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Click here to subscribeA Chinese powder blue glazed brush potQing dynasty, Kangxi periodOf cylindrical form, covered evenly to the exterior with an attractive lightly mottled cobalt-blue glaze that pales to white at the rim, with half glazed wide bi-disc base, 13.8cm high.Provenance: J. Trotter Crieff label to base. 清康熙 灑藍地筆筒來源：J. Trotter Crieff標籤。
A Chinese powder blue glazed baluster vase Qing dynasty, Kangxi periodRaised on stepped foot, painted to the body within three stylised panels containing scenes of watery landscape, and scholar under pine tree on a ground of mottled cobalt blue, a double circle to base, 28cm 清康熙 灑藍地青花開光繪山水圖紋瓶
Two Chinese powder blue resist decorated oviform jarsQing dynasty, Kangxi periodResist-decorated on the powder-blue grounds with fan and leaf shaped medallions of flowering prunus, chrysanthemums and respectively lotus on the large jar and camellia on the small jar, the bases with double-rings in underglaze blue, 22cm and 19cm high (2).Provenance: J. Sparks, 37, Dukes St. Manchester Sq. W., No. 5027 (label).清康熙 灑藍地開光繪花卉圖紋罐兩件來源：J. Sparks, 37, Dukes St. Manchester Sq. W，第5027號（標籤）。Condition Report: Both with expected firing imperfections including some pitting and a couple of firing star-shaped hairlines visible to the interior (in the smallest jar, only visible under UV). Nibbling to rims. Light surface wear and scratching.
A Chinese blue and white 'chilong' bottle vaseQing dynasty, Kangxi periodPainted to the body with two chilongs holding lingzhi foliage in their paws, the foliage travelling through clouds above two Buddhist auspicious symbols, all below a band of ruyi clouds to the mouth, 21.5cm high.清康熙 青花繪螭龍靈芝紋撇口瓶Condition Report: Firing imperfection including fritting to, pitting and iron spots. Tiny chips to the edge of the foot the biggest of approx. 0.5cm across. Minor scratches to the glaze and nibbling to the foot rim commensurate with age.
Five Chinese blue and white vases, a famille rose stand and a wood figurative carvingQing dynasty, 19th centuryComprising a pair of blue and white horse in landscape vases with inscriptions, six-character apocryphal Kangxi mark in underglaze blue to base, 9cm high; three blue and white boys vases with covers, each with six-character apocryphal Kangxi mark to base, 8.5cm high; an famille rose octagonal waisted stand, 3cm high; a wood carved Budai with movable neck with a waited lotus base, the buddha 5.5cm high, the stand 4cm high (7).清十九世紀 青花瓶五件，粉彩八方底座及木雕布袋和尚連座
Three Chinese powder blue vesselsQing dynasty, Kangxi periodComprising a shallow foliate dish with underglaze blue lozenge mark to base, and owner's mark incised in glaze (富 Fu), 15.6cm wide; a box and cover with traces of gilt decoration, with a phoenix roundel to the centre of the cover, 10.3cm diameter; and a tall cup and cover with gilt floral designs, 12.5cm high (3).Provenance: the dish, J. Sparks, 37, Duke St. Manchester Sq., W. (label), and old collector's label (21) to base; the box: old collector's label (31) to base.清康熙 灑藍地瓷器三件來源：盤底部J. Sparks, 37, Duke St. Manchester Sq., W.標記及另一收藏標籤21（號），蓋盒底部有收藏標籤31（號）。Condition Report: Dish: light surface wear and rim hairline (approx. 3cm long).Box and cover: star firing crack to interior of cover, approx. 5.5x2cm.Cup and cover: a few tiny nibbles to edge of cover and finial, and a flake to the edge of the finial.All with expected surface wear and firing imperfections consistent with type.
A Chinese blue and white moulded 'floral' bowlQing dynasty, Kangxi periodThe circular bowl moulded with two rows of lappets and with foliated rim, painted to the exterior with a dense pattern of floral sprays, above single flower sprigs within each lappet-shaped medallion above the foot, the interior with central medallion of further scrolling floral sprays, the base with lotus mark within a double circle, 21.2cm diameter.清康熙 青花繪花卉圖紋花口盌
A Chinese powder blue and gilt teapot and coverQing dynasty, Kangxi periodCovered to the exterior with powder blue glaze, gilt painted with chickens in a garden scene to the body, and auspicious objects in cartouches to the neck, the compressed globular body with a s-shaped spout and a loop handle, the flat cover gilt decorated with flowers, 18cm long.清康熙 灑藍地描金繪錦雞圖紋茶壺Condition Report: Loss of gilt and surface wear. Small chip to the underside of the lid. Firing imperfections including loss of glaze to the inside of the lid.
