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Click here to subscribe1st-4th century A.D. Including roof-ridge channel, floor tile, bowl rim and other items. 6.4 kg total, 6-28.5 cm (2 1/4 - 11 1/4 in.). Found UK. From the collection of a late East Anglian teacher and antiquarian who retired to the Isle of Wight in Hampshire, UK. He amassed a large collection of objects between the 1960s-1980s. [15, No Reserve]
2nd-3rd century A.D. Decorated with stamped patterns including dolphins, gorgoneion, sphinx, floral patterns, motifs with ivy leaves and vertical columns dividing the field into panels. See Payne, G., 'Roman Leaden Coffin discovered at Plumstead' in Archaeologia Cantiana, Vol.17, 1887, fig.10, for the presence of lead sarcophagi in Roman Britain; for a similar specimen in the Metropolitan Museum of Art, accession no.31.116a-i; Penn Museum, coffin panel B10280, from Lebanon (Tyre). 33.2 kg, 1.72 m (67 3/4 in.). Acquired 1970s-early 1990s. Property of a North American collector. London collection, 2016.There were many ways of burying bodies during the Roman Empire. Although the majority were buried without coffins, there is evidence for wooden coffins, lead-framed wooden coffins, tile burials and lead and stone coffins. This item belongs to types widespread in the Eastern Mediterranean. The panel is decorated with a columned structure, and within each section are symbols of the outer-world, including gorgons, sphinx and dolphins. The sphinx, having a human head and breasts, legs and paws of a lion, and wings of a bird, was generally associated with protecting imperial tombs and temples. The roundels featuring the head of Medusa, known for her potent gazes that could turn one to stone, was favoured on sarcophagi and architectural ornaments because it was believed that her image would protect those within. The dolphin was considered to ferry the souls of the dead to the afterlife. Very often these sarcophagi were connected by a pipe to the ground above so that mourners could pour offerings into the grave.
1st-4th century A.D. Including fragments of terracotta and other tegula with impressed geometric detailing; one with inked inscription: 'Roman Baths / Ghajn Tuffieha, Malta' and 'Floor tile / Sinscombe, Surrey / B1/71', and three pieces with inked inscriptions from: 'Burgh Castle', Norfolk, UK. 725 grams total, 83-88 mm (3 1/4 - 3 1/2 in.). Found UK. From the collection of a late East Anglian teacher and antiquarian who retired to the Isle of Wight in Hampshire, UK. He amassed a large collection of objects between the 1960s-1980s. [6, No Reserve]
Two Dome of the Rock cobalt and turquoise blue, black and white border pottery tiles, Palestine or Jordan, 20th century, Mounted as one panel, possibly meant as restoration tiles, three flowers blooms on a swaying tendril, within a lobed cartouche, thin turquoise blue rule above and below, visible - 17.8 x 36.4cm; framed - 23.2 x 42.2cm Footnotes: Note: An earlier 16th century tile of the same design from the Dome of the Rock is in the Victoria and Albert Museum (access. no. 449-1901). The present example is a replacement tile as its glazed rather than cuerda seca. Condition Report: Light fritting to edges. This lot seems to be in otherwise good condition. Please note the frame was not removed to prepare this condition report.
A turquoise and cobalt blue border tile, Multan, North India, 19th century, A swaying floral tendril intertwined with a strapwork bearing serrated leaves forming inverted pointed arches, on white ground, mounted, 15.5 x 31cm Condition Report: The corners and edges shows some minute losses. Under UV an area of repainting can be seen above the right hand side turquoise blue serrated leaf. Good condition overall. This tile is mounted. It has not been removed from its backing to prepare this condition report.
Eight polychrome pottery tiles, Qajar Iran and later, 19th / 20th century, The first, moulded, a mounted hunter draws is bow, framed; the second, square, a ruler and courtiers enjoying a garden; the third and fourth, square, moulded, near similar, a ruler flanked by two courtiers sit on a terrace, his attributes in front of him or holding his mace of power; the fifth and sixth, rectangular, moulded, near similar, a standing couple in a garden, the lady playing a stringed instrument or holding a cup and a bulbous bottle, each repaired and restored, the tile with the music player with inventory tag numbered 10196 taped to reverse; the seventh, square, the blue, aubergine, green painted decoration consisting of a floral rosette within an eight pointed serrated star shaped motif, cursory strapwork forming further half palmette to each corners, on white ground; the eighth, rectangular, moulded, a mounted hunter, his quarry on his back, gallops back from the hunt amidst a floral landscape inhabited by birds, inventory number 3658 inscribed in black to reverse, largest (8th) - 24 x 37.5cm (8)
A large polychrome figural pottery tile panel, Qajar Tehran, Iran, late 19th century, Depicting a banqueting scene, under a cusped and pointed arch, the spandrel with dense floral and vegetal decoration, the borders with elegant interlocked swaying floral tendrils, fitted in freestanding wooden frame, panel - 84.5 x 71cm; mounted - 114cm high, 85.5cm wide, 26cm deep Condition Report: The tiles' corners and edges are mostly fritted with some losses. The surface shows some scattered scratches, losses and pitting, some firing faults. A U. V inspection of the surface reveals three small areas of repaint, all in the marginal areas of this tile composition. The inspection also reveal a minute fluorescent renderings., especially in the areas on and around the outlines of the sitters.Please note the mounting/framing device prevents any inspection of the tiles' reverse and assessment of their condition.
