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A CHINESE LANGYAO SLENDER BALUSTER VASE KANGXI 1662-1722 With a flared cylindrical neck, decorated with a red crackled glaze draining from the rim, 42cm. Cf. The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, volume 37, p.18, no.15 for a comparable vase. Ł1500-2000 清康熙 郎窯紅瓶

A CHINESE POWDER BLUE-GROUND 'LANDSCAPE' ROULEAU VASE KANGXI 1662-1722 Painted in gilt with a mountainous village by the water's edge, with a thick border of cash and flower panels to the shoulder, 44.5cm. Provenance: an English private collection, Hampshire. Cf. Kangxi Porcelain Wares from the Shanghai Museum Collection, p.308, no.200 for a similar vase. Ł1000-2000 清康熙 灑藍釉描金山水棒槌瓶來源：英國漢普郡私人收藏。

A collection of Chinese blue and white porcelain, comprising a Kangxi style jardiniere, a bowl, a vase and cover, various plates and two transfer printed examples (Qty.)

A Pair of Baluster Vases with Four Character Kangxi Mark to Base, 17cm high (One AF) Together with a Larger Lidded Example, 21cm High

Two similar Chinese blue and white plates, Kangxi, painted with a single bird amongst foliage, flowers and rockwork, both with three flower spays to under rim and with vase mark within double circle, 24.5cm and 25cm diameter; another plate similar, with square seal psuedo seal mark within double circle, 24.5cm diameter and a pair of Chinese Famille Rose octagonal plates, Qianlong, 22.5cm diameter (5) 清康熙 青花花卉纹碟等五件

A large Chinese blue and white dish, Kangxi, painted with radiating petal shaped panels of flowers and the border with flower and fruit reserves alternating with peacocks on a scrolling foliate ground, the reverse with flower within double circle, with flower within 46.8cm diameter and a Chinese blue and white punch bowl, Kangxi, painted with stylised foliage, 4.8cm diameter (2) 清康熙 青花花卉纹盘及大碗

A Chinese Famille Verte octagonal dish, Kangxi, with two birds and central pine tree, 31.5cm diameter 清康熙 五彩凤鸟纹八棱盘

A pair of Chinese peach blossom-glazed bottle vases, formed with a compressed ovoid body supporting a cylindrical neck, the exterior covered with a grey-tinged crimson-red glaze characteristically suffused with shades of lighter pink and greenish-beige spots, the base inscribed in underglaze blue with a apocryphal six-character Kangxi mark, carved wood bases, the vases 18.8cm high (2) 康熙款霁红瓶一对

TWO BLUE AND WHITE COVERED JARS, LATE QING DYNASTY, the baluster sides painted with prunus, apocryphal Kangxi marks, 27cm high

BLUE AND WHITE 'DRAGON' DISH, QING DYNASTY, 19TH CENTURY, painted in tones of underglaze blue with five dragon chasing flaming pearls, Kangxi six character mark, 27cm diam

PAIR OF FAMILLE VERTE DISHES, KANGXI PERIOD, painted with peacocks and insects within a blossoming rocky outcrop, each bears WEISBROD, CHINESE ART' paper labels, 21cm diam

FAMILLE VERTE LOW DISH, EARLY KANGXI PERIOD, painted with pagoda and pine trees within a mountainous landscape view, the sides with further conforming panels, Artemisia leaf mark and double foot rim, 33cm diam

FAMILLE VERTE POTTERY FIGURE, KANGXI PERIOD, modelled as a standing bearded warrior, 18cm high; together with a SANCAI-GLAZE POTTERY JOSS STICK HOLDER, MING DYNASTY, modelled as a figure seated on a lion holding aloft a bowl, bears old collectors labels, 21cm high (2)

LARGE FAMILLE VERTE BASIN, KANGXI PERIOD, painted with chrysanthemum, pine trees and floral bouquets, 31.5cm diam

FINE CARVED COCONUT BOWL, KANGXI PERIOD, the sides finely carved with figures in a continuous mountain landscape, bears a Brockelbank Collection, label, 12.5cm diam

RARE BLANC-DE-CHINE TRIPOD CENSER, KANGXI PERIOD, the compressed baluster rounded sides with two angular upright scroll handles, the whole resting on three mask feet, 11cm diam

GILT BRONZE 'SQUIRRELS AND GRAPES' CIRCULAR BOX AND COVER, KANGXI SIX CHARACTER MARK BUT LATER, the domed lid and rounded sides decorated in relief with squirrels amongst fruiting vines, 17.5cm diam

FINE BLUE AND WHITE 'SCHOLARS' TUREEN AND COVER, KANGXI PERIOD, the domed cover and sides finely painted in tones of underglaze blue with scholars and pagoda within a rocky landscape, Aster mark to underside, bears a 1953 Exhibition label and an old Antique Dealers Association label, 24cm wide approx.

