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A George V silver three-piece tea service, maker Horace Woodward & Co, Birmingham, 1920, of circular form with ribbed girdle and spot in the form of a mythical beast, includes teapot, sugar basin, milk jug, together with a matched coffee pot by Adie Brothers Ltd, London, 1920, total weight of silver 2190gms, 70.42ozs
Ca. 5th century BC. A bronze bowl with a hemispherical body and a slightly pronounced rim. The bottom of the basin features a central roundel enclosing an image of a winged lion captured in a walking motion. Size: 150mm x 60mm; Weight: 245g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Original vintage ski travel poster for Lionshead in Vail, Colorado, ski resort featuring a great image depicting a birdseye view of five people skiing down a mountain leaving a trail in the clean white snow. Bold stylised yellow lettering appears in a blue banner below. Vail Ski Resort is a ski resort located near the town of Vail in Eagle County, Colorado. At 5,289 acres (8.3 sq mi; 21.4 km2), it is the third-largest single-mountain ski resort in the United States, behind Big Sky and Park City, featuring seven bowls and intermediate gladed terrain in Blue Sky Basin. Excellent condition. Country of issue: USA, designer: Unknown, size (cm): 76x54, year of printing: 1960s.
A Chinese Porcelain Dinner Service, Qianlong, painted in famille rose enamels with ribbon-tied bunches of flowers within underglaze blue, foliate and lattice borders highlighted in gilt, comprising: 2 sauceboats, 21cm long 1 octagonal basin, 37cm wide 2 canted rectangular dishes, 30cm wide 2 soup plates, 22.5cm wide 6 dinner plates, 22.5cm wide 1 trencher salt, 8cm wide (14) Large bowl with a piece re glued to the rimOne sauceboat with a section of loss to the spoutOne plate crackedOne canted rectangular dish with a large piece out of the rimOne soup plate with three large rim chipsFritting, chips and gilt wear throughout
A Chinese two-tier green glazed pottery model of a watch tower, Han Dynasty (202BC- 220AD), standing within a basin with applied frogs and geese, the tiered sections with sloping roofs decorated with archers holding crossbows at the corners, 63cm high, with Oxford Authentication Thermoluminescence analysis certificate C102a51Provenance: From the Collection of a Lady and Gentleman in Buckinghamshire, no. 2.13漢 綠釉望樓拍品來源:英國白金漢郡伉儷私人收藏,編號2.13 Condition Report: in two sections, wear to the glaze commensurate with agechips to extremitiesCondition Report Disclaimer
Matched 20th century four-piece silver tea service, comprising a George V teapot, Sheffield 1912, Fordham & Faukner, 732g gross approx, and an Elizabeth II hot water jug, milk jug and sugar basin, Sheffield, 1965-7, Payne & Son, stamped beneath 'Payne Oxford' as retailer, 1168g gross approx, in all 1900g gross approx (4)
Africa & travel interest. A collection of late 19th and early 20th century works on Africa and India, maj. in publisher's cloth bindings. The lot to comprise 1931 The Nile Basin by H. E. Hurst and P. Phillips being a general description of the Basin, Meteorology, Topography of the White Nile Basin, orig. paper covered boards; 1908 The Man Eaters of Tsavo and other East African Adventures by J. H. Patterson (reprint); 1869 An Inquiry into the Nature and Causes of the Wealth of Nations by Adam Smith LL.D, ed. James E. Thorold Rogers, two vols; 1907 Plagues and Pleasures of Life in Bengal by Lieut-Col. D. D. Cunningham; 1890 In Darkest Africa or the Quiet Rescue and Retreat of Emin Governor of Equatoria by Henry M. Stanley, two vols; 1975 A Short History of South Africa by John Selby in recent quarter calf; and 1949 The Sanusi of Cyrenaica by E. E. Evans Pritchard. Some of the older volumes more worn, with bumping & loss to the head and tails of the spines and bindings a touch loose, maj. with prior ownership inscriptions, bookplates or subscription labels. A good collection of mostly African histories. Largest 4to.
