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A good Chinese blue and white ‘Hundred Antiques’ ovoid jar, Kangxi period (1662-1722), finely painted to each side with scholarly antiques and precious objects, interspersed by two lotus flower sprigs, double circle to base, 19.5cm high, wood cover Good condition with just some scratches and no cracks, chips or restoration.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of Chinese famille verte green ground jardinieres, Kangxi marks, but late 19th century, each painted with black birds perched on a prunus tree with rockwork below, underglaze blue six character Kangxi mark to base, 33.5cm diameterConditionTypical minor glaze imperfections, some occasional scratching and scuffing to the glaze on the edge and to the interior, there is a hairline to the glaze only on the underside of one of the jardinières which does not go through to the interior. Good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese blue and white ‘Yang Jia Jiang’ dish, Kangxi period (1662-1722), painted with warriors on horseback, the rim with six cartouches of further horseman and attendant with a flag, the reverse with an apocryphal Chenghua mark, 32cm diameter, short rim crack.cf. an identical example in the Rijksmuseum, accession No.This dish depicts Mu Guiying a legendary heroine from the Yang Jia Jiang (Generals of the Yang Family Legends), a Northern Song Dynasty tale and play. Also compare an identical dish sold by Christie’s Amsterdam, European Noble and Private collections sale, 10-11 December 2011, lot 436 PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of Chinese blue and white chargers, Kangxi period (1662-1722), each painted to the centre with flowering shrubs and rockwork, within a panelled border of flowering plants, the underside with artemisia leaf mark within a double circle, flaming ring and ribbon tied precious objects, 34cm diameter, minor faults One dish with a short hairline crack to the rim. Fritting to the rim, some wear to the glaze with the engrained dirt which will scrub off, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A large Chinese blue and white ‘lotus’ dish, Kangxi period, painted with five lotus flowers, scrolling tendrils and leaves, the underside with an artemisia leaf within a double circle, the border with ribbon tied precious objects, 38cm diametercf. an identical example in the Dresden collection Excellent condition with fitting and a chip but no cracks.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A small Chinese peach bloom glazed vase with fitted wood stand, Republic period, underglaze blue Kangxi mark to base, 19.3cm high including fitted standThe porcelain vase has typical minor glaze imperfections and is in good condition with no restoration, chips or cracks. The fitted wood stand has come apart and been messily reglued and one small section of the foot is broken and re-glued out of alignment, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A near pair of Chinese famille rose ‘Hundred Antiques’ baluster vases, Kangxi mark, early 20th century, each painted with antiques on a red scrollwork ground, brocade pattern banded borders, underglaze blue six character mark, largest 36cm high PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese Kangxi period blue and white beaker vase, circa 1700, with traditional scenes, flared rim, height 24cm.

A Chinese Kangxi period blue charger with blue and white decoration of trees and flowers, flower mark to base 38cm (chipping and crack to the rim).

A pair of Chinese 18th/19th Century lidded vases with marks for Kangxi period, blue and white with birds and flowers (one a.f.) height 22.5cm

Chinese Kangxi porcelain wares from The Shanghai Museum Collection book.

A CHINESE BLUE AND WHITE YEN YEN VASEKANGXI 1662-1722The body and neck painted with a continuous watery landscape with scholars on the shoreline and fishermen on sampans, 45.8cm.Provenance: from an English private collection, acquired in the 1930s.清康熙 青花山水人物圖鳳尾尊來源：英國私人收藏，購於1930 年代。

A CHINESE BLUE AND WHITE 'PEONY AND PRUNUS' ROULEAU VASEKANGXI 1662-1722The body decorated with flowering peony and prunus issuing from holey rockwork below two birds in flight, the shoulder with a geometric border below a band of scrolling ruyi-heads to the neck and further scrolls to the rim, 47cm.Provenance: from an English private collection, acquired in the 1930s.清康熙 青花花卉紋棒槌瓶來源：英國私人收藏，購於1930 年代。

A PAIR OF CHINESE POWDER-BLUE GROUND ROULEAU VASESKANGXI 1662-1722Each painted with various shaped panels, one depicting ladies and boys enjoying their daily life, the others featuring watery landscape scenes and precious objects, the waisted necks with three further pomegranate-shaped cartouches containing seasonal flowers, all reserved on bright blue grounds, the bases with double circles, 52.5cm. (2)Provenance: from the collection of the 9th Marquis of Waterford, Henry Nicholas de la Poer (b.1958) of Curraghmore, County Waterford.Cf. CJA Jörg in Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, fig.152, p.142 and 143 for a related pair of blue and white rouleau vases, decorated with panels reserved on a powder-blue ground.清康熙 灑藍地開光山水人物博古圖瓶 一對來源：愛爾蘭沃特福德克拉莫爾第九代沃特福德侯爵Henry Nicholas de la Poer (1958年生) 的收藏。

