th century Aynsley china tea set for 12, to include teacups, saucers, tea plates, cream jug and sugar basin, all with gilt scroll relief bordered rose and floral festoon border, on green ground, two Royal Worcester 'Banana Leaf' pattern jugs and cream and three other items Condition ReportSome surface scratches, wear to gilt. One saucer has a small chip to underside of rim.  Old repair to one of the side plates.  Old repair to one of the serving dishes.  General wear and tear. See photos.

A selection of blue and white ceramics, including: Copeland Spode's 'Italian' pattern circular bowl or basin, 37cms wide; Copeland Spode's 'Italian' pattern cream jug; Maling North East Coast Industries Exhibition commemorative circular charger; Doulton Burslem 'Isthmian Games' water jug; and other items.

A Masons Ironstone ewer and basin, each decorated with Chinoiserie temple scenes, flowers, birds, and sailing ships, the jug approximately 29cms high, the basin approximately 40cms diameter; together with an Edwardian foot stool with floral decorated needlework top, 27cms diameter. (3)

MIXED LOT : CRANBERRY GLASS SUGAR BASIN, SILVER PLATED PHOTO FRAME, MODERN CLOISONNE VASES AND OTHER ITEMS

A brass metal basin (AF), a pair of brass candlesticks, brush and slide and a wooden tribal bowl

A Georgian copper basin with handles,36cm diam.

Quantity of Sindy and Barbie accessories including boxed Sindy wardrobe, 'Magic Cooker', wash basin, toilet, bedside table etc, small unboxed accessories and clothing, a Barbie Afghan hound, 1968 Ken doll etc

BOXED PEDESTAL BASIN AND CHROME TAPS

A 19th century Chinese blue and white basin and a famille rose jardiniere. Basin 29cm diameter

A Chinese blue and white ‘ladies’ basin, Kangxi period, cracked 34cm

A GARDEN PEDESTAL URN Circular in form, mossy exterior, basin top separates from the base 57cm high x 65cm diameter Condition: Minor signs of wear commensurate with age and use Provenance: Property from an Emerald Hill shophouse, the home of the interior designer behind ‘Galerie Cho Lon'

Fountain / basin in marble H25x142x30

Water basin in white marble, defect H42x29

Basin in stone H40x300

A part Teaset in Quince pattern designed by Raymond Loewy, comprising five cups and six saucers and five tea plates, teapot, milk jug and sugar basin.

A corner hand basin with taps.

A pair of basin taps and a pair of bath taps.

A wash basin on cabinet, 26" wide x 18" deep x 32" high.

Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile..., 2 vol., first edition, engraved double portrait frontispiece, tinted lithograph frontispiece, 2 colour maps with routes in red, one folding (soiled at fore-edge),13 wood-engraved plates, illustrations, bookplate of Witley Court, contemporary deep pink calf, gilt, spines gilt with new black roan labels, spines faded, gouges to lower cover of vol.1, 1866; The Nile Tributaries of Abyssinia, engraved double portrait frontispiece, 2 colour maps with routes in red, one folding, 23 wood-engraved plates, foxing, P4 lacking small portion from upper margin (repaired), one plate reinforced at edges, contemporary half calf, spine faded, 1867; Ismailïa: a Narrative of the Expedition to Central Africa for the Suppression of the Slave Trade, 2 vol., engraved portrait frontispiece, 2 colour maps with routes in red, one folding, 51 wood-engraved plates, without advertisements at end vol.1, a few marks, later red morocco elaborately gilt, g.e., 1874, first editions, the first two a little rubbed, 8vo (5)⁂ Explorations in Eastern and Central Africa.

Beke (Charles T.) An Essay on the Sources of the River Nile in the Mountains of the Moon, offprint from Edinburgh New Philosophical Journal No.XC vol.xlv, folding lithographed plate with 2 maps, small nick to fore-edge of a few leaves, bookplate of Gustavi von Hofsten, handsome contemporary dark green morocco, elaborately panelled in gilt with title to upper cover, spine gilt, t.e.g., slightly rubbed, Edinburgh, 1848; The Sources of the Nile: being a General Survey of the Basin of that River ..., first edition, half-title, 6 maps (one folding, one in text), folding cross-section, some spotting, folding map torn and repaired, modern half calf, spine gilt with red roan label, 1860, 8vo (2)⁂ Beke wrote several papers on the source of the Nile, the first being An Essay on the Nile and its Tributaries of 1847, and he was the first to determine with any accuracy the course of the River Abay or Blue Nile. The first mentioned work is rare, with only 4 copies listed by Library Hub.

A Christopher dresser sugar basin and cream jug of scuttle form with registered number 2272

Persian miniature watercolour sketch of a seated Prince in a flowering garden with a guglet and basin at his knees, within a calligraphy and lacquered border 16.5 cm x 11.5 cm . Together with another Persian miniature watercolour of a Jay perched upon a rustic shrub within a marbled card border 16.5 cm x 10 cmQty: 2Private collection - no written or anecdotal provenance availabe.Condition report: Some staining and discolouration to the 'Prince' watercolour, the other with no apparent marks. Possible sunlight fading to both, with colours perhaps not as bright as they once were.

