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Lot 2159
4 Puttenfiguren. Weiß mit Goldstaffage, 1x mit unterglasurblauer Staffage. H 7,5-8 cm. 1x E. & A. Müller, um 1900: sitzendes Puttenpaar mit Vogelnest. / 3x Metzler & Ortloff, ab 1935: Putto mit Becken, Putto mit Panflöte und Putto mit Weintrauben. 4 putti figures. White with gold staffage, 1x with underglaze blue staffage. H 7,5-8 cm. 1x E. & A. Müller, c. 1900: sitting pair of putti with bird's nest. / 3x Metzler & Ortloff, from 1935: putto with basin, putto with pan flute and putto with grapes. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1050
Barocker Weihwasserbehälter. Ungemarkt. Wohl 18. Jh. Metall, vergoldet. 19 x 13 x 4 cm. Vergoldetes Weihwasserbecken mit reichen Rocaillenreliefs und Scharnierdeckel. Kleine Bruchstellen im Material. Baroque holy water container. Unmarket. Probably 18th century Metal, gilded. 19 x 13 x 4 cm. Gilded holy water basin with rich rocaille reliefs and hinged lid. Small breaks in the material. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1122
Silberner Weihwasserbehälter. Ungemarkt, mit Tremolierstich. 2. Hälfte 19. Jahrhundert. Silber, geprüft. 17,5 x 10 cm. 99 g. Kleines, reich reliefiertes Weihwasserbecken mit Scharnierdeckel. Leichte Altersspuren. Silver holy water container. Unmarket, with tremolo stitch. 2nd half 19th century. Silver, checked. 17,5 x 10 cm. 99 g. Small, richly reliefed holy water basin with hinged lid. Slight signs of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 119
Following 16th century Hispano-Flemish models. 19th century Spanish school."Maternity".Oil on canvas. Sealed board.It shows general deterioration. It needs restoration.Measurements: 95,5 x 57 cm, 106 x 65 cm (frame).It is necessary to emphasize the key features in the Flemish school, both in the 15th century and in the 16th century: the high level of detail, the taste for the anecdotic and the meticulous capture of the secondary elements, features that derive from the eagerness of reality typical of this school. Thus we see a jug and a basin in the upper left corner which, on its own, could almost constitute an independent painting, such is the quality and attention with which it is worked. The details of the architecture are also meticulously studied, and the clothes of the figures have been worked with great delicacy and attention to detail. During the 15th century, the Dutch realist style had a strong influence abroad, especially in Italy, but in the 16th century the situation was reversed. The Italian Renaissance spread throughout Europe, and Antwerp became the centre of the Flemish school, supplanting Bruges and acting as a centre for the penetration of Italian influences. Thus, Mannerist influences arrive in the Netherlands, superimposed on the 15th-century style.
Lot 589
A Royal Worcester barrel shaped jug, painted by W. Powell, with a bullfinch, 8cm high, printed mark in green; another, painted by J. Stanley, 6.25cm high, printed mark in green, date code for 1922; a conforming barrel shaped basin, painted by W. Powell, with Goldfinch, 10cm diam, printed mark, date code for 1922 (3)
Lot 260
A Victorian silver four piece baluster tea and coffee service, comprising teapot, coffee pot, milk jug and sugar basin, embossed with wrythen fluting and scrolls, scroll-capped handles, the tea and coffee pots with ebonised fittings, the latter 28cm high, Harrison Brothers & Howson, Sheffield 1900, 1844g
Lot 64
A mixed lot of silver items, various makers and dates, comprising: three various sauce boats, with scroll handles, one with a beaded border, a two-handled bowl, by William Hutton & Sons Ltd, Sheffield 1919, plain circular form, a small sugar basin and cream jug, by Thomas Bradbury & Sons Ltd, London 1912, octagonal form, on a raised circular foot, scroll handle, plus two small mugs, one with a presentation inscription to 'Patricia Mary Catherine Riddell from Colwell W.I.', approx. weight 29oz. (8)
Lot 12