A NEAR PAIR OF CHINESE LANGYAO SLENDER BALUSTER VASESKANGXI 1662-1722With waisted necks and high shouldered bodies, each decorated with a rich red glaze crackled to the necks, draining from the rims, one with a paper label for Spink & Son Ltd, 39.8cm and 40.1cm. (2)Provenance: from the Mark and Elizabeth Harding Collection, South Africa, purchased from Spink & Son Ltd.Cf. The Complete Collection of Treasures of the Palace Museum: Monochrome Porcelain, Vol. 37, p.18, no.15 for a closely related example; see also Christie's Paris, 10th December 2014, lot 321 for another similar vase.清康熙 郎窯紅觀音瓶 一組兩件來源：南非Mark及Elizabeth Harding 收藏，購於倫敦Spink & Son。

A CHINESE FAMILLE VERTE EWER AND COVERKANGXI 1662-1722The body of shaped rectangular form below a bail handle, decorated to the sides with alternating panels of flower baskets and flowering stems, the shoulder decorated with a cell diaper centred with two floral roundels, the domed cover with floral panels below a blue-glazed knop, together with a wood stand, 18.2cm. (3)Provenance: Hinton Daniell Stewart (1835-1926) of Strathgarry, Perthshire, founder of the firm of Stewart Thompson and Sons (Manchester Cotton Merchants), and thence by descent.清康熙 五彩花卉紋提樑壺來源：英國蘇格蘭佩斯郡斯特拉斯加里， Hinton Daniell Stewart（1835-1926）收藏，Hinton是曼徹斯特棉業公司Stewart Thompson的創始人，之後由其後人繼承。

AN UNUSUAL CHINESE COPPER-RED GLAZED 'FRUITS' BOWLSIX-CHARACTER XUANDE MARK BUT POSSIBLY KANGXIThe rounded sides finely incised with fruiting sprays of peach, grapes, crab apple, pomegranate, persimmon and loquat, reserved in white against a copper-red ground, with a band of lappets above the short straight foot, the interior also decorated with a copper-red glaze draining from the rim, 26.6cm. Provenance: previously an English private collection, Shropshire.The distinctive decoration on the present lot, with its variety of auspicious fruit, was a popular composition during the Xuande reign. Elegant floral motifs were particularly popular, characterised by a sophisticated stylisation of natural forms analysed in detail by Regina Krahl in her two articles 'Plant Motifs of Chinese Porcelain', Orientations: Chinese Ceramics 1982-1998, pp.138-165.清康熙(可能) 霽紅留白暗刻花果紋碗《大明宣德年製》仿款來源：英國什羅普郡私人舊藏。

A CHINESE COPPER RED-GLAZED DISHKANGXI 1662-1722With shallow rounded sides, the interior and exterior covered with a soft crushed-strawberry tone below a white rim, the base with a six-character Xuande mark, 16.7cm.Provenance: formerly the Montagu-Meyer family collection, later the Mark and Elizabeth Harding Collection, South Africa, purchased from David Porter Antiques, South Africa, 26th August 1991, a copy of invoice is available.清康熙 霽紅釉盤《大明宣德年製》仿款來源：Montagu-Meyer家族舊藏，南非Mark及Elizabeth Harding收藏，1991年8月24日購於南非 David Porter古董店 (附發票複印件)。

