TWO BOXES OF METALWARE AND TREEN, to include a black lacquered Japanese style writing box, an Oriental carved bamboo pot, height 31cm (split in two places), a mahogany tea caddy, a pink and white latticino jug (sd), Royal Holland pewter jugs, a Rothery Insignia crest wall hanging, Victorian acid etched tumblers and wine glasses, a hand hammered Tudor pewter dish, a late 19th Century Kayserzinn pewter dish with a lotus flower relief, boxed set of EPNS cake forks, a Royal Doulton Lambeth stoneware tobacco jar (restoration work to lid and base), a Mappin & Webb silver plate scallop form dish together with a similar scallop shaped EPNS dish, etc (s.d)(2 boxes)
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A MINTON 'SPRING BOUQUET' PATTERN PART DINNER SERVICE, comprising six dinner plates (one second), six 23cm starter / dessert plates (2 seconds), five soup coupes and saucers (one coupe with handle off), six 20.5cm starter / dessert plates, five dessert bowls, an oval serving dish (a second), a sauce boat and stand, an oval dish, a tea for one teapot, small sugar bowl and milk jug, ten tea cups (two seconds), ten saucers (two chipped, one cracked, one second), a twelve tea plates (one chipped, two seconds), a pair of pin dishes, two egg cups and a Minton 'Malva' pattern pedestal dish (65) (Condition report: and damage / seconds is mentioned within the description, the set appears to have little to moderate use with some light wear to the gilding noted)
A 19th century Irish silver three-piece tea set, comprising teapot, sugar and cream, each piece of hexagonal form with branch effect handles, all-over profusely bright-cut decorated with scrolls and armorial cartouches, the teapot having ivory insulators and leaf cast finial, makers James Moore and James Moore & Edward Murray, Dublin 1837,1839 and 1840, teapot length 29.5cm, gross weight 51ozIvory submission reference 4B71A86U All pieces stand well.Teapot – solder repairs to base, one panel with two dents but no splits.Sugar 0 with two dents and solder repairs to two seams.Jug – with replaced section approx. 1x2cm, and with two solder repairs to seams.All with graces of gilt throughout.Overall in fair to poor condition.
A George V three-piece silver tea set, comprising teapot, twin handled sugar and cream, each piece of gadrooned and shaped oval form with angular fluted handles and standing upon four button feet, the teapot with ebonised handle and finial to the hinged lid, maker Thomas Ellin & Co, Sheffield 1931, each piece further numbered 415151 and S3893 to undersides, teapot length 30cm (tip of spout to edge of handle), gross weight 38oz
A mid-20th century silver four-piece tea set, comprising teapot, hot water pot, sugar and cream, each of plain rounded form with egg and dart details, each piece standing upon four claw feet (hot water pot missing one foot) and with C-scroll handles, maker Albert Henry Day, Birmingham 1947, water pot h.18.5cm, teapot w.12.5cm (tip of spout to edge of handle), gross weight 49.5oz
Royal Doulton Dickens ware tea set to include a teapot & cover (lid a/f), sandwich plate, twin-handled sugar bowl, 5 teacups, 4 saucers, 6 tea plates, water jug and a small circular dish, together with 3 other Royal Doulton transfer printed plates (including a 'Gaffers' example), a Mary Gregory style green glass jug, 18cm high, a Royal Worcester 'Thursday's Child' porcelain figure, no. 3260, and a Burleigh Ware jug - a reproduction of 'Old Feeding Time' jug made by Samuel Alcock, 25cm high
Large selection of blue and white pottery, various makers, to include a matching set of English Village by Salem China of 10 cups, saucers and small breakfast bowls 13cm diameter, 8 breakfast bowls 15cm diameter, 2 tureens 21cm diameter with covers, round bowl 21.5cm diameter, a coffee jug 21.5cm h, 6 side plates 16.5cm diameter, 6 tea plates 20.5cm diameter, 10 dinner plates 20.5cm diameter and an oval meat plate 21.5cm. Also included are 7 oblong plates by Semi China England largest with gravy well 50cm l, as well as four soup dishes, four dinner plates 26cm diameter, an oblong vegetable dish and a tureen lid. There are four unmarked plates and a cake stand 27cm diameter along with an embroidered tablecloth 170cm square.
A collection of children's ceramics to include Wedgwood The Three Jovial Huntsmen by Randolph Caldecott, Winnie The Pooh Mug by Royal Doulton, Wedgwood Peter Rabbit, Royal Doulton Bunnykins, Beatrix Potter, Tom and Jerry mug by Metro Goldwyn Mayer Inc, Popeye saucer, Noddy teapot, cups and saucers and milk jug, child's tea set etc.
