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A pair of 19th century Chinese blue and white sleeve vases (height 15cm), each bearing four character Kangxi mark to base, together with smaller blue and white vase (height 9cm). Condition- one of the vases has a chip to the rim, the other has been badly damaged and repaired with various cracks and chips.

A Chinese Qing Dynasty Porcelain Blue and White Prunus Pattern Ginger Jar and Cover with Four Character Mark for Kangxi Inside Double Concentric to Base, 16cm high

A Large 20th Century Chinese Reproduction Porcelain Vase Decorated in the Famille Verte Palette with Birds and Flowers and with Butterflies to Neck Having Bamboo Stylised Handles and Four Character Mark for Kangxi to Base, 31cm high

A pair of Chinese blue and white, copper-red and powder-blue rouleau vases with gilt bronze mounts, KangxiH 55 - 54 cm

A very rare Dutch Delft yellow ground 'Sample' or 'Hundred antiquities' plate, 18th C.Dia.: 22,5 cm It is generally believed that plaques or dishes with 'sample' (monster) design were used by workshops as advertisements for the goods they manufactured or wished to sell. Unfortunately it has not yet been possible to back this up with evidence from workshop archives. Another source for these 'sample' plaques and dishes could be Chinese porcelain with 'Hundred Antiquities' design, where various stylised objects are painted on a plain background. A dish in the Rijksmuseum Amsterdam (inv.no. BK-NM-12400-194) shows the same central garniture as the present lot, this time surrounded by a variety of objects which could not have been produced by a Delft potter; a mirror, a chair, a dog and a cat, a wooden basket, a cradle etc The dish here offered is decorated with five medallions enclosing Chinese figures, which is also not really a subject for 'sample' decoration. Another link to a Chinese source is the yellow ground, which reminds us of Kangxi examples (see M.S. van Aken-Fehmers, Delfts Aardewerk, Geschiedenis van een nationaal product, Zwolle, 1999, pp. 148-149, cat. n°. 55 and fig. 1/2 and frontcover). Ref.: - Christies, Amsterdam, 'The Dr. Anton C.R. Dreesmann Collection', April 16 2002, lot 1292, for an identical example, attributed to the 'De Grieksche A' workshop, sold €28.200 .

A Late 19th Century Chinese Relief Moulded Vase, Decorated with Dragons, Figures and Clouds. Impressed Kangxi Seal Marks to Base. Approx Height 14 Inches.

Chinese Langyao Covered Jar, Kangxi Period24 cm total height; 27 cm total widthcover repairedFor reference see: Important Chinese Ceramics and Works of Art Auction at Christie's (23–24 SEP 2021 | LIVE AUCTION 19547), LOT 786: A JADE-EMBELLISHED COPPER-RED-GLAZED COMPRESSED GLOBULAR JAR, sold for 150 000 USDCover repaired, jar in good condition.*Condition reports are a general guide and may not cover all faults or restorations. Wozniak & Wayne acts in good faith but advises buyers to seek independent advice before bidding.

A CHINESE BLUE AND WHITE BALUSTER VASE, KANGXI, CIRCA 1700,with short upright neck and body painted with stylized flowers against a white ground, the base with vacant double rings in cobalt blue, with Atherton Collection label to underside. 25cm high

A CHINESE SANCAI GLAZED MINIATURE TABLE AND FOOD ORNAMENTS, KANGXI (1662-1722) (7)

A CHINESE KANGXI PERIOD PORCELAIN GINGER JAR,with ribbed body, decorated with circular vignettes and blue and white bandings, cover lacking, 21cm high

A Chinese Kangxi period baluster vase and cover, decorated in blue and white blossoming prunus; a similar ginger jar (2)

A double walled teapot with cover, Chinese export porcelain, blue decoration "Flowers", pierced sides "Linglong", Chinese - Kangxi Period (1662-1722), one hairline on the handle and another on the edge, small chips and faults restored, other minor faults. Notes: vd. for pieces with similar decorations in "Linglong". London/Lisbon: Jorge Welsh Oriental Porcelain Works of Art, 2004, pp. 46-59, nos. 5 to 10; and "O Chá da China - Uma Colecção Particular". Lisbon: Macau Scientific and Cultural Centre Museum, 2005, p. 229, no. 115, no. 21., Dim. - 15,5 cm