A RARE PAIR OF CHINESE BLUE AND WHITE 'G' MARKED 'LADIES' BOTTLE VASESKANGXI 1662-1722Each of hexagonal section, painted with six cartouches reserved against a cracked-ice ground, depicting ladies at leisure in fenced gardens, antiques and scholars with their attendants holding qins, the necks decorated with bands of lappets and ruyi-heads, all raised on high splayed feet, each with a 'G' mark to the base, 20.1cm. (2)Provenance: from the collection of the 9th Marquis of Waterford, Henry Nicholas de la Poer (b.1958) of Curraghmore, County Waterford.Cf. Sotheby's New York, Cross-Currents in America: The Wolf Family Collection, 21st April 2023, lot 750 for an almost identical pair of Kangxi hexagonal 'ladies' vases with 'G' marks. See also the Lady Lever Art Gallery, Liverpool, collection no. LL 6450-51-52 for other related examples.Although 'G' marks have not been identified with any particular person, it has been suggested that the mark was used to distinguish pieces made for a specific European trader, or perhaps for a member of the Dutch East India Company. Porcelain with this mark is usually of a high standardised quality, reinforcing the view that 'G' marks may suggest these items were custom made for an individual. Christian Jörg in his work, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties, supports this theory citing the example of so-called Japanese 'apothecary bottles' which also make use of a set of initials encircled on the body. See also RL Hobson, The Later Ceramic Wares of China, London, p.143 for a further discussion of these marks.清康熙 青花開光仕女博古圖六棱瓶 一對來源：愛爾蘭沃特福德克拉莫爾第九代沃特福德侯爵Henry Nicholas de la Poer (1958年生) 的收藏。 

A CHINESE BLUE AND WHITE 'HUNDRED ANTIQUES' TEAPOT AND COVERKANGXI 1662-1722The drum-shaped body decorated with two panels of precious objects between two bands of small drum-nail bosses, the spout and side-handle painted with scrolling clouds, the flat cover decorated with a band of scrolling ruyi-heads and crosses around a finial shaped as a small Buddhist lion, 18.4cm. (2)Provenance: Hinton Daniell Stewart (1835-1926) of Strathgarry, Perthshire, founder of the firm of Stewart Thompson and Sons (Manchester Cotton Merchants), and thence by descent.清康熙 青花博古圖茶壺來源：英國蘇格蘭佩斯郡斯特拉斯加里， Hinton Daniell Stewart（1835-1926）收藏，Hinton是曼徹斯特棉業公司Stewart Thompson的創始人，之後由其後人繼承。

AN UNUSUAL JIANGYOU-GLAZED DOUBLE-GOURD WINE BOTTLEPROBABLY EARLY 18TH CENTURYThe squat gourd-shaped body with a slightly flared cylindrical neck, the base unglazed, 15cm.Provenance: formerly from the Jardine Collection, later the Mark and Elizabeth Harding Collection, South Africa, purchased from David M Heller, South Africa, 16th October 1999, where it is dated as Kangxi, c.1700, a copy of the invoice is available.Cf. For a closely related vessel, see the brown glazed double-gourd wine vessel in the collection of the Beitou Hot Spring Museum in Beitou, Taiwan.十八世紀早期(可能) 醬釉葫蘆瓶來源：Jardine 舊藏，南非Mark及Elizabeth Harding 收藏，1999年10月16日購於南非藝術顧問David M Heller (附發票複印件)，當時斷代為約1700，康熙年製。

Schwarzgrundiger Famille Verte Drachenpot, China 19./20. Jh., sich zwischen blühenden Päonien windende Drachen, Schwertknaufbordüre. Unter dem Boden eine kobaltblaue 6-Zeichen Kangxi-Marke, H. 17 cm

Konvolut von 5 Blau-weißen Tellern, China 17./18. Jh. (auch Kangxi), teilweise mit Haarriss, alt rest., leicht best., davon 2 mit Wandhalterung aus ummanteltem Draht, D. bis 22 cm

Imari Tea Caddy, China 17./18. Jh. (Kangxi/Qing). Dekor in Kobaltblau, Eisenrot und Gold (leicht ber.), mit Deckel, H. 11 cm

A Turquoise Glazed Waterdropper, China, Kangxi Period (1661-1722)l cm 7,1绿松石釉水滴壶，中国，康熙时期（1661-1722）The lot is accompanied by a copy of the certificate of authenticity from Jean-Robert de Lavergne's Les Armes du Chevalier gallery.

A Famille Verte porcelain bowl, China, Kangxi period (1661-1722)d cm 19,5青彩陶瓷碗，中国，清朝康熙时期 (1661-1722)

A double gord turquoise-aubergine glazed vase, China, Kangxi period (1661-1722)h cm 17双柄绿紫釉瓷花瓶，中国，康熙时期（1661-1722)PROVENANCELa Galliavola Arte Orientale, Milan

A 'Cadogan' turquoise glaze teapot, China, Kangxi Period (1661-1722)h cm 10绿松石釉瓷“Cadogan”茶壶，中国，康熙时期（1661-1722）PROVENANCELa Galliavola Arte Orientale, Milan

