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C.F.A. VOYSEY (1857-1941) FOR PILKINGTON'S TILE & POTTERY CO. PAIR OF ARTS & CRAFTS TILES, CIRCA 1920 glazed earthenware, moulded P to reverseDimensions:each 15.5cm square

MAW & CO. NINE-TILE PANEL, CIRCA 1900 glazed earthenware, framedDimensions:each tile 15.2cm square

ENGLISH TILE PANEL, CIRCA 1900 glazed ceramic, with tube-lined monogram, the oak frame with copper plaques to the anglesDimensions:tile 44.5cm x 14cm

PILKINGTON’S TILE & POTTERY CO. TWO VASES, CIRCA 1910 glazed earthenware, impressed factory markDimensions:26cm high and 23cm high

WILLIAM STEPHEN COLEMAN (1829-1904) FOR MINTON & CO. AESTHETIC MOVEMENT TILE, 1870 glazed earthenware, moulded maker's marks and date lozenge, printed maker's marks, 20.7cm square; together with THREE BROWN - WESTHEAD, MOORE & CO. TILES, the designs attributed to Pierre Mallet, moulded maker's marks, 20.2cm square

S. GIBBS & MOORE, LONDON TWO RARE FRAMED TILE PANELS, CIRCA 1880 hand-painted on Minton blanks, depicting stylised birds and fish, moulded Minton marks and stamped maker's marks to eachDimensions:each tile 15.5cm square, framed 20cm x 51cm

WILLIAM DE MORGAN (1839-1917) TWO-TILE PANEL, CIRCA 1890 glazed earthenware, impressed Sands End mark verso, framedDimensions:each 15.5cm square, frame 36cm x 20cm

WILLIAM DE MORGAN (1839-1917) TWO 6-INCH TILES, CIRCA 1880 to include a DOUBLE CARNATION TILE, impressed Merton Abbey mark, 15.5cm square; and a FOLIATE TILE, impressed maker's mark, 15.5cm square

WILLIAM DE MORGAN (1839-1917) 8-INCH DOUBLE CARNATION TILE, LATE 1890S glazed earthenware, impressed Sands End markDimensions:20.4cm square

WILLIAM DE MORGAN (1839-1917) 6-INCH 'BBB' CARNATION TILE, LATE 1890S glazed earthenware, impressed Sands End markDimensions:15.5cm square

MORRIS & CO. DESIGN FOR A TILE, 'THE MINSTREL' pencil on tracing paper, framedDimensions:26cm x 12.5cmNote: Note: In the painted paper technique of tile decoration the design was drawn on tracing paper which was pasted onto a sheet of glass. On the other side of the glass, a square of thin paper was attached. The sheet of glass was set up in front of a window, so the lines of the pattern were easily visible on the thin paper. The painter then filled the design with pigment. The finished copy was placed face down on the surface of a tile blank, adhered with sodium silicate and sprinkled with powdered glaze before being placed in the kiln. In the kiln, the pigment fused with the glaze and became imprinted on the tile, the paper burning away.

Two pieces of Chinese provincial blue and white porcelain, 19th century, comprising: an oil pot and cover decorated with lotus branch pattern, 14.3cm high; and a Canton teapot and cover with panels of floral sprays and export seal, 10cm high, together with a Victorian mahogany and tile set serving tray, the three Pilkington tiles in blue and white 'Willow' pattern, the tray with twin brass handles, 55cm long overall, 18.5cm wide (3)  

A Turkman-style miniature painting of dervishes in a shrine, Iran, 19th century, gouache on paper heightened with gold, the large group of men depicted in coloured robes, their hands raised and dancing on a pattered tile ground, with painted landscape of birds and geometric mounted, glazed and framed, 15 x 10.7cm