A pair of small teapots with covers, Chinese export porcelain, blue decoration “Flowers”, central reserves “Flowers”, Chinese - Kangxi Period (1662-1722), one of the handles with restored chips, one marked with Artemisia Leaf. Notes: bottoms with trade labels from the SANTOS - LONDON - CHINESE PORCELAIN and VANDERVEN ORIENTAL ART galleries., Dim. - 14,6 cm

A large plate Chinese porcelainDecorated in Famille Verte enamels, depicting a court scene in a palatial courtyard, featuring a central figure surrounded by courtesans, musicians, and dignitaries, with guards accompanied by an elephant and a lion near the entranceThe reverse decorated with floral branches and the base bearing an apocryphal Kangxi markQing Dynasty, 19th/20th century Diam.: 42,5 cm

9½" CHINESE KANGXI STYLE PORCELAIN VASE WITH 4 MARKS ON BASE

A pair of Chinese blue and white porcelain vases, probably early 20th century, each of baluster form with everted rim, painted with carp and amidst waves beneath a temple, each with four character of Kangxi type (one broken and repaired). Height 26cm (2)

Chinese Blue & White Kangxi porcelain lidded ovoid jar and a Pair of Bombe Blue and white lidded vases. 26cm in Height

18th century Chinese porcelain tea pot with blue and white design of flowering plants, probably Kangxi (spout restored)

18th Century Chinese porcelain vase, with blue and white design, probably Kangxi (restoration to neck)

Chinese porcelain jar, Kangxi, decorated with floral design, 11cm high

A Chinese blue and white vase, Kangxi style and possibly of the period, shouldered form, relief moulded with blanc de Chine silhouette butterflies and floral sprigs on a birdseye stippled ground, two ogee cartouches painted dogs of foe beneath trees on cliff edges, 45cm high

A Chinese chicken cup, having blue and white script to one side and branch and flowers on the other, Kangxi mark but 20th century, approx. 4.8cm high x 6.6cm diameter, in fitted box. Further details: in good condition, slightest surface wear and scratches.

A Chinese yen-yen vase, 19th century, with cellular ground, painted in famille rose colours with birds in branches, lotus, and floral sprays, six character mark of Kangxi, approx. 14cm high. Further details: some small surface marks, hairline to rim, manufacturing flaw near crack, loss to gilding, general wear. 

A Chinese Batavian dish, Kangxi period, centrally painted with a leafy floret, externally with serrated edged panels enclosing flowers, lotus leaf within a double circle mark to reverse, approx. 21.5cm diameter x 3.5cm high. Further details: broken and re-glued in three pieces; chips, nibbles and stains, general wear.

EINE FAMILLE VERTE ROULEAU-VASE MIT FIGURENDARSTELLUNG China Porzellan. H. 45,5 cm. Der untere Teil der Vase ist mit einer figürlichen Szene aus der "Romanze der drei Reiche" verziert, während der obere Hals die Szene "San Niang Jiao Zi" zeigt. Mit Marke "Da Qing Kangxi Nian Zhi" auf dem Boden. Teilw. ber., mit Gebrauchsspuren.

A pair of late 19th century Chinese Kangxi style blue and white vases A/FLocation:If there is no condition report shown, please request

Two Kangxi style Prunas pattern ginger jars, circa 1900Location:If there is no condition report shown, please request

Chinese Kangxi mark plate decorated with prunus and foliage, diameter 22cm

Chinese blue and white porcelain to include: a vase, base mark 'Daqing Yongzheng Nianzhi'; a vase, base mark 'Daqing Kangxi Nianzhi'; and a small box, 'Daqing Qianlong Nianzhi'. (3)

A box of Royal Crown Derby floral spray decorated cups and saucers and side plates, a pair of Royal Crown Derby Japan pattern oval pots and covers and a larger matching pot and cover, a Japan pattern lozenge shaped pin dish, four Royal Doulton "The Coppice" cups and six saucers, a Chinese polychrome decorated pedestal cream jug in the Kangxi manner (damaged), a Victorian Orleans pattern water jug and a box of various china wares to include floral spray decorated cups and saucers, sucrier, pierced tazza, various plates, two rose bowls etc

A pair of Chinese blue and white baluster shaped vases and covers, the main bodies decorated with watery landscapes and figures on a bridge on a prunus blossom decorated ground raised on a circular foot bearing four character Kangxi marks, 37 cm high CONDITION REPORTS Both lids have damage to the undersides. One has a small chip to the glaze on the inner edge of the neck and the same one has a significant firing fault / damage to the glaze on the main body with the floral decorated panel. Otherwise in need of a clean. General wear and tear conducive with age and use to include some light surface scratching, firing faults, etc. See images for further detail.

