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A CHINESE BLUE AND WHITE ORMOLU-MOUNTED INKWELL KANGXI 1662-1722 Painted with sprays of chrysanthemum and peony, fitted with two ormolu liners and two 18th century covers, with further ormolu mounts to the edges, all raised on four short feet, 18.2cm. (5)

A CHINESE DEHUA CHOCOLATE POT AND COVER KANGXI 1662-1722 The pear-shaped body later decorated with shaped panels of stylised flowers in red and green enamels, the lid mirroring the design, 12cm. (2)

A CHINESE FAMILLE VERTE BOWL AND COVER KANGXI 1662-1722 The compressed circular body and lid decorated with panels of flowering branches issuing from rockwork, the rims with continuous bands of flowerheads and scrolls, with zoomorphic handles to the sides, 14.5cm. (2)

A PAIR OF CHINESE GREEN GLAZED MODELS OF PARROTS KANGXI 1662-1722 Each with its beak slightly open and its wings folded back over its long tail, perching on pierced rockwork decorated with a brown glaze, with reddish-brown pigment to their beaks and feet, 21.5cm. (2)

A CHINESE FAMILLE VERTE DISH KANGXI 1662-1722 Painted in coloured enamels with blossoming flowers growing amidst rockwork, the central design surrounded by a band of fruit and foliage set against a red cell ground, with further floral sprays to the exterior, the base with a lotus contained within double rings, 21.1cm.

A CHINESE BLUE AND WHITE 'LANDSCAPE' BITONG KANGXI 1662-1722 The cylindrical body painted with a continuous scene of standing and seated scholars in discussion in a mountainous wooded landscape, with a lone figure boating down the river on a sampan, together with an openwork wood stand, 17.3cm. (2)

A CHINESE BLUE AND WHITE LOTUS-MOULDED BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the exterior with ladies in a garden engaged in various activities including playing go and practising the qin, all above a band of petals decorated with flowerheads, the centre with a medallion depicting boys at play, 21.4cm. Provenance: from the collection of the late Rev. Margaret Johnston (d.2018).

A CHINESE BLUE AND WHITE LOTUS-MOULDED BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 The U-shaped body raised on a short gently tapering foot, painted to the exterior with various flowers and leaves above a band of broad petals, the interior decorated with further floral sprays to the rim, with a roundel containing a similar design to the centre, 15.4cm.

A CHINESE BLUE AND WHITE LOTUS MOULDED DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the centre with a medallion depicting two beauties in a garden pavilion, all encircled by various flowerheads, with sprays of prunus, peony, magnolia and other blossoms to the rim, the reverse with similar floral designs, 26.5cm.

A CHINESE CIRCULAR WATERPOT KANGXI 1662-1722 The globular body raised on a short slightly tapering foot, decorated with three lion dogs painted in underglaze copper-red which has fired to a dark reddish grey, with each creature's eyes picked out in underglaze blue, 10cm.

A CHINESE BLUE AND WHITE 'LOTUS' BOWL KANGXI 1662-1722 The U-shaped body with an everted rim and supported on a tall gently flaring foot, painted to the exterior with scrolling lotus flowerheads above a band of lappets, the centre with a medallion mirroring the design, with a six character Xuande mark to the base, 10.6cm.

A CHINESE FAMILLE VERTE CAFE-AU-LAIT GROUND TEA BOWL AND SAUCER KANGXI 1662-1722 Each painted in enamels with birds and fish amongst lotus, the exteriors with a pale café-au-lait ground, with further floral and foliate sprays to the underside of the saucer, 11.5cm. (2)

A CHINESE KRAAK PORCELAIN DISH AND TWO CHINESE BLUE AND WHITE BOWLS WANLI AND KANGXI The dish moulded and painted with a basket of flowers and roundels containing flowers, fruit, vases and fans, with a paper label for Bluett & Sons London, the bowls painted with boys and female figures, both with six character Chenghua marks, 20.5cm. (3)

A SMALL CHINESE SOFT-PASTE BLUE AND WHITE BOTTLE VASE KANGXI 1662-1722 Painted with archaistic vessels, scholarly items and auspicious emblems, the neck with a slightly raised rib and decorated with bands of scrollwork and circles, with a six character Jiajing mark to the base, together with an ivory stand carved with four spreading feet, 10.2cm. (2)