A mixed group of objects of vertu, to include: a blue and white Delft style tile sparsely decorated with a travelling mother and child to the centre, 12.8 x 12.6cm; a cylindrical porcelain vase with Greek key border to rim and body, 24.8cm high; a modern granite Egyptian style shabti, 25.5cm long; a small brass pot with foliate border, 4.5cm high; and a Japanese Imari palette pig, character mark to underside, 18cm long (5)

WILLIAM DE MORGAN TILES - SANDS END. Including a ruby lustre tile with floral design, also with another De Morgan tile, also with a floral design. Both with feet added to the base, and both with impressed marks 'Wm De Morgan, Sands End Pottery. Both 15cms square. *CR Ruby Tile, various scratches and marks to the surface, graze to one corner. The other, has a crack underneath (7cms long), the odd small nibble to the edges.

WILLIAM DE MORGAN SECTIONAL TILE. Of Persian influence and painted with a yellow flower head, the tile in four separate sections and mounted in a wooden base. Tile 15cms square. *CR Bottom left section, a couple of cracks running from the left side to the top. Back of tile not accessible.

Full title: 30 blue and white Dutch Delft tiles with boats and windmills, 18th/19th C.Description: Each tile: ca. 13 x 13 cm Each frame: ca. 16 x 16 cm

Full title: 77 blue and white Dutch Delft tiles with landscapes, 18th/19th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: 42 blue and white Dutch Delft tiles with mainly shepherds and landscapes, 18th/19th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: 16 Dutch Delft blue and white 'bird' tiles, 17th/18th C.Description: Each tile: ca.: 13 x 13 cm Frame: ca.: 16 x 16 cm (the largest)

Full title: 27 blue and white and manganese Dutch Delft tiles with floral designs, 17th/19th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: 26 blue and white Dutch Delft tiles with large figures and children at play, 17th/19th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: 10 blue and white and polychrome Dutch Delft tiles with various designs, 17th/18th C.Description: Each tile: ca. 13 x 13 cm Each frame: ca. 16 x 16 cm

Full title: 27 blue and white and manganese Dutch Delft tiles with biblical designs, 18th/19th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: 13 blue and white Dutch Delft tiles with animals, 18th C.Description: Each tile: ca. 13 x 13 cm The largest frame: ca. 16 x 16 cm

Full title: A pair of Dutch Delft tile murals with a rooster and a hen, 18th C.Description: 56 x 43 cm (each frame)

Full title: Two blue and white Portuguese tile murals and two sets of four Dutch Delft tiles, 17th C. and laterDescription: The largest mural: 72 x 53 cm The smallest mural: 43,5 x 29 cm Each set of four tiles: 26 x 26 cm

A late Victorian mahogany wash stand with Carrara marble top, mirror and tile splash back c.1900

A PERSIAN QAJAR GLAZED POTTERY CORNER TILE, on a fitted metal stand, the tile painted with foliate decoration, tile measuring 21.5cm square.

A FINE AND UNUSUAL LARGE 19TH CENTURY INDIAN TILE, with floral motif, 30.5cm square.

A PERSIAN QAJAR GLAZED POTTERY TILE, depicting a figure on horseback and flora, inset within an antique metal frame, tile 20cm x 15cm.

AN ISLAMIC / SPANISH GLAZED POTTERY TILE, 27.5cm x 13.5cm.

AN IZNIK GLAZED POTTERY TILE, with decorative floral sprays, 25cm square.

A Victorian silver saucepan and coverRobert Garrard, London 1877, incuse stamped 'GARRARD'S PANTON STREET LONDON' Of circular form with gadroon rim, plain polished, with a stepped and shallow domed lift off cover surmounted with shell and foliate handle, the cover and base engraved with crest of a dog's head and neck paly bendy sable and or langued gules below a Marques coronet used by the family of the Duke of TECK, the deep lower pan with a removable tripartite internal divider, with double knopped elongated baluster form side handle, diameter 26.5cm, weight total 63oz.Footnotes:ProvenanceFrom The Silver Collection of Dr Andrew J RaineyThe crest presented here is that used by Adolphus Charles Alexander Albert Edward George Philip Louis Ladiscaus CAMBRIDGE (1868-1927) 1st Marquis of Cambridge, the son of Prince Francis Duke of Teck (1837-1900) by Princes Mary Adelaide (1833-1897). He was the younger brother of Princess Victoria Mary of Teck (1867-1953), Queen Consort of King George V of the UK. At the death of his father in 1900 he succeeded to the tile as Duke of Teck but in 1917 relinquished all of his German titles to become Marquess of Cambridge. This crest is therefore post 1917.For further information on this lot please visit Bonhams.com

