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A Meissen porcelain Eastern style ewer and basin, 19th century. Painted with 18th-century figures in romantic landscapes. The basin with applied summer blooms. Bearing cross sword device to the bases. The ewer: 25 cm high x 26 cm wide x The basin 36 cm diameter.Condition report: Restoration to both ewer and basinNo cover for ewer
A Masons Ironstone Basin decorated with flowers and foliage, another Japanese craquelure basin with painted decoration of a crane and scrolling foliage, a similar oriental rose bowl decorated with figures amongst foliage, another blue and white painted bowl Condition Report: Not available for this lot
Seldschukisches Bronzebecken (Lagan), Persien, 12./13. Jhdt. Getriebener Korpus mit verstärktem Rand. An der innenseitigen Kante umlaufend gravierte Kufi-Inschrift. Im Boden sternförmige Gravur mit Fabelwesen im Zentrum. Intakt mit Resten grüngrauer Versinterung. Durchmesser 41,5 cm.Zustand: II -A Seljuk-Persian bronze basin (Lagan), 12th/13th century Getriebener Korpus mit verstärktem Rand. An der innenseitigen Kante umlaufend gravierte Kufi-Inschrift. Im Boden sternförmige Gravur mit Fabelwesen im Zentrum. Intakt mit Resten grüngrauer Versinterung. Durchmesser 41,5 cm.Condition: II -
Faltbares Dreifußgestell mit großem Becken nach griechischem Vorbild, um 1800 Bronze. Zusammenklappbares Dreifuß-Gestell. Die Beine mit Tatzenfüßen und als Knospen gestalteten oberen Abschlüssen. Höhe 74 cm. Halbrundes Becken mit abgesetztem profilierten Rand mit ionischem Kymation. Durchmesser 40,5 cm. Schöne grüne Alterspatina. Dazu als Einsatz eine einfache Blechschüssel. Zustand: IIA folding bronze tripod stand with large bowl, circa 1800 Legs with paws and upper finishes designed as buds. Height 74 cm. Semi-circular basin with an offset profiled rim with ionic cymation. Diameter 40.5 cm. Beautiful green age patina. A simple tin bowl as an insert. Condition: II
A Copeland Spode Camilla pattern blue and white wash set comprising large jug and wash basin, soap dish and toothbrush holder, jug 29cms high, bowl 43cms diam. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
*Colin Kellam [b.1942] a large stoneware basin and comport: the former of circular form and set on six swept feet, loosely painted in blues and greens with flowers and foliage within a narrow band, reserved on an oatmeal ground, the comport of circular form set on an octagonally facet stem, loosely painted in blue green and red with flowers on an oatmeal ground, the latter with impressed personal seal, 39 and 28cm diameter.
‡ Richard Batterham (born 1936) a small stoneware footed bowl, covered to the foot with a celadon glaze, a Robert and Sheila Fournier stoneware coffee set comprising milk-jug and sugar basin, seven cans and eight saucers, a covered pot and three large tea cups, and a Winchcombe Pottery coffee set covered in a speckled oatmeal glaze by Ray Finch, a Kate Byrne jug, and a jug and three cups painted with a geometric design, Batterham bowl, unsigned, others various seal marks, 11cm. high, 17cm diam. (a lot)
'Crocus' a Clarice Cliff Bizarre large Cauldron, painted in colours between yellow and brown bands, a Crocus candlestick, a Bon Jour preserve and cover, coffee can and saucer, two sandwich plates and a Windsor sugar basin, printed factory marks, 11.5cm. high (cauldron), (9) Provenance The Collection of Stephen and Marjorie Page
'Gay Day' a Clarice Cliff Bizarre part tea service, painted in colours, comprising; Globe teapot, teapot stand, tall water jug, cake plate with electroplated mount, milk-jug and sugar basin, five, cups, saucers and a side plate and a sandwich plate, printed factory marks, minor damages, (22) Provenance The Collection of Stephen and Marjorie Page
