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Click here to subscribe2 porcelain bowls in Jiajing style with blue decor of a person with a parasol in a landscape on the inside and outside of pagodas with Chinese characters in a wall and various people, among others. on horseback, Kangxi marked, China 19th century, 7 cm high, 18 cm diameter (1 bowl with 2 chips and 2 hairline cracks, 1 bowl with 1 hairline crack)
Porcelain Imari dish with floral decor, China Yongzheng period ca. 1725, 23 cm diameter (firing error and chips), porcelain miniature 'double gourd' vase with blue landscape decor, China Kangxi period ca. 1720 (chip) and porcelain vase with blue decor from long lines and birds, China 19th century
18 pieces of porcelain, China 18th-19th century, Wed. 6 porcelain dishes with blue floral decor, 19th century, 13.5 cm diameter, 3 porcelain cup and 1 saucer with blue long frame decor, Kangxi and porcelain Capuchin dish with 3 cranes and flowers in blue underglaze and 4 red flowers in overglaze, Yongzheng (various damage, including glued)
Chinese famille verte porcelain charger, Kangxi period, brightly enamelled with two butterflies in flight above chrysanthemum and peonies issuing from rockwork, the border painted with further butterflies amongst floral sprigs, artemisia leaf mark within double circles beneath, D35cm Provenance: From the Estate of the late Dowager Lady St Oswald
Chinese famille verte 'antiquities' plate, Kangxi period, centrally decorated with precious objects, within a stylized border, pictorial mark within double circles beneath, D22cm, together with a Chinese famille verte circular dish, enamelled with a bird perched on a flowering branch within a scalloped border of butterflied and foliage, D21cm. Provenance: From the Estate of the late Dowager Lady St Oswald
19th century Chinese blue and white vase and cover, of inverted baluster form, painted with a continuous mountainous landscape scene with buildings and figures, between floral and key borders, the domed cover with compressed button knop, Kangxi four figure character mark beneath, H39cmCondition Report:The cover with a reglued break and various filled chips and finial has a small chip. The base has a large chip to the rim, two of the broken sections are with the vase, but there are still pieces missing. The body has a recluded hairline crack, the glue is visible from the interior and exterior. Wear to base and minor surface wear throughout. (UV Checked)
A Chinese blue and white porcelain moonflask bearing four character Kangxi mark to base, height 30cm, together with a ginger jar and a dish.Condition:- General wear through age and use, moonflask has some small marks imperfections & glaze cracks as per extra photos, dish has a few cracks and repair as per extra photos.
A pair of 19th century Chinese blue & white porcelain slender ovoid vases painted with birds & insects amongst blossoms, with waisted necks, flared rims & moulded side handles, each with four-character Kangxi mark to base, 25.5cm high (one with impact crack & associated hairlines running down/across body and with rim-chips, the other vase perfect).
Two Chinese blue and white and one Chinese Imari bowlQing dynasty, 18th-19th centuryThe Chinese Imari bowl painted and gilt with flowers, 15cm diameter; the blue and white bowls with figures in landscapes, the first, 22.3cm diameter, with apocryphal Kangxi four-character mark to base, the second, 18cm diameter, standing on a tall, straight foot (3).清十八 - 十九世紀 伊萬裡式盌一件及青花盌兩件Condition Report: Chinese Imari:two large patches of overpainting, covering at least one long rim hairline, and a few infilled rim chips. A couple of very short thin firing cracks to edge of foot.Larger blue and white bowl: fritting and chipping to rim and approx. 65mm long rim hairline with associated chip, and further finer, shorter hairline.Last bowl: fritting and nibbling to mouth and foot rims.
Six Chinese blue and white export platesQing dynasty, Kangxi - Guangxu periodComprising a large plate with scrolling lotus and flower mark to base, Kangxi, two 'floral' dishes with rounded cavetto and wide rims, Kangxi, and three Zhangzhou (Swatow) type plates with unglazed rims to the centre, 19th century, 39.4cm -23cm diameter (6).A Distinguished English Private Collection.清康熙 - 光緒 青花外銷盤六件英國顯赫私人收藏。Condition Report: Largest Kangxi plate: several rim hairlines and nibbling/small chips to rim, couple of which have been infilled. There is also a large U-shaped section which has been broken off and restuck. There has been some overpainting to the exterior in an attempt to mask the hairlines.Second largest Kangxi plate: three large rim hairlines and crazing to centre.Smaller Kangxi plate with a U-shaped section restuck, a hairline, nibbling to rim, and overpainting to the exterior of the rim.Largest Swatow dish with crazing to glaze, at least two firing cracks across foot&body progressing into hairlines, at least one rim hairline, and expected firing imperfections.Medium Swatow: two rim hairlines, possibly from firing; expected firing imperfections; scratching and expected surface wear.smallest Swatow: expected firing imperfections and some crazing to glaze; expected surface wear.
