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Lot 146
CHINE. Paire de porte-baguette d'encens en forme de lions bouddhiques en biscuit émaillé. Epoque Kangxi (1662-1722)Les portes-baguette en forme de lion, peints dans les émaux de la famille verte sur le biscuit, debout sur trois pieds, avec des yeux mobiles et sur une base en forme de feuille d'armoise. Balle de brocard pour le mâle, et lionceau pour la femelle.Etiquette 181 et 382 sous les bases.(Petits accidents).CHINA. Een paar geëmailleerde biscuit wierookstokhouders in de vorm van boeddhistische leeuwen. Kangxi periode (1662-1722).CHINA. A pair of enamelled biscuit incense wand holders in the form of Buddhist lions. Kangxi period (1662-1722).H.10 cmFor further information on this lot please visit Bonhams.com
Lot 303
CHINE. Grand plat en porcelaine à décor bleu et blanc et anhua. Epoque Kangxi (1662-1722)Peint en bleu floral sous couverte avec un médaillon au centre et à décor anhua (incisé dans la masse).CHINA. Grote porseleinen schaal met blauw-wit en anhua decoratie. Kangxi-periode (1662-1722).CHINA. Large porcelain dish with blue and white and anhua decoration. Kangxi period (1662-1722).D.34,5 cmFor further information on this lot please visit Bonhams.com
Lot 114
A collection of Chinese blue and white,late Qing dynasty, comprising:three coffee cups, of octagonal form, painted with vine leaves in shaped panels below a key fret border, with a four-character Kangxi mark to base,9cm long,a pair of coffee cups, a salt and a lobed dish, painted with dragons chasing a flaming pearl, all with a six-character Jiangxi Ciye Gongsi mark to base,salt 6.7cm longcup 8.8cm longdish 22.6cm long (7)Provenance: The Collection of Mr John Henry Lewis Turner (1901-1962), who worked at the Chinese Maritime Customs in Shanghai in the early 20th century, and thence by descent.清晚期 青花二龙戏珠杯碟 及 花卉纹杯 一组七件Condition ReportOctagonal cups - one chipped and cracked to rim. Another chipped to rim, chipped and cracked to foot rim.Rounded cups - both chipped and cracked to rim. Salt - small chips to rim.Dish - minute glaze frits to rim.
Lot 151
A Chinese famille verte vase,Republic period (1912-1949), the globular body rising from an octagonal foot, rising to a lobed garlic mouth, painted with pheasants standing on rocks amongst blossoming peony and magnolia, with a six-character Kangxi mark to base,26cm high民国 五彩锦鸡牡丹纹蒜头瓶 《大清康熙年制》青花楷书款Condition ReportDrilled to base and repaired. Surface scratches.Small chips to foot rim.
Lot 157
A Chinese peach blossom vase,Republic period (1912-1949), the ovoid body rising to a cylindrical neck with a flared rim, the base encircled by a broad moulded row of slender upright chrysanthemum petals, covered by a copper-red glaze flecked with mottled green, a six-character Kangxi mark to base,20cm high, wood stand (2)民国 豇豆红釉菊瓣瓶 《大清康熙年制》青花楷书款 连木底座Condition ReportNo obvious faults.
Lot 167
A Chinese wucai plate, Kangxi (1662-1722), of lobed form, the centre painted with a boy in a garden in a shaped panel, surrounded by precious objects, 24.5cm diameter, associated wood stand (2) Provenance: The Collection of Dr Anne F Sutton (1942-2022). 清康熙 五彩婴戏图花口盘 Condition ReportPlate - Fully restored with rivets, chips to rim and foot rim. Wood stand - joint a bit loose. Fixed with a screw to the back.
