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A Vintage Tile Topped Nest of Three Tables

A LATE VICTORIAN WALL CUPBOARD with tile inset doors, 60cm wide; a mahogany tray; a small quantity of wooden spoons and ceramics

An excellent tile decorated with ducks in a pond in the foreground and mountains in the background. Dimensions: 10 in. x 10.5 in. Condition:Broken and repaired.Notes: To view larger images, please visit the link provided below in the 'Images' category.Images: https://bit.ly/2jd6dbR

A 19th Century beechwood Windsor chairWith a ladder back above outswept arms supported on turned spindles above a shaped seat raised on conforming legs along with a pair of Victorian Gothic tile back hall chairs (AF) including four inset tiles by Mintons designed by Moyr Smith depicting fables including the Fox and the Crow, The Lion and the Rat, Lion, Calf, Goat and Sheep and Tortoise and the Eagle and a late 19th early 20th Century child's oak and rattan seat rocking chair. (4) Windsor chair 108cm high.

A 1970's nest of three tile top tables, largest 106cm

A Bernard Leach (1887-1979) pottery tile, painted with a wicker bound pot containing paint brushes, painted marks (10cm x 9.5cm); and a St. Ives pottery pot and cover with impressed mark. (2) Illustrated

A.J.C Edwards pictorial tile, red ground, relief moulded with a dual anthropomorphic picture and raised on four moulded feet, detailed 'JC Edwards Ruabon, to the base, 16cm x 16cm.

A George Jones majolica tile, circa 1870, moulded with lily of the valley against a cobalt blue ground, black painted number 1890/12, 19.75cm.

An old blue and white Minton Tile depicting a farmer sharpening a scythe, signed W. Wise, 6" square together with a Victorian tile

A collection of H.G Wood India Tree embossed items to include vases, planters, water jugs, tile (4)

Alan Wallwork (British b.1931) retro cheese board, the central olive, tan and white ceramic tile set within wooden surround with fitted glass dome, dimensions approximately 24cm by 23cm (including dome)

A Yardley Lavender soap dish and a Victorian floor tile

A copper framed Victorian tile painted Scottish Loch

William de Morgan, a fish painted tile, painted in blue, together with another Fulham Pottery tile attributed to de Morgan (2) 15 x 15cm (6 x 6in)

William de Morgan, a large ruby lustre relief animal tile, circa 1895, with a mythical beast surrounded by stylised palmettes, Sand's End mark 22.50 x 22.50cm (9 x 9in)

William de Morgan, a large Sand's End tile, painted with vine leaves and grapes, impressed mark 20 x 20cm (8 x 8in)

A framed and glazed Victorian photograph of a baby printed onto ceramic tile. Some damage to ceramic tile. Frame size approx. 45xm x 53cm.

POOLE TILES, 4 tile pictorial panel of a "Turkey", circa 1930's for Dewhurst Butchers, 12" square

ORIENTAL CERAMICS, 5 tile fragments from Peking Summer Palace

A vintage / retro 20th Century chrome framed tied topped coffee table, the tile top having a psychedelic design signed Bellanti. Measures: 38cm high x 102cm wide x 56cm deep.

A box containing woodworking tools, tile cutter, electric drills etc together with two wooden tool cases

A Hispano-Moresque lustre tile, decorated with a stylised figure amongst scrolling branches, terminating in a bird, 18cm wide, 16th/17th century

A Qajar type rectangular tile, decorated in the typical Persian taste with a figure and stylised flowers, 22cm x 16cm, oak frame; another, 16cm x 16cm

A Singer treadle sewing machine base converted to a tile top table.

A Persian rectangular tile, decorated in the Iznik palette with a warrior in a stylized landscape, 22.5cm x 14.5cm, 19th century or earlier Condition Report: Old repairs to verso

A mixed lot to include a 19th century Persian tile, a squeeze box, an oak cased clock, a silver plated teapot and a pewter teapot

A BOX OF BOXED TILE SPACERS

TILE TOP COFFEE TABLE

A Victorian stained oak hall stand, the back inset with a bevelled glass mirror, above a four green tile splash back, with a glove box, raised on turned supports, united by an under tier, with two tray recesses, one tray present, 73.5cm x 30cm x 92cm.

A nest of 1970's G Plan occasional tables, with a scumbled finish, the largest with tile inset top, 50cm x 50cm x 50cm.

An Arts & Crafts oak wash stand with a raised tile and marble top, panelled cupboards under, width 98cm, height 123cm, depth 47cm.