Three Chinese powder blue glazed dishesQing dynasty, Kangxi periodComprising a gilt decorated dish painted to the centre with antique objects, the base with a ding in underglaze blue within a double circle, 27.5cm diameter; and a pair of powder blue plates covered to the inside and out with a mottled cobalt blue glaze, the base with a square mark within double circles, 26cm diameter (3).清康熙 灑藍地盤三件
A Chinese black ground 'five dragons' plateRepublic periodRaised on short tapered foot rising to shallow sides to a mouth rim with green glaze, painted with three dragons to the interior and two other dragons to the exterior amidst flames and scrolling clouds chasing flaming pearls applied with yellow enamel, base with underglaze apocryphal six-character Kangxi mark within a double circle to base, 20.8cm.Provenance: Skinner label to base.二十世紀 黑地黃彩‘五龍’紋盤，青花楷書「大清康熙年製」楷書款來源：Skinner （標籤）。
A Chinese gilt decorated powder-blue-glazed baluster vase, bang chui pingQing dynasty, Kangxi periodThe heavily potted vase painted in gilt with two birds perched on blossoming tree branch on a lightly mottled cobalt blue ground pales to white at mouth rim, base with a double circle in underglaze blue, 27.5cm high.清康熙 灑藍地描金繪花鳥圖紋棒槌瓶
A Chinese blue and white 'hunting' plateQing dynasty, Kangxi period, apocryphal Chenghua markFinely painted with a central scene of two archers on horseback hunting a hare, surrounded by interlocking lotus and the Eight Buddhist Symbols to the moulded cavetto beneath a floral rim, the exterior with upright lotus blooms and underglaze blue six-character mark in regular script within a double circle to the base, 20cm diameter.清康熙 青花繪猛將紋盤，青花楷書「大明成化年製」款Condition Report: A few frits and tiny nibbles to rim, one firing crack to rim which has progressed into a hairline, and a further firing crack visible under the glaze to the rim.
Two Chinese powder blue baluster vasesQing dynasty, Kangxi periodThe first, a tall baluster vase with flaring neck, bearing traces of gilt decoration including 'shou' roundels at the neck and panels of cranes under a peach tree, and berries hanging over carps in tumultuous waves, 48.5cm high; and a shorter baluster jar, with double ring to base, 22cm high (2).清康熙 灑藍地描金繪壽桃鯉魚‘壽’字紋棒槌瓶及罐Condition Report: Largest vase: gilt extensively rubbed off. Large curved body crack running from shoulder to above the foot (approx. 20cm long). Some nibbling to underside of rim.Baluster jar with rim slightly ground down and at least two short rim hairlines. Approx. 9cm long hairline to lower body. A further hairline to base.Expected firing imperfections and light surface wear.
A pair of Chinese powder-blue-glazed dishesQing dynasty, Kangxi periodEach raised on short tapered foot with shallow sides with brown glaze applied to the everted rim, covered to the inside and out with an even layer of mottled cobalt blue pigment under the glaze, the base with a stylised seal mark within double circles, 21cm diameter (2).清康熙 灑藍地盤一對
A rare Chinese blue and white 'Buddhist' dishQing dynasty, Kangxi periodPainted to the centre with Guanyin seated on a lotus throne with mandorla and flanked by her two attendants, the moulded well with floral motifs, the reverse with two floral sprigs, the base plain, 21.7cm diameter.清康熙 青花繪坐蓮觀音圖紋盤Condition Report: Approx. 25mm rim hairline and hairline across base. A couple of scattered frits and nibbles.