An Ilkhanid style lustre painted cobalt and turquoise moulded pottery tile, Qajar Iran, 19th century, Of rectangular form, the main lower register with scrolling vine around the powerful figure of a simurgh with outstretched wings, a band of bold palmette vine above and simple band below, probably intended as a replacement tile for the architectural complex of Takht-i-Sulaiman (c.1270AD), the summer royal palace of the Ilkhanid ruler Abaqa (r.1265-82), located in north-western Iran, 35.5 x 37cm Footnotes: Note: An almost identical tile with a depiction of a simurgh is in the David Collection, Copenhagen. The original tiles made for this complex in 1270 would have been lustre-painted. As the tiles became worn and broken over the years they were replaced with a modified variation of the scene on the original tile. After the Mongol conquest of Persia in the thirteenth century, an extensive trade network opened from China to the Mediterranean, allowing goods to move more freely than in prior centuries. As the objects in this case demonstrate, Ilkhanid period artists readily adopted imagery from Chinese iconography, including lotus flowers, deer, dragons and other mythical creatures. This image of a soaring simurgh with crested head and elaborate trailing plumage exemplifies the adaptation of Chinese imagery by Persian artists.See the following Lot notes for additional information. Condition Report: This tile is coated and brushed to its reverse. The corners and edges are are clean. Under U. V this tile renders dull colours overall suggesting a minimally reflective coating. However, some areas shows slightly differently. The upper left corner, the right third of the upper register, part of simurgh's upper wing, some clouds between its tail and its wing, the lower register's centre all give off a duller appearance. An inspection of the edges under U. V shows different hues of grey and brown suggesting possible breaks and restoration. As the reverse of this tile is brushed traces break lines cannot be noticed easily. However, some patterns some times in direct relationship with the duller areas of the lot's face would also support multiple breaks and restorations.
A large polychrome pottery tile panel, Qajar Iran, late 19th century, The blue and turquoise blue, yellow, green, pink and black decoration consisting of a large rising split palmette amidst dense swaying floral tendrils, on white ground, fitted in freestanding wooden frame, 75 x 56cm; mounted - 84 x 61cm
A moulded and figural pottery tile, Qajar Iran, late 19th / early 20th century, Perhaps Rustam on Rakhsh or Bahram Gur, a mounted knight brandishing a khanjar fights a dragon within an aubergine lobed medallion and geometric margins, each spandrel with a floral cluster, 21.5cm square Footnotes: Note: In various illustrations found on detached folios of the Shanamah both Rustam Barham Gur encounter a dragon (The British Museum, inv.1975,0523,0.5 ; The Walters Art Museum, inv. W.608.174A; the Aga Khan Museum inv. AKM100 and 80). Rustam is often depicted fighting it on foot and helped by Rakhsh, his trusted steed such as on an illustration of Safavid Shirazi manuscript, dated circa 1430, at the Bodleian Library ( MS Ouseley add. 176, f.68v) while Bahram Gur is often seen engaging it with his bow and sometimes mounted as seen on a folios kept at the University of Michigan Museum of Art (inv. 1963/1.70) and at the British Library ( Add. 25900, f.161) attributed to Behzad, Herat,1492-3 AD.A similar tile of the same dimensions as this lot is published in de Guise L. (ed.), Qajar Ceramics, Bridging Tradition and Modernity, IAMM Publications, 2019. Condition Report: The actual right hand side upper and lower corner of this tile is repaired and restored form a breaks. The actual upper left corner is repaired from a break. The break lines are filled in with a grey paste. Some tarnished areas van be seen right under the lobed medallion. As expected on later Qajar ceramics the glaze shows craquelures overall.
A moulded polychrome and figural pottery tile, Qajar revival style, 20th century, An enthroned ruler and his courtiers feasting, flanked with attendants, the border with simplified strapwork, restored, 21.5cm square Condition Report: The edges and corners are chipped. This tiles is broken, repaired and restored from at least three breaks. The break lines are filled and repainted. A minute area of repaint can also be noticed to the upper edge, close tot he upper right corner. A U. V light inspection reveals the yellow render as bright fluorescent yellow suggesting the use of modern pigments. So do the whites of the pillars, weapons, vessels.
