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Pair of blue and white porcelain chargersChinese, Kangxi period (1662-1722)each painted with lotus flowers and leaves, each with a lingzhi sacred fungus underglaze mark, 35.3cm diameter (2)Provenance: An Oxfordshire country house. Both with fritting around the edge. One charger has a large chip and loss and a hair crack.
Yellow ground porcelain vaseChinese, 18th/19th Centurywith two underglaze blue Kangxi style ring marks to the base, 24cm high Provenance:- inherited by the vendor from her grandfather Isaac Day who worked at the University of Hong Kong as an engineering lecturer circa 1918-1938. Chipped and with hair cracks.
Group of four piecesChinese and Japanese, 19th/20th Centuryincluding a standing blue and white porcelain model of Guanyin, 30cm high, a blue and white porcelain moon flask with a four-character Kangxi mark, 21cm, a model of a standing Hotei holding a fan, 23cm high and an Arita blue and white censer and cover, 13cm high (4) Guanyin and Hotei have some crazing. The censer is restored.
Famille verte dish Chinese, Kangxi period (1662-1722)polychrome, painted with panels of chrysanthemums and other flowers, and a single flower flowerhead to the centre and sacred fungus mark, 27cm diameter With signs of wear consistent with age and use. With natural firing imperfections. Otherwise, in good condition.
Set of three blue and white large platesChinese, Kangxi period (1662-1722)each painted with trailing foliate designs and with Artemesia leaf marks, 27cm diameterProvenance: An Oxfordshire country house. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Large blue and white porcelain temple jarChinese, Kangxi period (1662-1722)with panels of foliate designs, within four shaped hooped bands, and with a palmette base, 61cm highProvenance:- from the estate of a family of private collectors. With a large haircrack and with various chips and further wear mainly around the top rim. Marks and imperfections on the outer including a brown mark.
Group of four vasesChinese, 19th Centurycomprising: a near pair of of blue and white cherry blossom vases, each with four character Kangxi mark to the base, 13.5cm high overall, a baluster vase decorated with figures holding a vase on white ground, with four character Kangxi mark to the base, 18.5cm high and one other tall blue and white vase decorated with dragons, unmarked, 30cm high (4) All with overall signs of wear and use, some scratches. Some glaze/firing faults. Hairline cracks to the pair of small vases. Hairline glaze crack to the white vase and some underglaze faults due to firing. The large vase with chips.
Pair of small famille verte rouleau vasesChinese, late 19th Centuryeach painted in enamels with pine trees, fish, ducks, and flowers, and with blue Kangxi marks, 26cm high (2)Provenance: Woodleys, Woodstock, Oxon. Both with small nick/chips to the rim and further firing marks. With cracks and restoration.
Group of four piecesChinese and Japaneseincluding an Hirado gourd vase with pine tree and blossom decoration, 22cm high, a Chinese blue and white porcelain jar, painted with dragons, 8cm high, a blue and white vase, with figures and Kangxi mark, 17cm high and a Fukagawa yellow ground tapering brush pot in green and red enamels with dragons, 10.5cm (4) The figural vase is chipped and with a loss. The yellow vase is worn at the rim.
A CHINESE BLUE AND WHITE JARDINIÈRE KANGXI PERIOD painted with The Three Friends of Winter, Prunus, Pine and Bamboo, the tapering body with an everted rim and beaded edge, the base with a concave unglazed recess, 17th/ 18th Century. 23.5cm diameterTwo star cracks visible to the interior. In otherwise good condition.
A CHINESE BLUE AND WHITE BALUSTER VASE with painted twin lion mask handles to the sides above bands of geometric patterns, the foot with a leafy border, the recessed glazed base rising to a central pinnacle, with twin vacant concentric circle marks, probably Kangxi period. 20cm highIn good condition without damage.
TWO CHINESE BLUE AND WHITE PORCELAIN BOTTLE VASES, KANGXI PERIOD each vase of pear-form and raised on a tall, spreading foot, decorated on the body with vertical panels alternately enclosing 'antiques' or fan-shaped designs, and on the neck with leaf tip borders, which also decorate the foot. (2) 25cm highOne with chips to the foot rim. The other with 5cm hairline crack issuing from the rim of the neck. The same vase with a rim chip to the neck rim.