A CHINESE FAMILLE VERTE EWER AND A TEA BOWL KANGXI 1662-1722 The ewer decorated with flower baskets and further floral sprays and patterns, the handle imitating wicker and with later metal mounts, the bowl with birds and insects amongst flowers 17cm. (2)

FOUR CHINESE BLUE AND WHITE 'PRUNUS' VASES AND COVERS 19TH CENTURY Three of the vases baluster-shaped, the other of ovoid form and with a domed cover, each painted with blossoming prunus against a blue ground and with a dentil band to the shoulder, the largest with a six character Kangxi mark to the base, 45cm. (8) Provenance: from the collection of the late Rev. Margaret Johnston (d.2018).

A CHINESE DOUCAI 'MAGNOLIA' BOWL KANGXI 1662-1722 The U-shaped body painted with a blossoming magnolia tree growing from rockwork, all above fish leaping amidst crashing waves, with a medallion mirroring the design to the well, the base with a six character Chenghua mark, 19.6cm.

A CHINESE CLAIR-DE-LUNE GLAZED BRUSH WASHER 19TH CENTURY The compressed circular body supported on a short tapering foot, the exterior and interior both covered with a pale lavender-blue glaze, the glaze at the incurved rim of a darker tone, with a six character Kangxi mark to the base, 12.4cm. Provenance: formerly an English private collection acquired prior to 1983.十九世紀 天藍釉水盂《大清康熙年製》青花楷書仿款來源：英國私人收藏，購於1983年之前。

A CHINESE CELADON MEIPING KANGXI 1662-1722 With a short waisted neck and a gently flaring foot, the body carved with three scrolling peony flowerheads amidst stylised clouds, with a border of incised decoration to the shoulder, all above a broad band of pendant leaves, the base with a paper label for C T Loo, 22cm. Provenance: Frank Caro (successor to C T Loo), New York, acquired from Roger Keverne Ltd, London, on 1st October 2007.Cf. The Langsdorf Collection of Qing Dynasty Porcelain, collection no.266.4818; see also W B Honey, Guide to the Later Chinese Porcelain Periods of K'ang Hsi, Yung Cheng, and Ch'ien Lung, pl.5 for a similar vase in the Salting Collection; see also Monochrome Porcelain: The Complete Collection of Treasures of the Palace Museum, p.190, no.172 for another related piece.清康熙 青釉纏枝牡丹紋梅瓶

A CHINESE BLUE AND WHITE 'CRANES' DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Rising from a short straight foot to an everted rim, the centre painted with a medallion enclosing three cranes in flight amidst stylised clouds and emblems, with further emblems to the exterior, including a conch shell and a parasol, 17.1cm. Provenance: sold by the executors of the late Pamela Spater, d.2018, Amersham, Buckinghamshire.清康熙 青花云鹤纹碟《大清康熙年製》青花楷书款來源：Pamela Spater（逝于2018年）舊藏。

A CHINESE BLUE AND WHITE 'LOTUS' DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 The shallow body rising from a gentle tapering foot to an everted rim, painted with a medallion enclosing lotus flowerheads amidst scrolling leaves to the centre, the exterior similarly decorated, 15.3cm. Provenance: from an English private collection, Cheshire.清康熙 青花纏枝蓮紋碟《大清康熙年製》青花楷書款

A CHINESE IMPERIAL YELLOW-GROUND 'DRAGON' BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Finely potted with the U-shaped body rising to an everted rim, the exterior decorated in green enamel with two incised five-clawed dragons pursuing flaming pearls amidst stylised flames and clouds, with a foliate border to the mouth rim and a band of interlaced ruyi-heads around the base, the well incised and painted with a shou character contained within a circular ring, 10.4cm. Provenance: from a European private collection, purchased in China c.1930. Cf. Sotheby's Hong Kong, 25th November 1980, lot 146 for a similar pair of bowls sold in the sale of the Edward T Chow Collection.清康熙 黃地綠彩趕珠龍紋撇口碗《大清康熙年製》青花楷書款來源：歐洲私人收藏，購於1930年。

