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Große Balustervase, Kangxi Nian Ende 19. Jhd.Lotosdekor unterglasurblau, am Boden Doppelring und Dynastiemarke Kangxi -Nian, Hals mit kleiner rest. Fehlstelle, orig. Holzdeckel, 40cm total.

Vier Teedosen Unterglasurbau, 18./19. Jhd., China, Canton WareBalusterform, unterglasurblaues figürliches Dekor, jeweils div. höfische Szenen und Bananenblattbaum, am Boden 2x mit Canton Blattmarke sowie einmal mit Kangxi Nian Stilmarke des 19. JH., dabei 4 sekundäre Deckel, Zustand 1-, 1 Deckel beschädigt, Höhe 12-15 cm.

Balustervase Himmelblau, Kangxi Marke, GoldhöhungOvoide Form mit langezogenem Hals, monochrome himmelblaue Lauflasur, am Halsansatz alter Haariss, dieser goldgehöht, am Boden 6-Zeichenmarke-Kangxi-Nian, China, wohl 19. Jhd., Zustand 2.

Drei Vasen, China Kangxi-Nian Marke, 19. Jhd.Pärchen zylinderförmige Stangenvasen mit auskragenden Lippen, Vier- Zeichen Kangxi-Nian Marke am Boden, unterglasublauer Zeichnung eines Herrschrs mit Gefolge - jeweils mit leichten Variationen, kleine Chips in der Lippe, Zustand 2-3, Höhe 15,5cm, dabei Exportvase 18./19. Jhd. Lippe mit Besch.

DECKEL-VASE, Porzellan, plastischer Knauf, unterglasurblauer Dekor mit die Feuerkugel jagenden Drachen und stilisierten Ranken, H 23, unterglasurblaue Marke Kangxi Nian Zhi, CHINA, um 1900

VASE, Porzellan, Unterglasurblau dekoriert, in zwei großen Reserven eine junge Frau in einer Parklandschaft, H 31, minst.best., unterglasurblaue Bodenmarke Kangxi Nian Zhi, CHINA, E.19.Jh.

KOPPCHEN MIT UNTERSCHALE, Porzellan, stilisierter floraler Dekor in Unterglasurblau, H Koppchen 4,3, unterglasurblaue Bodenmarke Kangxi Nian Zhi, CHINA, um 1900

SNUFF BOTTLE, Porzellan, auf den Breitseiten in Emailfarben Tiere in Landschaft, Stopper Karneol, H 9, eisenrote Bodenmarke Kangxi Nian Zhi, CHINA, 19.Jh. Provenienz: rheinische, in den 1980er Jahren aufgebaute Privatsammlung

A 19th century Chinese fluted bowl painted in undeglaze blue with dragons chasing a flaming pearl on a ground of cloud scrolls, 26cm wide, together with an Qianlong blue and white cream jug, pair of early 19th century export tea jars, small blue and white jar and cover with spurious Kangxi reign mark, two famille verte jars and covers and a Japanese Imari dish (one tray)Condition report: Fluted bowl - with glaze imperfections and hair crack from the rim. Jug is missing cover and with a crack across lower handle terminal. One tea jar with a V shaped section of loss to the rim with associated crack, chipping to one shoulder. The other jar in good order. Blue and white jar - cover with finial re-attached. Two sections of loss to rim. Main body in good order. Famille verte jars - in good order. Imari dish - cracked.

A RARE GILT-DECORATED CELADON JADE FIGURE OF BUDDHA AMITABHA, QING DYNASTYChina, 1644-1912. Boldly carved seated in dhyanasana with his hands lowered in dhyana mudra, the loose-fitting robes cascading in voluminous folds draped over his left shoulder, picked out in gilt, and decorated with blossoms and diapered designs. The serene face with heavy-lidded eyes below gently arched eyebrows, a prominent nose, and full lips forming a benevolent smile, flanked by large elongated earlobes. The translucent stone is of a celadon tone with cloudy white inclusions.Provenance: From an English private collection, acquired no later than the 1960s. Thence by descent.Condition: Good condition with minor old wear and few small nicks. The back of the head with a bruise and associated loss, not visible from the front. Rubbing to gilt.Weight: 1,131 g Dimensions: Height 16.8 cmBuddhism flourished during the Qing dynasty, and was encouraged by the devotion of the Kangxi, Yongzheng and Qianlong emperors and their successors. As a result of its popularity, the production of Buddhist statuary, ritual objects, vessels and other implements became widespread, and a variety of materials was employed in their manufacture.Literature comparison: For a related jade figure of Buddha with gilt decoration to his face, see Compendium of Collections in the Palace Museum, Jade, vol. 8, p. 271, no. 235. Compare a related jade figure of Buddha illustrated in The Complete Collection of Treasures of the Palace Museum, Jadeware II, 2008, p. 207, no. 171. Compare a celadon jade gilt-lacquered figure of Guanyin at Christie's London, 19 June 2001, lot 204, sold for GBP 14,100. Note that the Christie's Guanyin was sold 20 years ago and thus the result does not adequately reflect the current value of this lot.Auction result comparison: Compare a related jade figure of Buddha, dated 18th-19th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 23 March 2012, lot 1803, sold for USD 242,500. Compare a related celadon jade figure of Buddha, dated 18th century, at Sotheby's London, 7 November 2012, lot 231, sold for GBP 70,850. Compare a related white jade figure of Amitayus, dated to the Qianlong period, at Christie's New York in Fine Chinese Ceramics and Works of Art on 26 March 2010, lot 1112, sold for USD 134,500. Compare a related pale green jade figure of Amitayus, dated 17th-18th century, at Bonhams London in Fine Chinese Art on 13 May 2021, lot 27, sold for GBP 97,750. 清代罕見鎏金青玉阿彌陀佛像中國，1644-1912年。佛陀坐禪，雙手施禪定印；長袍寬鬆，披於左肩，右肩裸露，衣沿覆蓋右腳踝，胸前衣褶優雅垂墜，鎏金，並飾有花卉圖案。面部表情安詳，厚重的眼瞼在微微拱起的眉毛下，突出的鼻子，豐滿的嘴唇形成仁慈的微笑，兩側是長長的耳垂。半透明的玉料呈青色調，帶有混濁的白色絮狀物。來源：英國私人收藏，購於1960年代前，保存至今。品相：狀況良好，有輕微舊磨損和少量小劃痕。 頭部後部有擦傷和相關缺損，從正面看不到，摩擦至鎏金。重量：1,131 克尺寸：高16.8 釐米拍賣結果比較：比較一件相近玉雕佛像，十八至十九世紀，見紐約佳士得 Fine Chinese Ceramics and Works of Art 2012年3月23日 lot 1803, 售價USD 242,500。比較一件相近的青玉雕佛像，十八世紀，見倫敦蘇富比2012年11月7日 lot 231, 售價GBP 70,850。比較一件相近的乾隆時期白玉阿彌陀佛像，見紐約佳士得 Fine Chinese Ceramics and Works of Art 2010年3月26日 lot 1112, 售價USD 134,500。比較一件青綠色玉雕阿彌陀佛像，十七至十八世紀見倫敦邦翰思Fine Chinese Art 2021年5月13日 lot 27, 售價GBP 97,750。

A LARGE FAMILLE VERTE 'PRUNUS AND BAMBOO' DISH, KANGXI PERIODChina, 1662-1722. The deep rounded sides supported on a channel foot. Finely painted in bright enamels of green, red, aubergine, turquoise, and black tones to the interior with a gnarled and blossoming prunus tree with bamboo and craggy rockwork, all below a butterfly in flight, enclosed by an iron-red single-line border, below a band of floral sprays and grapevines framed by two underglaze-blue double-line borders, and to the exterior with three evenly spaced peony sprays. The foot left unglazed, revealing the reddish-buff biscuit body.Provenance: Koller, Zurich, 15 March 2008, lot 432. A private collector, acquired from the above.Condition: Good condition with minor wear and firing irregularities, including small glaze recesses and dark spots, as well as expected fritting to rim and foot.Weight: 1,980 gDimensions: Diameter 36.3 cmAuction result comparison: Compare a related famille verte charger, also dated to the Kangxi period, at Sotheby's Amsterdam, in Chinese and Japanese Ceramics and Works of Art, on 2 May 2005, lot 81, sold for EUR 6,600 (EUR 8,500 in today's currency after inflation). Note that the Sotheby's charger was sold 16 years ago and thus the result may not adequately reflect the current value of this lot. 康熙時期大型硬彩桃竹紋盤中國，1662-1722年。敞口，深圓腹，圈足。盤內以綠色、紅色、茄紫和黑色調的明亮琺瑯精細繪製，開光描繪盛開的桃花，樹下竹叢和岩石，上方蝴蝶飛舞。外面加鐵紅色單線邊框。盤沿卷葉花卉紋。圈足露胎。 來源：蘇黎世Koller 2008年3月15日 lot 432；私人收藏家購於上述拍賣。 品相：狀況良好，有輕微磨損和燒製瑕疵，包括小的釉面凹陷和黑點，以及邊緣和足部的熔渣。重量：1,980 克 尺寸：直徑36.3 厘米 拍賣結果比較: 比較一件相近的康熙時期硬彩盤，見阿姆斯特丹蘇富比Chinese and Japanese Ceramics and Works of Art 2005年5月2 日 lot 81, 售價EUR 6,600 (相當於現在的EUR 8,500 )。請注意，蘇富比這件拍品是於16年前售出的，因此結果可能無法充分反映該拍品的當前價值。

'CHILDREN AT PLAY', INSCRIBED DING GUANPENG (ACTIVE 1708-1771)China, Qing Dynasty, mid-18th – early 19th century. Ink and watercolors on silk. The work either from the hand of Ding Guanpeng himself, or one of his disciples at the palace painting academy, or a combination of both. Superbly painted with four children in a noble garden mimicking the Full Moon Ritual (manyue) by 'washing' a statue of the infant Buddha.Inscriptions: Lower right, 'Ding Guanpeng'. Dated to the 4th month of the 26th year of the Qianlong reign (corresponding to 1761). One seal of the artist.Provenance: UK trade, by repute acquired from a British private estate.Condition: Very good condition with minor wear, soiling, creasing, few minuscule losses. Mounted as a hanging scroll.Dimensions: Image size 115.5 x 48 cm, Size incl. mounting 213.5 x 63 cmOne child is kneeling on an oval rug with hands folded in prayer, one holds a bowl of peony blossom offerings, one is pouring water from a kundika to 'wash' a statue of the infant Buddha, supported on an elaborate lotus base, held by another child, next to a small vase with lingzhi fungi, and all below a gnarled tree, large lingbi stones, peonies, and bamboo.The scene and specifically the objects are painstakingly detailed, and upon closer inspection, one can discover such interesting things as a crackled turquoise glaze on the vase or a fine gilding on the infant Buddha statue. The fence in the background also shows numerous ornaments, and the various rocks and plants surrounding the children have meticulously executed minutia. One can understand the children's excitement, as we can all look in fascination at the intensity of the mimicked ceremony.The rich details of the playthings are matched by the carefully rendered clothing and delicately drawn faces of the children. The children's finely woven silk brocades reveal their noble, if not Imperial upbringing, and their enjoyment of the event is patent in their expressions of glee and wonderment as they play with the ceremonial objects. The elaborate rock and flowering plants indicate this is a garden setting. Likely within the walls of a family compound, the location of the painting is another indication of the wealth and prestigious status to which the children belong.Ding Guanpeng (active 1708-1771) was a Chinese painter who lived during the Qing dynasty. A native of Beijing, he was active from the later part of the Kangxi period to the mid-Qianlong period. At one point he studied oil painting under Giuseppe Castiglione. He was noted for painting people and landscapes, both in his distinct own style and by precisely copying the work of important masters such as - in the present lot - Su Hanchen. He spent about 50 years in the Palace Painting Academy and painted at least 200 major works with his own hand.Expert's note: The present lot is an exact copy after a work by the Song Dynasty artist Su Hanchen (active 1130s–1160s), which is currently in the National Palace Museum in Taipei. It is known that during the reign of Emperor Qianlong (1736-1795) masters from the Palace Painting Academy, such as Ding Guanpeng, were commissioned to copy a significant number of ancient works from the Imperial palace collection, predominantly for conservatory purposes, but also for a number of other reasons. Occasionally, some of the more prominent artists involved in this undertaking were allowed to sign these copies with their own names.Auction result comparison: Compare a related painting by Ding Guanpeng at Poly International, 3 December 2014, lot 3213, bought-in at an estimate of CNY 300,000-500,000 (approx. EUR 40,000-65,000). Compare another copy of a work by Su Hanchen at Bonhams, in Chinese Paintings and Calligraphy, 20 March 2013, New York, lot 3009, sold for USD 86,500.《童子浴佛圖》丁觀鵬（活躍於1708-1771）款中國，清代，十八世紀中葉至十九世紀。紙本設色。這幅作品可能出自丁觀鵬本人之手，也有可能出自其他宮廷畫師之手，或是兩者合作皆可能。這幅作品畫工精細，四個孩子在貴族花園裡模仿滿月儀式，以淨瓶清洗一尊嬰兒佛像。款識：乾隆二十六年四月臣丁觀鵬敬繪鈐印：觀鵬來源：英國古玩市集，據說購於英國老收藏。品相：狀況極好，輕微磨損、汙跡、皺褶，一些微小缺損。裝裱為掛軸。尺寸：畫面115.5 x 48 厘米，總213.5 x 63厘米。一個孩子跪在橢圓形的地毯上，雙手合十祈禱；一個孩子拿著一碗牡丹花供品，一個孩子正從淨瓶中倒水 "清洗 "一尊嬰兒佛像。佛像立於蓮花底座上，由另一個孩子拿著，旁邊的地上立著一個裝靈芝的小花瓶。周圍有一棵參天大樹、大靈璧石、牡丹花和竹子。此場景和周圍物件都是精心設計的，諸如花瓶上綠松石釉面開片，以及嬰兒佛像上精細的鎏金等。背景中的圍欄也有許多裝飾物，孩子們周圍的各種岩石和植物都有細緻的描繪。觀畫者可以感受孩子們的興奮，猶如身歷其境地看著這場模仿儀式。這些道具的豐富細節與孩子們精心繪製的服裝和精緻的面孔相匹配。孩子們身著的絲綢錦緞顯示了他們高貴的地位、甚至皇室的教養。由他們在玩弄儀式物品時歡快和驚奇的表情，可看出對這件事的享受。花園中精心設計的岩石和盛開的花朵，可知這花園可能是在一個大宅邸的牆內，它的位置也表明了孩子們的出身。丁觀鵬（活躍於1708-1771年）為清朝畫家，北京人，活躍於康熙後期至乾隆中期，他曾向郎世寧學習油畫。他以人物和風景畫聞名，既有自己獨特的風格，也能精確地模仿大師的作品，如本拍品即為仿蘇漢臣的畫作。他任職於宮廷畫院約50年，至少親手畫了200幅作品。專家註釋：本拍品是根據宋代藝術家蘇漢臣（活躍於1130-1160年）的作品精確複製的，該作品現藏於臺北故宮博物院。乾隆時期（1736-1795）為了保存的目的和其他原因，宮廷畫院的大師們，如丁觀鵬，被委託臨摹大量皇宮收藏的古代作品。一些參與這項工作的著名藝術家，偶爾被允許在這些副本上題上自己的名字。拍賣結果比較：比較一幅相關的丁觀鵬的畫作，見北京保利2014年12月3日「藝林藻鑒—中國古代書畫」，拍品編號3213，估價CNY 300,000-500,000 (大約為EUR 40,000-65,000)。比較一件蘇漢臣的作品，見紐約邦翰斯2013年3月20日lot 3009，售價 USD 86,500。

