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Lot 154
SELECTION OF VARIOUS CERAMICSincluding a Continental tea set, the white ground and floral border with gilt highlights, comprising six cups and saucers and six sandwich plates; two Noritake oval floral decorated dishes; a retro pottery coffee pot; a Hornsea Muramic bowl; a pottery lidded preserve pot; a Honiton milk jug and a stoneware Stranraer cream pot
Lot 246
SELECTION OF EAST ASIAN CERAMICScomprising a Noritake part tea set, with daisy decoration on a red ground, comprising teapot with side handle and four cups; together with a pair of egg shell type pots with covers, both decorated with figures in landscapes and with gilt highlights, marks to bases; and a blue and white painted plate with painted character marks to base
Lot 2180
English 19th /20th century ceramics, comprising; a Copeland Japan pattern part coffee service, Aynsley part tea service, Aynsley leaf shaped dish, Aynsley pink ground cup and saucer and a Bodley cup and saucer, (qty). Condition Report The Copeland cup is cracked and there are small losses to the gilt on all items, the Aynsley part dinner service is in good condition with some losses to the floral decoration, there is a very small chip to the rim of the teapot. Pink Aynsley cup set: In good condition with no chips, cracks or crazing. Aynsley leaf shaped dish: Small scratch/chip to the glaze on the left hand side. This is signed J A Bailey
Lot 423
Suzanne Moxhay Pines, 2021 Print Hand Finished with Gouache Signed verso 15 x 10cm (5¾ x 3¾ in.) Moxhay (b.1976, Essex) lives and works in London. Education After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. Exhibitions/Awards She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Exhibitions include 'GSK Contemporary: Earth Art of a Changing World' and 'Constructed Landscapes' at the Royal Academy of Arts, 'Saatchi's New Sensations/ The Future Can Wait' at Victoria House, London and 'Human Made Things' at Aspex Gallery, Portsmouth and 'Modell-Naturen' which toured public museums in Germany in 2019. Her animation work has been shown as part of the programme 'Do Billboards Dream of Electric Screens?' on BBC public screens in cities across the UK and she has had three prints commissioned by the Royal Academy of Arts. BA Hons Fine Art: Painting, Chelsea College of Art, 2001-2004 Post Graduate Diploma Fine Art, Royal Academy Schools, 2004-2007Solo Exhibitions: 2020 Tableaux Vivants Galerie G, La Garde, France 2019 Conservatory James Freeman Gallery, London 2017 Tableau Vivant Anderson Gallery, Bridgewater State University, MA, USA 2016 Selected Works START with The LOFT at Lower Parel, Saatchi Gallery 2016 Tableau Vivant Anima-Mundi Gallery, St Ives 2014 Finta Realta TEN Gallery, Milan Group Exhibitions: 2021- High Art Orchestra, Galerie Jean-Louis Ramand, Aix-en-Provence, France 2020- Electric Avenue, James Freeman Gallery, London, online 2020- The Birds are Singing in the Distant Woods, The Violet Hour, London, online 2020- Royal Academy Winter Exhibition, Royal Academy of Arts, London 2019- RA Schools 250, Royal Academy of Arts, Exhibition of prints commissioned by the RA 2019- Modell- Naturen, Alfred Ehrhardt Stiftung, Berlin. Touring public galleries in Germany 2019-20 2019- STRATA, 1PROJECTS Bangkok, part of Photo Bangkok 2019- Expanded Landscapes, Galerie Jean-Louis Ramand, Paris 2019- In Edition, Bo Lee Gallery, London 2018- ABSRACT : REALITY, Saatchi Gallery, London 2018- Adventitious Encounters- Open Space Contemporary at Whiteleys, London 2017- Mixed Winter Exhibition- Anima-Mundi, St Ives 2017- Nature's Alchemy, Bo Lee Gallery, London 2017- You See Me Like a UFO, Marcelle Joseph Projects, Berkshire 2017- Nocturne, James Freeman Gallery, London 2017- Arles Summer Show / Voies Off, Arles, France 2017- Royal Academy of Arts Summer Exhibition, London 2017- Jamais on n'a vu..., Galerie Jean-Louis Ramand, Paris 2017- Traces, Bo Lee Gallery, London 2017- Selected Works, Galerie Jean-Louis Ramand, MIA Art Fair, Milan 2016- Trace Elements, James Freeman Gallery, London 2016- Liminal Space, The Loft at Lower Parel, Kochi, India 2016- Merge Visible, Mall Galleries, London 2016- Royal Academy of Arts Summer Exhibition, London 2016- Hinterlands and Pleasure Gardens, James Freeman Gallery, London 2015- Somewhere in Between- curated by Huma Kabacki, Karavil Contemporary, London. 