A CHINESE DOUCAI 'FIVE DRAGON' BOWL KANGXI/YONGZHENG The U-shaped body painted in coloured enamels with four five-clawed dragons in pursuit of sacred jewels amidst cloud scrolls, with a medallion depicting a further dragon to the centre, the rim and short circular foot decorated with simple double bands, the base with a six character Chenghua mark, together with a wood stand, 18.6cm. (2) Provenance: from the collection of the Littman Family.清康熙/雍正 鬥彩雲龍紋碗來源：Littman家族收藏。

A CHINESE WUCAI 'CRAB APPLE' MONTH CUP SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1661-1722 The deep body with a short straight foot and a flaring rim, painted with a flowering crab apple tree growing amidst rocks and vegetation, the reverse with a poem reading qing xiang he su yu, jia se chu qing yan, followed by a seal reading shang ('to appreciate'), with a paper label to the centre, 6.7cm. Provenance: an English private collection, London, purchased from Sydney L Moss on 6th August 1957 for £30. A copy of the invoice is available. Cf. the British Museum, London, registration no.PDF.815, for a complete set of twelve month cups.清康熙 粉彩芙蓉花神杯來源：英國倫敦私人收藏，1957年8月6日以£30的價格購於Sydney L Moss（附發票複印件）。

A RARE CHINESE UNDERGLAZE RED 'DRAGON' BOWL 1ST HALF 16TH CENTURY The gently flared body decorated with two scaly dragons chasing flaming pearls of wisdom against an incised wave ground, the centre with a slight recess and painted with two further dragons in pursuit of sacred jewels, with simple red bands to the rim and tapering foot, the slightly convex base with a six character Xuande mark and labels for R H R Palmer, The Oriental Ceramic Society 1950 Exhibition, and F O S & M M Dobell, 21cm. Provenance: Bluett & Sons, 29th September 1944, purchased by R H R Palmer for £30, collection no.584; sold at Sotheby's London, 27th November 1962, lot 21, and again on 24th March 1964, lot 86, purchased by Bluett & Sons for £220 on behalf of F O S and M M Dobell, no.48, and thence by descent. Exhibited: The Oriental Ceramic Society Ming Polychrome Exhibition, 1950, no.133. Illustrated: S Jenyns, Ming Pottery and Porcelain, 1953, pl.49A, and p.55, where this bowl is discussed. Also illustrated in The Transactions of the Oriental Ceramic Society, vol.20, pl.24, and p.49 where it is discussed.. Cf. The Fitzwilliam Museum, Cambridge, museum accession no.C.27-1978 for an almost identical bowl dated to the Ming dynasty donated by Dr Sydney Smith; see also the Asian Art Museum of San Francisco, object no.B60P1220 for another Ming bowl of the same design from the Avery Brundage Collection; another identical bowl sold at Christie's London, 21st March 1966, lot 68 to Sydney L Moss, it sold again at Christie's New York, 16th September 2010, lot 1405, ex Dr William L Corbin Collection, and at Beijing Poly in 2013, lot 1435, where it was catalogued as Ming.   THE PALMER DRAGON BOWL This rare, elegantly shaped bowl is striking for is lively painting of striding dragons pursuing flaming pearls amidst anhua waves and above rocks. The designs were first incised, then the dragons were applied with copper colorant and, finally, the bowl was covered with a colourless glaze. The anhua designs are only faintly visible, shadowed by the deep red of the dragons, pearls and flames. The dating of these bowls has been long debated and remains controversial, with opinions differing between a mid Ming and Kangxi attribution. Two smaller bowls, with similar dragons and Kangxi marks but no anhua decoration are in the British Museum, one in the Percival David Collection, the other donated in 1926 by C T Loo. Another smaller bowl, with a typical Lang Tingji (Governor of Jiangxi province, 1705-1712) Kangxi mark, is in the Shanghai Museum. However the larger Xuande marked bowls, such as this Palmer/Dobell piece, differ in several important aspects from the Kangxi examples. All have gentle flared rims, with a single line drawn to the inside edge, central design (usually inward facing double dragons, chasing pearls), and a recessed base. The Kangxi pieces have straighter rims with plain, undecorated interiors, and no base recess. Elements of the dragon designs, such as the elbow hair, and body and tail fins, are executed differently  on the Xuande mark pieces when compared to the Kangxi examples. The foot is wide, the inside base is convex and, where the glaze meets the biscuit, the edges have burnt a strong orange. The Kangxi pieces have a narrower foot, the inside bases are usually flat, and the burning to the glaze edges are less pronounced. The Xuande mark was first copied in the Chenghua period and is seen again in the Zhengde period. The style and calligraphic strokes used, size and spacing of the Xuande mark on this bowl is very similar to that seen Imperial Zhengde pieces such as those in the Gugong Museum, Beijing. See for examples ‘Mingdai Hongzhi Zhengde Yuyao Cigi. Jingdezhen Yuyao Yizhi Chutu Yu Gugong Bowuyuan Cang Chuanshi Ciqi Dubiai’ - ‘Imperial Porcelain from the Reign of Hongzhi and Zhengde in the Ming Dynasty. A Comparison of Porcelain from the Imperial Kiln Site at Jingdezhen and the Imperial Collection of the Palace Museum’, Beijing, 2017, vol.2, catalogue numbers 222/223 and 248/249, together with a partiality reconstructed dish with incised dragon amongst waves in green and red glaze, excavated at the Imperial kiln site, Zhushan, in 2014, catalogue numbers 271. The drawing of the mark is very different to that seen on Kangxi period Xuande copies. For examples see two Kangxi period monochrome stem bowls, both with very well written Xuande marks, along with a Kangxi period bowl copying Xuande lotus scrolls in underglazed red, with an apocryphal Xuande mark, all in the Shanghai Museum. Prior to the Dobell Collection, this bowl belonged to a highly important English collector of Chinese art: R H R Palmer (1898-1970), chairmen of Huntley and Palmers who started collecting in 1924, and along with his wife built an outstanding collection consisting Ming and Qing porcelain, jade, ivory and lacquer.  十六世紀 釉里紅趕珠龍紋碗《大明宣德年製》青花楷書款來源：1944年9月29日由R H R Palmer以£30的價格購於Bluett & Son，收藏編號584。蘇富比倫敦1962年11月27日·編號21, 1964年3月24日·編號86 由Bluett & Son代F O S 及M M Dobell以£220，編號48。