FAMILLE VERTE FIGURE OF GUANYIN, KANGXI PERIOD, the deity seated and holding a child with a ruyi sceptre on her knee, on a rocky base with a further child figure below, 31cm high; together with a FAMILLE VERTE JARDINIERE, QING DYANSTY 19TH CENTURY, with twin mask handles, the sides painted with scrolling foliage, birds and phoenix, 18cm high; a PAIR OF FAMILLE VERTE DISHES, QING DYNASTY 18TH / 19TH CENTURY, each painted with birds and butterflies amongst flowering branches, 25cm diam; and a SMALL FAMILLE VERTE DISH, KANGXI PERIOD, painted with auspicious items (5)

FAMILLE VERTE AND BISQUE FIGURE OF GUANYIN, KANGXI PERIOD, the deity wearing a long voluminous robe, holding a sceptre in her right hand, seated on a naturalistic leafy throne, 25cm high; together with an EGG AND SPINACH GLAZE FIGURE OF GUANYIN, KANGXI PERIOD, 21cm high; and another FAMILLE VERTE FIGURE OF GUANYIN, KANGXI PERIOD, 19cm high (3)

PAIR OF FAMILLE VERTE BALUSTER VASES, KANGXI PERIOD, with later gilt-bronze mounts, the sides painted in iron red, blue, green and ochre with flower sprays with wide lapet bands, 33cm high (including mounts)

EGG AND SPINACH BOWL, KANGXI PERIOD, the flared sides decorated with mottled tones of ochre, brown and green glaze, 19cm diam

MIRROR-BLACK BALUSTER VASE, KANGXI PERIOD, the sides covered in a mirror-black glaze, 20cm high

PAIR OF BALUSTER BOTTLE VASES, KANGXI PERIOD, the ovoid sides painted in iron red, pink and gold with blossoming stems, the necks with fish, 22cm high

FAMILLE-VERTE BRUSH WASHER, KANGXI PERIOD, of boat-shape form, the sides painted with fish, birds and ribbon tied ruyi sceptre, 13cm wide

TWO FAMILLE VERTE DISHES, KANGXI PERIOD, one painted with a flowering vase, the other flowering stems, 22cm & 21cm diam; together with a JAPANESE IMARI DISH, MEIJI PERIOD, painted with biys and foliage, 22.5cm diam (3)

BLUE AND WHITE 'LOTUS' CHARGER, KANGXI SIX CHARACTER MARK BUT 19TH CENTURY, centrally painted in tones of underglaze blue with five lotus and scrolling tendrils, within a ruyi band, 34cm diam

TWO FAMILLE VERTE POTTERY FIGURES OF GUANYIN, KANGXI PERIOD, each modelled as the deity seated on a lotus petal throne flanked by two children, one holding a ruyi sceptre and the other a fly whisk, 22cm high

FAMILLE VERTE 'CHRYSANTHEMUM' TEAPOT, KANGXI PERIOD, the baluster sides painted with upright panels of wild flowers, with a naturalistic simulated bamboo handle and associated pierced cover, 17cm high; together with a FAMILLE VERTE LIBATION CUP, QING DYNASTY, 19TH CENTURY, with applied chilong decoration, 5cm high (2)

BLUE AND WHITE 'QILIN' GINGER JAR, KANGXI SIX CHARACTER MARK BUT 19TH CENTURY, with a wood base and cover, the ovoid sides painted in tones of underglaze blue with panels of qilins, reserved against a 'cracked ice' decorated with prunus limbs bearing clusters of buds and blossoms, 19cm high

LARGE IMARI EXPORT OCTAGONAL DISH, KANGXI PERIOD, the centre painted with a Corbeau family crest, reserved against a rich border of exotic birds, lotus, scrolling tendrils and foliate arabesque panels, 44cm wide; together with TWO MATCHING SIDE DISHES, 28.5cm wide (3)

COLLECTION OF BLUE AND WHITE EXPORT PORCELAIN, QING DYNASTY, 18TH / 19TH CENTURY, comprising five Kangxi dishes, two Kraak style bowls, a stem cup, a small ginger jar, a Kangxi cup stand, three tea bowls and a seal paste box (14)

SMALL CHRYSANTHEMUM-FORM FAMILLE-VERTE TEA BOWL AND SAUCER, QING DYNASTY, 18TH CENTURY, painted with fisherman in boats overlooking mountains, 10.5cm diam; together with a 'DEER AND BATS' EXPORT TEA CUP AND SAUCER, QING DYNASTY, 18TH CENTURY, 12cm diam; and a SMALL KANGXI HEXAGONAL FAMILLE-VERTE DISH, 18TH CENTURY, 12cm wide (3)