A FAMILLE VERTE 'LADIES' SLEEVE VASE, QING DYNASTYChina, 1644-1912. The slightly flaring sides rising to a short waisted neck and everted rim, the tall body finely painted in bright enamels with two ladies, one holding an ingot and the other a flower basket, both dressed in long flowing robes, and two young boys, one holding a paintbrush and the other a ruyi scepter. The base left unglazed, revealing the buff ware.Provenance: From an English private collection. Condition: Excellent condition with only minor old wear and some firing flaws.Weight: 670.3 gDimensions: Height 23.8 cmAuction result comparison: Compare a related famille verte rouleau vase, dated to the Kangxi period, at Sotheby's New York in Fine Chinese Ceramics and Works of Art on 11 September 2012, lot 69, sold for USD 27,500. Compare a related famille verte dish, dated to the Kangxi period, similarly painted with a lady and boy, at Christie's London in Fine Chinese Ceramics and Works of Art on 10 May 2011, lot 327, sold for GBP 32,450 (part-lot, together with another famille verte dish and described as a pair).清代硬彩人物象腿瓶中國，1644-1912年。瓶敞口外撇，短頸，溜肩，直腹下收，圈足。明亮的琺琅釉描繪了婦人兒童嬉戲圖：一位婦人手中拿著元寶，另一位拿著花籃，都穿著飄逸的長袍；還有兩個小傢伙，一個拿著畫筆，另一個拿著如意權杖。底足露胎。 來源：英國私人收藏。 品相：狀況極佳，只有輕微的磨損和一些燒製瑕疵。 重量：670.3 克 尺寸：高23.8 厘米 拍賣結果比較：比較一件康熙硬彩棒槌瓶，見紐約蘇富比Fine Chinese Ceramics and Works of Art 2012年9月11日 lot 69, 售價USD 27,500。比較一件康熙硬彩嬰戲圖盤，見倫敦佳士得 Fine Chinese Ceramics and Works of Art 2011年5月10日 lot 327, 售價GBP 32,450 （此拍號中的部分，與另一個硬彩盤為一對)。

A LARGE BLUE AND WHITE 'HUNTING SCENE' DISH, KANGXI PERIODChina, 1662-1722. The shallow rounded sides rising from a short tapered foot to a wide flaring rim. Finely painted to the interior with equestrian hunters brandishing spears, swords, and a bow and arrow, amid craggy rockwork and two white hares, encircled by a diaper border and a band of alternating birds and floral sprays between lines.Provenance: From a private collection in London, United Kingdom.Condition: The rim with extensive frits, some with associated old repairs, and a small hairline (only visible under strong blue light), the foot with some fritting as well.Weight: 1,580 gDimensions: Diameter 36.3 cmThe rim with rectangular reserves divided by diaper borders and enclosing birds and flowers, encircled by another diaper border. The exterior rim with evenly spaced floral sprays. The base with a parasol mark in a shaped reserve within a double circle.During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lingzhi fungus marks and double circles. The mark found on the present lot, in the form of a parasol, an important Buddhist symbol, appears to be very rare but is clearly part of the same group.Auction result comparison: Compare a related blue and white dish with a hunting scene, with a Chenghua mark and also dated to the Kangxi period, at Christie's Amsterdam in Chinese Ceramics and Works of Art on 3 May 2005, lot 182, sold for EUR 9,600. Compare also a related blue and white brushpot painted with a hunting scene, with a Xuande mark and also dated to the Kangxi period, at Christie's New York in Important Chinese Ceramics and Works of Art on 24 September 2021, lot 802, sold for USD 125,000. 康熙時期青花開光《狩獵圖》大盤中國，1662-1722年。折沿，淺腹，圈足。盤内中央開光描繪馬上狩獵圖，獵人揮舞著長矛、劍和弓箭，追趕著兩隻野兔。四周開光描繪花鳥卷葉紋。來源：英國私人收藏。 品相：邊緣有大量熔塊，有一些相關舊時修復，還有一條細小的裂紋（僅在強藍光下可見），足部也有一些熔塊。 重量：1,580 克 尺寸：直徑36.3 厘米 拍賣結果比較: 比較一件相近的成化款康熙時期青花《狩獵圖》大盤，見阿姆斯特丹佳士得Chinese Ceramics and Works of Art 2005年5月3日 lot 182, 售價EUR 9,600；另一件宣德款康熙時期的青花《狩獵圖》筆筒，見紐約佳士得Important Chinese Ceramics and Works of Art 2021年9月 24 日lot 802, 售價USD 125,000。

A PAIR OF CAFE-AU-LAIT-GROUND FAMILLE VERTE 'ANTIQUE TREASURES' BOWLS, KANGXI PERIODChina, 1662-1722. Each bowl is well potted with deep rounded sides rising from a slightly tapered foot to a gently everted rim, the exterior neatly painted in bright enamels with antique treasures, scholar's objects, and auspicious symbols against an evenly toned cafe-au-lait ground, the white-glazed interior with a floral spray.Provenance: Woolley & Wallis, 14 November 2012, lot 305. A private collector, acquired from the above.Condition: Good condition. One bowl with a smoothened chip to the foot, associated minuscule loss and semicircular hairline. The second bowl with a shallow chip to the rim and minuscule old fill. Both with minor wear, little rubbing to enamels, manufacturing irregularities, minimal fritting to foot rims.Weight: 237.9 g and 225.4 gDimensions: Diameter 15.2 cm and 15.1 cmThe white-glazed recessed bases each with an underglaze-blue stylized seal mark within a double circle. (2)Auction result comparison: Compare a related cafe-au-lait ground famille verte bowl, with a Xuande mark and also dated to the Kangxi period, at Sotheby's New York in Fine Chinese Ceramics & Works of Art on 17 September 2013, lot 319, sold for USD 13,750. 康熙時期一對淡黃醬色釉地博古紋碗 中國，1662-1722年。口微外撇，圓腹，圈足；表面淡黃醬色釉地，精美琺琅博古紋。碗內施白釉，繪製紅蓮一朵。來源：2012年Woolley & Wallis 2012年11月14日 lot 305；私人藏家購於上述藝廊。 品相：狀況良好。 一個碗足部有光滑的切痕，微小的缺損和半圓形的細裂紋；第二個碗邊緣有淺磕損和微小的舊時填補。兩者都有輕微磨損，釉面些微摩擦，製造瑕疵，足部邊緣小熔結。 重量：分別為237.9 克與225.4 克 尺寸：直徑15.2 釐米與 15.1 釐米 圈足內青花雙圈款。(2) 拍賣結果比較：比較一件宣德款康熙時期的醬色釉硬彩碗，見紐約蘇富比Fine Chinese Ceramics & Works of Art 2013年9月17日 lot 319, 售價USD 13,750。

A PAIR OF REVERSE-DECORATED CORAL-GROUND 'PEONY AND LOTUS' BOWLS, QIANLONG SEAL MARKS AND OF THE PERIODChina, 1736-1795. Each delicately and thinly potted, with deep rounded and translucent sides rising from a short, slightly spreading foot to an everted rim. Delicately reverse-decorated in a rich iron-red enamel with a row of peony heads, alternating with smaller lotus above a row of lotus blossoms, all borne on interlocked foliate scrolls reserved in white against the opaque coral ground, the interior left undecorated. The recessed white bases with underglaze-blue six-character seal marks da Qing Qianlong nianzhi and of the period.Provenance: From a private collection in New York, USA.Condition: Superb condition with only minor old wear and minimal firing flaws, such as dark spots and minuscule irregularities in the red enamel along the foot. The glaze with a magnificent, unctuous feel overall. In such pristine condition, the present bowls must be considered exceedingly rare.Weight: 139.2 g and 139.5 gDimensions: Diameter 12.9 cm and 13 cmThis exquisite pair of bowls is notable for the meticulously executed floral scroll, which creates a sharp and pleasing contrast against the iron-red ground. While iron red was already used to decorate Cizhou wares in the Jin dynasty (1115-1234), and was adopted at Jingdezhen during the Yuan dynasty, it was only in the 18th century, when all enamels were scrutinized as to their unique properties, that its decorative potential was fully realized. Iron red, which adheres in a thin, opaque layer, allows for razor-sharp lines, which could not be achieved with other enamels that are thicker and glassier. This property makes 'negative' reverse designs most successful, giving them a delicacy which can only rarely be seen on 'positive' paintings above a white ground. The reverse effect, combined with the unique translucency of the pottery, creates a stunning appearance once sunbeams shine through the bowls.Porcelain wares decorated with 'negative' reverse designs on an iron-red ground are the product of the creative genius of Tang Ying (1682-1756), Superintendent of the Imperial kilns during the Yongzheng and early Qianlong periods. A bondservant of the Plain White Banner, who had served at the court from the age of 16, Tang is credited with the introduction of novel techniques and designs at the kilns. Luxuriant floral scrolls against an iron-red ground first appeared on Yongzheng mark and period boxes, but with additional butterflies, such as one in the Palace Museum, Beijing, illustrated in Kangxi, Yongzheng, Qianlong: Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, plate 70, and another from the Sir Percival David collection and now in the British Museum, London, published in Margaret Medley, Illustrated Catalogue of Ming Polychrome Wares, London, 1978, plate 163. During the Qianlong period, this reverse-decorated floral design was modified to be used on the outside of bowls, yet without butterflies.Fitted box. (2)Literature comparison: A related bowl with Qianlong mark, in the Percival David Foundation, is illustrated in Oriental Ceramics, The World's Great Collections, vol. 6, Tokyo, 1982, pl. 94. Three related bowls, also with Qianlong marks, in the Ohlmer Collection, Roemer Museum, Hildesheim, are illustrated by U. Wiesner, Chinesisches Porzellan, Mainz am Rhein, 1981, no. 130-2. See S. Marchant and Son, Nineteenth Century Mark and Period Porcelain, London, 7-28 June, 1992, no. 28, for a pair of Qianlong mark and period bowls of identical decoration and size.Auction result comparison: Compare a pair of near-identical bowls (12.8 cm diameter), also with Qianlong seal marks and of the period, of identical form and decoration, at Sotheby's Hong Kong in Marchant – Fifty Qing Imperial Porcelains on 10 July 2020, lot 3131, sold for HKD 1,750,000 (for a pair). Compare a near-identical bowl (12.7 cm diameter), also with Qianlong seal mark and of the period, of identical form and decoration, at Christie's New York in Marchant: Nine Decades in Chinese Art on 14 September 2017, lot 747, sold for USD 93,750. Compare a near-identical bowl (12.7 cm diameter), also with Qianlong seal mark and of the period, of identical form and decoration, at Christie's New York in Fine Chinese Ceramics & Works of Art Part I on 18 March 2016, lot 1625, sold for USD 81,250.乾隆款及年代一對珊瑚紅彩留白纏枝花卉圖碗中國，1736-1795年。撇口、深腹、圈足。內壁光素施白釉，外壁珊瑚紅地留白裝飾，纏枝花卉佈局繁密，花紋留白處以珊瑚紅線條勾勒花莖，描繪細緻，格調秀雅。圈足内青花六字款“大清乾隆年製”。 來源：美國紐約私人收藏。 品相：狀況極佳，只有輕微的磨損和燒製瑕疵，例如黑斑和足部紅色琺瑯中的微小不規則性。釉面整體具有華麗晶瑩。如此品相，極爲珍貴。 重量：分別為139.2 克與139.5 克 尺寸：直徑分別爲 12.9 厘米 與13 厘米這對碗釉色精美，珊瑚紅在金代（1115-1234）已被用於磁州窯器，元代景德鎮也採用了珊瑚紅紅，但直到十八世紀，單色釉的獨特性才被重視並得到充分發展。珊瑚紅在釉上可以產生獨特的效果，在陽光的照耀下，會產生令人驚嘆的效果。 此種珊瑚紅地留白技法始創於清雍正時期，是督陶官唐英（1682-1756）為皇室燒製的專用器。先在白釉上以紅彩勾繪紋飾輪廓，在輪廓外滿填紅彩，形成紅白相應的色彩構圖，是清代獨特的瓷藝品種。此種紋樣創燒自雍正御窯，較之常見的官窯品種更為稀少，彌足珍貴。相應館藏作品請參考北京故宮博物院藏清雍正紅彩地白花蝶蓋盒（參見《故宮珍藏康雍幹瓷器圖錄》，紫禁城出版社、兩木出版社，1989年，頁241，圖70）。另可見倫敦大英博物館Sir Percival David 收藏，見 Margaret Medley, Ming Polychrome Wares, 倫敦1978年，圖163。到了乾隆年代，此紋飾用於碗外壁，並且沒有了蝴蝶。 配套的盒子。(2) 文獻比較：一件相近的同樣有乾隆款的碗，收藏於Percival David Foundation基金會，見Oriental Ceramics, The World's Great Collections, 第6冊，東京 1982年，圖 94。另外三件有乾隆款的碗，收藏於德國 Hildesheim Roemer Museum美術館Ohlmer Collection收藏，見U. Wiesner, Chinesisches Porzellan, Mainz am Rhein, 1981年，圖130-2。見S. Marchant and Son, Nineteenth Century Mark and Period Porcelain, 倫敦，1992年6月7-28日，圖 28, 一對乾隆款及年代的碗，相同紋飾與尺寸。 拍賣結果比較：比較一對幾乎一模一樣的碗 (直徑12.8 厘米)，乾隆款及年代，相同形狀與紋飾，見香港蘇富比Marchant – Fifty Qing Imperial Porcelains 2020年7月10日 lot 3131, 售價HKD 1,750,000 (一對)；比較一件幾乎一模一樣的碗(直徑12.7 厘米)，乾隆款及年代，相同形狀與紋飾，見紐約佳士得Marchant: Nine Decades in Chinese Art 2017年9月14日 lot 747, 售價USD 93,750；比較一件幾乎一樣的碗 (直徑12.7 厘米)，乾隆款及年代，相同形狀與紋飾，見紐約佳士得Fine Chinese Ceramics & Works of Art Part I 2016年3月18日 lot 1625, 售價USD 81,250。