A CHINESE BLUE AND WHITE 'DRAGON' VASE KANGXI 1662-1722 Brightly painted with two scaly dragons chasing flaming pearls of wisdom above breaking waves and rocks, with later European ormolu mounts, 50.5cm overall. Provenance: from the collection of Sir Jeremy Lever.清康熙 青花海水龍紋瓶來源：Jeremy Lever先生收藏。

A CHINESE BLUE AND WHITE ROULEAU VASE KANGXI 1662-1722 Depicting a figure bearing a hu tablet as he kneels before a seated dignitary, with his attendants spread throughout the pavilion, the reverse painted with swirling clouds and banana trees, with bands of ruyi-heads, key fret and other geometric patterns to the cylindrical neck and galleried rim, 44cm. Provenance: previously an English private collection, London, acquired in the 1980s. Cf. R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), p.454, no.292 for a related vase in the collection of the Palace Museum.清康熙 青花人物故事紋棒槌瓶來源：英國倫敦私人收藏，購於1980年代。

A CHINESE BLUE AND WHITE ROULEAU VASE KANGXI 1662-1722 The cylindrical body painted with a continuous scene of armed warriors riding horses in pursuit of another soldier in a rocky landscape, with craggy mountains and swirls of mist in the distance, the neck decorated with bands of ruyi-heads, key fret and other geometric designs, 47.5cm. Provenance: previously an English private collection, London, acquired in the 1980s. Cf. Christie's New York, 13th-14th September 2018, lot 1364 for a similar vase.清康熙 青花人物故事紋棒槌瓶來源：英國倫敦私人收藏，購於1980年代。

A CHINESE FAMILLE VERTE ROULEAU VASE KANGXI 1662-1722 Painted with a continuous battle scene with equestrian warriors from the Peking opera Kong Cheng Ji, with a band of panels on diaper ground to the shoulder and bamboo spray to the neck, 45.5cm. Provenance: a Hong Kong private collection, from the Stirling Maxwell Collection, Pollok House, Glasgow, Lyon & Turnbull, Glasgow, the Stirling Maxwell Collection, 28th June, 2006, lot 92. Cf. Kong Cheng Ji, Ruse of the Empty City is based on chapter 95 of the famous 15th century novel Romance of the Three Kingdoms. Badly outnumbered and besieged by the Wei forces, the strategist Zhuge Liang bluffed his enemy, tricking them into thinking that the walled city he was defending was in fact full of troops.清康熙 五彩人物故事紋棒槌瓶來源：香港私人收藏。Stirling Maxwell舊藏，購於Lyon & Turnbull2006年6月28日·編號92。