CHINESE IMARI FLASK & COVER, late Kangxi, of square-section painted with panels depicting river landscapes and prunus/bamboo, within arched gilt diaper borders, unglazed base, 25.5cms (h)Provenance: private collection Liverpool.Comments: small chip to lower corner, gilt rubbed.

CHINESE BLUE & WHITE JAR & COVER, painted with two panels of birds and peony issuing from rockwork, reserved on lotus scrolling ground, ruyi-collar shoulder band and lappet foot, Kangxi 6-character mark, 25cms (h)Provenance: private collection CardiffComment: good overall.

Collection of Chinese porcelain to include a shouldered tapering vase with prunus decoration on a blue wash ground, four-character Kangxi mark to base, 31cm high (damaged), a Canton porcelain shouldered tapering vase with spray of chrysanthemum and other flowers in two panels on a pale blue and lotus blossom ground, 26cm high, a Chinese porcelain ginger jar, ovoid and painted in underglaze blue with flowering branches and flying birds, lidded, 19cm high (damaged), two various blue and white vases and a small vase with everted wavy rim, 12cm high (6) (damage throughout) Condition ReportNo visible damage to the Chrysanthemum vase. Damage to small vase piece broken off and tapped. Damage to the four other items. Please see attached images.

Buddha. Holz mit vergoldeter Lackfassung. 18. Jh.Im Meditationssitz auf einem separaten doppelten Lotosthron, beide Hände in mudra, die rechte angehobenen Hand ergänzt. Das mehrlagige Gewand fällt in reichen, teilweise sich einrollenden Falten und lässt die Brust frei. Auf der Unterseite des Sockels die Beschriftung „EX 32“. Verschiedene Rest.Stilistisch lässt sich diese Figur in die Gruppe von Skulpturen aus lackgefasstem Holz einordnen, die in der Zeit der Kaiser Kangxi und Qianlong für buddhistische Tempel geschaffen wurden. Der Tempel Puningsi 普寧寺 beispielsweise, in den Jahren 1755 bis 1758 in Chengde errichtet, ist berühmt für die monumentale Holzfigur des 1000-armigen Guanyin und beherbergt in der Halle Daxiong baodian 大雄寶殿 die Gruppe der Buddha der Drei Generationen. Des Weiteren befindet sich in der Halle Zongyindian 宗印殿 des Tempels Pulesi 普樂寺, erbaut 1766 in Chengde, ebenfalls eine große Dreiergruppe.Diese Figuren können zum stilistischen Vergleich mit der vorliegenden Skulptur herangezogen werden. Das augenfälligste Merkmal ist ihre goldbraune Farbe, die durch eine Blattvergoldung über einer rotbrauner Lackfassung und einem abschließenden transparenten Lacküberzug entstand. Zur Technik dieser Skulpturen gehört auch, dass Details wie z. B. ein Diadem und Haarlocken in Modelliermasse ausgeführt und appliziert wurden, jedoch bei der vorliegenden Figur nicht mehr existieren.Diese Technik war im 18. Jahrhundert in Nord-China sehr populär. In unseren Räumen wurden bereits mehrere solcher lackvergoldeter Skulpturen zum Verkauf angeboten: zwei gleichartig gestaltete bodhisattva-Figuren am 7./8.12.2012, Lot 123 und am 6./7.12.2013, Lot 136 und eine weitere, stilistisch ähnliche Guanyin-Figur am 10./11.6.2016, Lot 102 und 18.6.2017, Lot 1082.H gesamt 84 cmProvenienzAlter Privatbesitz, Wien

Drei kleine famille verte-Flaschenvasen. Kangxi-Ära (1662–1722)Zwei Vasen von Birnenform, eine mit ovalem Körper und schlankem Hals, dekoriert mit blühenden Gärten und Schmetterlingen. Zwei mit beschl. Lippe (3)H 14 - 14,6 cmProvenienzPrivatsammlung, Berlin

Kleine blau-weiße und puderblaue Kalebasse. Kangxi-Ära (1662–1722)Mit kugeligem, puderblaugglasiertem Bauch auf flachem Fuß, der untere Wulst in Unterglasurblau mit gerahmten Kartuschen mit Blumen auf Rogengrund, darüber ein Band mit geometrischem Muster, der schlanke zylindrische Hals mit Astern.H 15,5 cmProvenienzPrivatsammlung, Berlin, erworben bei Ruth Schmidt, Berlin