A late Victorian hot water pot, of spirally lobed baluster form, with ebonised handle by Charles Stuart Harris, London 1881, 21.5cm high, a silver bachelor's coffee pot by the same maker, London 1904, 17.5cm high, and a silver sugar basin with reeded border on three ball feet, Sheffield 1884, 25.5oz overall. (3)
A George V silver side handled cafe au lait pot, with ebonised handle and knop, and matching milk jug and sugar basin, by Harrison Bros & Howson, London 1910, pot 14.5cm high, and a collection of further silver comprising a circular dish, a cigarette box, a pair of small bottle coasters with turned wooden bases, a pair of dwarf candlesticks, a berry spoon, two butter knives, a heart shaped sweetmeat dish, a pair of salts, a small twin handled pot and other small items, approx 30oz weighable. (qty)
A Victorian silver and embossed oval sugar basin with gilt-washed interior and two fluted loop handles (by William Charles Fordham and Albert Buckley Faulkner for Fordham and Faulkner, London 1896), a George V silver faceted three-piece cruet (by Mappin & Webb, Birmingham 1929), together with a salt spoon and mustard spoon (by William Neale & Son Ltd) and another open salt (Birmingham 1903), 7.71 oz overall
COLLECTION OF RUSSIAN PORCELAIN, GARDNER MANUFACTORY LATE 19TH CENTURY probably for the Ottoman market, with printed and painted Chinoiserie decoration in the form of cartouche and circular panels depicting vases issuing flowers, all on a burgundy ground, comprising: two bowls, a shallow round charger, two plates and a sugar basin with cover, red printed factory marks, pattern no. 547 (6) the pair of bowls 26cm in diameter
An unusual Chinese European subject blue and white shallow basin, Qianlong period, painted with a man on a rocky outcrop with castle, looking out to a galleon ship at sea, within diaper pattern borders, the broad rim painted with various insects and flower sprays, unglazed base, 42cm diameter, fritting to rim Some fritting and small glaze losses to the rim, some occasional scratches and wear to the glaze, otherwise in good condition, with no restoration, chips or cracks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Extremely Rare Large Carved Ding Fish Bowl, Jin dynasty well potted, with deep gently rounded sides rising from a straight narrow foot ring, and carved around the exterior with two rows of overlapping stiff lotus lappets, the interior finely incised with a fish swimming amidst combed waves, the tactile ivory-white glaze pooling in characteristic 'teardrops' and stopping neatly at the foot ring. ''Ding bowls carved with the auspicious motif of fish swimming in water were popular in the Northern Song dynasty. Examples of this elegant large deep shape are however unusual, and only one related example appears to have been published: a smaller bowl sold in Hong Kong Sotheby's, 24th November 1981, lot 31. See also a bowl carved with fish on the interior and with petals on the exterior, but of conical form, in the National Palace Museum, Taipei, included in the Museum's Special Exhibition of Ting Ware White Porcelain, Taipei, 1987, cat. no. 47.?? ??Compare a similar bowl, in the Percival David Foundation illustrated in The World's Great Collections. Oriental Ceramics, vol. 6, Tokyo, 1982, pl. 13; and a basin in the British Museum published in Oriental Ceramics. The World's Great Ceramics, vol. 5, Tokyo, 1982, pl. 56.; and another with lotus, from the collection of J.H. Oppenheim, now in the British Museum, London, is published ibid., 1981, vol. 5, pl. 57. Fair condition, chips at rim and related hairlines W:34cm, H:17cm
A Magu and Deer Basin, Kangxi/Yongzheng, well decorated in iron red, with strong gilding and rich underglaze blue, with a central medallion of the female Immortal and a deer, within a cloud collar band, within a border at the rim of four blue ground ruyi heads alternating with peonies, good condition, W:27cm.,
A Chinese famille verte basin, Kangxi (1662-1722), the rounded sides rising to a broad flared rim, the centre painted with egrets in a lotus pond, surrounded by peony and prunus in shaped panels, the underside with peony, lotus and magnolia in iron-red,40.3cm diameter清康熙 五彩加金一路连科纹盆Condition ReportRestored.Small chips to foot rim.