A BLUE AND WHITE 'EIGHT HORSES OF MU WANG' BOWL, KANGXI PERIODChina, 1662-1722. Thinly potted with deep conical sides rising from a tapered foot to an everted iron-washed rim. Finely painted in cobalt blue with the Eight Horses of Muwang frolicking or grazing amid a rocky landscape with pine, willow, and prunus, with seven horses around the exterior and the eighth enclosed within a double circle at the center of the interior. The base with a six-character mark da Ming Jiajing nianzhi within a double circle.Provenance: Butterfield & Butterfield, San Francisco, USA, Fine Asian Works of Art, 19 May 1995, lot 590. A private collector in California, acquired from the above.Condition: Excellent condition with only minor wear and firing flaws.Weight: 286.3 gDimensions: Diameter 16.7 cmWith a silk storage box. (2) The charming scene represents the Eight Horses of King Mu Wang, who reigned during the Zhou dynasty in the 10th Century BC, and these Eight Horses were his favorite chargers which pulled the Emperor's chariot as he progressed about his realm to visit the Goddess Hsi Wang Mu.The present lot belongs to a small yet well recorded group of blue and white bowls, all painted with the eight horses of Mu Wang, and bearing six-character marks da Ming Jiajing nianzhi within a double circle. Note that it has most recently been suggested by some scholars that these bowls might rather date to the Jiajing period (1521-1567) instead of the Kangxi period (1662-1722).Literature comparison: For a pair of dishes with similar iron-painted rims and Jiajing marks, dated to the early Qing dynasty, see Yeo and Martin, Chinese Blue & White Ceramics, Arts Orientalis, Singapore, 1978, p. 248 and pl. 160, nos. 296 and 297. Another bowl of similar form, horse decoration, and Jiajing mark, dated to the later Transitional period is published in Richard Kilburn, Transitional Wares and Their Forerunners, Oriental Ceramic Society of Hong Kong, 1981, p. 148, no. 97. 康熙 “穆王八駿”青花碗 中國，1662-1722年。此碗敞口外撇，碗沿鐵鏽色，斜弧腹，圈足。外壁青花繪八駿圖，駿馬形態各異，畫法精細，青花層次鮮明，濃淡相宜。碗心青花繪滾地馬，給人以疏朗清閒的感覺，情趣鮮明。圈足内雙圈六字款“大明嘉靖年製”。 來源：美國舊金山Butterfield & Butterfield藝廊，1995年5月19日Fine Asian Works of Art， lot 590。一位加利福尼亞私人藏家購於上述拍賣。 品相：狀況極佳，只有輕微的磨損和燒製瑕疵。 重量：286.3 克 尺寸：直徑16.7 厘米 錦盒。(2) 八駿之說始於公元前十世紀的周穆王時期。傳穆王以此八駿駕車，可日行萬里，使之馭以見西王母。現拍品屬少卻有記錄的一組青花碗中的一只，均繪穆王八匹馬，雙圈內“大明嘉靖年製”六字。 請注意，近期有一些學者認爲這些碗可能是來自嘉靖時期（1521-1567）而不是康熙時期（1662-1722）。 文獻比較：一對相似的汎紅色口沿並同有嘉靖款的清代早期的盤子，見 Yeo and Martin, Chinese Blue & White Ceramics, Arts Orientalis, Singapore, 1978, 第248頁圖160, nos. 296 and 297；另一只相近形狀的駿馬圖碗，嘉靖款，過渡期後期，曾出版於Richard Kilburn, Transitional Wares and Their Forerunners, Oriental Ceramic Society of Hong Kong, 1981, 第 148頁, no. 97。

A MONUMENTAL BLUE AND WHITE 'LANDSCAPE' CHARGER, KANGXI PERIODChina, 1662-1722. Massively potted with shallow rounded sides rising from a short tapered foot to a broad everted rim. Superbly painted in rich tones of intense cobalt-blue with a vast mountainous lakeside landscape with towering trees, houses and pavilions, a pagoda, fishermen, and other figures, all enclosed by a double line border, the rim similarly painted within a continuous band enclosed by a further double line border. The recessed base left unglazed. Provenance: US trade, by repute acquired from a New York private collection.Condition: Superb condition with minor wear and firing irregularities, including some kiln grit and a small firing crack to the rim, remnants of old varnish around the foot. A charger of such large size in this pristine condition must be considered exceedingly rare.Weight: 8.6 kgDimensions: Diameter 55.3 cmAuction result comparison: Compare a blue and white fish basin, 60.5 cm diameter, similarly painted with a monumental lakeside landscape, at Christie's Hong Kong, in Important Chinese Ceramics and Works of Art, on 28 November 2012, lot 2236, sold for HKD 1,100,000.康熙時期青花開光山水盤中國，1662-1722年。折沿，厚胎，質堅密，青花髮色深沉，盤中圓型開光繪製山水樓閣，林間小屋與人物，水上小舟及漁夫。筆觸準確，描繪細膩。底部露胎。 來源：美國古玩市場，據説購於紐約私人收藏。 品相：狀況極佳，有輕微磨損和燒製瑕疵，包括一些窯砂和邊緣的缺損，足部周圍有舊清漆殘留物。在這種原始狀態下，如此大尺寸的青花盤極爲罕見。 重量：8.6 公斤 尺寸：直徑55.3 厘米 拍賣結果比較: 比較一件青花魚盤，直徑 60.5 厘米，描繪湖邊山水景觀，見香港佳士得Important Chinese Ceramics and Works of Art 2012年11月28日 lot 2236, 售價HKD 1,100,000。

A BLUE AND WHITE 'DRAGON' VASE, KANGXI PERIODChina, 1662-1722. Sturdily yet elegantly potted, the slender ovoid body rising from a short foot with a concave base to a waisted neck with a lipped rim. Finely painted around the exterior in rich tones of cobalt blue with two large, ferocious dragons, each two-horned and five-clawed, sinuously writhing and surrounded by flames, and with neatly rendered scales. The foot and base left unglazed.Provenance: British market, by repute from an old English estate.Condition: Good condition with minor wear and firing irregularities, including dark spots and pitting. The lip with some glaze fritting and small glaze recesses.Weight: 935.9 gDimensions: Height 24.3 cmThe five-clawed dragon continued as an imperial symbol during the Qing dynasty, and its use was even more severely restricted than in the Ming. The rendition of the dragon on the present lot is characteristic of that in the Kangxi period, which is exemplified by a fierce and powerful deameanor giving an impression of authority and majesty, with finely detailed painting of the head and scales. This is a considerable development from the more freely drawn and often more simplified versions of the late Ming dynasty. The full-faced representation of the dragon already existed in Ming times, and became popular in the Qing, but it is from the Kangxi period onwards, as evident from the present lot, that the dragon was imbued with a greater sense of vitality and martial spirit.Literature comparison: A closely related vase, with a Kangxi mark and of the period, is illustrated in Elias, A Dealer's Hand: The Chinese Art World through the Eyes of Giuseppe Eskenazi, New York 2013, p. 345, fig. 423. Another closely related example is in the collection of the Shanghai Museum, exhibited in Sovereign Splendour: Imperial Porcelain From Shanghai at the Gemeentemuseum Den Haag, 2011, and illustrated by T.M. Eliëns (ed.), Keizerlijk porselein uit het Shanghai Museum, Zwolle/The Hague 2011. Compare also a vase from the Palace Museum in Beijing, illustrated in Kangxi Yongzheng Qianlong, Hong Kong 1989, p. 23, pl. 6 and another from the Wang Xing Lou Collection, illustrated in Imperial Perfection, The Palace Porcelain of Three Chinese Emperors, Hong Kong 2004, no. 1. For a pair of related vases with Chenghua marks, see Ming and Qing Porcelain from the Collection of the T. Y. Chao Family Foundation, Hong Kong Museum of Art, 1978, cat. no. 85, sold at Sotheby's London, 18 November 1986, lot 83.Auction result comparison: Compare a closely related vase, with a Kangxi mark and of the period, at Christie's Hong Kong in Imperial Chinese Ceramics from the Robert Chang Collection – Jade Shears and Shimmering Feathers on 28 November 2006, lot 1317, sold for HKD 22,520,000. Compare a closely related vase, marked only with a double circle and dated to the Kangxi period, at Bonhams Sydney in Important Asian Art on 22 May 2019, lot 30, sold for AUD 42,700 (approx. EUR 27,000). Note that the Bonhams vase has severe condition issues, including a damaged and repaired neck, and thus the auction result does not adequately reflect the value of the present lot.康熙時期青花龍紋瓶中國，1662-1722年。青花龍紋瓶，瓶口微撇，短頸，圓肩，肩以下漸收，圈足。瓶身青花繪兩條五爪立龍，張牙舞爪，龍身捲曲，威武兇猛，四周火焰圍繞。圈足內露胎。來源：英國古玩市場，據説來自英國私人收藏。 品相：狀況良好，有輕微磨損和燒製瑕疵，包括黑點和點蝕。 唇部有一些釉點和小釉凹槽。 重量：935.9 克 尺寸：高 24.3 釐米 五爪龍在清代是皇室的象徵，其使用的限制比明代還要嚴格。 本拍品的龍紋具有康熙時期的特點，氣勢兇猛，威風凜凜，頭部和鱗片刻畫細緻。 這是明朝後期更自由繪製且通常更簡化的版本一個很大的發展。龍的全臉形像在明代已經存在，在清代開始流行，但從康熙時期開始，按照此拍品的形制，龍被賦予了更大的生命力、戰鬥力和精神。 文獻比較：一個相近的康熙款及年代的青花龍紋瓶，見 Elias, A Dealer's Hand: The Chinese Art World through the Eyes of Giuseppe Eskenazi，紐約，2013年, 第345頁，圖423。另一件見2011年上海博物館於海牙市立美術館展覽：Sovereign Splendour: Imperial Porcelain From Shanghai；圖見T.M. Eliëns (ed.), Keizerlijk porselein uit het Shanghai Museum, 兹沃勒/海牙，2011年。比較一件北京故宮博物院藏品，見《故宮珍藏康雍乾瓷器圖錄》，香港，1989年，第23頁，圖6。 比較另一件《清代康雍乾官窯瓷器〈望星樓藏瓷〉》，香港2004年，編號1。一對成化款龍紋見Ming and Qing Porcelain from the Collection of the T. Y. Chao Family Foundation, 香港藝術館, 1978年，圖錄編號85, 售於倫敦蘇富比,1986年11月 18日。 拍賣結果比較：比較一件康熙款及年代的龍紋瓶，見香港佳士得Imperial Chinese Ceramics from the Robert Chang Collection – Jade Shears and Shimmering Feathers 2006年11月28日 lot 1317, 售價HKD 22,520,000；比較一件康熙時期雙圈款龍紋瓶，見悉尼邦翰思Important Asian Art 2019年5月 22日 lot 30, 售價AUD 42,700 (大約EUR 27,000)。請注意邦翰思的這件龍紋瓶品相有問題，有破損和修復，因此，拍賣結果並不能充分反映現拍品的價值。