A FINE AND LARGE CHINESE BLUE AND WHITE YEN YEN VASE KANGXI 1662-1722 The ovoid body rising from a spread foot to a tall neck and flaring rim, decorated with detailed peony flowerheads and scrolling foliage against a blue ground, the sections divided by geometric bands of key fret, with further floral borders to the footrim and rim interior, the base painted with a lingzhi contained within simple double rings, 73.5cm. Provenance: an English private collection, Berkshire.清康熙 青花纏枝牡丹紋鳳尾尊來源：英國巴克郡私人收藏。

A Chinese small blue and white bottle vase decorated with birds and peony, Kangxi four character mark to base, 14.5 cm high to/w a small Masons Patent Ironstone China hydra jug with serpent handle, 10.8 cm high and an embossed rectangular tin tray, incised J.P. 1893 to underside (3)

A Chinese Wucai oviform vase with unglazed base, decorated in typical underglaze blue, orange, yellow and green with a mythological animal and floral designs, 11 cm high; together with a ginger jar with Kangxi four-character mark (but not of the period) (2)Wucai vase - Hairline crack through body and also in rim.Vase with Kangxi mark - No chips or cracks.  Minor firing pits to glaze

A matched pair of 20th century Chinese porcelain blue and white baluster vases and covers, decorated with prunus on cracked ice, four character Kangxi marks to base but not of the period, 21 & 22.5 cm high (2)No damage or repairs

Two Chinese Kangxi blue and white bowls comprising one painted with scholars, approx 22.5cm diameter, restored, and smaller example showing female courtly figures, approx 20cm diameter

A Chinese 18th/19th century blue and white porcelain tea cup bearing six character mark of Kangxi. 4cm tall x 7cm diameter

SANCAI-GLAZE POTTERY FIGURE, KANGXI PERIOD, modelled as a seated scholar flanked by two attendants, 26cm high; together with a GLAZED-POTTERY FIGURE OF A DEITY, MING DYNASTY, 23cm high; a TURQUOISE-GLAZED SEATED FIGURE, QING DYNASTY, 21cm high; and a FAMILLE ROSE FIGURE OF AN OFFICIAL, LATE QING DYNASTY, 28cm high (4)

CARVED YIXING 'PRUNUS' WATERPOT, KANGXI PERIOD, the tall neck finely carved with a dragon, the ovoid sides with blossoming prunus trees, 20cm high

FAMILLE VERTE 'CHRYSANTHEMUM' TEAPOT, KANGXI PERIOD, the baluster sides painted with upright panels of wild flowers, with a naturalistic simulated bamboo handle and associated pierced cover, 17cm high; together with a FAMILLE VERTE LIBATION CUP, QING DYNASTY, 19TH CENTURY, with applied chilong decoration, 5cm high (2)

FINE BLUE AND WHITE 'SCHOLARS' ROULEAU VASE, KANGXI PERIOD, the sides painted in tones of underglaze with scholars and attendants within a continuous and varied landscape scene, 44cm high PROVENANCE: Private Surrey collection. Underside bears a L. Corse collection label, inscribed B.1

FINE POWDER-BLUE GLAZE 'IMMORTALS AND DEER' VASE, KANGXI PERIOD, the cylindrical sides painted with four immortals and two deer, against a variegated powder-blue ground enriched with gilt, 43cm high PROVENANCE: Marchant, London

BLUE AND WHITE 'ICE CRACKLE' CHARGER, KANGXI PERIOD, decorated throughout with blossoming prunus branches, 34cm diam

PAIR OF EGG AND SPINACH-GLAZE POTTERY JOSS-STICK HOLDERS, KANGXI PERIOD, modelled as mythical beasts, 6cm high; together with TWO FAMILLE ROSE GLAZED-POTTERY WATER DROPPERS, QING DYNASTY, 19TH CENTURY, one modelled as a monkey and the other a lion, 6cm high approx (4)