A Chinese famille verte hexagonal cup and a 'G' cup and saucerQing dynasty, Kangxi periodThe matching cup and saucer with alternating scenes of ladies and flowers, the bases with a 'G' mark in underglaze blue; the other cup with alternating flowers and antiques, underglaze lingzhi mark to base, the 'G' cup, 6cm high, the saucer, 13cm wide, the third cup 6.5cm high (3).清康熙 五彩繪侍女花卉圖紋八方杯碟及花卉博古圖紋杯cf. A similar ‘G’ mark hexagonal cup and saucer is in the British Museum, no. Franks 894. Condition Report: The saucer with three small rim chips , one with long associated hairline; the G cup with a rim nibble and a v-shaped chip with long hairline. The last cup with a large V-shaped restuck section with associated hairline and at least another rim chip with hairline.
Seven Chinese porcelain vessels and an English blue and white cup and saucer18th - 20th centuryComprising a famille verte fluted 'floral' bowl, Kangxi period, underglaze blue single-character seal mark to base within a double square and then double circle; a Chinese Imari punch bowl, Qianlong period; a blue and white 'musicians' bowl, 19th century, fanggu zhencang mark (仿古珍藏); a famille rose bowl enamelled with flowers and peaches, 19th century; a blue and white bowl with Yuan-style figures, 20th century, wan yu mark (玩玉); a blue and white 'lotus' bowl, 20th century, Jingdezhen seal mark to base; a 20th century 'Canton' famille rose foliate plate with apocryphal Chenghua mark; and a blue and white teabowl and saucer with landscape designs and gilt rims, 19th century, 8.5cm - 21cm diameter (9).十八 - 二十世紀 中國瓷器七件及英國青花盃碟一套Condition Report: Famille verte bowl: two large patches of overpainting from rim to foot, and a smaller patch just around the rim (refer to additional images from department)Imari bowl: rim fritting and nibbling, long rim hairline.Musicians: long rim hairline.Famille rose bowl: short rim hairline around the chrysanthemum and star shaped hairline to base.Wan yu marked bowl: Large rim chip with long rim hairline and smaller chip with short hairline.Jingdezhen bowl: surface wear to base.English bowl and saucer: over-firing and surface wear., the saucer with rim hairlineCanton plate: rubbing to enamels, nibbling to foot, two rim hairtlines.
A Chinese blue and white 'birds and flowers' foliate-rimmed dishQing dynasty, Kangxi period, Ji mark Painted to the centre and fluted well with medallions of birds perching and alighting on alternatively flowering prunus, peony, chrysanthemum and camellia shrubs, the reverse with three sketchy floral sprays, the mark within a double circle to base, 16.5cm diameter.清康熙 青花繪花鳥圖紋花口碟Condition Report: A few scattered nibbles to edges; some ingrained dirt highlighted under UV inspection.
A Chinese blue and white fluted 'floral' beaker vase, guQing dynasty, Kangxi periodRising from splayed foot to flared rim, the mid section moulded in form of twisted rope painted with strings of flowers, 26.5cm high.清康熙 青花繪花卉圖紋觚 Condition Report: An area of restoration to the mouth rim with overpainting and spraying of approx. 7cm across. A chipped area to the mouthrim of approx. 1cm across. General surface wear commensurate with age. Firing fault including fritting, pitting and iron spots.
Two Chinese blue and white 'landscape' baluster vasesQing dynasty, 19th century and later, one with apocryphal Kangxi markComprising: a 19th century blue and white baluster with splayed foot, painted to the body elaborately with watery landscape with rafts and bridge below pagodas and mountainous scene, apocryphal four-character mark to base, the other vase 20th century, decorated with a mountainous scene, the tallest 30.5cm high. (2)Provenance: English private collection.清十九世紀及更晚 青花繪山水圖紋瓶兩隻，青花楷書「康熙年製」款來源：英國私人收藏。Condition Report: The shorter vase with a 'J' shape hairline from the mouth rim, associated with infilled chips along the hairline. The taller vase with restoration and over painting to the mouth rim, overpainting to the inside of the neck, a hairline of approx. 18cm to the body. Firing imperfections.
A Chinese blue and white moulded foliate plateQing dynasty, Kangxi period, apocryphal Chenghua markWith moulded well, painted to the centre with camellias and scrolling lotus to the rim, 26cm diameter.清康熙 青花模印繪花卉圖紋盤，青花楷書「成化年製」寄託款Condition Report: A couple of rim frits and at least one shallow flake to the rim.