A GILT FAMILLE VERTE 'LEAPING CARP' CHARGER, KANGXI PERIODChina, 1662-1722. The shallow rounded sides rising from a short tapered foot to a broad flared rim, finely painted in gilt and bright enamels with a giant carp, its magnificent scales neatly rendered in gilt, rising from the swirling and crashing waves below with two smaller fish and flower heads, all below scrolling clouds, enclosed by a single line band.Provenance: Property from a distinguished American collection. Christie's New York, 27 January 2014, lot 352, sold for USD 22,500 (ca. USD 27,000 in today's currency after inflation). A private collector, acquired from the above.Condition: Good condition with minor wear and firing irregularities, some fritting and few shallow chips to mouth and foot rims, minor rubbing to enamels. The gilt is extremely well preserved.Weight: 1,674 gDimensions: Diameter 35.5 cmThe recessed base with a lozenge mark within a double circle. The rim with shaped reserves enclosing fish and floral sprays against a diapered floral ground.The carp symbolizes courage and perseverance because of the Dragon Gate fable wherein carp, defying the odds, swim up a waterfall and are transformed into benevolent and powerful dragons.During the early Qing dynasty, up until the early 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lingzhi fungus marks and double circles. The mark found on the present lot, in the form of a lozenge, an important Taoist symbol, appears to be rare but is clearly part of the same group.Auction result comparison: Compare a powder-blue-ground iron-red and gilt-decorated rouleau vase, painted with a similar large carp and also dated to the Kangxi period, at Christie's Hong Kong in The Imperial Sale on 31 May 2017, lot 3223, sold for HKD 625,000. 康熙硬彩描金開光鯉魚躍龍門盤中國，1662-1722年。折沿，淺斜腹，圈足。盤内開光描金描繪一條巨大的鯉魚躍龍門，魚鱗描金，水中波浪翻滾，蓮花漂浮其中。盤沿上錦地如意形開光内小魚游戲。 來源：美國知名收藏。紐約佳士得2014年1月27日 lot 352, 售價USD 22,500 (相當於現在的 USD 27,000 )；私人藏家購於上述收藏。 品相：狀況良好，有輕微磨損和燒製瑕疵，邊沿和足部邊緣有一些熔塊和少量磕損，琺瑯有輕微摩擦。描金保存極好。 重量：1,674 克 尺寸：直徑35.5 厘米 圈足内青花雙圈並菱形款。鯉魚象徵勇氣和毅力，因為傳説中鯉魚不畏險阻，勇躍龍門，比喻升官等飛黃騰達，或者逆流前進，奮發向上。 清初至1680年代初，中國局勢動盪，御器製作和瓷器年號的使用受到各種限制。 在此期間，出現了不同類型的款記，包括靈芝和雙圈標記。 本拍品上發現的菱形印記是道教的重要象徵，看似罕見，但顯然屬於同一情況。拍賣結果比較: 比較一件粉藍地鐵紅釉鎏金賞瓶，描繪了鯉魚紋，同樣為康熙時期，見香港佳士得The Imperial Sale 2017年5月31日 lot 3223, 售價HKD 625,000。

A CAST AND REPOUSSE GILT COPPER ALLOY FIGURE OF AMITAYUS, QIANLONG PERIODChina, 1736-1795. The figure is shown seated in dhyanasana on a double-lotus base, the hands lowered in dhyana mudra, wearing loose-fitting robes decorated with foliate scroll at the hems, richly adorned with beaded, floral, and inlaid jewelry. The hair is pulled up into a tall double-topknot, falling elegantly in long segments down the sides of the shoulders, and surmounted by a jewel.Provenance: A private collector in New York, USA.Condition: Excellent condition with minor old wear, occasional light scratches, tiny nicks, few small dents. The base sealed. Some losses to inlays, some other inlays may be later replacements. Well-preserved ancient pigments. The amrita vase held in the figure's hands is lost.Weight: 4,077 gDimensions: Height 38.5 cmThe statue is made from solid and massively gilt copper alloy, as clearly evidenced by the lack of any dings or bent areas to body and base. Only the earrings, scarf, and strands of hair are executed in copper repousse.The serene face shows heavy-lidded eyes, gently arched brows centered by an urna, and full lips forming a calm smile, flanked by long pendulous earlobes.The present work exhibits many characteristics common to the Buddhist workshops of the Qianlong period, such as the combination of cast and repousse parts, the languid and slightly effeminate treatment of the face and body, and the tightly waisted double-lotus base with broad petals. The Qing court patronage of Buddhism that began under the Kangxi Emperor reached epic proportions under his grandson, the Qianlong Emperor. The Buddhist centers of Beijing, Rehol, and Dolonnor produced thousands upon thousands of images to keep up with the demand of the numerous temples in and outside the capital.Auction result comparison: Compare a related cast and repousse figure of a bodhisattva, belonging to the same group as the present lot, 37.1 cm high, also dated to the Qianlong period, at Christie's New York in Fine Chinese Ceramics and Works of Art on 16 September 2016, lot 1231, sold for USD 35,000.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.乾隆時期鎏金銅錘揲觀音坐蓮像中國，1736-1795年。髮髻高聳，耳垂花璫，髮綹層疊垂落披肩。細眉長目微閉，鼻樑挺秀，雙眉間有白毫，雙唇微抿，神情柔和。上身坦露，飾項圈和長鏈，雙肩披帔帛，飾瓔珞，臂釧、手臅等，下身著貼體薄裙，腰纖細，繫有寶帶，結跏趺坐坐於蓮座上，姿態優美。蓮座上飾一道連珠紋，蓮瓣橢圓修長，富有層次。 來源：紐約私人收藏。 品相：狀況極佳，有輕微磨損，局部有輕微劃痕與微小的刻痕，少量小凹痕。 底座密封。損失一些鑲嵌物，一些鑲嵌可能曾後期更換過。顔料保存完好。觀音手中的淨瓶丟失。 重量：4,077 克 尺寸：高38.5 厘米 造像鎏金厚重，身體和底座沒有任何凹痕或彎曲區域清楚地證明了這一點。只有耳環與帔帛及一縷頭髮是用錘鍱而成。 此造像呈現出乾隆時期銅鎏金造像的許多特點，如鑄件與錘鍱工藝的結合，面部和身體的慵懶和略顯柔美的處理，以及寬瓣束腰雙層蓮座。康熙帝在位時期對佛教的推廣在他的孫子乾隆帝時期達到了鼎盛。北京、瑞荷、多隆諾等佛教中心為了滿足眾多寺廟的需求，製作了成千上萬的佛教造像。 拍賣結果比較：比較一件銅鑄並錘鍱菩薩造像，與此拍品為同一組，高37.1 厘米，同爲乾隆時期，見紐約佳士得 Fine Chinese Ceramics and Works of Art 2016年9月16日 lot 1231, 售價USD 35,000。

A SILK KESI 'DRAGON' CHAIR COVER, LATE MING DYNASTYChina, 1368-1644. Finely woven with a front-facing dragon encircling a flaming pearl, amid scrolling clouds, a tumultuous sea below and a crane in flight above, all against a red ground. The lower section with a large lotus enclosed in a quadrilobed pale-blue-ground panel, above a pair of horses amid rocks and waves.Provenance: From a noted Hungarian private collection, acquired from a British estate.Condition: Excellent condition, bright colors, absolutely original with only minor wear and few loose threads, some soiling.Dimensions: Size 164 x 47.5 cmEmbroidered or woven chair covers, such as the present example, would have been draped over chairs to protect them while not in use. They were intended for usage on guanmaoyi armchairs with the dragon covering the backrest‎, the lotus covering the seat, and the phoenix hanging down the chair.Literature comparison: Compare a single and two pairs of kesi chair covers, all dated to the Kangxi period, in the collection of the Minneapolis Institute of Art, accession numbers 42.8.198, 42.8.200, and 42.8.230.2.Auction result comparison: Compare a closely related pair of silk kesi chair covers, at Christie's New York in Fine Chinese Ceramics and Works of Art (Parts I & II) on 22-23 March 2012, lot 1624, sold for USD 20,000 and another pair sold in these rooms in Fine Chinese Art, Buddhism & Hinduism on 26 October 2021, lot 506, for EUR 15,168.明末緙絲龍紋椅披中國，1368-1644年。椅披大致可分為四段，最下一段為海水江崖，兩側各有相向而走焰肩的異獸一隻，其上且飾有五彩流雲。再上一段，中心為杏葉開光，其內緙出正視的西番蓮紋，開光外圍飾以束有飄帶的方勝、雙磬、犀角、葫蘆。再上一段為正面立於海水江牙之上的藍龍，其周遭遍布五彩流雲。末一段為仰首倒飛的仙鶴，突顯於背後的五彩流雲之中。整個椅披用色明麗，畫面生動。 來源：匈牙利知名私人收藏，購於一位英國藏家處。 品相：狀況極佳，色彩鮮豔，絕對原始狀態，只有輕微磨損和少量絲線鬆散，有些汙漬。 尺寸：164 x 47.5 厘米 拍賣結果比較：比較一對相似的緙絲椅披，見紐約佳士得Fine Chinese Ceramics and Works of Art (Parts I & II) 2012年3月22-23日 lot 1624, 售價USD 20,000 。另一對椅背見本藝廊 Fine Chinese Art, Buddhism & Hinduism 2021年10月26日 lot 506, 售價€15,168。

A LARGE LANGYAO BOTTLE VASE, CHANGJING PING, KANGXI PERIODChina, 1662-1722 or slightly later during the 18th century. The pear-shaped body rising from a thick spreading foot to a slender neck, covered overall with a copper-red glaze of rich crushed strawberry-red color suffused with wide crackle draining to a pale celadon glaze below the rim, the base left unglazed, revealing the buff body.Provenance: From a Swiss private collection. Condition: Very good condition with minor old wear and firing flaws, including some pitting. Minor chips and associated minimal glaze loss to the foot. The neck slightly tilted, as expected from this design. The glaze with a sublime, unctuous feel overall.Weight: 3,672 gDimensions: Height 43.6 cmAuction result comparison: Compare a closely related but much smaller vase (23 cm) at Sotheby's New York in Fine Chinese Ceramics and Works of Art on 11 September 2012, lot 27, sold for USD 17,500, and another with a longer neck, but shorter body and thus of similar size as the present lot, at Christie's New York in Fine Chinese Ceramics and Works of Art on 23 March 2018, lot 767, sold for USD 106,250. 康熙郞窯紅膽式瓶中國，1662-1722或稍晚。長頸，削肩，鼓腹，造型挺拔清秀，朗窯紅艷鮮明亮麗，口沿顯露白色胎骨，垂釉近足。圈足露胎。 來源：瑞士私人收藏。 品相：狀況極好，有輕微磨損和燒製瑕疵，包括一些點蝕。 輕微的磕損比如足部。頸部略微傾斜。釉面肥厚光潤。 重量：3,672 克 尺寸：高43.6 厘米 拍賣結果比較：比較一件相近但稍小 (23 厘米) 的長頸瓶，見紐約蘇富比Fine Chinese Ceramics and Works of Art 2012年9月11日 lot 27, 售價USD 17,500；另一件長頸但短瓶身且尺寸稍小，見紐約佳士得Fine Chinese Ceramics and Works of Art 2018年3月23日 lot 767, 售價USD 106,250。