A cast-iron garden table with tile top, width 60cm, height 110cm.

Continental portrait tile, spectacles, powder flask, etc.

An antique large Delft wall hanging tile from Holland bearing mark to back, slight damage to some edge heavy earthen pottery

A Three In One Multi Function Tile Cutter

Two 1970's Tile Topped Rectangular Coffee Tables

A Wedgwood blue and white tile; together with various other blue and white china

Oriental hand painted ceramic framed tile signed by artist

A box of assorted items including a mounted Minton tile, a/f, a copper 'pan' mounted Westclox clock, flatware, scales and weights, etc.

A car trunk, tile topped coffee table, oak cabinet and a gate leg table (4)

NO RESERVE Tasso Bernardo. L' Amadigi... colla vita dell'autore e varie illustrazioni dell'opera. Tomo I [- IV]. In Bergamo: appresso Pietro Lancellotti, 1755.Quattro volumi in-12° (mm 140x75). Pagine XXIV, 441, [3]; XXXVIII, 462, [2]; XXIV, 444; XXIV, 468. Fregio xilografico ai frontespizi, testatine incise su legno. Qualche carta con lievi gore marginali e arrossature. Legatura omogenea coeva in mezza pelle, carta marmorizzata ai piatti, fregi e titoli in oro su tassello ai dorsi, tagli spruzzati in azzurro. Abrasioni ai bordi dei piatti. Ai contropiatti anteriori ex libris 'Biblioteca Palazzi'. SI AGGIUNGE: Passeroni Giancarlo. Il Cicerone, poema... In Bassano: a spese Remondini di Venezia, 1775. Sei volumi in-12 (mm 150x85). Pagine 440; [4], 444; 470, manca l'ultima carta bianca; 480; 475, [1]; 494, manca l'ultima carta bianca. Fregi xilografici ai frontespizi, finalini incisi su legno. Sporadiche lievissime arrossature o minime gore su poche carte. Legatura omogenea coeva in mezza pelle, carta marmorizzata ai piatti, titoli in oro al dorso, tagli marmorizzati azzurri. Abrasioni ai bordi dei piatti, usura delle cuffie. Ai contropiatti anteriori ex libris 'Biblioteca Palazzi' che copre in parte una precedente annotazione manoscritta.I opera: Edizione curata da Piero Antonio Serassi, il cui nome si ricava dalla dedica nel Tomo I, del poema di Bernardo Tasso, padre di Torquato, ispirato al romanzo spagnolo Amadigi di Gaula in cui si narrano le avventure e la storia d'amore del principe Amadigi. Rispetto all'originale, Tasso apporta alcune modifiche tra cui l'introduzione di nuovi personaggi - come Floridante - secondo la tecnica dell'entrelacement. L'opera, composta da 100 canti di circa 80 ottave, ebbe buona diffusione e fortuna editoriale nonostante lo scarso apprezzamento da parte degli Accademici della Crusca. Lo stesso Torquato Tasso difese, nella sua Apologia in difesa della Gerusalemme Liberata, l'opera del padre, ponendola sullo stesso piano dell'Orlando Furioso. II opera: Edizione remondiniana di questo lungo poema, impressa l'anno successivo alla prima edizione dell'ultima parte; l'opera ebbe una lunga gestazione e venne stampata in momenti diversi: la prima parte apparve a Milano nel 1755, l'ultima nel 1774. Il Cicerone, apparentemente una biografia del grande poeta latino, include in realtà lunghissime digressioni satiriche e ironiche sul malcostume settecentesco contemporaneo all'Autore. Sui frontespizi dei Tomi terzo e quarto è riportata l'indicazione Parte seconda; sui Tomi quinto e sesto Parte terza.Four volumes, 12 ° (140x75mm). XXIV, 441, [3]; XXXVIII, 462, [2]; XXIV, 444; XXIV, 468 pages. Woodcut frieze on the title pages, woodcut headpieces. Foxing and a few marginal waterstains on some leaves. Contemporary half leather, marbled paper on the covers, friezes and gilt titles on labels on the spines, light blue sprinkled edges. Abrasions at the edges of the covers. At the front pastedowns ex-libris 'Biblioteca Palazzi'.ADDING: Passeroni Giancarlo. Il Cicerone, poema... In Bassano: a spese Remondini di Venezia, 1775. Six volumes, 12° (150x85 mm). 440; [4], 444; 470 pages, wanting the last blank; 480; 475, [1]; 494, wanting the last blank. Woodcut friezes at the tile pages, woodcut tailpieces. Sporadic very slight foxing or minimal waterstains on a few leaves. Contemporary half leather, marbled paper on the covers, gilt titles on the spine, light blue speckled edges. Abrasions at the edges of the covers. At the front pastedown ex-libris 'Biblioteca Palazzi' which partly covers a previous handwritten annotation. I work: Edition curated by Piero Antonio Serassi, whose name derives from the dedication in Tomo I, of the poem by Bernardo Tasso, Torquato's father, inspired by the Spanish novel Amadigi di Gaula where are described Prince Amadigi's adventures and love story. Compared to the original, Tasso makes some changes including the introduction of new characters - such as Floridante - according to the entrelacement technique. This work, consisting of 100 songs of about 80 octaves, had good publishing fortune, despite the poor appreciation by the Accademia dela Crusca. Torquato Tasso himself defended his father's work in his Apology in defense of Gerusalemme Liberata, considering it on the same level as Orlando Furioso. II work: Remondini edition of this long poem, printed the year after the first edition of the last part; the work had a long gestation and was printed at different times: the first part appeared in Milan in 1755, the last in 1774. Cicerone, apparently a great Latin poet biography, actually includes long satirical and ironic digressions on the misconduct during the eighteenth-century.