A Chinese powder-blue and gilt rouleau vaseQing dynasty, Kangxi periodThe powder blue glaze gilt with 'Shou', wan symbols, and auspicious characters to the neck, the cylindrical body with traces of a long calligraphic inscription and a scene of boats by a palace, mounted as a lamp, 41.8cm between mounts.清康熙 灑藍地描金繪宴船圖紋棒槌瓶Condition Report: Mounted as a lamp and probably drilled through base. Unexamined under mounts. The vase has been extensively broken off and repaired back together. Extensive rubbing to gilt.Images at this link: https://roseberysauctioneers-my.sharepoint.com/:f:/g/personal/rassennato_roseberys_co_uk/Ekk79CEknmBEhB1sYYk0G0sBBDC_Id74BfaOmwJhhMgL0Q?e=3ZwzjL
Two late 19th /early 20th century Chinese porcelain ovoid jars, one decorated with qutrolobed panel of a bird perched amongst blossoming plants and leafy branches to front and back, against an all over reserve of lotus flower heads and light leaf scrolls, blue your character Kangxi marks to base the other with prunus blossom on cracked ice ground based with double circleLocation:If there is no condition report shown, please request
A Chinese blue and white 'Xi xiang ji' bowlQing dynasty, Kangxi period, ruo shen zhen cang seal markFinely painted around the exterior with the scene of Zhang Sheng departing, a female attendant carrying a wine ewer for a last tipple, the interior with the young scholar holding a fan, the rim bound in gilt copper, the base with four-character seal mark within a double circle, 13.3cm diameter.清康熙 青花繪西廂記圖紋盌，青花篆書「若深珍藏」款Condition Report: The mouth rim covered with metal mount possibly has been ground down, three vertical hairlines from the mouth rim with restorations, the longest of approx. 4.5cm. Firing imperfections including line in the body, iron spots, pitting. Scratches to the interior and minor scratches to the exterior commensurate with age.
A rare pair of Chinese famille verte tankards and coversQing dynasty, Kangxi periodPainted to the barrel-form body with four panels enclosing birds among flowering branches, below four ruyi shaped panels on a fish roe ground, the cover with gilt bronze rim, affixed with large loop handle painted with floral sprigs, atop a dancing bird, 16.2cm high (2).清康熙 五彩繪花鳥紋啤酒杯連蓋一對Cf. A pair of nearly identical examples is illustrated in Jörg, 2011, cat. no. 143, where the author notes that this type of tankard was probably only produced for a brief period and all existing examples appear to have similar designs. Another example with a gilt-bronze mounted cover was sold at Mak Van Waay, Amsterdam, May 16, 1984, lot 2083A.Condition Report: One with a detached handle and glued mount. A 26mm long nail was inserted to the body to connect the handle, surrounded by glue residue. The other with loose mount. Significant wear to the joint of the handle and the mount, including 15mm crack and 8mm hole. The rim with 12mm hairline and 90mm hairline going down to foot. A 10mm chip to the inside of the cover. Expected firing flaws with loss of enamel.
Four Chinese cylindrical snuff bottlesQing dynasty, 19th/20th century Comprising: a blue and white 'dragon' bottle, 7.8cm high without stopper; a blue and white bottle painted with dragon and phoenix, 7.8cm high without stopper; a blue and white and crackle-glazed bottle with a hundred antiques design, 8.5cm high without stopper; and a black and green bottle enamelled with two scholars on horseback accompanied by a boy attendant, apocryphal iron-red Kangxi four-character mark to base, 7.2cm high without stopper (4).清十九/二十世紀 鼻煙壺四件Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: All with expected light wear and mild firing imperfections. Rubbing to enamel of black/green bottle. Phoenix and dragon bottle with two long glaze lines to body, which would not appear to go through the body, largest approx. 50 mm long.
A Chinese monochrome powder blue square dishQing dynasty, Kangxi mark and periodOf shaped square form with steep, slightly everted sides, covered to the top and underside with a deep powder blue glaze, underglaze blue six-character mark within a double circle to base, 24cm wide.清康熙 灑藍地盤，青花楷書「大清康熙年製」款Condition Report: Expected old wear including some shallow scratches to the centre and base, and some expected mild firing imperfections with a couple of pits and iron spots.
A Chinese blue and white 'Ming-style lotus' snuff bottleQing dynasty, Qianlong mark and periodThe cylindrical body painted with a continuous lotus meander, the base with four-character seal mark in cobalt blue, stopper, 7cm high.清乾隆 仿明式青花蓮紋鼻煙壺，青花篆書「乾隆年製」款Cf. snuff bottles in this pattern were popular from the Kangxi period and throughout the 18th century. A bottle of the same shape and decoration, but unmarked, dated to the Kangxi period, is illustrated in The Complete Treasures of the Palace Museum, The Commercial Press, Hong Kong, 2003, pl. 295; another similar from the Qianlong period is illustrated by R. Hall, Chinese Snuff Bottle Masterpieces from the Rietberg Museum Zuerich, Zuerich, 1993, pl.10.Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the yearsCondition Report: Some light wear around the shoulder, mouth and cylindrical body, otherwise generally good.