A fine and rare Chinese blue and white 'bagua' bowlQing dynasty, Kangxi mark and periodThe thinly potted vessel rising from a straight foot to a gently everted rim, finely painted around the exterior in washes of cobalt blue with eight trigrams, bagua, symbolising the eight natural phenomena, above a band of crested waves, the interior with a taijitu symbol to the centre within double rings around the base and to the interior of the rim, the base with a six-character mark also within a double circle.12.1cm diameter.Provenance: the Collection of Frederick Knight, the nephew of Henry Knight (1903-1970)Bluett and Sons (label).清 康熙 八卦海水紋盌來源:Frederick Knight 收藏,Bluett and Sons (標籤)。The exterior of the bowl is decorated with the Eight Trigrams (bagua) symbolising the eight Dao/Tao natural forces: Heaven, Earth, Water, Fire, Wind, Thunder, Mountain and Lake. Each consists of three lines, each line either “broken” or “unbroken”. The interior depicts the yin-yang symbol, which is often seen in conjunction with the Eight Trigrams. By the end of the Ming period, this diagram had become a widespread representation of Chinese cosmology, representing the fundamental principles of reality.Cf. Similar examples can be found in Chinese Porcelain, The S.C. Ko Tianminlou Collection, Hong Kong, 1987, pl. 50, where it is noted that bagua are rarely found on Qing Dynasty porcelain.There are a number of examples in notable museum collections, including a bowl in the Palace Museum, Beijing, illustrated in Qing Shunzhi Kangxi chao qinghua ci, Beijing, 2005, no. 118; one in the Percival David Foundation, British Museum, no. PDF C619; and one in the The Smithsonian's National Museum of Asian Art, accession no. F1995.8.For an example offered at auction within the last decade, see Christies, New York, 18 September 2015, lot 2233.Condition Report: Sympathetic overpainting to 3/4 of the foot ring possibly covering three hairlines.
A fine pair of lemon-yellow enamelled saucer dishes Qing dynasty, Yongzheng marks and period The thinly potted vessels with gently rounded sides rising from short tapering feet and wide bases, the interiors and exteriors covered overall in bright lemon yellow, the white-glazed bases with finely painted six-character marks in cobalt blue within double squares, fitted box.Each 8.8cm diameter (2)Provenance: Sotheby's Hong Kong, October 2018, lot 3648 (labels).清雍正 檸檬黃釉小盤一對,青花雙方框楷書「大清雍正年製」款來源:蘇富比香港,2018年10月拍賣第3648號(標籤)。Further to the introduction of colloidal gold and the development of yancai enamels, known in the West as famille rose, during the reign of his father, the Kangxi emperor, Emperor Yongzheng took a personal and close interest in the further development of porcelain technology, and in the creation of an Imperial aesthetic which favoured delicate designs and shapes that were technically complex to achieve. Chief amongst these were lemon yellow vessels, deceptively simple in form and colour, yet requiring absolute perfection and precision in potting and enamel application and firing, lest they be destroyed.Lemon-yellow is perhaps the most iconic of the many bright-coloured enamels developed by command of Emperor Yongzheng in his quest to further advance the new palette of famille rose enamels; it is achieved when the antimoniate of iron is combined with tin oxide resulting in a dazzling translucent yellow hue. Until then, yellow glazes, despite their irrevocable imperial connection, were reserved exclusively for ritual use; the new, bright enamels provided the court for an alternative for daily use.Cf. See a similar pair of dishes from the Sir Percival David collection and now in the British Museum, London, published in the Illustrated Catalogue of Ming and Ch'ing Monochrome in the Percival David Foundation of Chinese Art, 1989, pl. B543-4.A similar pair was sold by Sotheby's, Hong Kong, 29 April 2022, lot 3509.Condition Report: Good condition.