A DOUCAI 'LANCA AND LOTUS' DISH, YONGZHENG MARK AND PERIODChina, 1723-1735. The shallow rounded sides rising from a slightly tapered foot to an everted rim, boldly painted in bright enamels with a Mandarin duck flying above another swimming amongst clusters of leafy blossoming lotus, beneath a band of lanca characters around the rim, the exterior masterfully decorated with a continuous lotus pond band. The recessed base with an underglaze-blue six-character mark da Qing Yongzheng nianzhi within a double circle and of the period.Provenance: From a private collection in West Yorkshire, England, assembled during the 1970s and 1980s, directly purchased from Bluett & Sons, London. Paper label of Bluett & Sons to base. Bluett & Sons was an important dealer of Chinese works of art, founded by brothers Leonard and Edgar Bluett and later continued by Leonard's son Roger Bluett, who was president of the British Antique Dealers' Association, of which his father and uncle were founding members in 1919, during the mid-1970s. Roger Bluett was also Chairman of the Grosvenor House Antiques, first Chairman of the ceramics course at West Dean and first Chairman of the Museum of East Asian Art, Bath.Condition: Very good condition with minor wear and firing irregularities, small frits to the foot.Weight: 261.7 gDimensions: Diameter 17.5 cmAuction result comparison: Compare a pair of closely related doucai dishes, also painted with ducks in a lotus pond and a lanca band, with six-character Jiajing marks but dated to the late Kangxi period, at Bonhams London in Fine Chinese Art on 10 November 2011, lot 177, sold for GBP 10,000. Also compare with a 'lanca and longevity' doucai dish, mark and period of Qianlong, at Christie's Hong Kong, in The Pavilion Sale, 4 April 2017, lot 132, sold for HKD 325,000. 雍正款及年代鬥彩“荷塘鴛鴦”盤中國，1723-1735年。此盤開口、弧壁，整器以鬥彩裝飾，內底、外壁描繪盛夏時節靜謐的荷塘，田田的荷葉襯托盛開的紅荷，於微風中搖曵，鴛鴦嬉戲於蘆葦和浮萍之間。盤沿上飾一圈梵文。底足内青花雙圈六字二行楷書款“大清雍正年製”。 來源：英國西約克郡私人收藏，1970至1980年間直接購於倫敦Bluett & Sons藝廊，底部可見 Bluett & Sons藝廊紙標籤。Bluett & Sons 曾是是中國藝術品的重要經銷商，由Leonard 與 Edgar Bluett兄弟創立，後來由Leonard的兒子Roger Bluett繼續經營，他是英國古董商協會的主席，他的父親和叔叔於 1919 年成為該協會的創始成員。Roger Bluett 還是 Grosvenor 大宅古玩博覽會的主席、West Dean 陶瓷課程的第一任主席和巴斯東亞藝術博物館的第一任主席。 品相：狀況極好，輕微磨損和燒製不規則，足部有小熔塊。 重量：261.7 克 尺寸：直徑17.5 厘米 拍賣結果比較：比較一對相近的斗彩“荷塘鴨戲”盤，同樣有一圈梵文，嘉靖六字款，但為康熙末年製，見倫敦邦翰思Fine Chinese Art 2011年11月10日 lot 177, 售價GBP 10,000；另一件梵文壽字斗彩盤，乾隆款及年代，見香港佳士得The Pavilion Sale 2017年4月4日 lot 132, 售價HKD 325,000。

A DOUCAI 'MAKARA' CUP, KANGXI TO YONGZHENG PERIODChina, c. 1680-1730. Elegantly potted, the rounded sides rising from a tall, slightly spreading foot to a gently flared rim, finely painted in soft underglaze-blue and brilliant enamels. The main exterior of the body surrounded by four makaras, each encircled within a foliate roundel, separated by upright and pendant triangular designs of floral sprays, all between double-line borders near the mouth rim and above the foot.Provenance: From a noted private collector in Princeton, New Jersey, USA.Condition: Minor wear and firing irregularities. The rim with a minuscule chip, associated hairline and old fill. Note that the actual condition is very well visible on the images provided and that there are no hidden damages whatsoever.Weight: 71.1 gDimensions: Diameter 7.9 cmThe recessed base with an apocryphal underglaze-blue six-character mark da Ming Chenghua nianzhi within a double circle.Literature comparison: Compare a closely related doucai cup with the same makara design, with a Kangxi mark and of the period, illustrated in Porcelains in Polychrome and Contrasting Colours, The Complete Collection of Treasures of the Palace Museum, vol. 38, Hong Kong, 1999, p. 214, no. 195. Compare a closely related doucai cup with the same makara design, also with a Chenghua mark and dated to the Yongzheng period, at Sotheby's Hong Kong, 7 October 2009, lot 1615, sold for HKD 187,500. Note that the Sotheby's cup was sold 12 years ago and therefore the auction result does not adequately reflect the current value of this lot.Auction result comparison: Compare a pair of related pair of doucai cups, also with Chenghua marks and dated to the Yongzheng period, decorated with lingzhi, at Bonhams Hong Kong in Fine Chinese Ceramics and Works of Art on 28 November 2017, lot 17, sold for HKD 1,937,500.康熙至雍正時期鬥彩摩迦儸紋杯 中國，約1680-1730年。杯口微撇，深弧腹，下承圈足。鬥彩藍釉及琺琅釉色瑩潤，胎質潔白緊緻；外壁四面開光描畫摩羯羅。上下邊沿處雙圈紋，飾卷草紋。 來源：美國新澤西州普林斯頓知名私人收藏。 品相：輕微磨損和燒製不規則，邊緣有微小缺口、相關細裂紋和舊時填充。細節請看提供的高清圖片，上面沒有任何隱藏的損壞。 重量：71.1 克 尺寸：直徑7.9 釐米 圈足內雙圈寄託款“大明成化年製”。 拍賣結果比較：比較一對來自雍正時期且同樣有成化款的鬥彩杯，靈芝紋，見香港邦翰思Fine Chinese Ceramics and Works of Art 2017年11月28日 lot 17, 售價HKD 1,937,500。

A PAIR OF SANCAI-GLAZED PARROTS, KANGXI PERIODChina, 1662-1722. Each finely modeled as a parrot perched on a pierced rockwork base and covered overall in aubergine, green, amber, and transparent glazes, with the beaks, interior, and part of the base left unglazed.Provenance: From a French private collection.Condition: Very good condition with minor wear and firing flaws, one parrot with a small loss to the tip of its beak, the bases with few tiny chips. The hardwood stands with minor chips and small losses.Weight: 297.3 g and 278.8 g (excl. stands)Dimensions: Height 17.8 cm (each, excl. stands) and 19 cm (each, incl. stands)Each with a finely carved, openworked, and fitted hardwood stand decorated with flowers, bamboo, and lingzhi, dating to the Qing dynasty and possibly of the same period. (4) Auction result comparison: Compare a closely related pair of sancai-glazed parrots, also dated to the Kangxi period, 24 cm high, at Christie's New York, 28 January 2013, lot 507, sold for USD 5,250. 康熙時期一對三彩鸚鵡 中國，1662-1722年。捏塑鸚鵡立於石上，綠羽，昂首斂翅，雙爪雄健有力，雙目銳利有神，做工精細，三彩色彩素雅，釉水瑩潤，造型靈動傳神。 來源：法國私人收藏。 品相：狀況極好，有輕微磨損和燒傷，一隻鸚鵡的喙尖有小缺損，底座有輕微小磕損。硬木底座有少量磕損。 重量：297.3 克 與 278.8 克 (不含底座) 尺寸：分別高17.8 厘米 (不含底座) 與19 厘米 (含底座) 拍賣結果：比較一對相近的康熙朝三彩鸚鵡，高24 厘米，見紐約佳士得2013年1月28日 lot 507, 售價USD 5,250。

A LARGE BLUE AND WHITE 'PHOENIX AND PEONY' DISH, YU TANG (JADE HALL) MARK, TRANSITIONALChina, c. 1650-1660. The deep rounded sides rising from a thick, slightly tapered foot to a brown-enameled rim, the interior boldly painted with two phoenixes by a large craggy rock, which partly obscures one of the legendary birds, surrounded by gigantic peony blossoms, enclosed by a double line border. The recessed base bears an underglaze-blue four-character mark yu tang jia qi ('beautiful vessel for the Jade Hall') within a double circle.Provenance: R & G McPherson Antiques, London, 23 July 2008. A British private collection, acquired from the above. A copy of the original signed invoice, dated 23 July 2008 and confirming the dating above, accompanies the present lot.Condition: Very good condition with minor wear and some firing flaws, including kiln grit and dark spots. The central interior engraved with a mark, probably either for the family name Lu or the number six. Shallow surface scratches.Weight: 2,315 gDimensions: Diameter 35.2 cmAuction result comparison: Compare a related blue and white dish depicting immortals, also with a yu tang jia qi mark and dated circa 1650, at Christie's New York in An Era of Inspiration: 17th-Century Chinese Porcelains from the Collection of Julia and John Curtis on 16 March 2015, lot 3560, sold for USD 27,500. Compare a related blue and white dish depicting a qilin, also with a yu tang jia qi mark and dated to the Kangxi period, at Christie's London in The Royal House of Savoy on 15 October 2019, lot 16, sold for GBP 9,750.過渡時期“玉堂佳器”款大型青花鳳穿牡丹紋盤中國，約1650-1660年。敞口，深圓腹，圈足，邊沿醬色釉；盤中青花勾勒鳳穿牡丹紋，精美華麗；圈足内青花雙圈“玉堂佳器”款。 來源：倫敦R & G McPherson Antiques藝廊，2008年7月23日；英國私人收藏，購於上述藝廊。隨附一份原始發票副本確認上述購物時間。 品相：狀況極好，有輕微磨損和一些燒製瑕疵，包括窯砂和黑點。盤内中央刻了一個“陸“字。 重量：2,315 克 尺寸：直徑35.2 厘米 拍賣結果比較: 比較一件相近的青花仙人紋盤，同樣有”玉堂佳器“ 款，約1650年，見紐約佳士得An Era of Inspiration: 17th-Century Chinese Porcelains from the Collection of Julia and John Curtis 2015年3月16日 lot 3560, 售價USD 27,500；比較一件相近的青花”玉堂佳器“ 款麒麟紋盤，康熙時期，見倫敦佳士得The Royal House of Savoy 2019年10月15日 lot 16, 售價GBP 9,750。

AN IMPORTANT THANGKA DEPICTING ZANABAZAR, 19TH CENTURYMongolia. Distemper and gold on cloth. Seated on a low cushion, backed by a bolster and a halo, dressed in heavy robes, holding a vajra in his raised right hand and a ghanta in his lowered left. An offering of peaches stands before him and a group of small vessels on a low table to his right. The background with green hills under a blue sky behind the elaborate curtain painted with floral scroll. Five-character inscription to backside. Provenance: From a Hungarian private collection.Condition: Good condition with only minor wear, little soiling and creasing, and small losses here and there. Possibly minuscule touch-ups.Dimensions: Image size 32 x 21.5 cm, Size incl. frame 44.9 x 34.6 cmMatted and framed behind glass.Jetsun Lobzong Tenpai Gyaltsen (1635-1723), commonly known as Zanabazar, was an important Mongolian religious figure and personal guru to the Kangxi Emperor (1654-1722). The son of Khalkha Tushyetue Khan, leader of the Khalkha Mongols, Zanabazar was at an early age recognized by both the Panchen Lama and Dalai Lama as the reincarnation of the Tibetan lama, Taranatha (1575-1634), and proclaimed the First Jetsundamba, an honorific title. He traveled to Tibet to continue his religious instruction under the powerful Gelugpa lamas before returning to Mongolia in 1651, bringing fifty sculptors and painters with him in an attempt to establish the Gelug order amongst the Mongols. Rather than settle at one established monastery, his portable temples traveled from one oergoeoe (traveling place) to another, in what became known as Da Khuree (Great Circle).During his time as religious leader of the Khalkha Mongols, Zanabazar oversaw a proliferation of Buddhist art in the region. He is especially known for his visualization and design of gilt bronze sculpture, subsequently carried out by master Nepalese bronze casters, which are widely recognized as some of the finest Buddhist bronze sculpture created.In 1691, faced with the threat of the rival Dzungar Mongols, Zanabazar agreed to integrate the Khalkha into the Qing Empire, at a ceremony before the Kangxi Emperor at Dolonnor Monastery. While Zanabazar had previously sent tribute and religious gifts to Kangxi, the formal ceremony solidified the relationship between the two men. In later life, Zanabazar acted as the personal religious teacher to Kangxi in Beijing. With the help of his guru, the Emperor took an increasing interest in Buddhism and established a tradition of Imperial propagation of Buddhist art that continued into the reigns of his son and grandson, the Yongzheng and Qianlong Emperors.Today, Zanabazar is viewed as one of Mongolia's most important historical figures, celebrated for propagating Tibetan Buddhism throughout Mongolia while reshaping it to fit Mongolian sensibilities, thereby establishing for the Mongols a unique cultural identity. His artistic works are generally regarded as the apogee of Mongolian aesthetic development and spawned a cultural renaissance among Mongols in the late 17th century. Even during the country's socialist era (1921-1991) he was acknowledged to be a prominent scholar (his religious roles quietly discarded) and recognized for his artistic and cultural achievements. As a political personality, however, socialist authorities portrayed Zanabazar as a traitor and deceiver of the masses, responsible for the loss of Mongolian sovereignty to the Manchu. In the post socialist era, however, there has been a reevaluation of his image to where his actions in negotiating the Khalkha's submission to the Qing are considered to have been in the long term interests of Mongolia, and he is generally exonerated for his role in 1691.Literature comparison: Compare a related Mongolian thangka of Zanabazar, also dated to the 19th century, in the collection of the Rubin Museum of Art, object number C2006.66.587. 十九世紀哲布尊丹巴呼圖克圖唐卡蒙古。布面描金膠彩。活佛坐在一個矮墊子上，背靠一個靠枕，身後有光背。身著厚重的長袍，舉起的右手拿著金剛杵，低垂的左手拿著金剛杵。 一個桃子供奉在他面前，右邊的一張矮桌上置放著一組小器皿。背景是藍天下的青山，花卉紋窗簾。來源：匈牙利私人收藏。 品相：狀況良好，只有輕微磨損、少量汙漬和起皺，而且到處都有小缺損。輕微修補。 尺寸：畫面32 x 21.5 厘米，總44.9 x 34.6 厘米 玻璃裝框。

