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Lot 1493
Collection of 92 Vinyl LP's to include, Queen, Elton John, Rolling Stones, Duran Duran, Frankie Goes to Hollywood, Johnny Cash, The Police, Blondie, Duran Duran, Beach Boys, ABBA, Leo Sayer, The Beatles, Phil Collins, Neil Diamond, UB40, Adam and the Ants, Roxy Music, Carpenters and Simon and Garfunkel.
Lot 190
Iain MacMillan (British, 1938-2006): A transparency of The Beatles on 'Abbey Road',depicting the Beatles walking in the opposite way to how they are on the famous 'Abbey Road' album cover released in 1969, now framed and glazed in a modern frame with a backlight to display the transparency, 8in x 10in (20cm x 25cm)Footnotes:Provenance:Gifted by Iain Macmillan to the vendor in 1993 when they were working as a photo editor for Saatchi & Saatchi and assisted Iain on editing the imagery for the 'Paul Is Live' album cover shoot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 186
Iain MacMillan (British, 1938-2006): The Beatles, 'Abbey Road',1969,no.5/25, chromogenic print on archival paper, this being the third frame in the sequence of six photographs taken by Iain Macmillan for the Abbey Road session with the Beatles, signed and numbered by the photographer in white metallic ink to the lower margin, unframed, 20in x 24in (51cm x 61cm)Footnotes:Provenance:Offered directly by the Iain Macmillan archive.Please see footnote to previous lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 177
The Beatles: An Autograph Album,1960s,comprising two clipped, detached pages signed in blue ballpoint by George Harrison, Paul McCartney and John Lennon and Ringo Starr respectively, other autographs including Billy Fury, John Leyton, Cliff Richard, Hank D. Marvin, Bruce Welch, Heinz and The Tornados, 4in x 4 3/4in (10.2cm x 12cm)Footnotes:Provenance:The vendor obtained the Beatles' autographs when they appeared at the City Hall, Salisbury on Saturday 15th June 1963.For further information on this lot please visit Bonhams.com
Lot 176
Peter Brüchmann (German, b.1920): John Lennon at the Top-Ten Club, Hamburg,1961, printed later,the silver gelatin black and white print famously depicting John Lennon playing his guitar and singing into a microphone, with George Harrison and Stuart Sutcliffe (in the background) at the Top-Ten Club during The Beatles' second Hamburg residency, signed by the photographer in black ink to the lower margin, 12in x 16in (31cm x 41cm)Footnotes:Provenance:From the collection of musician, lyricist, composer, producer, author and photographic archive manager, Ulf Kruger.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 187
Iain Macmillan (British, 1938–2006): An unpublished print for Paul Is Live signed and inscribed from Paul and Linda McCartney to Iain Macmillan,circa 1993,digital print on board, depicting Paul McCartney crossing the famous Abbey Road crossing with an Old English sheepdog, taken for McCartney's solo album Paul Is Live released in 1993 during his New World Tour in support of the album Off the Ground, image subsequently unused, signed and inscribed by Paul and Linda in black inks with an additional hand-drawn smiley face to an area on the mount, framed and glazed, 15 3/4in x 16 1/2in (40cm x 42cm)Footnotes:McCartney's album's title was a response to the 'Paul is dead' rumours after the 1969 release of the Beatles' last studio album, 'Abbey Road'. This unpubished image features the 1990's backdrop, rather than the released image which features the original 1960's Abbey Road backdrop.Provenance:Offered directly by the Iain Macmillan archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 188
IAIN MACMILLAN (BRITISH, 1938–2006): A PAUL IS LIVE PRINT SIGNED and inscribed FROM PAUL AND LINDA MCCARTNEY TO IAIN MACMILLAN,circa 1993,digital print on board, depicting Paul McCartney crossing the famous Abbey Road crossing with an Old English sheepdog, used for McCartney's solo album Paul Is Live released in 1993 during his New World Tour in support of the album Off the Ground, complete with the 1960's backdrop of Abbey Road, signed and inscribed by Paul and Linda To IAIN, with thanks and love in black inks, with an additional hand-drawn heart to an area on the mount, framed and glazed, 15 3/4in x 16 1/2in (40cm x 42cm)Footnotes:McCartney's album's title was a response to the 'Paul is dead' rumours after the 1969 release of the Beatles' last studio album, Abbey Road. This image is the image that was used for the cover.Provenance:Offered directly by the Iain Macmillan archive.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 183