PAIR OF MOTHER-OF-PEARL INLAID BLACK LACQUER DISHES, KANGXI PERIOD, in the manner of Jiang Qianli, the square form dishes with raised sides, and inlaid with slivers of mother of pearl to depict courtiers in a fenced garden, and the other an official on horseback and attendant, 10.5cm wide

PAIR OF CRACKLE-GLAZE 'PHOENIX' VASES, LATE QING / EARLY REPUBLIC PERIOD, the baluster sides each painted with two 'Phoenix' medallions, the slender necks with twin loop handles, all resting on a spreading circular foot, spurious Kangxi leaf mark in red, 22cm high

FAMILLE VERTE POTTERY FIGURE GROUP, KANGXI PERIOD, modelled as two standing boys, on a naturalistic base, 18cm high; together with another FAMILLE VERTE GROUP, QING DYNASTY, 19TH CENTURY, modelled as two seated figures, one holding a lotus stem, the other a basket, 16cm high (2)

FINE PAIR OF SILVER MOUNTED CARVED COCONUT TEA BOWLS, KANGXI PERIOD, the sides finely carved with deer within a continuous landscape, 8cm diam

A slightly compressed globular vase set on a spreading foot and with an elegant tall gently-flaring neck, the entire piece (with the exception of the underside of the foot) decorated with a pleasing, pale blue Guan-type glaze, with an underglaze blue six-character Qianlong seal mark on the base. From late in the Kangxi period, through their development during the Yongzheng reign, pieces produced in tribute to the Song Dynasty Imperial wares became increasing popular amongst Qing Dynasty collectors. Evidence of this can be seen in a Yongzheng period painting by Giuseppe Castiglione (Lang Shining) depicting a flower arrangement set in a similar Guan-type vase.PROVENANCE: The descendants of Dudley L. Pickman (1779-1846), founding member of the East India Marine Society and CharlesG. Loring (1828-1902), the first director of the Museum of Fine Arts, Boston. See Skinner'sSpring Auction, Boston, 19 March 2016, lot 201.

The waterpot is well potted with rounded sides rising to a short flared rim, incised with three archaistic dragon roundels on the body, and covered in a liverred glaze of an uneven greyish red tone, suffused with strawberry mottling, the interior and countersunk base glazed in white, Kangxi six-character mark in underglaze blue.PROVENANCE: Collection of Sidney T. Cook (1910-1964), and thence by descent

Well potted with slightly flared sides resting on a countersunk foot, the exterior applied with a rich red glaze, the interior and base glazed in white, the base inscribed in underglaze blue with six-character Yongzheng mark within a double circle. The use of copper-red glaze at Jingdezhen was reintroduced by the Kangxi Emperor with the wish to reproduce classic Ming sacrificial red (jihong) porcelains. At the end of the Kangxi period the use of copper-red was revived in a variety of ways to achieve different glaze effects and was perfected during the Yongzheng reign. A related example is illustrated in John Ayers, 《Chinese Ceramics in the Baur Collection》vol. 2, Geneva, 1999, pl. 256; and another is published in Regina Krahl,《Chinese Ceramics from the Meiyintang Collection》, vol. 2, London, 1994, pl. 826. Bowls with a countersunk foot are scarce. See a closely related bowl with Yongzheng mark, illustrated in 《Meiyintang Chinese Ceramics ll》 , London 1994, page 183, pic. 825. Also see two sold at Sotheby's Hong Kong 29 April 1992, lot 71,and 31 October 1995, lot 420.PROVENANCE: From a Asian private collection

Decorated with a beautiful peach-bloom glaze, the lustrous colour at the shallow foot changing to an excellent almost translucent tone near the slightly everted rim, with the interior of the bowl white glazed, with an underglaze blue Yongzheng six-character mark set in a double ring on the underside of the foot.PROVENANCE: Former Collection of Professor E.T.Hall (1924-2001), Christie's London 7 June 2004, lot 91. Collection of Inder Rieden, Bonhams London 10 November 2011, lot 60The use of copper-red glaze at Jingdezhen was reintroduced by the Kangxi Emperor with the wish to reproduce classic Ming sacrificial red (jihong) porcelains.At the end of the Kangxi period the use of copper-red was revived in a variety of ways to achieve different glaze effects and was perfected during the Yongzhengreign. A related example is illustrated in John Ayers, 《Chinese Ceramics in the Baur Collection》vol. 2, Geneva, 1999, pl. 256; and another is published inRegina Krahl, 《Chinese Ceramics from the Meiyintang Collection》, vol. 2, London, 1994, pl. 826.