Chinese blue and white porcelain baluster jar and cover, decorated in underglaze blue with the twelve animals of the zodiac, dragon, overseen by a dragon, beneath domed Dog of Fo cover, four character mark (pseudo Kangxi) beneath, 33cm high (a/f), together with a sleeve vase, 25cm, and a double gourd vase, 18cm, both also with pseudo Kangxi marks, (3)

A SMALL CHINESE BALUSTER SHAPED VASE AND COVER underglaze blue painted decoration of a figure standing before a palace within lappet borders, bearing four character Kangxi mark to base, 17cm high Condition Report : minor chips to lid, otherwise good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

A BISCUIT PORCELAIN FIGURE OF GUANYIN WITH CHILD, KANGXI PERIODChina, 1662-1722. The goddess of mercy modeled seated at ease in long robes, the right knee raised to support a young boy holding a lotus stem, the serene face topped with a high chignon hairstyle and cowl. Covered with fine glazes of emerald-green, lemon-yellow and aubergine.Provenance: From a French private collection.Condition: Fine appearance with some firing flaws, wear, few small chips, losses and associated old repairs. Residues of brown and black varnish. The wood base with some repair, nicks and cracks.Weight: 303 g (excl. stand)Dimensions: Height 18.1 cm (excl. stand) and 23 cm (incl. stand)With an associated, finely carved and open-worked hardwood base supported on five feet, which is mounted to a later wood plinth. (2)Auction result comparison: Compare a related sancai-glazed biscuit group of Guanyin and child, of larger size (32.4 cm high), also dated to the Kangxi period, at Sotheby's New York in The Hundred Antiques: Fine & Decorative Asian Art on 30 September 2020, lot 1099, sold for USD 2,772.康熙時期素燒瓷胎送子觀音 中國，1662-1722年。觀音身著長袍，顯得自在休閑；右膝托著一個手持蓮藕的少年，安詳的臉龐，梳高髻戴頭帔。覆蓋著翠綠色、檸黃色和茄紫色的釉料。 來源：法國私人收藏。 品相：外觀精美，有一些燒製瑕疵、磨損、少量小磕損、缺損和相關的維修。 棕色和黑色清漆的餘留。木底座有一些修復、刻痕和裂縫。 重量：303 克 (不含底座) 尺寸：高18.1 厘米 (不含底座) 與 23 厘米 (含底座) 有一個鏤空雕刻的硬木底座，安裝在後來的木底座上。(2) 拍賣結果比較：比較一件相近的康熙時期三彩送子觀音 (高32.4 厘米)，見紐約蘇富比The Hundred Antiques: Fine & Decorative Asian 2020年9月30日 lot 1099, 售價USD 2,772。

A LANGYAO WATER POT, PINGGUOZUN, QING DYNASTYChina, 1644-1912. Of compressed globular form, elegantly potted with generous rounded sides rising from a short foot to an incurved mouth rim recessed into the shoulder. Covered overall in an unctuous glaze of rich crushed-strawberry tone, the interior and base glazed in pale-bluish white, the foot rim left unglazed.Provenance: Greater London trade, by repute acquired from an English private estate.Condition: Excellent condition with minor wear and firing flaws, including a noticeable glaze recess to the base, dark spots, and pitting.Weight: 190.0 gDimensions: Diameter 8.5 cm (at the widest points)The recessed base with an underglaze-blue six-character mark da Qing Kangxi nianzhi in horizontal script.Langyao is a vitreous red glaze that was developed at the Jingdezhen imperial kilns under the supervision of Lang Tingji (1663-1715), governor of Jiangxi Province between 1705 and 1712. This copper glaze turns red after being fired in a reducing or oxygen-deprived atmosphere. It sometimes drips down the vessel during firing, creating drops around the foot. It is incredibly hard to achieve, with layerings of clear and copper-rich glazes allowing for depths of color, as clearly evidenced by the present lot. The glaze must be of a certain thickness to turn red, so areas where it is thin can be lighter in color or even white.Literature comparison: Compare a related peachbloom-glazed pingguozun, with a Kangxi mark and of the period, in the collection of the National Gallery of Art in Washington, D.C., accession number 1942.9.503. 清代郎窯水盂 中國，1644-1912年。深腹，無頸，短圈足。整體覆蓋著濃鬱的豇豆紅釉，圈足露胎但內底白釉。 來源：英國古玩市場，據説來自英國私人收藏。 品相：狀況極佳，有輕微磨損和燒製瑕疵，比如底部明顯的釉面凹陷、黑點和點蝕。 重量：190.0 克 尺寸：直徑8.5 釐米(最寬處) 圈足內青花"大清康熙年製"。

AN IRON RED AND GILT 'SEVEN BLOSSOMS' DISH, KANGXI/YONGZHENG PERIODChina, 1662-1735. Painted in iron-red, gilt, and green enamel details, the center depicting a flower branch within a spearhead border, framed by an underglaze blue decoration of flowers, dragons and phoenixes chasing the flaming pearl, a narrow foliate scroll below the rim, the lip glazed in cafe au lait. The exterior with three flower branches in iron red.Provenance: From the collection of Karl Emil Strømstad. Old label to base, 'Strømstad 435'. Karl Emil Strømstad was an important Norwegian collector of Chinese ceramics. He has written numerous articles on the subject, including 'Fifty Shades of Green. Den fascinerende celadonkeramikken', and co-founded the Oriental Ceramic Society of Norway (NSOK). A large part of his collection, which he built from the 1960s onwards, was acquired in London. Condition: Good condition with some old wear, shallow surface scratches, a hairline to the rim, some manufacturing irregularities such as kiln grit, pitting, and dark spots. The dish slightly warped.Weight: 1130 g Dimensions: Diameter 34.7 cmAuction result comparison: Compare an almost identical dish, 36.8 cm diameter, at Christie's London in Christie's Interiors on 7 November 2012, lot 640, sold for GBP 3,000. 康熙至雍正時期汎紅釉描金開光花卉紋盤中國，1662-1735年。敞口，斜弧腹，汎紅釉，描金，綠色琺琅。中央開光描繪花卉紋，中間一圈為青花鳳凰紋。邊緣處纏枝花卉紋。盤沿描醬色釉。來源：Karl Emil Strømstad收藏，底部可見兩個標籤，其中一個註明"Strømstad 491"。Karl Emil Strømstad是挪威重要的中國陶瓷收藏家。他寫了許多關於中國陶瓷的文章，如《Fifty Shades of Green-Den fascinerende celadonkeramikken》，並協助創立了挪威東方陶瓷協會 (NSOK)。 他1960 年代開始收集的大部分藏品收購於倫敦。 品相：狀況良好，有一些磨損、表面淺劃痕、邊緣細裂紋、一些製造瑕疵，如窯砂和黑點。 盤子微微翹起。 重量：1130 克 尺寸：直徑34.7 厘米 拍賣結果比較：比較一件幾乎一模一樣的盤子，直徑36.8 厘米，見倫敦佳士得Christie's Interiors 2012年11月7日 lot 640, 售價GBP 3,000。

A BLUE AND WHITE CELADON-GROUND 'LOTUS POND' CENSER, KANGXI PERIODChina, 1662-1722. The compressed globular body rising from a slightly spreading foot to a waisted neck with lipped rim. Finely molded in high relief and decorated on the celadon ground in white slip and underglaze blue with a circumferential lotus pond design below a raised line band, the interior and base glazed white, the foot rim left unglazed. The recessed base with a double circle in underglaze blue.Provenance: Belgian trade. Condition: Excellent condition with minor wear and firing flaws, including dark spots and glaze recesses.Weight: 2,425 gDimensions: Diameter 24 cm (at the widest points)During the early Qing dynasty, up until the early 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lozenge marks, lingzhi fungus marks, and double circles.Auction result comparison: Compare a closely related brushpot, also decorated in white slip and underglaze blue on a celadon ground with a lotus pond design, 17.8 cm diameter, dated to the 18th century, at Christie's London in Fine Chinese Ceramics and Works of Art on 7 November 2006, lot 191, sold for GBP 13,200. Compare a related censer, also decorated in white slip and underglaze blue on a celadon ground, 24.1 cm diameter, also dated to the Kangxi period, at Sotheby's New York in Kangxi: The Jie Rui Tang Collection, Part II on 19 March 2019, lot 326, sold for USD 10,000. 康熙時期青釉地青花荷塘紋爐中國，1662-1722年。簋式爐，唇口外撇，短束頸，肩部一道凸紋，鼓腹下垂，出高圈足。外壁青釉地上青花描繪荷塘中荷花與荷葉爭相搖曳。爐内和底足内白釉，圈足露胎。底部雙圈青花款。 來源：比利時古玩市場 品相：狀況極佳，有輕微磨損和燒製瑕疵，包括黑點和釉面凹陷。重量：2,425 克 尺寸：直徑 24 厘米 (最寬處) 拍賣結果比較：比較一件十分相近的十八世紀青釉地青花蓮池紋筆筒，直徑17.8 厘米，見倫敦佳士得Fine Chinese Ceramics and Works of Art 2006年11月7日lot 191, 售價GBP 13,200；比較一件相近的康熙時期青釉地青花香爐直徑24.1 厘米，見紐約蘇富比Kangxi: The Jie Rui Tang Collection, Part II 2019年3月19日 lot 326, 售價USD 10,000。

A FAMILLE VERTE 'CARP AND DRAGON' STAND, KANGXI PERIODChina, 1662-1722. The stand modeled in the shape of a four-legged table of rectangular form and with raised edges, finely painted with a carp and a four clawed dragon amongst crashing waves. On the left a deer looking up to a bat, on the right a mythical beast rising its head to look at a bird, all framed by a border with geometric designs.Provenance: From a private collection in Northern California, USA.Condition: The stand with minor wear and firing irregularities. The feet and the upper right edge are reattached and touched up accordingly, with only minimal loss to the glaze. Old wear and traces of use. The colors still fresh and crisp.Weight: 2,035 gDimensions: Length 32.4 cm, Width 17 cm, Height 11.4 cmAuction result comparison: Compare a famille verte biscuit table stand, also dated to the Kangxi period, of smaller size (20.3 cm), at Sotheby's New York in Kangxi: The Jie Rui Tang Collection on 20 March 2018, lot 354, sold for USD 10,625. 康熙時期硬彩開光"魚躍龍門"方座中國。1662-1722年。四高足方底座，精美五彩開光描繪"魚躍龍門"。左側開光内臥鹿舉頭，上方可見蝙蝠紋，右側開光内瑞獸舉頭看向一隻鳥，邊緣飾幾何線條紋。 來源：美國北加利福尼亞私人收藏。品相：方座有輕微磨損和燒製瑕疵。足部和右上邊緣重新連接和修飾，釉面有小缺損。 舊磨損和使用痕跡。顏色依然清新明快。 重量：2,035克 尺寸：長32.4厘米，寬17 厘米，高11.4 厘米 拍賣結果比較: 比較一件硬彩素燒方座，同樣為康熙時期，20,3厘米，見紐約蘇富比Kangxi: The Jie Rui Tang Collection 2018年3月20日 lot 354, 售價USD 10,625。

A LARGE FAMILLE VERTE 'BUDDHIST LIONS' DISH, KANGXI PERIODChina, 1661-1722. Sturdily potted, the rounded sides rising from a tapered foot to a cafe au lait glazed rim. The interior painted in bright enamels with three Buddhist lions chasing a ribboned brocade ball with billowing scarfs.Provenance: British trade. Condition: Very good condition with little wear, some manufacturing flaws such as pitting, dark spots and glaze recesses.Weight: 2,245 g Dimensions: Diameter 33.3 cm Literature comparison: Compare a related famille verte saucer dish with three Buddhist lions, also dated to the Kangxi period, in the collection of the Museum of Applied Arts & Sciences in Sydney, object number 89/406. Auction result comparison: Compare a related famille verte dish, 35.4 cm diameter, also dated to the Kangxi period, but with only two Buddhist lions, and the fritted rim with small old fills, sold in these rooms in Fine Chinese Art - Buddhism & Hinduism on 15 October 2021, lot 217, for EUR 5,056. 康熙時期大型硬彩太獅戲毬盤中國，1661-1722年。敞口，斜圓腹，圈組。口沿描金。盤内繪有明亮的琺瑯彩，三隻獅子追逐著一個綉球。來源：英國古玩市場。 品相：狀態極好，輕微磨損，有一些製造瑕疵，如麻點、黑點和釉面凹陷。 重量：2,245 克 尺寸：直徑 33.3 厘米 拍賣結果比較：比較一件相近的硬彩盤，直徑35.4 厘米，康熙時期，但僅兩隻獅子，邊緣帶有小修補，售於本藝廊 Fine Chinese Art - Buddhism & Hinduism 2021年10月15日 lot 217, 售價EUR 5,056。