A William de Morgan 'Mice and Foliage' 6” tile, early Fulham period 1888-1897, impressed mark Broken and re-stuck

A Vintage Tin Containing Maw Terracotta Tile, Printed Maps and Pamphlets Etc

A Modern Wooden Framed Tile Based Two Handled Drinks Tray, 37cms Square

Two Spanish cuerda seca edging tiles or alizars, Toledo, 16th Century, from steps or altar surrounds, decorated with lost wax technique, one with a Mudéjar design in honey, dark brown, green and white, the other with a stylised armorial shield, bell-flowers and linked florets/Note: similar alizars to the first mentioned form an altar frontal in the Convent of San Juan de la Penitencia in Toledo, constructed circa 1514/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: chipping to edges, large chip to the front of the armorial tile, the geometric tile with broken edges

Four Spanish Maiolica Arista tiles, circa 1550-75, lightly moulded and coloured in honey brown, green, and 'Toledo blue', comprising two Toledo wainscot tiles with Renaissance designs above bands of further foliage, 17cm wide, a Toledo edging tile with a pattern of an acanthus boss between two half-wheels, green edges top and bottom, 11.5cm x 18.3cm; and a Seville square tile, moulded with formal leaves around a central lozenge pattern, 13.5cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: the two square tiles with chipping to sides. The oblong tiles with neater edges. No cracks.

A very rare Spanish Arista ceiling tile, Seville, circa 1540-60, moulded in light relief and with coloured glazes, with a Classical male profile head wearing a ribbon headband, highlighted in blue and manganese, within a green laurel wreath and flanked by formal plant motifs in blue and yellow, 24.1cm x 13.3cm, 2.7cm thick (rims reduced)/Note: two identical tiles from the Anthony Ray collection are in the Ashmolean Museum, collection numbers WA1994.45.3 and WA2012.1.526/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: neat edges to the front. Some areas lacking glaze to the face. Overall good appearance. Some minor light chipping to the moulding of the laurel wreath.

A set of nine Dutch Delft tiles, probably Makkum, circa 1800, painted in manganese with a formal flower vase within circular panels, the corners with rows of dashes, each tile 13cm x 13cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A frame of nine English Delftware tiles, circa 1740-60, with powder blue grounds and octagonal panels of figures in landscapes, flowerhead corners, each tile 12.5cm x 12.5cm/Note: Recovered by Henry Sandon in 1972 from a fireplace in the Historic Shades Tavern in Mealcheapen St, Worcester/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A rare Holics faience tile panel, Hungary, third quarter of the 18th Century, formed from twelve tiles, painted in bright colours with the Madonna and Child, crowned and floating on clouds within an oval panel of a beaded rosary, above a very simple landscape, the panel self-framed in yellow and orange, each tile numbered on the reverse with letter H, each tile 13cm x 13cm (52cm x 39cm overall)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A Minton tile and a set of four Chamberlain encaustic tiles, circa 1845, the Worcester tiles forming the royal arms of Queen Victoria within the garter, impressed marks; the Minton tile depicting a Medieval King, only the figure glazed in yellow/Note: The Minton tile was commissioned 1840-42 by L. N. Cottingham forTemple Church. The Chamberlain panel was commissioned by Anthony Salvin for the Church of the Holy Sepulchre in Cambridge prior to Queen Victoria's visit in 1844, the present example is illustrated by John Sandon, Dictionary of Worcester Porcelain/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order, with some minor chipping to edges and corners, one with slightly larger chip to underside of one corner, minor glaze scratching.