William James, tätig 1730 – 1780 DAS MARKUSBECKEN ZUM KAI HIN MIT DER KIRCHE SANTA MARIA DELLA SALUTE Öl auf Leinwand. Doubliert. 76 x 127 cm. In vergoldetem Rahmen.Beigegeben eine Expertise von Dario Succi, Goriza, in Kopie vorliegend. Weite Panoramaansicht von Venedig mit Blick in Richtung der Punta della Dogana auf die breite, von zahlreichen Figuren bevölkerte Uferanlage und ankernden Gondeln im schimmernden Wasser. Rechtsseitig die Piazzetta mit der Sankt Theodor Säule, die Bibliothek, die Münzanstalt und die ehemaligen Getreidelager (die Anfang des 19. Jahrhunderts abgerissen wurden, um Platz für die Gärten zu schaffen). Im Hintergrund sind der Fontego della Farina, der Glockenturm der Kirche Santa Maria della Carità, die Basilica della Salute und die Punta della Dogana zu sehen. Die Insel San Giorgio erscheint am linken Rand und ist als eine „skurrile“ Einfügung zu betrachten, da der architektonische Komplex von Palladio von dem gewählten Standpunkt aus nicht sichtbar ist. Figuren- und detailreiche Malerei unter hohem Himmel. Das Gemälde scheint mit einigen Änderungen auf der entsprechenden Radierung von Antonio Visentini (1688-1782) zu beruhen, die als Tafel 12 zum zweiten Teil der 36 Blätter umfassenden Serie „Urbis Venetiarum Prospecuts Celebiores“ gehört, die 1742 von dem venezianischen Verleger Giambattista Pasquali veröffentlicht wurde. Der Stich wiederum ist von dem Gemälde von Canaletto (1697-1768) abgeleitet, das vom Herzog von Leeds gekauft wurde und später in die Sammlung Luigi Albertini in Rom überging und sich heute in der Pinacoteca del Castello Sforzesco in Mailand befindet. Das Gemälde, das auf die Zeit um 1770 datiert werden kann, weist alle Merkmale der Werke von William James auf: Die sichere Perspektive, die genaue Wiedergabe der architektonischen Elemente mit warmen Pigmenten, die an venezianische Vorbilder erinnernden Sprenkel, der graublau-rosa Ton des Himmels, die flüssige Oberfläche mit den typischen Wirbeln, die die wellenförmige Bewegung in der Art von Canaletto wiedergeben. Retuschen. Einen besonders aussagekräftigen stilistischen und chromatischen Vergleich bietet das Gemälde Horse Gaurds Parade from James's Park von William James, das sich im Besitz der Rafael Valls Gallery, London, befindet und 1993 in der bedeutenden Ausstellung „Canaletto & England“ in Birningham ausgestellt wurde.Anmerkung: Eine mit dem hier vorliegenden Gemälde vergleichbare Venedig-Ansicht wurde am 25.01.2008 bei Sotheby´s in London unter der Lot 425 versteigert.Biografische Angeben über den Künstler sind weitgehend unbekannt, er war jedoch zwischen etwa 1755 und 1775 in London tätig. Wie in Edward Edwards' Anedoctes of Painters, das 1808 posthum veröffentlicht wurde, bestätigt wird, war William James ein Assistent oder Schüler von Giovanni Antonio Canal (1697-1768), genannt Canaletto, während des langen Aufenthalts des venezianischen Malers in London, der - abgesehen von einer kurzen Unterbrechung im Jahr 1751 - zehn Jahre lang von 1746 bis 1756 dauerte.  William James war im London des 18. Jahrhunderts ein hochgeschätzter Künstler: Einige seiner Londoner Ansichten wurden zwischen 1767 und 1771 auf der jährlichen Ausstellung der Society of Artists ausgestellt: In der Ausstellung von 1767 wurden zwei Gemälde präsentiert, die das westliche Ende der Westminster Bridge darstellten. (1301544) (18)William James,active 1730 – 1780ST. MARK’S BASIN TOWARDS THE QUAY WITH THE CHURCH OF SANTA MARIA DELLA SALUTE Oil on canvas. Relined.76 x 127cm.Accompanied by a copy of the expert’s report by Dario Succi, Gorizia. Wide panoramic view of Venice towards Punta della Dogana at the broad waterfront populated by numerous figures and gondolas moored in the shimmering water. The painting appears to be based, with some alterations, on the corresponding etching by Antonio Visentini (1688-1782), which is plate 12 of the second part of the 36-sheet series “Urbis Venetiarum Prospecuts Celebiores”, published in 1742 by the Venetian publisher Giambattista Pasquali. The engraving, in turn, is based on a painting by Canaletto (1697-1768), acquired by the Duke of Leeds and later transferred to the Luigi Albertini collection in Rome and now held at the Pinacoteca del Castello Sforzesco in Milan. The painting, which can be dated to ca. 1770, has all the hallmarks of William James’ work.Notes:A veduta of Venice comparable to the present painting was auctioned at Sotheby’s in London on 25 January 2008 under lot 425.

A Mauchline ware box, The Basin, another; Baxter print (3)