RARE FIBULE EN BRONZE DORÉDynastie des Han orientaux, datée de l'an 76 ap. J.-C et d'époqueA RARE GILT-BRONZE DOCUMENTARY BELT-HOOKEastern Han Dynasty, dated 76 AD and of the periodThe arched shaft shaped as the sinuous body of a dragon, finely inlaid in gold with swirling clouds and waves, the hook formed by a small dragon head with large snout and bulging eyes, the reverse inscribed in gold with a calligraphic inscription and set with a circular button decorated with geometric designs. 14cm (5 1/2in) long.Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired prior to 1935Jean-Pierre Rousset, Paris (1936-2021) Belt hooks with dated inscriptions, such as the present lot, are extremely rare. The inscription on the reverse of the belt hook dates the piece to the Fifth Month of the First Year of Jianchu, corresponding to 76 AD.Only approximately 50 years before this belt hook was made, the Han dynasty re-established itself after Wang Mang's short-lived Xin dynasty ended in 23 AD. The Han dynasty in this period, known to historians as the later Han dynasty or the Eastern Han dynasty (because the capital had been moved from Chang'an in the west to Luoyang in the east) was still in a relatively vulnerable position. During Wang Mang's reign, the Xin dynasty lost control over the Tarim Basin in the west. A year before the present lot was made, the new Protector General of the Western Regions Chen Mu was killed by allies of the Xiongnu, and the garrison at Hami retreated. It was not until 91 AD, that the famous general and historian Ban Chao reasserted Han control of the Western Regions after crushing rebellions in Kashgar (80 AD) and Yarkand (88 AD). Just twenty years after the present lot was made, in 97 AD, Ban Chao was able to send Gan Ying as an envoy, who reached the Black Sea and left the first recorded Chinese account of Europe.東漢 公元七六年 鎏金銅龍首帶鉤來源：巴黎Robert Rousset（1901-1981）舊藏，於1935年前入藏巴黎Jean-Pierre Rousset（1936-2021）舊藏建初元年五月五日丙午造辟兵保身鉤For further information on this lot please visit Bonhams.com
Lot 83
TÊTE DE BOUDDHA EN ALLIAGE DE CUIVREThaïlande, École de Sukhothaï, Kamphèng Phet, XIVe siècleA COPPER ALLOY HEAD OF BUDDHAThailand, Sukhothai school, Kamphèng Phet, 14th centuryCast with a sublime meditative expression with heavy lidded eyes. His elongated face with a prominent long curled nose sinuous eyebrows, coiffure of thick curls, and distended earlobes, stand. 43cm (17in) high. (2).Footnotes:Provenance:Mr. Pila, Plenipotentiary Minister of France to the Kingdom of SiamRobert Rousset, Paris (1901-1981), acquired from the above on 5 July 1925Jean-Pierre Rousset, Paris (1936-2021)This large and imposing head of Buddha is rendered in the Kamphaeng Phet style, which echoes that of neighbouring Sukhothai, but with subtle differences, such as sharper overall facial features and eyebrows that form a continuous line above the bridge of the nose. In this example, superior quality is evinced in the meticulous execution of the curving lines of the barely-parted eyelids and thin but fleshy lips. It compares favourably to another example sold at Bonhams New York, 14 March 2016, lot 80. Also see another published in S.Lopetcharat, Thailand, A History in Buddha Image, vol.1, Bangkok, 2006, p.364.Literally meaning, 'diamond wall', Kamphaeng Phet was a walled city of pivotal economic and military importance. Founded by the Sukhothai King Li Thai (c.1346-1374) in the mid-14th century, it was ideally situated for river trade with Southern Burma, the Lan Na kingdom, and the Chao Phraya basin of Central Thailand. Later absorbed into the Ayutthaya Kingdom it served as a crucial fortress and strategic buffer in stymieing Burmese advances on the Ayutthayan capital during the Burmese-Siamese wars (16th-19th centuries). For further examples see J.Boisselier, Sculpture of Thailand, 1974, p.31, no.12. Also compare with a Buddha from Wat Phra That in the Kamphaeng Phet National Museum (D.F.Rooney, Ancient Sukhothai: Thailand's cultural heritage, Bangkok, 2008, p.211; and another head, ibid, p.51).Cette grande et imposante tête de Bouddha est exécutée dans le style de Kamphaeng Phet, qui fait écho à celui de la ville voisine de Sukhothai, mais avec des différences subtiles, comme des traits du visage plus nets et des sourcils qui forment une ligne continue au-dessus de l'arête du nez. Dans cet exemple, la qualité supérieure se manifeste dans l'exécution méticuleuse des lignes courbes des paupières à peine entaillées et des lèvres fines mais charnues. Il peut être comparé favorablement à un autre exemple vendu chez Bonhams New York, 14 mars 2016, lot 80. Voir également une autre pièce publiée dans S.Lopetcharat, Thailand, A History in Buddha Image, vol.1, Bangkok, 2006, p.364.Kamphaeng Phet, qui signifie littéralement « mur de diamant », était une ville fortifiée d'une importance économique et militaire capitale. Fondée par le roi de Sukhothai Li Thai (vers 1346-74) au milieu du XIVe siècle, elle était idéalement située pour le commerce fluvial avec le sud de la Birmanie, le royaume de Lan Na et le bassin du Chao Phraya en Thaïlande centrale. Prise plus tard par le royaume d'Ayutthaya, elle a servi de forteresse et de zone tampon stratégique pour contrecarrer les avancées birmanes sur la capitale ayutthayenne pendant les guerres birmanes et siamoises (XVIe-XIXe siècles).Pour d'autres exemples, voir J. Boisselier, Sculpture de Thaïlande, 1974, p. 31, n° 12. Comparée également avec un bouddha du Wat Phra That du Musée national de Kamphaeng Phet (D.F.Rooney, Ancient Sukhothai : Thailand's cultural heritage, Bangkok, 2008, p.211 ; et une autre tête, ibid, p.51).