'Secrets' a Clarice Cliff Conical tea trio, comprising cup, saucers and side plate, painted in colours, a Clarice Cliff 'Secrets' Daffodil jug, and a Clarice Cliff 'Secrets' basin, various printed marks, small chip to rim of saucer, light star crack to side plate, jug professionally restored, 18cm. diam. (4) Provenance The Collection of Stephen and Marjorie Page
'Canterbury Bells' a Clarice Cliff Bizarre Stamford Tea set, painted in colours, comprising Stamford teapot and cover, milk-jug and sugar basin, printed and painted marks, minor professional restoration to spout of milk-jug 12cm. high (teapot), (4) Provenance The Collection of Stephen and Marjorie Page
'Umbrellas and Rain' a Clarice Cliff Fantasque Bizarre wash set, painted in colours, comprising; single-handled Tolphin jug, wash basin, beaker, soap dish and cover, banded basin, printed factory marks, beaker restored, 24.5cm. high (Tolphin), 36.5cm. diam. (wash basin), (6) Provenance The Collection of Stephen and Marjorie Page
A Crown Devon vase, pattern M.199, the footed vase printed and painted with flowers and foliage in colours and gilt on a mottled cream ground, a Crown Devon Mattajafde milk-jug and sugar basin, a pair of Myott coffee cans and saucers and a collection of Crown Devon, Carlton Ware and Art Deco ceramics, printed and painted marks, 19.5cm. high (a lot) Provenance The Michael Burningham Collection.
'Spider's Web' a Carlton Ware coffee set for six, comprising coffee pot and cover, milk-jug, sugar basin and cover, six cups and saucers, printed and painted in colours and gilt on a pale pink ground, and a Carlton Ware Rouge Royale 'Spider's Web' coffee set for six, with additional twin-handled dish printed factory marks, 20cm. high (a lot) Provenance The Michael Burningham Collection.
'Primavera' a Midwinter Pottery Stylecraft part service designed by Jessie Tait, originally designed in 1954, painted with flower sprays in colours, comprising two tureens and covers, two graduated platters, a large coffee pot and cover, two smaller pots and covers, milk-jug and sugar basin, six cups, saucers and side plate and six dinner plates, three various bowls, a rectangular dish and a cruet set and a collection of Red Domino, Zambisi and other Midwinter Pottery, printed factory marks, 20.5cm. high (coffee pot), (a lot) Literature Steven Jenkins Midwinter Pottery, a Revolution in British Tableware, Richard Dennis Publications, page 43 for comparable Primavera pieces illustrated.
A William H Haseler silver three piece tea set designed by Archibald Knox for Liberty & Co, model no.5342, comprising teapot and cover, milk-jug and twin-handled sugar basin, Japoniste form, the teapot low compressed body with slender spout and sinuous strap handle, stamped marks, WHH to teapot Birmingham 1905, milk and sugar Liberty & Co Birmingham 1906, 13cm. high, 15.5ozt, (4)
A fine silver four piece tea set by Christopher Lawrence, streamlined form with textured surface, comprising tea pot and cover, a tall hot-water pot and hinged cover, sugar basin and milk jug, the teapot and hot-water pot with wood cover handles, stamped marks CL London 1971, 24cm. high (hot-water pot), 89.8ozt, (4)
Quantity of decorative china and glass to include a Victorian Staffordshire pottery figure Of a man wrestling a lion, Victorian Bretby jardiniere on stand, Royal Doulton wash jug and basin, various antique and later china and glassCondition report: Staffordshire figure- lion has paw missing. Jardiniere- cracked from rim down through the bowl. Stand- appears to be in good condition.Wash jug and bowl - gilding is worn but otherwise good.Victoria cup and saucer- handle restored and cup is cracked all over. Saucer is good.