LARGE CHINESE DOUCAI 'FOUR IMMORTALS' BASIN QING DYNASTY 清 鬥彩蓬頭四仙圖大缸painted in a continuous scene with craggy hills and pine trees with four Daoist immortals standing in pairs, including Liu Haichan holding a coin while his toad on his shoulder issuing a chain of coins upwards from its mouth, with an immortal carrying a broom behind, reverse with Hehe Erxian twins, one carrying a ruyi sceptre, the other holding a box and cover, separating the pairs is a deer pulling a cart with ‘hundred antiquities’ 38cm diameter Private collection, acquired from a UK antique market (by repute) 私人收藏,購自英國古玩市場(據傳) Please note this lot will be offered with no reserve. 本拍品不設底價
GROUP OF THREE CHINESE PORCELAIN WARES 20TH CENTURY 二十世紀 海雲款 景德鎮底款 青花金魚紋缸、鶴筠款 景德鎮底款 粉彩梅紋盤、王錫良款 淺降彩《黃山始信峰》瓷板(共三件)comprising: a blue and white ‘goldfish’ basin, signed ‘Hai Yun’, the base with a four-character Jingdezhen mark; a ‘prunus’ plate, signed ‘He Jun', the base with a four-character Jingdezhen mark; and a circular plaque painted with Mount Huang Shixin Peak, signed Wang Xiliang and dated 1979AD (3) diameters: basin 25cm; plate 23.5cm; plaque 24cm Please note this lot will be offered with no reserve. 本拍品不設底價
CHINESE PALE CELADON JADE BRUSH WASHER QING DYNASTY, 19TH CENTURY 清 青白玉雕雙龍力士筆洗carved in the form of a large oval basin in the centre, flanked by two dragons supporting on either side, further carved in openwork with a strong man in squatting pose, with his muscular arms holding a large ruyi head, all supported on a large base incised with swirling clouds, the stone of even pale celadon colour 10cm wide
A late Victorian silver four piece tea set of oval, demi-reeded, draped and gadrooned form, the teapot with a swept spout, insulated handle and knop to the hinged lid, a tall hot water pot, a twin handled sugar basin and a milk jug Roberts & Belk Sheffield 1897 (approx. combined gross weight 57 ozs)
A RARE AND LARGE SANCAI-GLAZED MODEL OF A BACTRIAN CAMELTang Dynasty The animal powerfully modelled standing with its tall hair-lined neck reared back, the head raised and mouth open as if bellowing, exposing its teeth and prominent tongue, the straw-glazed body surmounted by a brilliant green, chestnut and straw-glazed saddle flanked by elaborate bags relief-moulded on each side by a large bulging pack modelled as large grimacing monster mask, the thick glaze running down the muscular legs, the camel covered predominantly in amber glaze. 81cm (31 3/4in) high. Footnotes:唐 三彩駱駝Provenance: T.T.Tsui (1941-2010), Hong KongChristie's New York, 20 March 1997, lot 59來源: 徐展堂(1941-2010),香港 紐約佳士得,1997年3月20日,拍品編號59Exhibited: Mandarin Oriental Presidential Suite, Munich, 2006-2008.展覽: 文化東方酒店總統套房,慕尼黑,2006-2008The result of Oxford Authentication Ltd. thermoluminescence test no.C114g27 dated 18 June 2014, is consistent with the dating of this lot.本拍品經牛津熱釋光檢測,編號C114g27(2014年6月18日),結果與其斷代相符The splendid figure of a camel would have been meticulously sculpted and extremely costly to produce at the time. It would have been commissioned for internment in a burial belonging to an elite member of the Tang society and deemed to become alive for the benefit of its owner. Ancestors in China were deemed active participants in the life of their living offspring, which they could positively influence if provided with continuous care. Miniature universes were thus presented in burials and filled with a variety of necessities disguised as painted, carved or moulded images, which were believed to function like their real counterpart if provided with the correct features; see J.Rawson, 'The Power of Images: The Model Universe of The First Emperor and Its Legacy,' Historical Research, 2002, vol.75, no.188, pp.123-54. Forming an analogical relation with daily forms, these figures embodied important social and ideological aspects of their own time.The Bactrian camel was imported into China from the areas of the Tarim Basin, eastern Turkestan and Mongolia. This species was highly regarded by the Tang emperors who established dedicated offices to oversee the Imperial camel herds; see E.Schloss, Ancient Chinese Ceramic Sculpture, Stamford, 1977, vol.2, p.220. The heavy load of pouches, ewers and animal meat, so vividly slung between the two humps of the exquisite camel by means of an elaborate structure composed of hinged slats of wood and poles, recalls the importance of foreign trade in Tang China. Referred to as the ships of the desert, camels endured hot temperatures and were the essential method of transport for merchants wishing to conduct trade with the oasis cities of Central Asia, such as Samarkand, Bukhara and Isfahan, along the trading routes of the Silk Road; see E.R.Krauer, The Camel's Load In Life & Death, Cambridge, 1998, pp.50-120.The animated attitude of this remarkable camel is reminiscent of the running camels vividly depicted on the walls of Crown Prince Zhuanghuai's tomb (d.684), excavated in Qianxian near Xi'an, Shaanxi Province, illustrated in Out of China's Earth: Archaeological Discoveries in People's Republic of China, Beijing, 1981, pl.258.Compare also with a large sancai camel, Tang dynasty, similarly modelled and with a saddle suspending mask-shaped sacks over a pleated cushion, in the Asian Art Museum, San Francisco, illustrated by W.Watson, The Arts of China to AD 900, Yale, 1995, p.231, fig.373. Another sancai camel, Tang dynasty, modelled in a similar posture as the present one, is included in the collection of the British Museum, illustrated in Silk Roads, London, 2024, pp.48-49.Compare with a similar sancai-glazed model of a Bactrian camel, Tang dynasty, which was sold at Bonhams London, 8 November 2018, lot 28.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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