Blau-weiße Gu-Vase. Kangxi-Ära (1662-1722)Dekoriert in Unterglasurblau, auf dem hohen Fuß und am trompetenförmigen Hals mit Literaturszenen, die untere Sektion mit Gelehrten und Dienern in einem eingezäunten Garten, die obere mit kämpfenden Soldaten, die mittlere Sektion mit zwei Kartuschen, in der einen ein Fischer, in der anderen Wildgänse. Bodenmarke Doppelring.H 42,5 cmProvenienzPrivatbesitz, Hannover

Sieben blau-weiße Gefäße mit Silbermontierung. Kangxi-Ära (1662-1722)Bestehend aus drei Teedosen, drei kleinen Vasen und einem Sahnekännchen, alle dekoriert in Unterglasurblau, die Teedosen und zwei Vasen mit Langen Lijzen, eine Vase mit Antiquitäten und Blumen, das Kännchen mit einer Jagdszene. Alle Gefäße mit niederländischen Silbermontierungen des 19. Jahrhunderts, die schlanke Vase mit apokrypher Chenghua-Marke. (7)H 12,5 - 17,5 cmProvenienzPrivatsammlung, Nordrhein-Westfalen

Vase mit Peachbloomglasur. Qing-Zeit, 19. Jh.Vase von Amphorenform mit gerundeter Schulter und tailliertem Hals, bedeckt mit einer grün-gesprenkelten Peachbloom-Glasur, die den hohen, sich verjüngenden Fuß frei lässt. Um die Lippe eine Metallmontierung. Apokryphe Sechszeichenmarke 'Da Qing Kangxi nian zhi' in Unterglasurblau. Besch. Holzsockel.H 15 cmProvenienzPrivatsammlung, Hessen, in den 1960er/70er-Jahren erworbenLiteraturDer Vasentypus zählt zu den klassischen "Acht Peachbloom-Gefäßen des Gelehrtenschreibtischs". Im Chinesischen wird er aufgrund der Formähnlickeit zu einem Weidenblatt als 'Liuye ping' bezeichnet, siehe dazu: Geng Baochang, Ming Qing Ciqi Jianding, Hong Kong 1993, S. 222

Paar puderblauer Bechervasen. Kangxi-Ära (1662–1722)Von gu-Form, golddekoriert in drei horizontalen Abschnitten mit Päonien, Elstern und Schmetterlingen auf puderblauem Grund.H 19 cmProvenienzPrivatsammlung, Berlin

Famille noire-Teller mit Romanszene. Kangxi-Ära (1662-1722)Flacher Teller mit schräger Fahne, dekoriert im Spiegel in famille verte auf schwarzem Grund mit drei männlichen Figuren aus dem Roman "Die Räuber vom Liangshan Moor" (shuihu zhuan). Das schwarze Émail möglichweise später aufgetragen.D 26,5 cmProvenienzHändleretikett E. Pranger Oriental Art, AmsterdamLiteraturFür eine Schale mit identischem Dekor siehe: Rose Kerr, Chinese Ceramics, Porcelain of the Qing dynasty 1644-1911, Victoria & Albert Museum 1998, Nr. 81

Große blau-weiße Phönixschweifvase. Kangxi-Ära (1662-1722)Von yenyen-Form mit balusterförmigem Körper und Trompetenhals, dekoriert in Unterglasurblau mit vier fliegenden Phönixen und Päonienblüten auf einem Rankengrund. Unterglasurblauer Doppelring am Boden.H 45,8 cm

A Vungtau Cargo shipwreck porcelain bowl in underglaze blue with crustaceans attached, Kangxi period, with Christie's Vungtau label attached underneath, diameter: 14.2 cm together with three photocopied articles on the Vungtau shipwreck.