Montague J. Dawson (1895-1973), Öl auf Leinwand, u.li. sign., auf der Rahmung Titelei: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", verso etikettiert von Frost & Reed, hier als Titelei: wind in the rigging (Wind in der Takelage), Bemaßung: 28 x 42 inches (71,2 x 106,68 cm). "Das Rennen nach Hause". Der Klipper Sir Lancelot 1869 unter dem Kommando von Kapitän Richard "Dickie" Robinson bei stürmischem Wetter. Der prominente Klipper mit seiner vielgerühmten Schlankheit und eleganten Linie steht hier nicht im Mittelpunkt. Dawson fokussiert ein Szenario an Deck - hängt den Betrachter in die Takelage bzw. verleiht ihm den Blick einer Möwe - und nimmt ihn so mit durch ein tosendes, stürmisches Meer bei gewittriger Stimmung. Der Protagonist dieses Werkes ist der breitbeinig und aufrecht stehende Kapitän Richard Robinson an Deck des Dreimasters, der seine Mannschaft anweist und geschickt manövriert. In diesem Szenario spiegelt Dawson das Thema des Bildes: Nicht die Stürme, sondern das Setzen deiner Segel bestimmt deinen Weg. Berühmt und allseits gepriesen für dieses Talent, stellt "Dickie" Robinson beim Clipper Race von 1869 mit der Sir Lancelot einen neuen Rekord zwischen China und London auf. Unter Berücksichtigung der Jahreszeit und der Entfernung ist man sich einig, dass die Überfahrt der Sir Lancelot im Jahr 1869 die schnellste von China nach England war. Die überwiegende Mehrheit seiner Werke, insbesondere die Teeklipper des 19. Jahrhunderts, zeigen bestimmte Schiffe an einem bestimmten Ort auf einer vorgezeichneten Reiseroute. In diesem Fall jedoch ist es das "Porträt" des berühmten "Dickie" Robinson mit seinem Schiff, der Sir Lancelot, beim Clipper Race 1869. An diesem Rennen waren vorrangig sieben Schiffe beteiligt, darunter die Ariel, Leander, Thermopylae, Chrysolite und Stornoway. Dawson dokumentiert dieses berühmte Ereignis in mehreren Gemälden, wovon dieses Werk als Zentralstück zu bewerten ist. Provenance: - Frost & Reed, London, Reg. No. 41569 , mit großer Wahrscheinlichkeit aus dem Atelier des Künstlers - Im Besitz der Fortnum and Mason Collection in London - Im Besitz von Garfield Howard Weston / Canada - Privatcollection Rhein-Main Gebiet Montague J. Dawson (1895-1973), oil on canvas, l.l. signed., title on the frame: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", labeled on the reverse by Frost & Reed, here as a title: wind in the rigging, dimensions: 28 x 42 inches (71.2 x 106.68 cm). "The Race Home". The clipper Sir Lancelot in 1869 commanded by Captain Richard "Dickie" Robinson in stormy weather. The famous clipper with its much vaunted slenderness and elegant lines is not the focus here. Dawson focuses on a scenario on deck - hanging the viewer in the rigging - or giving him the view of a seagull - and thus takes him through a raging, stormy sea in a thundery atmosphere. The protagonist of this work is the wide-legged and upright captain Richard Robinson on the deck of the three-master, who instructs his crew and skillfully maneuvers them. In this scenario, Dawson reflects the theme of the painting: not the storms, but the setting of your sails determines your path. Famed and widely acclaimed for this talent, "Dickie" Robinson sets a new record between China and London in the 1869 Clipper Race with Sir Lancelot. Considering the time of year and the distance, it is agreed that the Sir Lancelot's 1869 crossing was the fastest from China to England. The vast majority of his works, particularly the 19th century tea clippers, depict specific ships at a specific location on a predetermined itinerary. In this case, however, it is the "portrait" of the famous "Dickie" Robinson with his ship, the Sir Lancelot, at the 1869 clipper race. Seven ships were primarily involved in this race, including the Ariel, Leander, Thermopylae, Chrysolite and Stornoway. Dawson documents this famous event in several paintings, of which this work is the centerpiece. Provenance: - Frost & Reed, London, Reg. 41569 , with large Likely from the artist's studio - Owned by the Fortnum and Mason Collection in London - Owned by Garfield Howard Weston / Canada - Private collection Rhein-Main area
A Mason's Iron china Strathmore pattern tea, dinner, coffee and breakfast set service including, eight tea cup saucers, six teacups, six coffee cups, ten saucers, a toast rack, two milk jugs, a sugar bowl, two egg cups, eight bowls, two larger bowls, six plates, nine dinner plates, thirteen side plates, four soup saucers, five soup bowls and two butter dishes. (89)
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109238 item(s)/page