A fine apple-green glazed brushwasher, of circular section and broad half-barrel form, covered overall in a rich clear applegreen glaze, the wide and mostly unglazed bi-disc shaped foot enclosing a recessed white glazed centre, upon which the nianhao is written in bright underglaze blue.PROVENANCE: British private collectionThe Kangxi Emperor was keen to revive the Imperial porcelain factories at Jingdezhen, which had ceased production from the end of the Wanli reign. One of the priorities was the revival and development of monochrome glazes, including green. A related item was illustrated in 《 Seventeen Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collection 》Shanghai Museum, November 2005, page262, pl.94.

An elegantly proportioned deep, round cup with a slightly flared rim and with a shallow foot, decorated with a pleasing, lustrous white glaze, set within a double circle, an underglaze blue Kangxi six-character mark at the base.PROVENANCE: Private Collection USA related cup was recorded in 《Sun Yingzhou de Taoci Shijie》(the Ceramic world of Sun Yingzhou ), the National Palace Museum, Forbidden City Publishing, 2003, page195, pl.116, and another sold in Sotheby's Hong Kong 28 November 1978, lot 129, then sold again in 27 May 2014, lot 721.

Decorated to the centre with a writhing dragon grasping a central ‘shou’ character, amidst fire scrolls, the rim with a band of honey-comb diaper, a six- character Kangxi mark within a double circle in underglaze blue at the base.PROVENANCE: Collection of Roger Keverne

An attractive pair of Kangxi blue and white brushpots of square section, both mounted on the top rim in French ormolu, the rectangular sides rising from moulded ruyi shape feet at the corners, each side decorated in underglaze blue with a central landscape panel, enclosed by a raised moulded frame, set within diaper borders interspersed with cartouches of flowering plants.PROVENANCE: JC Collection UK, Purchased from Vanderven Oriental Art in 1997 ( silver label )

C18th/19th Chinese peach bloom-glazed beehive water pot, bearing Kangxi six-character mark to the base, 12.6cm diam.

Chinese blue and white bowl, painted with a scholar leaning against a pine tree watching cranes, accompanied by two boy attendants carrying peach and double gourd, Kangxi six-character mark and of the period, 9cm diam.

Chinese blue and white baluster vase, painted with prunus on a cracked-ice ground, Kangxi, 17cm high; together with a blue and white bowl decorated with similar pattern, Kangxi. (2)

Chinese blue and white twin-handled vase, painted to both side with a panel depicting figures in a riverside landscape scene, Kangxi, 39cm high.

Chinese blue and white bowl, painted to the exterior with figures in a landscape scene, a seated lady to the centre of the interior, mounted with a silver handle, Kangxi six-character mark and of the period, 15.6cm diam.

Large Chinese blue and white plate painted with four fish swimming amongst reeds and aquatic plants, Kangxi, 29cm diam; together with an underglaze blue and red bowl with similar pattern, Kangxi. (2)

A transitional or early Kangxi square sectioned bottle and a wooden cover, underglazed blue and white painted with island and garden panels below brocaded shoulders, 22cm high

Two small dishes late Ming and Kangxi, the late Ming dish with lappets radiating around a sage seated on an island, 11cm diameter; the Kangxi dish painted with three shaped bands enclosing two warriors riding horses in a roundel, 11cm diameter (2)

Four saucers from Kangxi period, the first painted with two chickens within radiating panels, 11.5cm diameter, the second painted with five ladies each seated by boxes, 9.7cm diameter, the third painted with a departing horseman leaving two figures by a pavillion, 8.5cm diameter, the fourth a "shipwreck" small dish painted with two cranes within a chevron rim band, 10.5cm diameter (4) Restored chip.

Two Kangxi dishes, one painted with two ladies and three children playing by a fence outside a pavillion, 25.5cm diameter; the other the floral roundel enclosed by scalloped bands and floral lappets, 22cm diameter (2)

A Kangxi baluster vase, painted with phoenixes flying amongst lotus and dense foliage, 41cm high

A Kangxi bowl, painted with two dragons head to head with sacred pearl, 22cm diameter Some restoration at the rim.

Chinese, possibly Kangxi, blue and white dish decorated with peaches and foliage, Lingzhi fungus mark to base, 34.5cm diameter,.

Chinese blue and white ovoid vase decorated with panels of maidens and foliage. Kangxi four character mark and of the period 1662/1722, 11.5cm high,.

Pair of Chinese porcelain Wucai dishes decorated with carp amongst weed, on round feet, Kangxi six character mark and of the period, 20cm diameter. PROVENANCE: From a private English collection. . Small chip to rim of one and crack from chip. Pieces present. Some restoration around chipped area. The same dish has another crack from rim. Light wear to decoration and glaze faults.Other with glaze faults and wear to decoration. Two cracks from rim and one glaze crack.