Lot 26
A Chinese blue and white kendi vase,Kangxi (1662-1722), the globular body rising from a circular foot to a waisted cylindrical neck flanked by a mammiform spout, painted with flowers and rocks, 16cm highProvenance: From the Collection of the Nightingale family, Lea Hurst, Derbyshire, by repute;Collection of Mr William Gregory (d.1995) of Tansley House, Matlock, Derbyshire;purchased by the vendor’s father and thence by descent.清康熙 青花洞石花卉纹军持Condition ReportRim chipped and grounded. Spout and foot rim chipped.
Lot 27
A Chinese Imari kendi vase,Kangxi (1662-1722), the globular body rising from a circular foot to a cylindrical neck with flared rim, flanked by a mammiform spout, painted with peony and rocks, 22cm highProvenance: From the Collection of the Nightingale family, Lea Hurst, Derbyshire, by repute;Collection of Mr William Gregory (d.1995) of Tansley House, Matlock, Derbyshire;purchased by the vendor’s father and thence by descent.清康熙 伊万里式洞石花卉纹军持Condition ReportSpout restored.
Lot 397
A collection of Chinese blue and white,Kangxi (1662-1722), comprising:three bowls, each with rounded sides rising from a circular foot, painted with scrolling flowers, 14.5 to 15.8cm diameter, and an associated wood stand, anda teacup, of lobed form, the interior with a landscape, 6.8cm diameter (5)Condition ReportAll with surface scratches.One bowl chipped and cracked to rim.One bowl with a small chip and a firing crack to foot rim, a small chip to rim.Another bowl with chips and cracks to rim, chips to foot rim. Restoration to rim and foot rim.Tea bowl chipped, cracked, broken in half and restored.
Lot 411
A Chinese blue and white saucer, Kangxi (1662-1722), the rounded sides rising from a circular foot, painted with phoenixes amongst peony,14cm diameter, and a famille rose saucer, 20th century, painted with a fruiting peach tree, a six-character Guangxu mark to base,10.8cm diameter (2)Condition ReportBlue and white - frits to rim. A small chip to glaze underside. Famille rose - minute chips to foot rim.
Lot 48
A Chinese blue and white jar,Kangxi (1662-1722), of tapering form, painted with shou roundels amongst sprigs of lotus, between a ruyi-shaped cloud border and a false gadroon border, 23cm high, associated cover and wood stand (3)清康熙 青花寿字纹罐Condition ReportSurface scratches.Chips to foot rim and cover.Star cracks to interior of body.Wood stand with surface scratches, stains, small chips and cracks.
Lot 50
A pair of Chinese blue and white saucers,Kangxi (1662-1722), each with rounded sides rising from a circular foot, painted with carp amongst weeds in a pond, 13.3cm diameter (2)Provenance: Purchased from Guest & Gray in May 2022.清康熙 青花鳜鱼纹碟 一对Condition ReportBoth with small chips to rim and foot rim.
Lot 52
A Chinese blue and white soup bowl, Kangxi (1662-1722), the rounded sides rising from a circular foot to a broad, lobed, flared rim, the centre painted with warriors on horseback enclosed by figures or flowers in shaped panels, a six-character Kangxi mark to base, 26.2cm diameter 清康熙 青花人物故事图花口盘 《大清康熙年制》青花楷书款 Condition ReportRim chipped and cracked. A small section of rim grounded.
Lot 57
A Chinese wucai brush pot,Kangxi (1662-1722), of cylindrical form, painted with Kuixing, the God of Literature, standing with his right leg on the head of a dragon above spuming waves, his right hand with a brush pen, ready to announce the name of the scholar who came first in an exam, the reverse inscribed,13.5cm high清康熙 五彩诗文魁星点斗图笔筒Condition ReportSurface scratches. Small chips to rim and base.