TWO TURQUOISE GLAZED DISHES, China, Kangxi Period (1661-1722)d cm 14,4 (defects)绿松石釉瓷盘两件，中国，康熙时期（1661-1722） PROVENANCECon etichetta Vincent L'Herrour Expert (Galerie Théorème)

TWO ORMOLU-MOUNTED TURQUOISE GLAZED INKWELLS, China, Kangxi Period (1661-1722)l max cm 9绿松石釉瓷笔洗两件，鎏金底座，中国，康熙时期（1661-1722）PROVENANCELa Galliavola Arte Orientale, Milan

A TURQUOISE GLAZED INKWELL, China, Kangxi period (1661-1722)h cm 5绿松石釉瓷笔洗，中国，康熙时期（1661-1722）The lot is accompanied by a copy of the certificate of authenticity from Bertrand de Lavergne's gallery Arts Anciens d'Extreme Orient, 2 Place du Palais Royal, Paris, 17 March 2011

TWO FAMILLE VERTE PORCELAIN CACHEPOTS, China, Kangxi period (1661-1722)h cm 17,4 x d cm 20,5青彩陶瓷花盆两只，中国，清朝康熙时期 (1661-1722)

A pair of Turquese-Aubergine glazed Pho Dogs, China, Kangxi Period (1661-1722)h cm 17,6 (restorations)绿松石釉瓷祥狮一对，中国，康熙时期（1661-1722）

Two Turquoise glazed monkeys waterdroppers, China, Kangxi Period (1661-1722)h max cm 7绿松石釉瓷猴子水滴座，中国，康熙时期（1661-1722）

A TURQUOISE GLAZED DISH, China, Kangxi period (1661-1722)d cm 18,5绿松石釉瓷圆盘，中国，康熙时期（1661-1722）PROVENANCEBears labels: ‘Bonomi Collection’; ‘Meyer Collection’; ‘Schubert Antiquities, Corso Matteotti 22, Milan’; ‘Perotto Antiques Milan’.

THREE TURQUOISE GLAZED WATERDROPPERS, China, Kangxi Period (1661-1722)l cm 8,8绿松石釉瓷水滴台三只，中国，康熙时期（1661-1722）PROVENANCELa Galliavola Arte Orientale, Milan

A pair of turquoise glazed models of toads, China, Kangxi period (1661-1722)l cm 9 x h cm 8,5绿松石釉带盖瓷青蛙一对，中国，康熙时期（1661-1722）PROVENANCELa Galliavola Arte Orientale, Milan

A pair of turquoise glazed vases, China, Kangxi Period (1661-1722)h cm 28 (pierced at the base)绿松石釉瓷双耳花瓶一对，中国，康熙时期（1661-1722） PROVENANCELa Galliavola Arte Orientale, Milan

Porseleinen theebus Famille Verte gedecoreerd met bloeiende heesters in cartouches, gemerkt Kangxi 4 karaktermerk, China 19e eeuw, hoogte: 13 cm. Conditie: hals gelijmd.

Porseleinen theepotje, Rose Imari gedecoreerd met bloeiende heesters, China, Kangxi (1662-1722), hoogte 13 cm.€ 250 - € 350

Blauw-wit porseleinen theebus, met decor van bloeiende heesters in vakken, gemerkt met Artemisia-blad, merk en periode Kangxi (1662-1722), China, onder zilveren dop en montering, Europa 19e eeuw, hoogte 17 cm.

Porseleinen gelobde theebus met decor van bloeiende heester op een terras, China, Kangxi(1662-1722), onder zilveren deksel, Holland, 19e eeuw en keur, 14 cm.

A BLANC DE CHINE DEHUA FIGURE OF 'ADAM'China, Kangxi period, 17th centuryStanding on a rocky outcrop, with hair long neatly divided in the centre, his chest bare, a cloth wrapped around his hips.23cm A similar example is mentioned in the 1721 collection inventory of king of Poland Augustus the Strong, another model illustrated in Howard and Ayers’ China for the West, page 93. 德化白瓷“亚当”立像，康熙时期, 17世纪 23cm

A Chinese blue and white yen yen vase, Kangxi mark but later, 46cm. Condition - crazing to rim, otherwise good

A Chinese blue and white bowl, Kangxi style, 14cm diameter. Condition - good

A Chinese small blue and white, white metal mounted vase, Kangxi, 12cm. Condition - poor to fair

Two large Chinese Dehua blanc de chine Buddhist lion joss-stick holders, Kangxi period, each seated, one paw raised on a ball, on rectangular pedestal basis, 35cm high, Condition - extensive cracks or repairs

