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An extensive collection of Royal Albert Old Country Roses china dinner and tea wares comprising teapot and stand, two coffee pots, lidded sucrier with spoon, two milk jugs, two sugar bowls, two two-handled lidded tureens/serving dishes, six dessert/soup bowls, sixteen cake or side plates (two sizes) twelve coffee cans, ten coffee saucers, six tea cups, seven tea saucers, further tea cups, further various plates and saucers etc, a collection of lidded trinket boxes, napkins rings, boxed cruet set, miniature coffee/tea set, etc (large collection) (some af, extensive wear to gilt)
Three Royal Worcester 'Palissy' lidded storage jars, a Royal Worcester 'Herbs' large sectioned dish, a Royal Albert 'Lady Carlisle' part tea service, a Wedgwood & Co Limited serving dish, etc (1 box) Condition ReportNo obvious signs of damage to the Lady Carlisle tea set. Crazing and crack to the Coalport chinese style saucer. Crazing to the Palissy jars. General wear and tear.
Wedgwood Susie Cooper "Glenmist" part dinner/tea service consisting of lidded tureen, two vegetable bowls, eight dinner plates, six cups & saucers, gravy boat, creamer etc., a lidded heart shaped trinket dish, a vase, dishes etc ., a set of six Denby cups, a set of seven Royal Doulton "Yorktown" cups & saucers, four Rorstrand "Elisabeth" dinner plates, Egersund, Norway side plates, a Doulton Burslem 1897 Queen Victoria Diamond Jubilee plate together with further china ware.
Mixed lot of Silver Plate including Three Piece Tea Service comprising Teapot, Milk and Sugar, Benetfink & Co Oval Lidded Tureen, Two Cased Fish Serving Sets, one with Silver Bands, Mappin & Webb Cased Set of Six Knives and Forks with mother of pearl handles, Walker & Hall Cased Serving Spoon and Fork Set, Cased Six Fish Knives and Fork Set, together with other Teapots, Serving Trays, Dishes, Cased Cutlery, etc
PROPERTY OF A PERSONAL ACQUAINTANCEIAN HAMILTON FINLAY CBE (SCOTTISH 1925-2006)Glasgow Beasts, An A Burd, Haw, An Inseks, An, Aw, a Fush, Papercuts John Picking Pete McGinn, published by The Wild Flounder Press, The Wild Hawthorn Press, 1962; Autumn Poem, photographs by Audrey Walker, designed by Ian Hamilton Finlay, published by The Wild Hawthorn Press 1966, personal inscription in ink from Ian Hamilton Finlay to friend dated October (19)65; Tea-Leaves & Fishes, 28 pages (numbered), published by The Wild Hawthorn Press 1966, personal inscription with good wishes from Ian, Christmas 66; 6 Small Songs, linocuts by Zeljko Kujundzic, published by The Wild Hawthorn Press 1966, personal inscription with love from Ian 1965-66; The Weed Boat Masters Ticket Preliminary Test (Part Two), drawings by Ian Gardner, printed by hand (Salamander Press), Wild Hawthorn Press; So you want to be a Panzer Leader, drawings by Laurie Clark, Wild Hawthorn Press; Picture Book, ‘of 45 copies not very finely printed by Ian Hamilton Finlay at Christmas 1965 this is no.34’, happy Christmas from Ian inscribed in ink; Canal stripe series 4, Wild Hawthorn Press 1964; Rapel 10 fauve and supermatist poems, Wild Hawthorn Press 1963, personal inscription in ink; Telegrams from my Windmill, Wild Hawthorn Press; Tea Kettle Drum Water Lily Cup; Standing Poem 3 (hearts standing poem); I love; Three cards with personal inscriptions in ink from Ian; A collection of Poor Old Tired Horse, Wild Hawthorn Press, including volumes, (5,8,12, 13, 14, 15, 16, 18, 20, 21, 22, 23; Wild Hawthorn Press New Publications lists, including Spring 65, Autumn 65, Winter 66/67, Summer 67; Six copies of 'Glasgow Beasts, an a burd, haw, an inseks, an, aw, a fush', by Ian Hamilton Finlay, papercuts by John Picking, Pete McGinn (38 items)Ian Hamilton Finlay was a Scottish visual artist, poet, writer and gardener. In 1961, he set up The Wild Hawthorn Press, publishing the work of underappreciated international poets. Notable publications include his Scots reincarnation sequence Glasgow Beasts an a Burd, Gael Turnbull’s A Very Particular Hill (1963), as well as many other iconic works, illustrated with woodcut prints and other artistic collaborations, reflecting Finlay’s visual-literary sensibility. In 1962, he launched periodical, Poor.Old.Tired.Horse, printing rural Scottish lyrics alongside contemporary international poets. Finlay’s concrete practice developed beyond conventional modes, as did his installation work, including ‘poem-objects’, which incorporated sculptures into the natural environment.Condition Report:Available upon request
A RARE SET OF SCOTTISH PROVINCIAL SILVER TEA SPOONS in the fiddle pattern with engraved monogrammed 'I M' terminals, by Colin Richardson & Thomas Lindsay, St Andrews, c.1813-30 (5) Condition Report:One spoon slightly bent - the town mark on one is rubbed and on another is slightly rubbed on one edge
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109238 item(s)/page