Lot 337
A RARE SOMADA-STYLE MOTHER-OF-PEARL INLAID LACQUER MANJU NETSUKEUnsignedJapan, 18th-19th century, Edo period (1615-1868)The two-part manju decorated with geometric motifs inlaid in part with iridescent Somada-style aogai inlays separated by a thick hiramaki-e border. The interior of dense nashiji with silver rims and a looped metal kiku fitting with a cord attachment passing through a silver kiku himotoshi to the exterior.DIAMETER 4.2 cmCondition: Very good condition with minor typical losses to inlays.Provenance: Tamenne Gallery, Brussels, November 29, 1967. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. An old collector's label, 'N 286 bis.' Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France's post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).Lac Burgauté or Laque burgauté is a technique of decorating lacquer ware with inlaid designs by employing shaped pieces of the iridescent blue-green shell of the sea-ear (Haliotis). This shell inlay is sometimes engraved and occasionally combined with gold and silver. Workmanship is exquisite; therefore, laque burgauté is principally used to decorate small-scale objects like tiny boxes, miniature table screens, vases, and little silver-lined wine cups. Laque burgauté seems to have originated in China, with examples occurring as early as the Ming dynasty and was especially popular in the Qing dynasty. In Japan, it was widely used by craftsmen in the Tokugawa (Edo) period and is referred to as aogai and was often used by the Somada family.Auction comparison:Compare a related small Chinese lac burgauté box and cover, Kangxi period, at Zacke, Fine Chinese Art: Buddhism and Hinduism, 10 March 2023, Vienna, lot 283 (sold for EUR 10,400).
Lot 215
Chinese Porcelain Ginger Jar, Kangxi mark but not of the period, of octagonal form, painted in underglaze blue with prunus blossom, 14.5cm high together with a similar example with associated cover, painted in famille rose enamels, and a further two famille vert ginger jars (4)As stated in cataloging three covers lacking, otherwise in good condition
Lot 146
SET OF EIGHT INK RUBBINGS OF 'GUANZHONG EIGHT SIGHTS' 西安博古堂 《關中八景》拓片 紙本水墨（一組八幅） ink on eight leaves of paper, by 'Xi An Bogu Tang' Dimensions:125cm x 33cm each Provenance:Provenance: Private Scottish collection, Melrose; acquired in China in the 1940's when working for Shell, thence by descent. Note: Note: The stele, depicting the eight famous scenes of Guanzhong, was carved and erected during the nineteenth year or Kangxi period, corresponding to 1680AD. The original stele is kept in the Xian Beiling museum but not open to public.
Lot 169
BLUE AND WHITE 'PHOENIX' JAR QING DYNASTY, 19TH CENTURY 清 青花夔鳳穿花紋罐 帶木蓋 the bulbous body painted with two kui-phoenixes spreading their wings between large lotus flowers amongst tendrils, the base inscribed with a four-character Kangxi mark in underglaze blue, with a wooden cover Dimensions:18cm high Provenance:Provenance: Private collection, Cambridge
Lot 177
PAIR OF GRISAILLE-DECORATED YELLOW-GROUND 'DRAGON' LIDDED GINGER JARS QING DYNASTY, KANGXI MARK BUT 19TH CENTURY 清 康熙款 黃地墨彩穿花龍紋蓋罐（共兩件） each bulbous body rising to a wide shoulder and terminating to a straight neck, the exterior decorated with two four-clawed dragons in red and brown colour amongst flowers and leaves, the scales of their sinuous form highlighted with gilding, all between a band of flowers in foliate cartouches against a turquoise ground, the cover similarly decorated, the base inscribed with a four-character Kangxi mark in underglaze blue Dimensions:30cm high each Provenance:Provenance: Private collection, Cambridge
Lot 258
CELADON-GLAZED JAR AND COVER QING DYNASTY, DAOGUANG MARK AND OF THE PERIOD 清道光款及年代 冬青釉月牙耳茶葉蓋罐 the ovoid body smoothly rising to a short waisted neck, flanked by a pair of low-relief C-shaped mock-handles on the shoulder, surmounted by a domed cover, covered overall in an even pale celadon glaze, the recessed base inscribed with a six-character Daoguang mark in underglaze blue Dimensions:21.5cm high Provenance:Provenance: Private collection, Surrey; previously acquired from an estate in Wales Note: Note: This ovoid jar is of a well-known form and produced from Kangxi to Daoguang period for storing tea leaves, occasionally referred to as a yueyaer guan ('jar with crescent moon handles') due to the form of its mock-handles. A very similar example, with Qinanlong mark and of the period, was in the Qing Court collection and is in the National Palace Museum, Taipei, museum no. Gu Ci故瓷11265. Another example was illustrated by R. Krahl in Chinese Ceramics in the Meiyintang Collection, vol. II, London, 1994, p. 211, no. 866. A further comparable example with Daoguang mark was sold at Sotheby's New York, 21 September 2021, lot 143.