The Beatles: A Rare Concept Drawing By Heinz Edelmann For The Film Yellow Submarine,1967,pencil with some red ink, depicting several 'Pepperland' inhabitants and monsters, 11 1/2in x 16in (29.2cm x 40.6cm), unframedFootnotes:Provenance:Chief designer and art director Heinz Edelmann (1934-2009) created many of the central characters and the overall style of the film, released in 1968. According to Dr. Robert R. Hieronimus, Edelmann was ...much more than just the designer. His contributions shaped the plot and direction as well. He was absolutely the key to the success of the project. (From 'Inside The Yellow Submarine: The Making of The Beatles' Animated Classic', Krause Publications, 2002).Dick Sawyers (Sawers) is listed in the credits of the feature-length animation as designer, together with Jon Cramer. He and Cramer met Heinz Edelmann at the 'SheeKeys' restaurant (established in London in the 1890s) for an extended lunch to discuss the design and look of the film. It was at this meeting that Heniz created this pencil and ink drawing and gave it to Dick to serve as a style guide for some of the many subsidiary characters that were to appear alongside The Beatles and Blue Meanies. It took the work of many animators and illustrators - about 200 in all - to complete this ground-breaking task within the eleven-month schedule and it was from Edelmann's concepts that they took inspiration.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 182
The Beatles: A Group Of Unusual Richard Avedon Posters,1967,versions of the First Edition posters as available via The Daily Express, comprising a colour separation/proof of George Harrison, lacking text, and four varying composite images of George Harrison and Ringo Starr, two with text, two with overprinted text, 19 1/2in x 28in (49.5 x 71cm), (5)Footnotes:It is not known if these were print experiments or simply misprints. However the composite images of George and Ringo are interesting and possibly unique twists on the familiar posters.For further information on this lot please visit Bonhams.com
Lot 184
George Harrison: A Rare Bartell Fretless Electric Guitar owned by George Harrison,believed made circa 1967,serial no. A132, an unconventional guitar manufactured by Bartell of California, presented to George Harrison in August 1967 whilst he was renting a house on Blue Jay Way, Los Angeles; the contoured maple hollow body with twin cutaways in three-tone sunburst finish, with two f-holes, two single coil pickups with four Daka-ware rotary volume/tone controls, selector switch, four-ply laminated scratchplate, compensator bridge and rectangular tailpiece, maple neck with rosewood cap and phenolic fingerboard with painted line markers, celluloid truss rod cover, 'Bartell of California' decal to the headstock, Kluson Deluxe machineheads, in padded gig bag; accompanied by a photograph of George Harrison with his guitar collection at Friar Park, circa 1974, this guitar clearly visible at his left elbow, and statements from the vendor and associates regarding the gifting of the guitar in the 1980s, accompanied by a letter of provenance, CITES licence no.593367/01, 40.5in (103cm) longFootnotes:Provenance:Given by George Harrison to session guitarist Ray Russell when working on the music for the Handmade Films production, Water, in 1984. Offered with the letters of provenance is a 1985 vinyl pressing of the album The Golden Beatles, which includes the recording of an interview with the Beatles by DJ Kenny Everett, with producer Tony Olivestone operating the tape machine. The interview was conducted at Abbey Road Studios on Thursday 6th June 1968 during a long recording session for the White Album and broadcast on BBC Radio One on 9th June in The Kenny Everett Show. An edited version of the interview was committed to vinyl at the time as an Apple promo disc, but released only in Italy, as 'Una Sensazionale Intervista Dei Beatles'. A detailed description of the full interview is included in That Magic Feeling: The Beatles' Recorded Legacy 1966-1970 (John C. Winn, Random House USA Inc., 2009). The interview is also available on YouTube. www.youtube.com/watch?v=4DuRSC2eIpsEverett's interview was typically unstructured and chaotic, with John being heard messing about on a guitar. Everett asks: 'What kind of guitar's that, it's fairly strange-looking...?' to which John replies 'A fretless guitar'. Although there is, to date, no other documentary or photographic evidence of the Beatles using a fretless electric guitar, which at that time would have been an extremely rare instrument indeed, it is unlikely that it was anything other than the guitar offered here.It is not known whether the fretless found its way onto any Beatles recordings, but there is some interesting academic thought on this subject. For example, in February 2020, Kenny Jenkins, Senior Lecturer in Music Performance and Production at Leeds Beckett University, stated to the vendor that he believed this fretless was used on the White Album tracks Helter Skelter and Happiness Is A Warm Gun: 'Having spent a fair amount of time playing a fretless guitar, I can definitely say that's what is being used on both these tracks. I've been listening to this record for over 40 years and I'd never noticed it before, but once I'm listening out for it, it's an unmistakable sound. It's particularly effective on Happiness Is A Warm Gun where it's drenched in fuzz, probably a Dallas Fuzz Face pedal. There weren't many fretless guitars in the world in 1968, so it seems obvious that it's your Bartell'.In addition, the opinion was sought of Dr. Richard Perks, Lecturer in Music Performance, University of Kent, and one of Europe's leading exponents of the fretless electric guitar. In 2019 he was awarded a research grant to explore