A BLUE AND WHITE BALUSTER VASE AND COVER, KANGXI PERIODChina, 1662-1722. Decorated with panels of long-tailed birds perched on flowering branches issuing from craggy rockwork, with further panels of flowers above the foot and bands of diaper and lappets, the neck with lotus sprays and a band of ruyi heads. The base with a lingzhi fungus mark within a double circle.Provenance: From a private collection in the United States. Condition: Excellent condition with only minor old wear and firing irregularities, such as kiln grit and dark spots. Some fritting along the edges, mostly to cover.Weight: 3,705 gDimensions: Height 49.3 cmThe domed cover with a barbed rim and painted similarly to the vase, with panels enclosing floral sprays and figures in landscapes, and surmounted by a bud-shaped finial. During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lingzhi fungus marks and double circles. Auction result comparison: Compare a pair of closely related blue and white baluster vases and covers, also dated to the Kangxi period, with lingzhi marks, and similarly painted, at Sotheby's London in Chinese Art on 12 May 2021, lot 122, sold for GBP 15,120. 康熙青花開光花鳥紋蓋罐中國，1662-1722年。罐身開光飾有四季花鳥紋，頸部如意雲紋，足部江水紋以及蕉葉紋。罐身開光飾有四季花鳥紋，頸部如意雲紋，足部江水紋以及蕉葉紋。底足雙圈內有靈芝紋款。，頸部有蓮花噴霧和如意頭帶。 底足雙圈內有靈芝紋款。 來源：美國私人收藏。 品相：狀況極佳，只有輕微的磨損和燒製不規則現象，例如窯砂和黑點。主要在罐蓋邊緣有一些熔塊。重量：3,705 克 尺寸：高49.3 厘米 拍賣結果比較：比較一對相近的康熙青花蓋罐，同樣有靈芝紋款，見倫敦蘇富比Chinese Art 2021年5月12日 lot 122, 售價GBP 15,120。

A BLUE AND WHITE 'LONG ELIZA' BARBED-RIM DISH, KANGXI PERIODChina, 1662-1722. The lobed shallow rounded sides rising from a short tapered foot to an everted barbed rim. Neatly painted to the interior with a central medallion enclosing two ladies in a terrace garden with a censer atop an incense stand, with a large scholar's rock in the background, encircled by an elaborate band of ribboned lotus blossoms and scrolling vines, and to the exterior with a floral spray within each lobe.Provenance: Old Swedish private collection, thence by descent. Old collector's label to base, '100'.Condition: Good condition with minor old wear and firing flaws, including pitting, small firing cracks, and dark spots, the rim with fritting and small chips.Weight: 262.3 gDimensions: Diameter 20.8 cmThe recessed base with an apocryphal underglaze-blue six-character mark da Ming Chenghua nianzhi.Auction result comparison: Compare with a small 'Long Eliza' bowl of 15 cm, also with a Chenghua mark, at Christie's on December 14, 2011, lot 504, sold for EUR 5,000.康熙時期青花仕女葵口盤中國，1662-1722年。此盤十六瓣葵口，淺弧壁，圈足，內外青花裝飾。盤内中央園中侍女圖，邊沿上繪束蓮紋。盤外壁十六瓣内各飾花卉紋。圈足内雙圈寄托款"大明成化年製"。 來源：瑞典私人老收藏，保存至今。圈足内收藏標籤"100"。 品相：狀況良好，有輕微的舊時磨損和燒製瑕疵，包括點蝕、小燒製裂紋和黑點，邊緣有熔塊和小磕損。 重量：262.3 克 尺寸：直徑20.8 厘米 拍賣結果比較：比較一件直徑爲15 厘米的侍女紋碗，同樣有成化款，見佳士得2011年12月14日lot 504, 售價EUR 5,000。

A YIXING POTTERY 'LOTUS AND FROG' TEAPOT, LATE QING TO REPUBLICChina, 1850-1949. Delicately potted as a large lotus leaf with a short stem to the base. The handle formed by two curled lotus stems terminating in blossoms to either side. The similarly modeled cover with a handle in the form of a stem and surmounted by a frog. The interior with a strainer and covered in a finely crackled ivory-white Guan type glaze.Inscriptions: To one side with a signature within an oval reserve. Provenance: From a private collection in New York, USA.Condition: Good condition with minor old traces of use and some wear, which may partially have been skillfully simulated by the potter. Minimal firing irregularities, as well as few minuscule nicks, minor chips, and small losses.Weight: 187.0 g Dimensions: Length 16.5 cm (spout to handle)Expert's note: Reputedly, the subject of 'lotus and frog' in Yixing pottery originally goes back to Chen Mingyuan, one of the most famous and versatile Yixing potters, who was active during the Kangxi/Yongzheng periods (1662-1735). His works included teapots and articles for the scholar's table, many simulating objects from nature such as those in the K.S. Lo Collection, illustrated in The Art of the Yixing Potter, Hong Kong Museum of Art, 1990, pages 139-142.Auction result comparison: Compare a related Yixing teapot and cover by Chen Mingyuan, also with lotus and frog, at Bonhams Hong Kong in Masterpieces of Yixing Stoneware from the Mr and Mrs Jimmy Sha Collection on 24 November 2013, lot 109, bought-in at an estimate of HKD 2,300,000-3,300,000.清末民初宜興青蛙荷花茶壺 中國，1850-1949年。精緻捏塑大荷葉茶壺，兩個捲曲的葉莖為執柄，一側一片荷葉另一側一朵荷花。荷葉形壺蓋帶有蓋鈕，壺蓋上有一隻青蛙。壺嘴內有過濾器，覆蓋著象牙色釉，釉面開片。 款識：茶壺執柄一側下方有一橢圓形章。 來源：美國紐約私人收藏。 品相：狀況良好，有輕微舊時使用痕跡和一些磨損。 有輕微燒製不規則性，以及輕微磕損和小缺損。 重量：187.0 克 尺寸：長16.5 厘米 (壺嘴至執柄) 拍賣結果：比較一件相近陳明遠製荷花青蛙宜興茶壺，見香港邦翰思Masterpieces of Yixing Stoneware from the Mr and Mrs Jimmy Sha Collection 2013年11月24日lot 109, 估價HKD 2,300,000-3,300,000。

A GOLD-FLECKED BLACK GLASS SNUFF BOTTLE, 1700-1770China, probably palace workshops Beijing. Of high-shouldered, ovoid form, with a semi-transparent, clear ground densely suffused with black and speckled gold, behind a layer of transparent glass.Provenance: From a UK private collection, acquired from Robert Kleiner & Co. Ltd., London. A copy of the original invoice, dated 20 November 2000 and describing the piece as 'A glass Snuff Bottle, of ovoid shape, the black ground suffused with minute gold speckles, attributed to Beijing, 1700-1770', accompanies this lot. Robert Kleiner (1948-2014) was an important expert on and dealer of Chinese snuff bottles, beginning his long career at Sotheby's Chinese Art department in London. Along with Hugh Moss and Bob Hall, Robert Kleiner became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles. Condition: Very good condition with little wear, some manufacturing irregularities such as open bubbles.Stopper: Green glass bead and a stepped metal mounting, carved spoon Weight: 69 g Dimensions: Height including stopper 60 mm. Diameter neck 12 mm and mouth 7 mm.This type of glass, suffused with gold speckles, is recorded as early as 1703, when the Kangxi Emperor gave two such bottles to courtiers. Glass bottles of this period were almost certainly made within the Imperial Glassworks set up in 1696 by the Jesuits under Kilian Stumpf, to cater to the Imperial fascination with glass, which continued throughout the 18th century.The technique of introducing gold splashes into glass was invented by the glass makers of Murano. This involved dissolving a silicate of cuprous oxide into the molten glass matrix, which converts on cooling to a partly metallic state.1700-1770年黑地灑金琉璃鼻烟壺中國，可能爲北京御用工坊製作。高肩，心形，半透明，透明的琉璃之後是黑色地上灑金。 來源：英國私人收藏，購於倫敦Robert Kleiner & Co. Ltd.藝廊。隨附一份2000年11月20日開具的發票副本，描寫此拍品為"A glass Snuff Bottle, of ovoid shape, the black ground suffused with minute gold speckles, attributed to Beijing, 1700-1770"（琉璃鼻烟壺，橢圓形，黑地灑金，北京風格，1700-1770）。Robert Kleiner (1948-2014) 是一位重要的中國鼻煙壺專家和古玩商，在倫敦蘇富比中國藝術部開始了他的職業生涯。 Robert Kleiner與 Hugh Moss 和 Bob Hall 一起，成為 Mary 和 George Bloch 收藏的重要顧問，他編寫並製作了他們的第一個鼻烟壺目錄。 品相：狀況極好，輕微磨損，有一些製造瑕疵，例如開氣泡。 壺蓋: 綠色琉璃，包金屬，雕刻小勺 重量：69 克 尺寸：含蓋高60 毫米頸部直徑12 毫米，及口部直徑7 毫米

A TURQUOISE-GLAZED TRIPOD STAND, KANGXI PERIODChina, second half of 17th to early 18th century. The flat circular top is supported on three feet issuing from beast heads, covered overall in a rich turquoise glaze with scattered dark spots.Provenance: From a British private collection. Condition: With some wear, surface scratches and firing flaws, such as dark spots and pitting. The rim with minuscule nicks and three small chips with old touchups, as well as two minor chips to the feet. Weight: 440 g Dimensions: Diameter ca. 15 cm, Height 5 cm Auction result comparison: Compare a related turquoise glazed hexagonal stand, also dated to the Kangxi period, at Christie's New York in The Art of China: New York, Spring Edition on 20-27 March 2018, lot 79, sold for USD 5,250. 康熙時期松石綠釉三足底座中國，十七世紀下半葉至十八世紀出。平坦的圓形頂部，獸面三蹄足，通體覆蓋著松石綠釉，帶有分散的黑點。 來源：英國私人收藏。品相：輕微磨損、表面劃痕和燒製瑕疵，例如黑點和麻點。邊緣有微小刻痕和三個有舊修補的小磕損，以及足部兩個小磕損。重量：440 克 尺寸：直徑 約15 厘米, 高5 厘米 拍賣結果比較：比較一件相近的康熙松石綠色釉六邊底座，見紐約佳士得The Art of China: New York, Spring Edition 2018年3月20-27 日 lot 79, 售價USD 5,250。

A BLUE AND WHITE 'MYTHICAL BEASTS' JARDINIERE, QING DYNASTYChina, 19th century. The deep rounded sides rising from a short tapered foot to a thick everted rim, painted to the exterior with three mythical beasts amid flames in a continuous landscape with flames, rockwork, palms, and shrubs, all within double-line borders, the foot and rim left unglazed.Provenance: French trade, by repute from a private estate. Condition: Excellent condition with minor wear and firing flaws.Weight: 1,654 gDimensions: Diameter 20 cmLiterature comparison: For an example from the Kangxi period, painted with the same subject, 21 cm, see Christie's Hong Kong, 26 November 2014, lot 3250, sold for HKD 375,000.清代青花瑞獸紋花盆中國，十九世紀。厚胎，敞口，深圓腹，平底露胎。外壁青花繪有三隻瑞獸，四周火焰圍繞，園林場景，描繪了假山、芭蕉和灌木，青花色彩艷麗，渲染自然。 來源：法國古玩市場，據説來自私人收藏。 品相：狀況極佳，有輕微磨損和燒製瑕疵。 重量：1,654 克 尺寸：直徑20厘米

A PAIR OF LARGE BARBED RIM FAMILLE VERTE CHARGERS, KANGXI PERIODChina, 1661-1722. The large porcelain dishes with sides rising to a barbed rim, the interior vividly painted depicting a palace garden with a pavilion, a deer, and various flowers. The cavetto with overlapping floral border vignettes, flower branches to the reverse, details in gilt and iron red above the glaze overall. The base with a lozenge mark within a double circle in underglaze blue.Provenance: From a private collection in New York, USA. The base of one charger with an old Christie's label '13-OCT-16 Sale 12198 Lot 178'. Condition: Commensurate with age. Both chargers with several visible hairlines, each with at least one small chip to rim showing an old fill, extensive fritting to rim, some minor chipping to foot, manufacturing imperfections such as glaze flaking, general wear and traces of use. No hidden damages. Presenting very well with the enamels overall still very crisp!Weight: 1,896 g and 1,702 g Dimensions: Diameter 38.5 cm and 38.2 cmDuring the early Qing dynasty, up until the early 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lozenge marks, lingzhi fungus marks, and double circles. Literature comparison: A related charger is in the collection of the Fondation Georges et Marie Vergottis (Lausanne) and illustrated by John Ayers in 'La collection de porcelaines chinoises de Marie Vergottis', p. 83, no. 55.Auction result comparison: Compare with a related pair of barbed rim dishes from the same period at Christie's London on May 14, 2013, lot 275, sold for GBP 17,500. Compare with a related pair of barbed rim dishes from the same period at Christie's New York, 25 January 2010, lot 401, sold for USD 18,125.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.康熙時期一對大型葵口硬彩開光花卉紋折沿盤中國，1661-1722年。折沿，淺腹，圈足。盤中開光園中花卉，繁花錦簇，小鹿在一側戲耍。折沿上開光飾卷葉花卉紋，採用描金和汎紅釉突出細節。圈足内青花雙圈方勝款。 來源: 美國紐約私人收藏。一個盤子的底部有佳士得標籤"13-OCT-16 Sale 12198 Lot 178"。 品相: 與年齡相稱，兩件盤都有幾條可見的細裂紋，每個盤子的邊緣至少有一個小缺口，可見修補，足部有一些輕微的開口，製造瑕疵，如釉面剝落，一般磨損和使用痕跡。沒有隱藏的損壞。琺瑯保存良好。 重量: 分別為1,896 克與 1,702 克 尺寸: 直徑38.5 厘米和38.2 厘米 拍賣結果比較: 比較一對同期葵口盤，見倫敦佳士得 2013年5月14日 lot 275, 售價GBP 17,500；比較一對同期葵口盤，見紐約佳士得2010年1月25日 lot 401, 售價USD 18,125。