A Chinese blue and white fluted bowl, 18th c, painted to the well with two flowering plants growing from a blue rock bordered by four tree shaped stem, in formal border, the exterior in compartments, 14.8cm diam, Kangxi mark in concentric circles in underglaze blue and a Chinese blue and white bowl for the South East Asian market (2) First bowl - pinhead sized chip outside the rim and hairline crack. Second bowl - undamaged
A Chinese famille verte wine pot and cover, Kangxi period, enamelled and gilt with panels of flowering plants and insects, the shoulder with panelled green and iron red diaper alternating with butterflies, the high loop handle painted to resemble bamboo in black and yellow, early replacement European silver spout, 19cm h Flaking of blue enamel on knop, not cracked
Two Chinese blue and white dishes, Kangxi period, painted with lotus or flowers, the border of lotus shaped floral lappets on cracked ice ground, the underside with emblems of the eight immortals, 26 and 26.5cm diam, commendation mark ["Precious object of rare jade among treasured vessels"] within concentric circles in underglaze blue Both with hairline crack, no chips, no restoration
A Chinese blue and white octagonal beaker, Kangxi period, painted in upright registers with flowering plants, 80mm h, flower in underglaze blue and three Chinese blue and white beakers, 18th c, variously painted (4) Kangxi beaker - rim fritting, short hairline crack in base. Smallest beaker - undamaged. Fluted beaker - pinhead sized chip on rim. Beaker with figures - cracked and chipped
A pair of Chinese blue and white plates, Kangxi period, painted with peonies and other plants, the border with three clumps of flowers, 20.5cm diam, ding in concentric circles in underglaze blue One plate with pinhead sized rim nick and hairline crack at 12 o'clock. The other with minute chip and hairline crack at 9 o'clock
A Chinese blue and white vase, 19th c, painted with the eight immortals mounted on their respective beasts, mounted with later copper rim, 19cm h, Kangxi mark in underglaze blue Other than by being mounted with consequent abrasions to the glaze and small chip just visible emerging from beneath the mount, in good condition
A rare Derby plate, c1790, enamelled with a horseman and groom before a green temple in iron red double line and green frame, the border with auspicious objects alternating with ruyi, the underside with three prunus boughs, 21.5cm diam, ding in concentric circles in underglaze blue Provenance: Dr F R Freeman Collection, Derby, his executor's sale, sold in these 'rooms, 1 March 2012, lot 148 (with a Kangxi original, ex Marchant, London; see lot 148 in present sale) Slight wear, not cracked or chipped
A Chinese blue and white tea bowl and pair of saucers, Kangxi period, saucers 12.7cm diam, conch shell in concentric circles in underglaze blue (saucers) and other Chinese blue and white porcelain, 18th c, to include a bowl, three tea bowls and mug and an 18th c English blue and white and enamelled spoon tray (13) Kangxi tea bowl - tiny rim fritting. One saucer with tiny rim chip and crack. The other ware - mug with pinhead sized rim chips; plate chipped; bowl with flea bite on rim. The other items in similar or better condition. Spoon tray - localised wear
A pair of Chinese blue and white miniature plates, Kangxi period, painted with a woman and jumping boy in panelled diaper border, 10.5cm diam, Chenghua mark in concentric circles in underglaze blue, dealer's label Provenance: Denys Cowell, Brighton One with short hairline crack at 8 o'clock, the other with minute rim nick
Six Chinese blue and white saucers, Kangxi period, one petal-moulded, each painted with a different pattern, on four also on the underside, 16.5cm diam and smaller, various painted marks in concentric circles or circles alone in underglaze blue on four, two unmarked The largest with localised fritting of rim. Larger of the octagonal saucers - tiny rim chip. None cracked
A Chinese famille verte tea bowl, Kangxi period, painted with flower panels to the exterior and lobed, everted border, 53mm h, flower in underglaze blue Provenance: Dr J R Freeman Collection, Derby, his executor's sale in these 'rooms, 1 March 2012, to the present vendor Chip on rim and foot rim
Two Chinese wucai dishes, Kangxi period, painted with sacrificial vessels and auspicious emblems bordered by linked flowerheads and classic scrolls, 27.5 and 28cm diam, commendation mark within concentric circles in underglaze blue One with hairline cracks and neat repair to border. The other with hairline crack at 4 o'clock and tiny rim chip. Both attractive examples in terms of enamels and wear, no restoration
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