泰國 泰可泰學派 甘烹碧 十四世紀 銅佛首來源：巴黎Robert Rousset（1901-1981）舊藏，於1925年7月5日得自法國駐暹羅全權公使Pila先生巴黎Jean-Pierre Rousset（1936-2021）舊藏此尊宏大而有氣勢的佛首呈現甘烹碧風格，與鄰近的素可泰風格相呼應，卻略有差異，如整體面部特徵更為清晰，眉毛接鼻樑連成一線。從微閉微張的眼瞼及薄而豐盈的唇部可見此例工藝上乘、一絲不苟。比較一例售於紐約邦瀚斯，2016年3月14日，編號80，此尊毫不遜色 。另見一例，載於S.Lopetcharat，《Thailand, A History in Buddha Image》，卷1，曼谷，2006年，頁364。 甘烹碧泰文原意為「如鑽石般的城牆」，甘烹碧曾是具備關鍵的經濟與軍事重要性之圍城。於十四世紀中葉由素可泰國王李泰（約1346至1374年）建立，地處與緬甸南部、蘭納王國及泰國中部湄南河盆地作河上貿易的理想地理位置。隨後被大城府吞併，在暹緬戰爭期間（16至19世紀），淪爲抵抗緬甸軍進攻大城府首都的軍事要塞及戰略緩衝區。 見一例載於J.Boisselier，《Sculpture of Thailand》，1974年，頁31，編號12 。另比較一例甘烹碧國家博物館藏玉佛寺佛像，載於D.F.Rooney，《Ancient Sukhothai: Thailand's cultural heritage》，曼谷，2008年，頁211；及另一例載於同一書，頁51。For further information on this lot please visit Bonhams.com
Lot 1436
A Royal Doulton limited edition Rupert figure The Imp of Spring, No. 1108 of 2500, boxed with certificate, a Royal Doulton Pretty Ladies Chic Trends figure Courtney, HN4762, boxed, three Coalport figures, a Royal Doulton limited edition Mickey Mouse figure, boxed with certificate, a Wedgwood desk timepiece, boxed, and a Royal Albert Old Country Roses jug and basin, boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1156
A collection of 19th Century ceramics to include: Spode Imari pattern 2701 sugar basin and cover; a Stephenson & Hancock Derby Imari bachelor's teapot and cover; a pair Derby rose & Japan posy vases, one with gilt cover, red marks together with Spode pattern no: 2635 serving dishes and further teaware (1 box - Q)
Lot 233
'Crocus' a Clarice Cliff Bizarre Tankard coffee set for six, dated 1929, painted in colours between yellow and brown bands, comprising, coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed factory marks, coffee pot professionally restored, chip out of one saucer, 19cm. high (coffee pot), (16)
Lot 370
'Festival' a Midwinter Fashion Shape part tea set designed by Jessie Tait, painted with atomic design in colours, comprising milk-jug and sugar basin, cake plate, six cups, saucers and five side plates, and a Bristol tureen and cover printed factory marks, 24.5cm wide, (22) Provenance The Douglas Johnson collection.
Lot 174
A Susie Cooper Studio Ware jug, pattern M.72, ovoid form, painted with stylised orchid flowers in pastel colours on a cream ground, and a Susie Cooper tea set for two, printed with stars in rust, highlighted in gilt, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed and painted factory marks, 17.5cm. high (10)
Lot 189
A Wedgwood Pottery Persephone part coffee service designed by Eric Ravilious, printed in black and green with harvest vignette, comprising, coffee pot and cover, sugar basin, five cans and six saucers, four side plates and two sets of Wedgwood Persephone milk-jugs and sugar basin printed in black, printed factory marks, 18cm. high, (22)
Lot 203
A Foley Embroidery tea trio designed by Dod Procter, V.629, painted with panels of pink daisy flowers, comprising tea cup, saucer and side plate, a Foley tea cup, saucer and sugar basin by Ernest Procter, and a Foley Convolvulus part service designed by Milner Gray, printed factory marks, minor damages, 23cm diam (large plate) (17) Literature Age of Jazz British Art Deco Design, National Museum of Liverpool, page 86 cat. no. 80 for a side plate in this design illustrated.
Lot 204
A Foley White Rose tea set for one designed by Graham Sutherland for the 1934 Modern Art for the Table exhibition, printed with a rose in black on a green ground, comprising large teapot and cover, milk-jug and sugar basin, one cup, saucer and side plate, printed factory mark, hairline to teapot base and milk-jug handle, 14cm. high (7) Literature Graham Sutherland, Tate Gallery Exhibition catalogue, 1982, page 66 cat. no.27 for the original design, and page 67 cat. no.28 for a part tea set illustrated.
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23407 item(s)/page