Walnut Tile Top Table, Oval Top with Inlay, Quadrafoil Base on Ceramic Castors. 46 Inches wide & 27 Inches High.

A metal garden table with mosaic tile top, 76cmD x 75cmH and two associated metal garden chairs with removable cusshion seats retailed by Kewdos Ltd

An Islamic cuerda seca tile fragment, probably 17th century, decorated with an Iznik style design of geometric flowerheads and scrolling leaves in blue, turquoise, green and umber on a yellow ground, 23.7cm.

A cuerda seca square tile, 16th century, probably Safavid, decorated with a central panel banded in turquoise and containing a blue motif reserved on a yellow ground, within a band of stylized white flowers and leaves on a deep blue ground, some chipping, 11.3cm.

Literature: Robin Hildyard, European Ceramics; Ayers, Impey & Mallet, Porcelain for Palaces; Anthony Ray, Spanish Pottery 1248-1898; Rudolf Drey, Apothecary Jars; Jan Pluis, The Dutch Tile; and a number of other books relating to European and Oriental ceramics. (21)

Geoff Hartley - a studio pottery tile plaque decorated with birds in flight and perched above a fence, 12 1/2" x 17 2/8, mounted on a fabric base and a wooden frame, potters seal mark to lower right corner, Craft Ceramic label verso

A late Victorian aesthetic movement marble topped wash stand with tile back decorated with snowdrops above two cupboard doors on square legs (cut down), 123cm wide, 53cm deep, 92cm high

An early 20th century end ridge roof tile with floral finial, approx 33 x 36.5cm.

A late 19th/early 20th century oak hall chair, curved top above foliate carving with Minton Shakespeare Series black and white tile insert.

VICTORIAN AND EBONISED AND PORCELAIN MOUNTED TABLE MID 19TH CENTURY the square tilt top with a pierced brass gallery and inset with a painted porcelain tile painted with a scene of 18th century ladies and companion, on a brass mounted tapered column with squared scroll legs 41cm wide, 78cm high, 41cm deep Contents from a West Coast of Scotland Lodge

GROUP OF PERSIAN AND SPANISH TILES comprising eleven examples, including three rectangular Persian tiles, depicting figures, 21cm x 15cm and 19cm x 15cm; three circular tiles, depicting birds, larger 21.5cm diam.; an eight point star tile, 17cm wide; and four square tiles, depicting fleur-de-lis, a coat of arms; and flowers, largest 16.5cm squared (11)

COLLECTION OF DUTCH DELFT TILES 19TH CENTURY comprising thirty one examples, in blue and white, depicting Biblical scenes, buildings, and figures engaged in various pursuits, some mounted in pairs or groups of four (31) Tile 13cm squared approx.

An elaborate redware ridge tile garden ornament, with shaped orb and flower head centre, on typical base, 66cm high, 36cm wide, 34cm deep.

A TEAK AND TILE TOP NEST OF TABLES

TILE TOP STOOL

A pair of painted wicker two tier tile topped tables

A POOLE POTTERY TILE AND A QUANTITY OF VARIOUS CERAMICS

Set of four Moller style dining chairs with stuff over seat; together with two tile top tables (6)

MAJOLICA TILE. A Sherwin & Cotton, olive green majolica glazed picture tile, 'Her First Ball'. 30 x 15cm, framed.