Later 3rd century AD. An articulated folding tripod stand with extendable iron trellis legs, forming the support structure for a military camp table or cauldron; the upper end of each leg ornamented with a bronze female bust (Mater Castrorum or Medusa) facing outwards with long hair collected in a high propoloma, divided on the forehead and forming two lateral horns on a rectangular-section hollow mount, L-shaped bracket to the rear to support the table-top; the legs of the tripod, decorated on the external side with inlaid gilt foliage and spirals, terminating in feline paws; at the lower end of each leg, a rectangular-section collar, the bronze foot formed as a lion's head with socket above and claw beneath; the scissor-joint of each leg covered with a domed discoid bronze plate with concentric ring detail; a small hook to the sliding mechanism on one leg; offered with a glass top allowing for use as an occasional table.See Mattusch, C.C., Enduring Bronze: Ancient Art, Modern Views, Los Angeles, 2014, pp.72-73, fig.52a-b, inv. no.96.AC.203, for a similar tripod decorated with horses in the Paul Getty Museum; Wamser, L., Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, fig.355, for a 6th-7th century AD Roman example.4.5 kg, 93cm (36 1/2"). From an important East Anglian arms and armour collection; acquired from a Dutch private collection in the 1990s; previously in a Swiss family collection since before 1980; accompanied by an archaeological report by military specialist Dr. Raffaele D’Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10679-175129.Folding tripod stands are well known in the ancient world, in both Greek and Roman contexts. These folding supports for tables, bracers and cauldrons are known finds from important excavations in the Roman world, like Pompeii. The purpose of such folding stands varied; during a meal they were placed between the triclinary beds with bowls and application plates hung to the hooks at the back of the holders, here shaped as heads of a Mater Castrorum, pointing to a campaign use. A tripod with an intact bronze basin is on display at the Firenze Archaeological Museum. Some were used as supports for campaign tables during military activities, with a circular board inserted onto the pegs to lock the legs into place. Depending on their size, the width of the table frame could be changed. Roman folding tripods could also have been used in religious rituals and sacrifices. Burnt offerings and libations were offered to the gods in cauldrons that would have been attached to the hooks behind the heads on the upper section. They were also used for fire lights during military camps, or in the temples of the gods. Others were used as support frames for bronze bowls, either for washing or for ritual purposes; others formed the base for travelling altars, again often used by the military whilst on campaign. Their use continued in the Roman world at least until the 7th century AD. Fine condition, some restoration. Excessively rare.
A collection of late 19th century and later ceramics including a smear glazed relief moulded jug with bacchanalian figures 25 cm tall, a French charger with printed and painted decoration of children foraging, signature Touze? printed mark to reverse, 33 cm diameter approximately, a jug and basin set with pink printed rose detail, etc (collection)
A FRENCH SILVER WATER EWER AND BASIN, by Désiré Thorel, Paris, c.1890, the ewer of baluster form, raised on a stepped circular foot, the S-scroll handle capped with acanthus, the basin of plain circular form, 950 standard, each with marks. Ewer 27.5cm high, 35.5 troy ounces grossThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Each piece fully signed. Small dint to body of ewer. A few small bruises and dints to the bowl. In generally good condition commensurate with age.
Y A Japanese Ivory Okimono of a walking bijin holding a single flower and a double-gourd, she stands on an oval base 13.8cms, Meiji Period; An Ivory Netsuke of a bijin kneeling beside a basin as she tidies her hair, signed Naomasa, Meiji Period; A Chinese Ivory Figure of a girl holding a flower basket, height 12.9cms; with wood stand and six other Ivory CarvingsProvenance: From the collection of Sir David and Lady Scholey.Condition Report: Numerous damages, losses and repairsCondition Report Disclaimer
POLLOCK SINCLAIR NISBET ARSA RSW (SCOTTISH 1848 -1922), LANDSCAPE WITH ROCKY RIVER oil on board, signed 24cm x 16cm Framed and under glass. Note: Pollock Nisbet's commercial success funded extensive travel to Italy, Spain, Morocco and Algeria and he worked in Venice in 1873 and again in the early 1880's, However, his most sought-after paintings are the series he completed between 1882 and 1884 of scenes around his home city of Edinburgh. These include Canal Basin, Edinburgh lot 1135A Bonhams 22/08/07 £6600, Busy View, Royal Mile lot 86 Lyon & Turnbull 28/11/07 £5200 and The Cowgate lot 103 Sotheby's 15/04/97 £4100

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23406 item(s)/page