A William de Morgan lustre dish, a Minton tile and a Burmantoft spoon warmer, circa 1890-1905, the small dish with an 'Aesthetic' design in ruby lustre, 22cm, unmarked, the Secessionist tile with a peacock by John Wadsworth and Leon Solon, 15.3cm x 7.6cm, embossed Minton mark, the flambé spoon warmer in the shape of Luhai's Toad, 14cm (cracks) (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The tile with a very small glaze chip to one corner. The plate with a very small rim chip and some later matt red retouching to areas of red lustre that have misfired, some minor wear and surface scratching, the toad spoon warmer cracked across one front leg and restuck.

A Westerwald stoneware jug, late 17th Century, with multiple panels of angel heads on a blue ground, 16.5cm overall, a green-glazed stove tile, 16th Century, 20cm, a Bayreuth fayence plate, marked BFS, and a Palissy type casket, moulded with Islamic cufic script (broken) (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Westerwald jug - lacking neck and reduced with later fixed pewter cover, large misfired patch to body occuring at time of manufacture, typical crazing to glaze.The green glazed tile - spreading hairline crack from rim into body of tile, with hole pierced to rim, small triangular chip restuck to rim beside crack, some small typical minor flaking to green glaze. The Bayreuth plate - cracked across into four pieces and restuck,with old riveted repairs, with a large rim chip and further minute glaze losses. Casket - extensively cracked and restored in several sections with small associated chips and overpainting.

Box with crystal, wooden spoon box with marquetry decoration, Westraven earthenware coasters, Courvoisier cognac in holder, copper buckles, earthenware tile and various silver plated including various spoons

Box various b.u. Kodak camera, squeeze bottle with hammered pewter frame, doll service, opera viewer with mother-of-pearl inlay, brass mortar, wall lamp, 2 plates, amethyst, 2 Art Deco bookends, 2 Goebel figurines, letter opener, plastic jewelery box, lighter, 2 slippers, Westraven tile, 2Lladro statues, Arholdene Beswick dalmatian, cast iron wall sconce, bronze statue of Sophietje and 2 vest pocket watches

2 tile pictures, each with 4 tiles, each 26.5 x 26.5 cm

Tile tableau of 12 tiles with polychrome Dutch decor of man and woman in horse and carriage in wooden frame, Holland 19th century, 41x55 cm (various damage)

With signature L. Apol, tile tableau of sailing boat in river near farm, frame 45x61 cm

A simulated terracotta ridge tile with owl surmount, 43cm high

Continental School, c.19th Century - Painted porcelain tile depicting still life with flowers in urn and fruit, signed 'Tatle' lower right, 24 x 19 cm, in antique glazed frame

Modern Iznik tile panel

Two boxes containing various sundry items to include floral decorated tile, flat iron, chamber sticks etc.

A teak tile top coffee table along with a hardwood side table.

A BEECH TILE TOP KITCHEN TABLE, length 120cm x depth 75cm x height 75cm, and four hoop back chairs (condition:-partially overstained, chairs rickety) (5)

A MID-CENTURY NATHAN TEAK TELEPHONE TABLE/SEAT, width 92cm x depth 37cm x height 57cm, along with two G plan tile top coffee tables, one rectangular and the other square (condition:-telephone table with fluid stains) (3)

AN EDWARDIAN MAHOGANY MARBLE TOP WASHSTAND, with a tile back, and two drawers, width 107cm x depth 51cm x height 103cm (condition:-one caster loose)

FIVE BOXES AND LOOSE CERAMICS AND SUNDRY ITEMS, to include two covered Oriental vases decorated with prunus blossom, a Foresters Phoenix Art Faience vase, an Art Nouveau style tile, a Kenwood food mixer, etc (5 boxes + loose) (sd)