Lot 263
INCISED YELLOW-GLAZED 'DRAGON' HANDLED CUP KANGXI MARK, 19TH-20TH CENTURY 十九至二十世紀 康熙款 黃釉暗刻龍紋雙耳杯 delicately potted, resting on a straight foot, rising to a gently everted rim, applied with a pair of flat archaistic 'elephant tusk' handles to either side, the exterior finely incised with two animated striding dragons amidst flame wisps, each chasing a flaming pearl, covered overall in a translucent egg-yolk yellow glaze, the recessed base inscribed with a six-character Kangxi mark in double circle Dimensions:7.8cm wide across handles
Lot 273
PEACH-BLOOM-GLAZED VASE KANGXI MARK 康熙款 豇豆紅釉觀音瓶 帶木座 the elongated conical body surmounted with a waisted neck terminating to a flared rim, covered overall in a copper-red glaze with mottled greyish hue, the base inscribed with a six-character Kangxi mark in underglaze blue within the deeply recessed base, with a fitted wooden base Dimensions:15.2cm high
Lot 317
EXPORT VERTE-IMARI CHARGER QING DYNASTY, KANGXI PERIOD 清康熙 五彩描金花卉紋花口大盤 of lobed form with foliated mouth rim, decorated in the central medallion with eight auspicious symbols borne on ribbons enclosing a chrysanthemum-form rosette, the cavetto with panels decorated with flowers and rockwork alternating with chrysanthemum roundels Dimensions:36.1cm diameter Provenance:Provenance: Private Scottish collection, Glasgow
Lot 324
SUSANCAI-GLAZED 'EIGHT IMMORTALS' VASE KANGXI MARK BUT LATE QING DYNASTY TO REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 康熙款 素三彩八仙渡海瓶 帶木座 the bulbous body adorned with eight Daoist immortals riding on ruyi-head clouds crossing wavy ocean, all between a band of ruyi-head clouds and lappet on the shoulder and the neck, the base carved with a six-character Kangxi mark, with a wooden stand Dimensions:36.5cm high
Lot 334
PAIR OF WUCAI 'FISH AND FLOWER' MALLET VASES QING DYNASTY, KANGXI MARK, 19TH CENTURY 清 康熙款 五彩魚池紋搖鈴尊 （共兩件） each of yaoling zun (hand bell vase) form, the body painted with various types of fishes swimming in lotus ponds interspersed with lotus flowers, lotus buds and conches in between, all below a band of lappet around on the upper neck, the base inscribed with an apocryphal six-character Kangxi mark within double circles in underglaze blue Dimensions:26.3cm high each
Lot 359
BLUE AND WHITE 'CHRYSANTHEMUM' BOWL QING DYNASTY, KANGXI PERIOD 清康熙 花押款 青花花卉紋菊瓣碗 the deep fluted sides supported on a short foot and rising steeply to a scalloped rim, the exterior moulded with rows of petals, further decorated with plum and chrysanthemum blossoms in cartouches, the centre of the interior adorned with flowers issuing from rocks, the inner rim painted with interlocking coin patterns, the base painted with a floral mark Dimensions:20.7cm diameter Provenance:Provenance: Private collection, London
Lot 360