A Chinese celadon glazed brush pot, Kangxi style, 15.5cm high. Condition - good

An Attractive Pair of Blue ground Rouleau Vases, Kangxi each decorated against a 'bleu souffle' ground with two tall rectangular reserves, well painted in good cobalt, one of a sage riding a dragon across breaking waves to a maiden at a moon window, and the other of geese by a lake, H:25.3cm.,fair condition, one vase with damage to the neck, comprising a restuck break and a repaired section, and the other with a shallow restored area to the rim, 4cm.wide, both lower bodies good. From a Sussex Collection. This charming pattern is highly unusual. A single vase with the same decoration was sold at Christie's London, 10 November, 2006, lot 329. 4cm.wide,

A 'blanc de chine' Lion on a Leaf, Kangxi moulded in the shape of lion, overall in ivory white glaze Good condition, minor chip at ear L:6.7cm, H:7.8cm

A Blue and White 'Red Cliff' Vase, Kangxi of rouleau form and square section, the rectangular sides well painted on two sides in strong blue with two night time boating scenes, one of them with the scholars in a boat admiring the red cliff, and on the other two sides with long inscriptions, colophons and seals, the cylindrical flared neck rising from the flat shoulder and decorated with bamboo and rocks, Fair condition, restored neck, some Frits edges H:54.5cm.

A 'blanc de chine' Libation Cup, Kangxi with moulded and applied flowers and deer, beneath the ivory white glaze Relatively good condition L:13cm, H:7.2cm

A Wucai Bowl with Ladies, early Kangxi, the rounded sides finely enamelled on the exterior with a continuous scene of ladies outside a garden pavilion, one of them being presented with a rabbit, among rocks, mists and pines, the interior with a central dancing boy, Fair condition with some areas of good restoration to chipping at the rim, and to one rim to footrim crack and another 3cm long crack from the rim W:15.5cm.

An Attractive Pair of Blue and White 'Phoenix Tail' Vases, Kangxi, each decorated in rich blue with barbed vignettes of the 'Hundred Antiques' in reserve on an overall diaper field, around the lower baluster section and on the flaring neck, one vase in fair condition with hairline from rim extending down neck, minor restored chips, the other with chipping foot and restoration part of the way around the join of neck and lower vase, H:46cm.,

A Dragon and Phoenix Dish, Guangxu, well decorated with a 'famille rose' phoenix confronting a plunging dragon in iron red and gilt, who reaches for the central 'flaming pearl' among clouds and flames, six character underglaze blue mark of Kangxi to the base, good condition, W:41cm. ,

A Rare 'blanc de chine' Miniature Seal with Monkey Finial, Kangxi, of cube form, carved with a four character sealmark to the unglazed base, Fair condition, tiny chips base and glaze crack monkey H:3.5cm. Another piece of a different form with the same mark is also referred to in the text.

A Blue and White Vase with Ladies, Kangxi, with Dutch 19th century silver mount, the small soft paste vase of cylindrical form, very finely painted in bright tones with two concubines and a parrot in a garden, good condition, H:15cm.overall,

A Blue and White 'Eight Immortals' Censer, Kangxi, the bombe sides well painted in rich cobalt with a continuous scene of the Eight Daoist Immortals and Shoulao in a wild landscape with pines, crags and mists, below a key fret band around the waisted neck, Fair, but with two cracks down from rim, one with small chip, and star crack base, W:25cm.

A Good Blue and White 'san duo' Jar, Kangxi or Yongzheng, well painted around the compressed globular body in early Ming style with the 'Three Abundances', pomegranate, peach and finger citron, using imitation 'heaping and piling', above a band of lappets around the foot, and below cloud collar and classic scroll borders on the shoulder, below the short waisted neck, Good condition, except for small star crack within, with corresponding tiny bruise on a peach leaf outside, all visible under blue light H:18cm.

A Dehua 'sleeve' Handled Vase, Kangxi supported on a recessed base, straight sides swelling outwards towards the shoulder and surmounted by a short, everted neck with lipped rim, sides applied with two well-defined taotie masks, body lightly engraved under the glaze with lengths of flowers and leaves, entirely covered in a brilliant ivory-white glaze, leaving the interior and foot rim unglazed Good condition H:30.5cm Ben Janssens, TEFAF Maastricht 2023, no.40; Eileen Lesoef, France; Ben Janssens Oriental Art, June 1999; Private Collection, UK