A Chinese Kangxi style blue and white rouleau vase painted in rich tones of underglaze blue with a continuous landscape scene featuring Manchu warriors, one riding a horse and one on a qilin, foot soldiers and banner-men, 36.5 cm high

A 19th century Chinese blue and white vase or jar in the Kangxi style but late Qing dynasty, of high-shouldered baluster form, painted in underglaze blue with prunus on cracked ice designs surrounding shaped panels with various flowers, the base with artemisia leaf mark within double circle, 30 cm high c/w carved and pierced domed cover and circular display stand, 44 cm high o/aSmall rim chip and star hairline visible from inside, firing irregularities within glaze, areas of surface wear, cover with splits and losses, legs on stand loose

A group of 18th century Chinese blue and white ceramics including a Kangxi period dragon and carp plate, 21 cm diameter; a small bowl painted with a fenced garden landscape, 16 cm diameter; a Qianlong period pagoda landscape design tea bowl and saucer; blue and white cafe-au-lait dish, Jiaqing period floral design saucer with key fret rim, 15 cm diameter; and a small tea bowl (possibly Tek Sing shipwreck cargo) all items Qing dynasty (7) Dragon and Carp plate with rim chips all the way round, all other items with small chips and/or hairline cracks, other wear commensurate with age

PETIT VASE BOUTEILLE EN PORCELAINE BLEU BLANCÉpoque Kangxi (1662-1722)A SMALL BLUE AND WHITE BOTTLE VASEKangxi period (1662-1722)The pear-shaped body rising to a long neck and flared mouth, painted around the body in tones of inky blue with a continuous scene of riders leaving a through a gate towards a boat, all set in a landscape with tall cliffs and gnarled trees.17.5 cm (6 7/8 in) highFootnotes:清康熙 青花山水人物圖長頸瓶Provenance:Acquired from Bernheimer, Munich, 30 October 1984.Collection of Christian von Reitzenstein.來源於1984年10月30日得自慕尼黑BernheimerChristian von Reitzenstein珍藏For further information on this lot please visit Bonhams.com

PETIT VASE BOUTEILLE EN PORCELAINE BLEU BLANCÉpoque Kangxi (1662-1722)A SMALL BLUE AND WHITE BOTTLE VASEKangxi period (1662-1722)With a pair-shaped body rising to a long neck with a flared mouth, boldly painted around the body in shades of cobalt blue with a continuous landscape scene featuring gnarled pine trees on craggy rockwork bordering a river, the neck with flower sprays and upright lappets.20.4 cm (8 in) highFootnotes:清康熙 青花山水圖長頸瓶Provenance:Acquired from Galerie Cross, Wiesbaden, 17 April 1986.Collection of Christian von Reitzenstein.來源於1986年4月17日得自Galerie Cross藝廊，威斯巴登Christian von Reitzenstein珍藏For further information on this lot please visit Bonhams.com

COUPELLE EN PORCELAINE BLEU BLANC ET ROUGE DE FER ÉMAILLÉEÉpoque Kangxi (1662-1722)A BLUE AND WHITE IRON-RED AND ENAMELLED FLUTED DISHKangxi period (1662-1722)With a fluted well and barbed rim, painted to the centre in underglaze blue with a four-clawed dragon pursuing a flaming pearl amidst flames, with iron-red, green, yellow and black enamelled details, the well painted with auspicious emblems, the exterior painted with a band of waves in underglaze blue enclosing eight flower blooms in iron-red, with green enamel detailing, the base with an apocryphal Chenghua six-character mark in underglaze blue within a double circle.15.3 cm (6 in) diam.Footnotes:清康熙 青花礬紅加彩菱口盤 「大明成化年製」款Provenance:Collection of Christian von Reitzenstein.來源Christian von Reitzenstein珍藏For further information on this lot please visit Bonhams.com

RARE ASSIETTE EN PORCELAINE DE LA FAMILLE ROSEMarque et époque Qianlong (1736-1795)A VERY RARE FAMILLE ROSE RUBY-BACK 'BUTTERFLY AND FLOWERS' SAUCER DISH Qianlong six-character seal mark and of the periodFinely painted in bright enamels with a cluster of small flowers nestling amongst leaves, two butterflies in flight depicted in shades of grisaille with finely stippled and shaded wings and naturalistic legs, feelers and bodies, the reverse enamelled in a vibrant ruby-red of crushed-raspberry tone, the base with a six-character seal mark in underglaze blue. 16.5 cm (6 1/2 in) diam.Footnotes:清乾隆 外胭脂紅釉內粉彩蝶戀花紋盤 「大清乾隆年製」款Provenance:Acquired from Bernheimer, Munich, 22 April 1980Collection of Christian von Reitzenstein.來源於1980年4月22日得自慕尼黑BernheimerChristian von Reitzenstein珍藏The colour of the pink enamel on the back of this dish was originally introduced under the Kangxi emperor (1662-1722) when the artisans in the imperial workshops making glass and enamel wares succeeded in creating the colour rose pink copying the recipe employed by European artisans which involved a mixture of fine gold particles, stannous and stannic chlorides with alkali and tin. Chinese artisans perfected pink enamel by grinding ruby glass and dispersing it in a clear, colourless enamel making it easier to apply the enamel evenly on a surface and achieving an even tone in the firing. Few ruby-glazed and ruby-backed dishes and cups made under the Kangxi emperor survive, and the pink colour and glaze was perfected under the Yongzheng emperor (1722-1735) quickly gaining in popularity.Ruby-backed porcelains with Qianlong marks are rare. It appears that only one other ruby-backed famille rose dish decorated with a European subject and inscribed with a Qianlong seal mark is known, formerly in the collection of E.T.Chow, sold Christie's Hong Kong, 31 May 2017, lot 3029.For further information on this lot please visit Bonhams.com