BLUE AND WHITE 'MERMAID' LIDDED TEAPOT QING DYNASTY, KANGXI PERIOD, CIRCA 1710 清康熙 約1710年 青花美人魚圖方壺 of quadrangular ovoid form, attached with a square section handle and straight spout, either side of the body finely painted with a mermaid among reeds with a large fish rising in a pond, the square lid adorned with flower branches and topped with finial Dimensions:19cm wide Provenance:Provenance: Private collection, London Note: Note: The decoration, originated from a European engraving of 1676 by S. Le Clerc, illustrated the story of Dirce - one of Venus's less successful rivals who, as a punishment for rivalling her in beauty, was turned into a mermaid and made to fall in love with a carp.According to David S. Howard's research, "a small number of these teapots are known and the design was clearly specially commissioned - possibly even including the shape of the teapot to accommodate a rectangular engraving." A very similar example is illustrated in his publication The Choice of the Private Trader: Private Market in Chinese Export Porcelain Illustrated from the Hodroff Collection, published by Zwemmer, London, 1994, no. 154, p. 145. Another example in the collection of Groninger Museum, the Netherlands, is illustrated in La Porcelaine des Compagnies des Indes à Décor Occidental, by François et Nicole Hervouët, Flammarison, Paris, 1986, p. 309.The engraving by S. Le Clerc is illustrated in Metamorphoses d'Ovide en Rondeaux, by Isaac de Benserade, L'Imprimerie Royale, Paris, 1676, p.83. (see image 1)
Lot 50
DEHUA CENSER QING DYNASTY, KANGXI PERIOD 清康熙 德化白瓷梅紋簋式爐 of archaic gui form setting on a high everted foot, decorated with prunus in relief, crabstock handles, the base with an illegible impressed seal-mark Dimensions:19.5cm wide Provenance:Provenance: Robert McPherson Antiques, 21 October 2019, with a printed receipt and associated label on base. Previously in the collection of Francesco Maria, Marchese Taliani de Marchio 1887-1968), Grand Officer of the Italian Crown, Commander of the Order of St Maurice and Lazarus, and Commander of the Order of Pius IX (Ordine Piano), and his wife Archduchess Margaretha d'Austria Toscana, Marchesa Taliani de Marchio (1894-1986). According to the collection inventory list, acquired from Tung Koo Tsar Chinese Curios & Arts Co., Shanghai, 22 March 1942.Dr. Kenneth P. Lawley's inventory number: Cer.171. Note: Please note this lot will be offered with no reserve. 本拍品不設底價
Lot 539
Paar Rouleau-Vasen mit Schlachtenszenen, Republik-Zeit, China, Anfang 20. Jh.Gegenstücke zweier Porzellanvasen, vor beigeweißer Glasur mit feinem Craquelé bemalt in den Farben der famille rose mit legendären Kampfszenen, beide mit apokrypher Kangxi-Marke auf Boden, H mit Sockeln 25,5 & 26 cm
Lot 544
Großer Blauweiß-Teller der Kangxi-Zeit, China um 1700Porzellanteller mit Wellenrand, im Spiegel bemalt mit einem Arrangement aus blühenden Stauden an Felsen, auf der Fahne rankender Lotus, auf Boden Symbolmarke im Doppelring, altersbedingt kleine Randchips mit zwei kurzen Haarrissen, Dm 39,5 cm
Lot 552
Drei Blauweiß-Vasen mit "brown etched"-Dekor, späte Qing/Republik-Zeit um 1900Gegenstücke zweier großer Porzellanvasen mit Fasanenvögeln an Felsen und Blühpflanzen, beide mit stiltypischen braunen geritzten Friesen um Sockel und Schulter, ebenso die apokryphen Kangxi-Bodenmarken, H 44 cm sowie in gleicher Art eine kleine Deckelvase, hier mit Bogu-(Antiquitäten)-Dekor, ungemarkt, H 15,5 cm
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