the fretless guitar scene of West-Asia and latest academic publications have addressed modern-day electric guitar performance. He stated that: 'I can say with some degree of certainty that a fretless electric guitar was used during the recording of The Beatles (White Album). On the track Happiness is a Warm Gun, the characteristic timbre of a fretless guitar is unmistakable; I am also convinced it features at various points throughout Helter Skelter. Furthermore, there is sufficient evidence to suggest the use of a fretless guitar on Savoy Truffle. In each case, the fretless guitar parts exhibit a 'full' tone, which directly supports the view that the Bartell model – a hollow-body – was used.'A Facebook post in 2019 gave details by Mark Moffatt, a former employee of Top Gear Musical Instruments in Denmark Street, London, that in 1973, Apple sent a number of George Harrison's guitars to the shop for servicing. Moffatt recalls: 'It was thrilling opening cases to find legendary guitars like Rocky, the Ric 12, Epiphone Casino, Dobro lap steel and others but the mystery was the oddball Bartell fretless guitar that was among them'. A year or so later, photographer Brian Aris captured these guitars amongst many others which surrounded George at home in Friar Park, with the Bartell at the back, but clearly visible below his left elbow.George, being interested in all things guitar, most likely kept the Bartell as something of a curio/novelty, even though it may have proved tricky to play. All in all, this guitar comes with an intriguing history and is a welcome addition to the list of instruments known to have been owned by George Harrison in the 1960s and beyond.With thanks to Paul Brett and Tony Bacon for their assistance and research, and to guitar technician, Steve Clarke.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 178
The Beatles: A Signed 'Christmas Show' programme,1963,for the shows at the Finsbury Park Astoria, 4th December 1963 to 11th January 1964, the inside front cover signed in pencil by Paul McCartney, John Lennon, George Harrison and Ringo Starr, with dedication To Margaret by George, additionally signed by Billy J. Kramer, Rolf Harris, The Fourmost, Cilla Black, Tommy Quickly and members of The Barron Knights with Duke D'mondFootnotes:Provenance:The vendor's wife attended the concert and a friend of hers who worked backstage obtained the autographs for her.For further information on this lot please visit Bonhams.com
Lot 185
The Beatles / Iain Macmillan: The Hasselblad 500C camera used by Iain Macmillan to photograph the cover image for the Beatles' Abbey Road album,1969,comprising a Hasselblad 500C camera with Zeiss Planar 80mm f/2.8 lens, the viewfinder with applied lines similar to the Abbey Road zebra crossing, supposedly used by Iain to line up with on the day of shooting the cover, together with a Zeiss Distagon 50mm f/4 lens; a tripod; a number of accessories including filters; lightmetres; and a black Nikkormat camera with four interchangeable lenses; all housed in an aluminium camera case labelled IAIN MACMILLAN, and accompanied by a black and white photograph of Iain with the Hasselblad camera around his neck, 15 1/4in x 10 3/4in (39cm x 27.5cm) (Qty)Footnotes:Provenance:Offered directly by the Iain Macmillan archive.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation. 'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically. - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, and the cover for 'Abbey Road' by the Beatles is still undoubtedly one of the most iconic album covers of all time.For further information on this lot please visit Bonhams.com
Lot 496
Concert / Theatre programmes and Tickets, 24 programmes and tickets to include Royal Albert Hall 1945 Promenade, What Every Woman Knows 1975, Moscow State Circus 1971, The King and I London Palladium 1979, together with a 28 loose tickets to include signed 1964 Peter Aldersley Pop Around Show, Cliff Richard Silver Tour, 1973 Paul Simon, 1973 Fats Domino,1966 Billy Graham, 1980 Ry Cooder, 1986 Status Quo, 1984 Johnny Mathis. Lot also includes some reproduction tickets (Beatles and Elvis Presley) (gen gd) (90)
Lot 423
THE BEATLES SOUVENIR PROGRAMME, Northern Premier 'A Hard Day's Night' with two back stalls tickets, Odeon Cinema in Liverpool July 10th 1964, with some slight fraying and scuffing to the edges, top left front cover has puncture mark from the hairclip holding the two tickets to the interior page, the tickets and stubs still attached, cover almost separated from the spine
Lot 268
A Corgi The Beatles Yellow Submarine, Corgi Batmobile, Dinky 105 Maximum Security Vehicle and Corgi Chitty Chitty Bang Bang, all unboxed. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered address.
Lot 128
YOKO ONO (B. 1933) 'My Mummy Was Beautiful' 2004, limited edition souvenir bag, for the Liverpool Biennale, 43cm x 36cm. Yoko Ono Lennon is a Japanese multimedia artist, singer, songwriter and peace activist. Her work also encompasses performance art, which she performs in both English and Japanese, and filmmaking. She was married to English singer-songwriter John Lennon of the Beatles from 1969 until his murder in 1980.