2015- Brilliant Creatures, The Violet Hour at Strand Gallery, London 2015- Multiplied, Christies, London 2015- Royal Academy of Arts Summer Exhibition, London 2015- Progetto Pompeii- Andrea Ingenito Contemporary Art at MIA Art Fair Milan 2015- Eccentric Spaces- curated by Futurecity, The Gallery At Foyles, London 2014- Noir/ Blanc, The Loft at Lower Parel, Mumbai, India 2014- Vanitas, Karin Janssen Project Space, London 2014- The Combinational, Studio 1-1, Shoreditch, London 2014- Archaeologies, The Griffin Gallery, London 2014- Under Nature / Andrea Ingenito Contemporary Art, Naples, Italy 2014- Up and Coming Award/ Kids of Dada, Hoxton Art Gallery, London (Joint winner) 2013- Human Made Things, ASPEX Gallery, Portsmouth 2011- Saatchi's New Sensations/ The Future Can Wait, Victoria House, London 2011- Afternoon Tea, 54th Venice Biennale, Italy 2011- Royal Academy Editions (Print Commissioned), Royal Academy of Arts 2011- Constructed Landscapes, Royal Academy of Arts 2009- Earth: Art of Changing World, Royal Academy of Arts, London Awards: 2019 Print Commission- Royal Academy of Arts (RA Schools 250) 2015 Print Commission- Royal Academy of Arts (RA Editions) 2014 BNL BNP Paribas Group Award Finalist (MIA, Milan) 2014 Kids of Dada Up and Coming Award (Joint winner) 2011 Print Commission- Royal Academy of Arts (RA Editions) James Freeman Gallery, London/ The Contemporary London/ Galerie Jean-Louis Ramand, France About the postcard artworks Drawing from an archive of collected material, Suzanne Moxhay creates intricate and complex photomontages. Her method was derived in part from the early filmmaking technique of matte painting, where backdrops were painted on sheets of glass and integrated by the camera with the live-action on set. She builds up the image in her studio using cut-out fragments of source material, which she makes into small stage sets on glass panels. She then re-photographs the sets and manipulates the images digitally, an act of reprocessing which takes them further away from their original context and broadens the narrative potential. Her source material is drawn from an archive of collected imagery, which includes her own photographs of abandoned buildings as well as material collected from old books and magazines and fragments of paintings. She works intuitively with the material, finding points of connection between details, either through shared subject matter or formal considerations such as following the path of light from one image through another to create spaces, which at first may appear real but on closer inspection begin to dissolve. She plays with anomalies - of texture, surface, depth, space, scale, movement and architecture - to involve the viewer in the construction of the image, and to make them question it. In the finished work there is often an uneasy sense of a space that does not quite fit together - either formally or conceptually, but possesses a reality of its own. One which we are unable to pinpoint as factual or fictitious.
Lot 151
Decorative ceramics - a boxed set of six Royal Albert Country Roses pattern teaspoons; another; a boxed Royal Albert Country Roses pattern cake slice; a Carlton Ware salad bowl and conforming servers; a Royal Worcester Spode Palissy pattern pin dish; a Coronation Street teapot in the form of the Rovers Return designed by Annie Rowe; a miniature coffee service and tray; another tea service; a Maxwell & Williams Kimono pattern cake stand; etc.
Lot 67
A mixed quantity of ceramics and glassware to include a Melba ware part tea set, Royal Crown Derby miniature tyg cup and saucer, Caughley tea bowl, Chinese 19th century blue and white inverted baluster vase and a French Clobbard vase in the Chinese style, miniature Goss cup and saucer boxed collectors plates and other items
Lot 59
A group of ceramics, to include a Royal Winterton Crocus pattern pin dish, a Bramley Hedge type plate, a Royal Albert Portlees Return tea cup, a pair of Royal Crown Derby Derby Posies cups and saucers, a set of three Staffordshire cups and saucers and a Staffordshire bone china Crocus pattern cup and saucer. (1 tray)
Lot 155
A PAIR OF GEORGE III BRIGHT CUT SILVER SUGAR TONGS BY HESTER BATEMAN, C1780, TWO GEORGE III SILVER TABLESPOONS AND A SUGAR SIFTER AND A SET OF FIVE VICTORIAN SILVER TEA SPOONS, FIDDLE PATTERN, 8 OZS 12DWTS Condition reportSugar tongs in good condition, other items with even light wear consistent with age
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