FAMILLE VERTE FIGURE OF GUANYIN, KANGXI PERIOD, the seated figure with a child resting on her knee, raised on a lotus throne, 33cm high; together with a SANCAI-GLAZE POTTERY PARROT, QING DYNASTY, modelled perched on a tree stump, 24cm high; and a SEATED SANCAI-GLAZE POTTERY LION, QING DYNASTY, 19TH CENTURY, 19cm high (3)

PAIR OF BLUE AND WHITE GARLIC MOUTH VASES, LATE QING DYNASTY, the baluster sides painted in tones of underglaze blue with verdant flowers and foliage, apocryphal Kangxi six character mark, 30cm high

FAMILLE NOIR CYLINDRICAL VASE, LATE QING DYNASTY, painted with a phoenix within a verdant landscape, 33cm high; together with a KANGXI STYLE GU FORM VASE, of hexagonal form, 33cm high (2)

SAMSON PORCELAIN FAMILLE VERTE EWER, 19TH CENTURY, in the Kangxi style, with a double c scroll handle, mask spout, and painted with exotic birds and foliage, raised on a socle foot, 27cm high

A Chinese Kangxi period Imari teapot and cover

A 19th century Chinese famille verte bowl, with Kangxi mark diameter 22cm

A 19TH CENTURY CHINESE BLUE AND WHITE BALUSTER VASE decorated with prunus blossom, with a Kangxi mark to the base, 23cm high and a Japanese hexagonal vase with blue and white floral decoration, 25cm high, unmarked (2)

A Chinese blue and white jar, early 20th century, of ovoid form, painted with blossoming prunus against a blue ground, six character Kangxi mark , 25cm high 二十世纪初 青花冰梅纹罐 《大清康熙年制》青花楷书款

A Chinese enamelled bronze bowl and cover, of lobed form, painted with phoenixes and peony between ruyi head and key fret borders against a yellow ground, the cover similarly decorated, four character Kangxi mark, 1 1.2cm diameter (2) 黄地铜胎画珐琅凤凰牡丹纹花口盖碗 《康熙御制》楷书款

A Chinese famille verte bowl, of circular form with flared mouth, painted with blossoming peony, the other side with an inscribed scroll, six character Kangxi mark in blue , 24.7cm diameter

A Chinese wucai charger, Kangxi (1662-1722), the centre painted with mandarin ducks in a lotus pond, the border painted with Eight Daoist Immortals, each standing on the back of a sea creature above waves, 39cm diameter An identical but smaller plate can be found in the collection of the Metropolitan Museum of Art, Accession Number: 79.2.1288. 清康熙 五彩荷塘鸳鸯纹盘

A Kangxi Chinese blue and white export porcelain pounce pot, 6.5 cm

A Chinese water pot, 20th century, of domed shape with a short neck under jun glaze, 6.3cm diameter, a crackled glaze bowl, 8.6cm diameter, an emerald green seal paste box and cover, six character Kangxi mark , 6.3cm diameter, and a scroll weight in the form of a recumbent Buddhist lion under a green glaze, 10.4cm long (4)

A Chinese blue and white bulb vase, c.1900, with six openings, decorated with dragons amongst flowers below a ruyi shaped border, four character Kangxi mark , 24.5cm high

A Chinese blue and white gu vase, Kangxi (1662-1722), the top section painted with figures in a sitting room, the centre section painted with a qilin in a landscape or a carp in waves between key fret borders, the bottom section with a fisherman meeting an official, 47.2cm high 清康熙 青花人物故事图花觚

A Chinese blue and white jug, Kangxi (1662-1722), of lobed form, painted with figures and flowers in shaped panels, with a silver cover and mount to the mouth, 13.6cm high 清康熙 青花人物花卉纹执壶

A Chinese blue and white ewer, Kangxi (1662-1722), of baluster form, painted with a bird standing on a blossoming branch, fitted with silver mountings, 23cm high

A pair of Chinese blue and white bottles, Kangxi (1662-1722), each of pear shape with a garlic mouth, painted with scrolling flowers, the mouth with a ruyi shaped border and a silver cover and mounts, 21cm (2) 清康熙 青花缠枝花卉纹蒜头瓶 一对