Lot 25
BEATLES MEMORABILIA ED SULLIVAN SIGNED 1945 LETTER WITH CERTIFICATE OF AUTHENTICITY, ED HOSTED THE ED SULLIVAN SHOW WHICH FEATURED THE 1ST APPEARANCES OF JAMES BROWN, JACKSON 5, AND THE BEATLES, AMONG MANY OTHER MAJOR STARS OF THE TIME, ORIGINAL 1960S BEATLES MEMBERSHIP CARDS FROM THE CAVERN CLUB, LIVERPOOL, PHOTOS FROM THE BEATLE CITY MUSEUM WITH CERTIFICATE OF AUTHENTICITY, ORIGINALLY CAME FROM SOTHEBYS
Lot 52
FOLDER CONSISTING OF AUTOGRAPHS FROM JOHN TRAVOLTA, JOHN BELUSHI, EDDIE IZZARD, TONY BRITTON, SYLVESTER STALLONE, JACK WARNER, ANNA FRIEL, GEORGE W BUSH, ROBERTO DI MATTEO, HUMPHREY LYTTELTON, PHOTOS FROM THE FOUR TOPS, JOAN COLLINS, PAUL NEWMAN, FIRST KNIGHT SEAN CONNERY LOBBY CARDS ALONG WITH FACSIMILES OF FRANK SINATRA, PATSY CLINE, CHARLIE CHAPLIN, ELVIS PRESLEY, HARRISON FORD, AUDREY HEPBURN, HUMPHREY BOGART AND THE ROLLING STONES, JACKSON 5 ITEMS ALONG WITH BEATLES ORIGINAL CAVERN CLUB MEMBERSHIP CARD AND OTHER BEATLES ITEMS
Lot 618
POSTERS. Paul McCartney selection, inc. The New World Tour (Grundig), Back in The World 2003, Daily Mirror Macca Back Home, Evening Standard Tickets For Sale, The Beatles Taken etc., a few foreign language, 25 x 37 and smaller, rolled, some previously folded, a few with tears to edges, tape marks (1), FR (3) to VG, 12
Lot 619
POSTERS, John Lennon selection, inc. John Lennon Rickerbacker L.E., Imagine (showing Lennon at piano), John Lennon Collection, John & Yoko, The Beatles 1; Sunday Times Yoko's Album Photos, John Lennon & Elton John 1974, a few foreign language, 23.5 x 33 and smaller; rolled, some previously folded, tears to edges (1), P (1) to VG, 15
Lot 221
The Beatles vinyl 45rpm singles including Love Me Do on red Parlophone label, Get Back, Baby It's You, Free as a Bird with picture sleeve, A Hard Day's Night with picture sleeve, Movie Medley with picture sleeve; George Harrison, John Lennon, Paul McCartney solo records (11 singles in total)
Lot 494
A folder containing a large quantity of Sports Time 1996 Apple Cores Ltd Beatles Project collectible cards of The Beatles depicting various stages of their illustrious career, a Corgi Routemaster green bus with Beatles posters to the side, a Corgi Bedford VAL Magical Mystery Tour Bus, a vintage Beatles brooch in the form of a guitar, a small quantity of loose Beatles-related collectible cards and a notepad with various images of John Lennon's artwork.
Lot 495
A folder containing a quantity of c1960s Beatles-related magazines to include 'A Marvel Super Special: The Beatles Story', Whitman 'The Beatles Story and A Hard Day's Night', 1964 World Distributors Souvenir Press, 'The Beatles Official Colouring Book', 'The Official Beatles Yellow Submarine Magazine', 'The Beatles are Here Copyright 1964' by MacFadden-Bartell Corporation, 'A Day in the Life of The Beatles', 'John Lennon in the London Art Gallery with Japanese Artist Yoko Ono' published by Pyramid Publications Inc and King Features Syndicate, part three of eight Rock Roll Comics 'The Beatles Experience', Celebrity Comics 'The Beatles in Pictures: 'The Unauthorised Biography', 'The Gold Collectors' Series Presents: Return of The Beatles' a limited collectors' edition, a Gold Collectors' Series magazine 'Forever Beatles' with historic images of the legendary group, a 1995 Life Magazine Reunion Special 'The Beatles from Yesterday to Today' featuring Linda McCartney photographs and Paul, George and Ringo together again, a 1995 Newsweek Magazine 'Meet The Beatles (Again)', a small quantity of Fan Club Beatles photographs, a Special Collectors' Edition 'Beatles Fan Next Generation' and a book of twenty tear-out photographs of The Beatles 'Sergeant Pepper's Lonely Hearts Club Band Souvenir Edition' printed by Atalanta Press, etc.
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32916 item(s)/page