A GILT-DECORATED POWDER-BLUE GROUND 'BIRDS AND FLOWERS' BALUSTER VASE, KANGXI PERIODChina, 1662-1722. The baluster sides rising from a short foot to a waisted neck with everted rim. Finely painted in gilt to the body with two pheasants perched on gnarled branches amid flowering peony above a band of scrolling lappets and below a band of butterflies and foliate scroll, and to the neck with a sparrow and butterfly amid rockwork, peony, and bamboo, below a band of pendent ruyi-heads. The underside with a double circle in underglaze blue.Provenance: Collection of Harry J. Haon II, and thence by descent within the family. Harry J. Haon II (1901-1989) and his son Harry J. Haon III (1934-2013) were chemists and lifetime employees of E.I. du Pont de Nemours & Company. In 1954, Harry Haon II moved to London to serve as a Manager of the European Office for the Foreign Relations Department. After he retired in 1962, he continued to live in London part-time until the late 1970s, and many pieces of his notable collection of Asian works of art were acquired during this time.Condition: Very good condition with some wear, particularly to gilt, and firing flaws, such as open bubbles, small glaze recesses, and dark spots. Minor fritting to rim and base.Weight: 2,675 gDimensions: Height 39.2 cmExpert's note: During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including blank double circles.Auction result comparison: Compare a related but smaller (25.4 cm high) rouleau vase, also painted with birds and flowers in gilt on a powder-blue ground and dated to the Kangxi period, at Christie's Hong Kong in Important Chinese Ceramics and Works of Art on 27 November 2007, lot 1710, sold for HKD 125,000.康熙灑藍地描金花鳥紋鳳尾瓶中國，1662-1722年。喇叭狀口，長頸，鼓腹，下斂，至底又廣。灑藍地描金兩隻錦雉棲息在牡丹花枝上，四周蝴蝶飛舞，牡丹盛開，竹林叢叢，足部如意紋。 圈足白釉，内有青花雙圈。 來源：Harry J. Haon II收藏，自此保存在同一家族至今。Harry J. Haon II (1901-1989) 與他的兒子Harry J. Haon III (1934-2013) 是 杜邦公司的化學家和終身僱員。1954 年，Harry Haon II 移居倫敦，擔任對外關係部歐洲辦事處經理。 1962 年退休後，他繼續在倫敦兼職生活，直到 1970 年代後期，他收藏的許多著名的亞洲藝術品都是在此期間購置。 品相：狀況極其好，有一些磨損，特別是鍍金和燒製瑕疵，例如開放的氣泡、小的釉面凹陷和黑點。 邊緣和底部有輕微的燒結。 重量：2,675 克 尺寸：高39.2 厘米 專家注釋：清初至1680年代，中國局勢動盪，御器製作及瓷器年號的使用受到各種限制。 在此期間，不同類型的其他標記開始使用，包括空白雙圈。 拍賣結果比較：比較一件康熙時期相似，但稍小 (高25.4 厘米) 的灑藍地描金花鳥瓶，見香港佳士得Important Chinese Ceramics and Works of Art 2007年11月 27日 lot 1710, 售價HKD 125,000。

A BLUE AND WHITE 'MUSICIANS' DISH, KANGXI PERIODChina, 1662-1722. The shallow rounded sides rising from a short tapered foot to a wide everted rim, the broad floor filled with Daoist musicians and their attendants in the shade of a pine tree at a hillside, surrounded by a band of lotus flowers and Daoist emblems to the short cavetto, the gently sloping wide rim with additional Daoist figures framed within reserves against a geometric patterned ground.Provenance: Belgian trade, by repute from a local private collection.Condition: Fine condition with minor old wear and firing flaws, the rim with two hairlines, minuscule nicks to the foot.Weight: 1,412 g Dimensions: Diameter 39.5 cmIt is interesting to note that the Chinese musical tradition remained quite stable throughout the Qing dynasty before the New Culture Movement, as evidenced by the many similarities between the painting on the present dish and the musicians pictured in an old photograph taken in Shanghai during the 1860s (figure 1). The first major and well-documented flowering of Chinese music was for the qin during the Tang dynasty (618-907 AD), although this instrument is known to have been played already since before the Han period. Through succeeding dynasties over thousands of years, Chinese musicians developed a large assortment of different instruments and playing styles, including court, folk, and religious music as well as instrumental, opera, storytelling, and many other kinds. A wide variety of these instruments, such as guzheng and dizi, are indigenous, although many popular traditional musical instruments were introduced from Central Asia, such as the erhu and pipa. Musical instruments were traditionally classified into eight categories known as bayin. Traditional music in China is played on solo instruments or in small ensembles of plucked and bowed stringed instruments, flutes, and various cymbals, gongs, and drums. The scale is pentatonic. Bamboo pipes and qin are among the oldest known musical instruments from China. 康熙時期青花開光樂者場景大盤中國，1662-1722年。折沿，斜圓腹，中央開光青花描繪文人園中松下奏樂賞玩場景；折沿上錦地開光描繪農家樂；斜腹上蓮紋。來源：比利時古玩市場，據説來自當地私人收藏。 品相：狀況良好，有輕微的磨損和燒製瑕疵，邊緣有兩條細裂紋，足部有微小的刻痕。 重量：1,412 克 尺寸：直徑39.5厘米

A FAMILLE VERTE 'EIGHT IMMORTALS' BOWL, QING DYNASTYChina, 18th-19th century. Delicately potted, the deep rounded sides rising from a short foot to an everted rim. Finely painted in iron-red, green, aubergine, yellow, and black enamels depicting Daoist immortals including the Eight Immortals, Shoulao, and Magu in three groups, with their characteristic attributes and accompanied by attendants. The recessed base with an underglaze-blue six-character mark da Qing Kangxi nianzhi within a double circle, and either late in the period or from the second half of the Qing dynasty. Provenance: The present lot was part of an old estate consisting of 22 antiques, from which three were Chinese ceramics and porcelains. The deceased person was from Trelleborg in southern Sweden. Condition: Excellent condition with minor wear and firing irregularities. Weight: 189.2 g Dimensions: Diameter 14.7 cm Expert's note: The bowl is slightly warped and the ware is thinning considerably from the base towards the lip, both being essential characteristics of authentic Kangxi porcelain. The immortals, however, seem to be copied after earlier examples, such as the two shown in the auction result comparison below. Generally speaking, copies of certain wares were made both during the Kangxi period and later in the Qing dynasty. The only thing we know absolutely for sure is that the present lot is at least 100 years old. Auction result comparison: Compare a closely related bowl, 15.2 cm diameter, also with a Kangxi mark and of the period, at Christie's Hong Kong in An Important Collection of Chinese Ceramics from a Private Collector on 27 November 2019, lot 2912, sold for HKD 750,000. Compare a related unmarked bowl, 18.8 cm diameter, with additional underglaze blue borders, also depicting immortals and dated to the Kangxi period, at Sotheby's London in Important Chinese Art on 13 May 2015, lot 139, sold for GBP 30,000.清代硬彩八仙人物碗中國，十八至十九世紀。胎體細膩，口微外撇，深圓腹，圈足。鐵紅、綠、紫、黃、黑色琺瑯彩繪八仙、壽老、麻姑三組人物及其侍從，各具特色。圈足內雙圈內青花六字"大清康熙年製"。此碗年代或為康熙晚期，或為清代後半期。 來源：此拍品曾是一組22件古玩遺產其中的一件。此收藏一共三件中國瓷器和陶器。原主人來自瑞典南部的 Trelleborg。 品相：狀況極佳，磨損輕微，燒製瑕疵。 重量：189.2 克 尺寸：直徑14.7 釐米 專家注釋：碗稍翹，器從底部向唇部明顯變薄，是康熙瓷器的基本特徵。然而，這些不朽之作似乎是仿照早期的例子複製的，例如拍賣結果比較中的兩件作品。在康熙時期和後來的清朝，經常仿製一些特定瓷器。可以絕對肯定的是，本拍品至少有100年的歷史。 拍賣結果比較：比較一件同樣康熙款及年代的碗，直徑 15.2 厘米，見香港佳士得An Important Collection of Chinese Ceramics from a Private Collector 2019年11月27日 lot 2912, 售價HKD 750,000；比較一件無款的仙人紋碗，直徑18.8 厘米，康熙時期，見倫敦蘇富比 Important Chinese Art 2015年5月13日 lot 139, 售價GBP 30,000。

A FAMILLE VERTE 'FLOWERS AND BUTTERFLY' DISH, KANGXI PERIODChina, 1661-1722. Sturdily potted, the interior vividly enameled with a butterfly flying above a rock and flowers, framed by a continuous green band with floral sprays, the rim in cafe au lait. Provenance: British trade. Condition: Good condition with old wear, shallow surface scratches, minimal glaze flakes, and manufacturing irregularities, such as dark spots, pitting, kiln grit, and glaze recesses.Weight: 2,110 g Dimensions: Diameter 33.5 cmAuction result comparison: Compare a related famille verte dish, also dated to the Kangxi period, at Sotheby's New York in Important Chinese Art on 12 September 2018, lot 346, sold for USD 3,750. Compare also a related famille verte dish, dated to the Kangxi period, at Christie's New York in Chinese Export Art on 23 January 2007, lot 23, sold for USD 4,800.康熙時期硬彩開光蝶戀花盤中國，1661-1722年。胎體緻密，盤内開光硬彩琺琅描繪花卉紋，花上彩蝶飛舞。盤邊緣錦地開光花卉紋帶。盤沿上醬色釉。 來源：英國古玩市場。 品相：狀況良好，磨損、表面淺劃痕、輕微釉面剝落和製造瑕疵，例如黑點、麻點、窯砂和釉面凹陷。 重量：2110 克 尺寸：直徑33.5 厘米 拍賣結果比較：比較一件相近的康熙時期硬彩盤， 見紐約蘇富比Important Chinese Art 2018年9月12日 lot 346, 售價USD 3,750；另一件同期硬彩盤，見紐約佳士得Chinese Export Art 2007年1月23日lot 23, 售價USD 4,800。

Full title: A varied collection of Chinese blue and white porcelain, Wanli and KangxiDescription: Dia.: 31,5 - 16 cm (the largest charger and the smallest saucer)ÊH 9,3 cm - Dia.: 19,2 cm (the bowls)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Chinese blue and white charger with floral design, Kangxi/YongzhengDescription: Dia.: 38,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Three Chinese blue and white plates with floral design, KangxiDescription: Dia.: 22 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Chinese blue and white charger with floral design, KangxiDescription: Dia.: 35,8 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Chinese blue and white plate with figures in a landscape, Chenghua mark, KangxiDescription: Dia.: 21,8 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A pair of Chinese blue and white plates with ladies in a garden and a vase with floral design, KangxiDescription: Dia.: 21,8 cm (the plates)ÊH 12,3 cm (the vase)Both plates with a Chenghua mark.Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Chinese blue and white saucer with a kneeling lady with a request, Chenghua mark, KangxiDescription: Dia.: 15,6 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A pair of Chinese blue and white wine jugs with floral design, KangxiDescription: H 17,8 - L 11,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A square Chinese blue and white reticulated teapot and cover with floral design, KangxiDescription: H 13,3 - L 16,9 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Eight Chinese blue and white plates and a cup with floral design, Kangxi/QianlongDescription: Dia.; 23,4 - 21,4 cm (the largest and the smallest dish)ÊH 7,6 cm (the cup)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A varied collection of Chinese blue and white porcelain with floral design, landscapes and antiquities, KangxiDescription: H 9,5 - 7,2 cm (the tallest and the smallest item, without the three small covers)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A varied collection of Chinese blue and white plates and dishes, Kangxi/QianlongDescription: Dia.: 26 - 21,4 cm (the largest and the smallest plate)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A varied collection of Chinese blue and white porcelain, Kangxi/QianlongDescription: Dia.: 16,5 - 10,2 cm (the tallest and the smallest plate)Ê Dia.: 8,5 - 6,8 cm (the cups)Please note the central saucer is early 20th C.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com