A Chinese famille verte 'ladies' dishQing dynasty, Kangxi periodEnamelled to the centre with a pair of ladies in a fenced garden, one offering a peony to the other, the border with peonies on a brocade-pattern border, with four cartouches of insects, the reverse with iron-red floral sprays, the base with a double-circle in underglaze blue.24.3cm diameter.清康熙 五彩繪仕女園景圖紋盤Known as 'the king of flowers' and the flower of 'wealth and honour', the peony (牡丹 mudan) was known in China since the 9th century BC at least, and known to have been grown in the gardens of the Imperial family since the Tang dynasty ( (618-907). One of the flowers of the four seasons, alongside lotus, chrysanthemum and prunus, peony was often exchanged as a gift to represent love and affection, and was an ever popular motif in porcelain decoration.Condition Report: Two hairlines to rim, light wear to decoration.
A Chinese peachbloom-glazed amphora20th century, apocryphal Kangxi six-character markThe slender baluster vase covered in a green and red copper glaze, the recessed base with six-character mark in underglaze blue, hardwood stand and box.15.2cm high.二十世紀 豇豆紅釉柳葉瓶連木座及盒The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. (Lots 355 - 474)女士藏品。二十世紀八十至九十年代間購置於香港。(拍品 355 - 474)Condition Report: Some light firing imperfections and a couple of tiny nibbles to foot.
A pair of Chinese blue and white cups and saucersQing dynasty, Kangxi periodComprising two matching sets of cups and saucers, each painted with river side views, the bases with lingzhi marks within double circles.7.5cm - 12cm wide. (4)The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. (Lots 355 - 474)Provenance: Galaxie Art & Gift Co, Hong Kong, 16 Feb 1984. (Receipt) 清康熙 青花茶盃及碟一對四件女士藏品。二十世紀八十至九十年代間購置於香港。(拍品 355 - 474)來源:香港Galaxie Art & Gift Co,1984年二月十六日賬單。 Condition Report: Firing flaws with general wear. Nibbling to the rims.
Lot van een porseleinen Qianlong theepot met goudverf decor van wierrookbrander en vazen, China, 18e eeuw, h. 8 cm., Porseleinen Kangxi miniatuur sprenkelaar en schenkkan (montuur van latere leeftijd), China 18e eeuw, 7 cm., Porseleinen miniatuur/poppenhuis scheerbekken en kop en schotel (2x randschilfertje).
Porseleinen gebombeerde Kangxi schotel met centraal decor van Shou-Lao (god van lang leven) met 4 geleerde die een Yin-Yang rol bekijken, omringd door de 8 kostbaarheden afgewisseld met 8 trigrammen, het exterieur Cheng Hua 6 karakter merk in dubbele cirkel, waaromheen gestilleerde lotusrand, China , gemerkt, Kangxi periode, diameter 16 cm. (frittings).
Porseleinen gebombeerde Kangxi schotel met centraal decor van geleerde die een Yin-Yang rol bekijken, omringd door de 8 kostbaarheden afgewisseld met 8 trigrammen, het exterieur Cheng Hua 6 karakter merk in dubbele cirkel, waaromheen gestilleerde lotusrand, China , gemerkt, Kangxi periode, diameter 17 cm. (frittings).
Porseleinen gebombeerde Kangxi schotel met centraal decor van 5 geleerde die een Yin-Yang rol bekijken, omringd door de 8 kostbaarheden afgewisseld met 8 trigrammen, het exterieur Cheng Hua 6 karakter merk in dubbele cirkel, waaromheen gestilleerde lotusrand, China , gemerkt, Kangxi periode, diameter 17 cm. (frittings).
Porseleinen Kangxi Famille Verte kom met bijbehordende schotel met centraal decor van bloeiende heester, waaromheen afwisselend decor van bloeiende heesters en karpers, gemerkt wierrookbrander in dubbele cirkel China, 18e eeuw (kop standring schilfer), sticker herkomst Lochem Nijstad, Den Haag ,Hofleverancier, hierbij stel porseleinen Qianlong famille rose schoteltjes met bloemdecor, achterkant heilige paddestoel, China 18e eeuw, diam. 13 cm. (randschilfertjes)

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29400 item(s)/page