CHINESISCHE FUSSSCHALE, wohl 20. Jh., China, unter dem Stand mit sechs Schriftzeichen der Kangxi-Periode (1662-1722). Porzellan. Äußere Wandung und Fuß mit seladonfarbener Glasur über geprägtem Reliefdekor aus Drachen und Landschaft; Spiegel der Fußschale mit weißer Glasur und polychromer Staffage: Landschaft mit Figuren und Tieren. H. 16,5 cm, D. 22,7 cm. (Malerei partiell berieben).
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A group of Chinese and Japanese blue and white porcelains, late 17th to 19th century, including a Kangxi hexagonal teabowl and saucer painted with Long Eliza figures and a boy playing, a Chinese hexagonal salt with floral panels, a petal-lobed dish with birds on flowering branches, two butter dishes and covers and two custard cups and covers for the export market, a small Chinese bird feeder painted with figures, an Arita plate with flowerheads, and a small Chinese dish for the Japanese market, with a landscape scene and a Batavian underside, some faults, 20.2cm max. (15)
A Chinese Brinjal bowl, Kangxi (1662-1722), painted in 'egg and spinach' splashes of green, yellow and manganese, and three small monochrome vases, 19th century, one applied with a dragon to the shoulder and decorated in a mottled puce and turquoise glaze, another in a crackled green glaze, the last of solifleur form and glazed in black, damages and repairs, 15.5cm max. (4)
Chinese blue and white beaker vase, Kangxi period (1662-1722), the upper section decorated with figures in a mountainous landscape, the middle with dragons chasing a flaming pearl, and the lower section with two deer in a landscape, six-character Chenghua mark to base, 41cm highSome fritting and small chips to the rim. Otherwise in good antique condition with some glaze scratching.Provenance: The Shakerley-Ackers Baronets of Somerford Park, Cheshire, thence by family descent
Rare Chinese blue and white square gin/spirit bottle and cover, Kangxi (1662-1722), two sides decorated with a figure in a landscape scene, the other two with bamboo, prunus and a bird, floral sprays to the shoulder, landscape scenes to the cover, 26.5cm high with coverCondition report: Fritting and scratching commensurate with age. Small chip to rim, Otherwise in good condition.
Chinese famille verte brush pot, Kangxi style but late 19th/early 20th century, decorated with a continuous figural scene, with patterned borders, double-ring mark to base, 13.5cm highCondition report: Some gilt wear and minor enamel wear. Star crack to the base. Something stuck inside but could be removed.
A collection of Chinese blue and white,late 19th century, comprising: three baluster vases and covers, a pair of jars and a cylindrical vase painted with blossoming prunus against a blue ground, four-character Kangxi mark to base,16cm to 26cm high, and another vase, painted with a bird in a tree above peonies and rocks, four-character Chenghua mark to base, 25.5cm high (12)Cylindrical vase with bird - chips to rim and foot rim, firing cracks to base. Baluster vases and covers - all with chips in various places, matching covers later. Jar and covers - one fully restored.
A Chinese Porcelain Yen-Yen Vase, in Kangxi style, painted in famille verte enamels with birds amongst foliage on a foliate ground with butterflies, 45cm highA large triangular section lacking from the rim, with an associated crack which is approximately 10cm. There is a chip to the inner footrim. Glaze pitting throughout and some minor wear and scratching to the glaze and enamel.
A Chinese Porcelain Baluster Vase, Kangxi reign mark but not of the period, painted in underglaze blue with warriors, bears six-character reign mark, 18cm high; and A Chinese Porcelain Fish Bowl, Qianlong reign mark but not of the period, painted in famille rose enamels with carp amongst seaweed, the exterior with insects and foliage on a black ground, bears four-character reign mark, 41cm diameter (2)The vase is crazed all over and lightly stained. There are no chips, cracks or repairs. Bowl in good condition with no chips, cracks or repair.
A Chinese Kangxi period (1662-1722) blue and white baluster vase, the splayed foot extending to a rounded body with opposing fan shaped panels decorated with waterside landscapes and chrysanthemum and butterflies, and upright neck decorated with ruyi border, double circular line to underside of base, height 23cm, S/D.
