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THREE PIECE SILVER TEA SET, comprising tea pot, sucrier and cream jug of half fluted oval form with engraved initials "L K". Birmingham hallmarks (rubbed), 13 troy Oz. approx, 12.5 cm high the tallest piece. (3) Condition Report: Hallmarks are rubbed as is engraved initials. Small minor dings and dents but overall ok.
MATCHED SET OF FOUR SILVER TEA SPOONS, having National Rifle Association Emblem and individually relating to the Berkshire (2), Oxford University and Burnham rifle clubs. All Birmingham hallmarked, Elkington & Co. 4 troy Oz. approx., 14.5cm long. (4) Condition Report: Overall good, no serious dame, surface wear and mixed hallmarks.
VICTORIAN SILVER THREE PIECE TEA SET, comprising teapot, sucrier and cream jug overall repousse decorated in rare Teniers revival style depicting merry figures in Dutch style landscapes having figural handles, finial and feet, the cream jug with mask spout. London 1879, Frederick Elkington, engraved to base "Silver Wedding Sept 26th 1901." 27 troy Oz. approx, 14ch high the teapot. (3) Condition Report: In good overall condition with no obvious damage or repairs. Some minor surface wear as expected, minor dent to base of sucrier, hallmarks good.
A DERBY PORCELAIN PART-TEA SET 1806-1825 comprising teapot, stand, lidded-sucrier and two cups and saucers, each profusely gilded with foliate and floral decoration and with painted landscape scenes with script titles to bases, as follows: (i) View in Germany / Near Canterbury: teapot, (ii) Near Allestry, Derbyshire: stand, (iii) Near Litchfield / Near Derby: sucrier, (iv) In Italy: cups x 2 , (v) In Cumberland: saucers x 2
FIVE PIECE WHITE METAL TEA SET, comprising folding cake stand, teapot, cream jug, sucrier and bon bon dish, all profusely decorated with foliage. Probably Indian silver, 69 troy Oz. approx., (5). Condition Report: Overall surface wear with some dents to different pieces particularly on the base of teapot. Wear to decoration also. Stand is in functioning condition although a little loose and mis shapen.
Late 19th century cased set of twelve French parcel-gilt silver teaspoons, sugar tongs and tea leaves strainer, the tea strainer of jam pan form, swing handle, engraved floral and foliate decoration with blank cartouche to body, the teaspoons with engraved and cast foliate scroll decoration, the sugar tongs with claw bowls, engraved and cast floral and foliate decoration, makers Edouard Clerc, French silver convention marks, in fitted Danglade Bordeaux box
A Berlin porcelain part tea set, comprising bullet-form tea pot, covered milk jug, sucrier, slop bowl, four tea cups and six saucers, each having moulded lattice and reeded decoration, beneath hand-enamelled sprigs of lily, daffodil and nasturtium, the handle and spout naturalistically modelled and hand-enamelled in depiction of bark, under-glaze blue and printed marks, second quarter 19th Century
Set of six Elizabeth II silver Kings pattern dessert spoons, Sheffield 1960, a set of six matching silver handled table knives, a matched table knife, set of six matching silver handled tea knives, Sheffield 1957 and an unmarked white metal handled cheese knife, 11.7toz approx of weighable silver Condition:
Susie Cooper Windfall pattern tea ware, comprising coffee pot, milk jug and sugar bowl, cruet set, various cups and saucers, plates and bowls (approx. 45 pieces); together with Poole Pottery Desert song pattern dinnerware, to include tureens/vegetable dishes, soup bowls and breakfast bowls, plates, cups and saucers (approx. 45 pieces).
A Brett Guthrie tenmoku glaze tea bowl, personal and pottery marks, height 8.2cmFrom the Bret Guthrie CollectionOriginally born in Barrow-in-Furness in 1916, to a Russian mother and English father, Bret Guthrie moved to Cornwall in 1926 when his father's work took the family to Falmouth, where he enjoyed his school years before the family moved again to East London. He later returned to Cornwall to await his army call-up for WWII. Whilst living in Nancledra, a cycling accident in St Ives threw him quite literally, at the feet of David Leach, son of the renowned potter. This led to a life-long friendship with both father and son, as well as a job dealing with the pottery's accounts. During his time at the Leach Pottery he also learnt about glazes, clay preparation and fired a few of his own pots. When the original kiln hearth, built by Tsurunosuke Matsubayashi in 1922 came to the end of its useful life, Guthrie and David Leach constricted a new one. At this time, Bernard Leach was away teaching at Dartington and as he and his son were so busy, Bret was tasked with experimenting with clay mixes and glazes and recording the results for the use of the pottery. Through Leach, Bret met and befriended many of the St Ives artists, Peter Lanyon, Naum Gabo, Adrian Stokes, Barbara Hepworth and Ben Nicholson etc. He married, and despite his role as a pilot in the RAF, he survived the war unscathed and took up teaching in 1946. Bret and Wendy became close friends with Francis Horne and her daughter Marjorie. It was Francis a local wealthy philanthropist who lived at Tremorna in Carbis Bay who offered Bernard Leach a capital loan of £2500 to set up his pottery with Hamada and also an assured income of £250 for 3 years and it was from Marjorie that Wendy inherited a cottage and collection of Leach pottery. It is a tantalising thought that some of the lots offered in this sale may have been personal gifts from Leach to his benefactor.Bret followed a productive and satisfying career, teaching in various Cornish schools and enjoying the exciting social life of post-war St Ives. He took an active interest in archaeology and joined many important digs and his work in Cornish pre-history led to his induction as a Bard in the Cornish Gorseth in 1959. In later life, he travelled extensively and involved himself in many local community projects including the creation of the Tate St Ives. It was here at the Tate in 2001, where Bret passed away whilst invigilating.
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109238 item(s)/page