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Lot 65
AN ENGLISH SILVER TEA SET,THOMAS WILLMORE, BIRMINGHAM, 1910 comprising: a teapot, a milk jug and a two handled sugar basin, each part-lobed oval gadrooned body applied with a turned wooden harp-shaped handle, the hinged cover with an oval gadrooned finial, all initialled “H” the teapot 15cm high (3)
Lot 498
114 pieces total. Set includes: 11 French Hollow knives, 9 flat handle butter knives, 10 dinner forks, 16 salad forks, 19 oyster forks, 12 iced tea spoons, 18 teaspoons, 8 round bowl soup spoons, 2 table spoons, solid gravy ladle, solid jelly server, solid lemon fork, hollow pastry server, hollow cheese server, hollow carving set, hollow wood salad fork and a spare hollow handle. Many, but not all, are early pieces with the 1897 patent date. All housed in a mahogany four drawer approximate. Condition: Not monogrammed. Some pieces has small dings, scratches, tarnishing. Fine overall.
Lot 195
YEVGEN LUCHENKO (UKRAINIAN 1914-1994) On the Balcony, 1970 oil on canvas 148.5 x 99.5 cm (58 1/2 x 39 1/8 in.) signed lower right PROVENANCE Jurii Maniichuk and Rose Brady Collection EXHIBITED New York, Ukrainian Institute of America, Ukrainian Socialist Realism: The Jurii Maniichuk and Rose Brady Collection, September 14-October 7, 2012 (illustrated on p. 35 of the exhibition catalogue)LITERATURE Jurii Maniichuk, Realism and Socialist Realism in Ukrainian Painting of the Soviet Era (Kiev: LK Maker, 1998), p. 169 (illustrated) LOT NOTES Yevgen Dmitrovich Luchenko was a Ukrainian painter, known best for his genre scenes, portraits, and landscapes. Luchenko studied under influential Ukrainian artists Karp Trokhymenko (1885-1979) at the Kiev Arts Technicum (1931) and Fedir Krychevsky (1879-1947) at the Kiev Art Institute (1934-1946). Although his education was interrupted by the outbreak of the Second World War, Luchenko returned from the front in 1946, completed his degree, and became a member of the Artists' Union of the USSR the same year. Luchenko made his artistic debut at the All-Union Art Exhibition (Moscow, State Tretyakov Gallery and the Pushkin State Museum of Fine Arts, 1947); and his first personal exhibition opened in Kiev in 1988. The painter's works are held in collections of the National Art Museum of Ukraine, as well as in nearly a dozen regional art and historical museums. On the Balcony bridges two of Luchenko's strengths: portraiture and landscape painting. The balcony door ajar, the viewer is invited to observe the intimate scene in the foreground (the woman in red counters our gaze, further enabling the relationship between the viewer and the viewed): a young boy and two women enjoying tea. The figures, carefully observed from life, are set against an inviting nightscape; a brilliant orange moon illuminating the waters. The following lots come from the collection of the Ukrainian-born American lawyer Jurii Maniichuk (1955-2009), who amassed nearly 150 large-scale pieces of Ukrainian Socialist Realism of the 1950s-1980s. Maniichuk acquired these paintings (primarily from working artists or their heirs) while working in Kiev as a legal consultant for the World Bank in the 1990s, and brought them to the U.S. in 1999. With UkraineÕs newfound independence from the USSR in 1991, Socialist Realism fell out of favor with collectors and curators. Recognizing their historical value and aesthetic appeal, Maniichuk made it his preeminent goal was to preserve the paintings for future study and appreciation. As part of that effort, his widow, Rose Brady, now the collectionÕs owner, lent nearly half of the collection long-term to the Ukrainian Institute of America in New York (2012-2018). Select works have also been featured at the Brooklyn Museum (Russian Modern, 2011-2016), at East West Fine Art (formerly known as Gallery on Fifth) in Naples, Florida (We the People. Everyday Life in Post-Soviet Union and modern-day Southwest Florida, November 29-December 20, 2014; Rescued from the Flames, Soviet Era Social Realist Paintings from the Collection of Jurii Maniichuk and Rose Brady, December 2013-January 2014), and at Florida Gulf Coast University in Fort Myers, Florida (Ukraine: The Maniichuk-Brady Collection of Socialist Realist Art, August 27-December 4, 2015). This lot is being sold without reserve.
Lot 3078
Andrew McGarva (Wobage Farm, Upton Bishop, Ross-on-Wye, Herefordshire 1979-1989) A Stoneware Dinner and Tea Service, hand painted with animals, birds and fish, comprising two shell handled platters, oval serving dish, serving bowl, bread and cheese stands, two dinner plates, four dessert plates, six side plates, twelve bowls (various sizes) teapot, milk jug, jar and cover, six mugs (various sizes) cutlery vase and a casserole dish and cover, incised AM mark; and A Wedgwood Countryware Coffee Set, comprising coffee pot and cover, six cups and saucers, milk jug and sugar bowl (qty) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 537
A group of ceramics, comprising a Ringtons 'Millennium 2000' tea caddy, blue and white glaze depicting scenes of castles, 14.5 by 16cm, a Maling dressing table set in the 'Peony Rose' design, pearlescent green glaze with floral detailing, comprised of two candle sticks, lidded pot and tray, and a Royal Doulton Impressions 'Cypress' vase, of curved asymmetric form, with green and gilt detailing, 15.3cm high. (6)
Lot 555
A Clarice Cliff for Newport Pottery tea set, decorated in Honeydew pattern, Lynton shape, comprising six cups, 10.8 by 6.5cm, six saucers, 14.2cm, six cake plates, 16.2cm, sugar bowl, 11 by 6cm, teapot, 21 by 16cm, milk jug, 14 by 12cm, plate, 21.5cm, and a serving plate, 25cm, printed factory marks. (23)
Lot 228
A quantity of 20th century doll's house table wares including: a transfer printed cabaret set; a Crown Staffordshire floral painted tea and coffee service; a Continental pottery partial dinner service with tureen and tazza; a group of pewter and white metal including Georgian style flatware, chargers, measures, pans and kitchen implements etc
Lot 118
A George V silver three piece 'Bachelor's' Tea Set, by Mappin & Webb, hallmarked Birmingham, 1922, the teapot of tall baluster form, with reeded bands, wooden handle adn finial, circular sugar bowl and cream just, both with similar reeded decoration, teapot, 7¾in (20cm) high, approx total weight 18.4ozt (3)
Lot 80
A set of six late Victorian silver picture back 'Tea Spoons', by Thomas Bradbury, hallmarked London, 1896, Hanovarian pattern, the reverse of bowls with basket of flower decoration, together with sixteen other early 20thC picture backed tea spoons, including one engraved with 'Enfield Chase Stag Hunt', approx total weight 9.35ozt (a lot)
Lot 104
Set five Natwest piggy banks, collection of Wedgwood Jasperware collectors plates including Christmas plates, commemorative etc, Paragon 'Athena' part tea ware for four persons, Hammersley 'Grandmothers Rose' teapot, Royal Worcester Evesham large serving plate, two Royal Doulton plates depicting 'Castle Howard' and Harewood House' etc in four boxes
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109238 item(s)/page