A pair of Chinese vases with lids, with a blue-white flower decor. Waarschijnlijk Kangxi. Condition: The vases have a large restoration to both of the lids. There are visible glue marks, there is a missing piece to one of the lids. One of the vases with a small restoration to the interior of the rim. (24 x 11 cm)
Teapot and saucer; China, Yongzheng period (1722 - 1735).Porcelain. Pink family.The lip of the dish is slightly pitted.Measurements: 11.5 x 15 cm; 13.5 x 12 cm.In China at the beginning of the 18th century, various technical advances in the manufacture of porcelain pieces were developed which provided a host of decorative effects unprecedented until then. In particular, the Yongzheng period saw a boom in the refinement of the manufacture of this highly prized material. The pieces made during this short period are highly valued both for their small number and for their enormous technical quality. One need only look at the very fine teapot and saucer presented here to realise the great value placed on precise drawing during the reign of this emperor, with exquisite detail achieved through the outlining of the contours. The elegant chromaticism of these pieces, using pastel colours and gold, could be included among the technical innovations introduced during Yongzheng's reign. It is in fact during this period that experts believe the so-called "Famille Rose" decoration was established, which overtook the "Famille Verte" of the Kangxi reign, using a colour palette of soft, opaque tones (mixed with "Bo Li Bai" white or lead arsenate) which, when fired at a lower temperature, allowed for a wider range of shades, especially the pink and warm colours, which were usually combined with a gold base. Studies seem to indicate that the "famille Rose" decoration was influenced by European taste through the trends imported by the Jesuits who worked inside the imperial palace in Beijing, and is undoubtedly the chromatic range that the incipient Rococo style was beginning to demand in Europe and above all in France. We can find pieces of porcelain from the Yongzheng period with a pattern very similar to those presented here in the Victoria and Albert Museum (London): Inv. Nos. 682-1907 and 640-1907.
Bowl; China, Yongzheng period (1722 - 1735).Porcelain. Pink family.Presents label of the Stodel collection.Measurements: 6 x 14,5 cm.In China at the beginning of the 18th century, various technical advances were developed in the manufacture of porcelain pieces which brought a host of decorative effects unprecedented until then. In particular, the Yongzheng period saw a boom in the refinement of the manufacture of this highly prized material. The pieces made during this short period are highly valued both for their small number and for their enormous technical quality. One need only look at the very fine teapot and saucer presented here to realise the great value placed on precise drawing during the reign of this emperor, with exquisite detail achieved through the outlining of the contours. The elegant chromaticism of these pieces, using pastel colours and gold, could be included among the technical innovations introduced during Yongzheng's reign. It is in fact during this period that experts believe the so-called "Famille Rose" decoration was established, which overtook the "Famille Verte" of the Kangxi reign, using a colour palette of soft, opaque tones (mixed with white "Bo Li Bai" or lead arsenate) which, when fired at a lower temperature, allowed for a wider range of shades, especially the pink and warm colours, which were usually combined with a gold base. Studies seem to indicate that the 'famille Rose' decoration was influenced by European taste through the trends imported by the Jesuits working inside the imperial palace in Beijing, and is undoubtedly the colour range that the incipient Rococo style was beginning to demand in Europe and especially in France.
A Chinese Kangxi 'eight immortals' plate, a teabowl & saucer c1730-40 (2)Condition report: Rubbing and wear to the gilt and decoration. The plate has chipping to rim on the front and reverse. Slight discoloured markings throughout. The tea bowl and saucer has a dark mark on the interior of the bowl and roughness to the base. Diameter of the plate 22cm and high of the bowl 3.5cm
Chinese Blue and White Dish with Figures in a Pavilion and Playing Boys, Kangxi period or later, Qing dynasty painted in underglaze blue. On the shelf a lady, a gentleman and boy in a pavilion, two boys are playing outside in a fenced garden with a tree, rocks and plants, on the edge a continuous landscape with trees, rocks and plants with ladies, the back with ten different flower sprays, on the underside a medallion in the shape of a peony branch. 25.3 cm diameter . Compare this dish with the pair from the British Museum (Franks.207 and Franks.208) , Also the National Museum of Asian Art at the Smithsonian ( F1992.48.1)
A Chinese blue and white vase, late 19th / early 20th c, painted to either side with a woman beneath plantain flanked by uprights and a bird on a branch, 16.5cm h, Kangxi mark, a Chinese blue and white miniature vase, applied with chilong and two other items (5) Condition ReportVase and cover - firing crack around base visible only when viewed from inside, tiny surface crack on edge of foot. The three other vases in good condition

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