A Chinese wucai tea bowl and saucer, Kangxi (1662-1722), the interior painted with peony next to a pierced rock, surrounded by florets in shaped panels, tea bowl 8.4cm diametersaucer 13cm diameter (2)Condition ReportTea bowl - restored to rim and foot rim. A 4cm hairline crack to rim. A small chip to foot rim.Saucer - minute chips to rim and foot rim. Cracked and restored to rim in various locations.

A Chinese Imari-style charger, Kangxi (1662-1722), of circular form, painted with blossoming trees in a garden in iron-red and blue, 35.8cm diameterProvenance: The property of the late Baron John Mauger Langin.Condition ReportRestored to rim. Some enamel and gilt losses. Burst glaze bubbles in various locations.

A Chinese Qing Dynasty Kangxi (1662-1722) blue & white porcelain plate, feature branching blossoms and birds, with a four-character "Kangxi" mark within double circle at base. Diameter 14.8cm (5 inch), few small chips at back edge.

Type: Chinese Famille Verte Fish Bowl or Jardiniere Dimensions: 20 cm height, 26 cm diameter at the top Design Details: This piece is richly decorated with intricate hand-painted patterns in the Famille Verte style, featuring a phoenix in flight surrounded by lush florals and foliage. The colorful palette includes greens, pinks, yellows, and blues, characteristic of the Famille Verte tradition, which emphasizes detailed enamel painting over a white porcelain base. Symbolism: The phoenix is a symbol of grace, virtue, and renewal in Chinese culture, while the floral motifs add to the sense of prosperity and beauty. Style: Famille Verte porcelain originated during the Qing Dynasty, particularly under the Kangxi reign (1661–1722). The style is recognizable for its green-dominant color palette and detailed narrative or naturalistic imagery. This piece is likely a 20th-century interpretation of this iconic design. Markings: The underside bears red Chinese character markings, possibly indicative of a 20th-century workshop or reproduction inspired by earlier Qing-era designs. This elegant fish bowl or jardiniere, with its vivid colors and cultural symbolism, is ideal for collectors of Oriental porcelain or as a decorative statement piece in both modern and traditional interiors.

14 antique pieces in Chinese porcelain with a blue-white decor amongst which some from the KangXi period Lot (14) antiek Chinees porselein met blauwwit decors waaronder enkele stukken uit de Kang Hsi-periode

series of six Chinese KangXi period plates in porcelain with cobalt-blue glaze Reeks van zes Chinese Kang Hsi-schalen in porselein met kobaltblauwe glazuur - diameters van 26 tot 28,5 cm prov : uit een oude Belgische collectie

series of six 17th/18th Cent. octagonal KangXi plates in porcelain with a Famille Verte garden decor with birdsReeks van zes zeventiende/achttiende eeuwse octogonale Kang Hsi-borden in porselein met een Famille Verte-decor met vogels in tuin - diameter : 25,5 cm prov : uit een oude Belgische collectie

series of nine Chinese KangXi period plates in porcelain with cobalt-blue glaze with a letter of Christies' dd 1983Reeks van negen Chinese Kang Hsi-schalen in porselein met kobaltblauwe glazuur - diameters van 22,5 tot 28,5 cm met schrijven van Christies' dd 1983 prov : uit een oude Belgische collectie

series of six Chinese KangXi period plates in porcelain with cobalt-blue glaze Reeks van zes Chinese Kang Hsi-schalen in porselein met kobaltblauwe glazuur - diameters van 24,5 tot 29 cm prov : uit een oude Belgische collectie