A Chinese blue and white 'peony' dishQing dynasty, Kangxi period, apocryphal Jiajing six-character markDelicately painted to the centre and within a border to the rim with a meander of leafy scrolling peonies, the exterior with three further peony blooms, the mark within a double circle to base, 20.3cm diameter.清康熙 青花繪牡丹圖紋盤，青花楷書「大明嘉靖年製」款Known as 'the king of flowers' and the flower of 'wealth and honour', the peony (牡丹 mudan) was known in China since the 9th century BC at least, and known to have been grown in the gardens of the Imperial family since the Tang dynasty ( (618-907). One of the flowers of the four seasons, alongside lotus, chrysanthemum and prunus, peony was often exchanged as a gift to represent love and affection, and was an ever popular motif in porcelain decoration.Condition Report: Approx. 6mm v-shaped rim chip and associated long hairline, as well as 7mm wide infilled rim chip with associated shorter hairline.
Five Chinese blue and white dishesQing dynasty, Kangxi-Qianlong periodComprising: a 'hundred antiques' deep dish, 16.8cm diameter; a pair of plates with floral motifs, 16.8cm diameter each; and a pair of octagonal plates with Buddhist lion and Fitzhugh border to rim, 23.6cm wide each (5).清康熙 - 乾隆 青花碟五件Condition Report: The first with rim fritting and three areas of rim restoration, two of which with associated hairline from rim to foot.One of the floral dishes with nibbling to rim, both with light nibbling to feet.Buddhist lion dishes with gilt at rim touched up and shallow nibbles to underside of mouth rims.Expected surface wear and firing imperfections consistent with type.
A pair of Chinese blue and white 'boys' vasesQing dynasty, 19th century, apocryphal Kangxi marksOf baluster form, each painted with a pair of boys holding a vase decorated with lotus, on prunus ground, 13.5cm high. (2)Provenance: UK private collection.清十九世紀 青花繪持瓶童子對瓶來源：英國私人收藏。Condition Report: One vase has a hairline from the mouth rim of 2cm long, which associated with a chip that's been filled in. The other vase has restored cracks to the neck, visible under UV light.Both vases with spraying to the inside of the vase and residue of unknown substance to the surface.
A small Chinese blue and white 'scholar and beauty' moulded barbed-rimmed dishQing dynasty, Kangxi periodPainted to the centre with a lady bringing a spray of flowers to a scholar seated by a guqin in a fenced terrace, the reverse with wan-brocade pattern and floral medallions, 11cm diameter.清康熙 青花繪人物故事圖紋盤Condition Report: Approx. 8mm wide rim chip and associated approx. 30mm long hairline. A couple of further rim nibbles and a short rim hairline.
A Chinese white-glazed moulded 'lotus' water dropper or 'nose-drinking' vesselQing dynasty, Guangxu mark and periodMoulded as a lotus leaf with hollow stem constituting the spout, covered overall in a bluish-white glaze, the reverse of the stem with underglaze-blue six-character mark in a vertical line, fitted box, 18cm long.The Property of a Lady. Purchased in Hong Kong throughout the 1980s and 1990s. 清光緒 白釉荷花式盃《大清光緒年製》款女士藏品。二十世紀八十至九十年代間購置於香港。Vessels such as the present lot are often described as 'nose-drinking cups', as nose drinking was said to be a custom in the South of China, around Yangzhou, during the Northern Song dynasty, as described in Jingdezhen Tao Lu, translated by G. R. Sayer in 1951, entry # 65, page 90.This custom was revived as a brief amusement during the Kangxi period, when lotus leaf-form vessels of the shape of the present lot were produced in susancai or aubergine glaze, and then again during the Guangxu period, when they were more often made in the shape of a flower head and enamelled pink.Condition Report: A short firing crack to the interior and some misfiring to glaze, otherwise generally good.
The lot to include a miniature Chinese tea bowl decorated with cabbage leaves and insects; a blue and white jug with a replacement brass handle; a pair of early 18th century Kangxi blue and white saucers; two Ming provincial saucers; a collection of 1920s Japanese porcelain; an Imari style baluster vase; a famille rose style baluster vase with stylised animal handles, the central panels depicting figural scenes; a Canton style spill vase, the panels depicting figural scenes and birds in foliage; a Chinese hardwood stand with pierced vine decoration to the body; and a ginger jar missing its lid.The tallest vase 25cm high.In generally good condition. The jug with a replacement handle and light chipping. The pair of saucers with small biscuit chips out of the rims. One of the two dishes with craquelure and cracks running from the edges, the other with evidence of repair or re-glazing. The Japanese teaware with mild losses throughout and signs of light chipping, particularly notable on one of the miniature cups. The famille rose vase with notable rubbing to the decoration and some evidence of repainting and repair. The Imari style vase with scuffing to the foot and some abrasions to the body. The spill vase with rubbing to the decoration and light abrasions throughout.
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