A large polychrome ochre and cobalt blue moulded pottery tile, Tehran, Qajar Iran, c.1880, Depicting Bahram Gur showing off his prowess by pinning the hoof of a gazelle to its ear with an arrow, watched by Azadeh, the borders with dense black scrollwork, on white ground, 33.5 x 46.5cmCondition Report: The corners and edges of this tiles are in very good condition. Under U. V light, the border shows some minute areas of repaint. The rest of the tile render dull colours except for the horse of the upper left female rider. Its torso comes out as light blue under a greyish layer, perhaps suggesting an earlier retouching.
Four square moulded figural pottery tiles, Qajar Iran, c.1880 and later, Each representing a mounted hunter hawking, amidst floral and vegetal motifs, a palace or fortified city in the background, three tiles - 15cm square; the fourth - 15.5cm square (4)Condition Report: Some chipped corners and minimal losses and, or, fritting to the edges. One tile with its lower left corner repaired and restored, also showing repaints. Another with its lower right corner lacking. It also shows a larger loss to its lower edge. As expected in Qajar glazed potteries, the tiles show some light craquelures, minor occasional inclusions and some dullness to the pigments, especially the aubergine colour.
A polychrome moulded equestrian pottery tile, Tehran, Qajar Iran, c.1880, The rider reaching for and feeding a simurgh, amidst floral sprays, buildings in the background, a raised floral register above, mounted, 33.8 x 24.5cmCondition Report: A U. V light inspection reveals scattered fluorescent areas suggesting occasional repaints. Those areas are mostly noticeable are on the building, the head of simurgh and its wing, the rider, some floral sprays, the buildings, the register above, especially to the left. The edges render a dull green colour overall. The reverse of the tile could not be examined as it is fitted with a mount.
A framed geometric polychrome pottery tile panel, Turkey, 20th century, In the zelij style, four polygons with twelve radiating branches, each with foliated palmettes and central polygons, the field with white stars, framed, visible - 39.4cm square, framed - 45cm square Condition Report: A tile with a missing corner, another with a corner chipped. The panel seems to be in an otherwise good condition. Please note the frame has not been removed to prepare this condition report.
A framed square cobalt and turquoise blue Iznik style pottery tile, Kutahya, Turkey or Europe, 20th century, The painted decoration consisting of a central serrated leafy medallion bearing three flowers flanked with rising saaz leaves, on white ground, framed, visible - 24.2cm; framed - 28cm square
A large framed hemispherical moulded polychrome figural pottery tile, Tehran, Qajar Iran, c.1860, An interpretation of the Safavid ruler Shah Abbas, 1571-1629, receiving the Mughal ambassador Khan Alam in 1618AD, flanked by two standing courtiers, rows of seated courtiers in the foreground, the border with tight scroll works, on white ground, framed, 43cm high, 53cm wide Condition Report: This tile is repaired and restored from at least two breaks. The Y break line starts to the left of this tile's apex to then run through the central row of courtiers to the left of the viewer. It affects the head of the left hand side ruler, the standing attendant behind him and the full row of courtiers. The other branch of the break affect the other standing attendant. The break line is filled and repainted affecting all those areas. A part of the lower border might have been entirely replaced and thus also repainted. It shows a much brighter white under U. V light. The unaffected part of the tile shows very minor repaint. The frame has also been repaired. Please note the frame was not removed to prepare this condition report.
A large rectangular framed polychrome geometric pottery tile panel, Turkey, 20th century, Formed of three tiles, with a tessellation of star motifs and central red polygon, framed, visible - 59.5 x 19.5cm; framed - 65.5 x 25cm Condition Report: This lot is in good condition overall. Please note the frame has not been removed to prepare this condition report.
Two rectangular figural pottery tiles, Iran, 20th century, Each painted with a mounted rider in a landscape feeding a simurgh, one on against a green field, the other against a light blue field, on white ground, 32 x 23 each (2)Condition Report: Rider against green field :The corners and edges are in fair condition. The lower edge is fritted, shows some losses and misfiring faults. The glaze shows light craquelures. It is pitted overall. A U. V light inspection reveals the tile is broken, repaired and restored form one break. The break lines runs in an L shape, affecting the rider's face and the simurgh's body.Rider against light blue field :The corners and edges are in good condition. A U. V light inspection reveals some drips under the glaze. This lot is in fair condition overall.
A square moulded polychrome pottery tile in the Iznik style, Qajar Tehran, Iran, c.1890, The blue, turquoise blue, aubergine, pink and yellow painted decoration consisting of a central serrated foliate medallion in bloom issuing wide scrolling floral tendrils, on white ground, 32 x 34.5cmCondition Report: The edges and corners do not show any obvious damages. Under U. V light two areas of repaint appear : the first to a flower and serrated leaf to the lower left corner, the other to a serrated leaf to the lower right corner. Und U. V some speckle of fluorescence can be seen scattered across the surface.
A near square moulded pottery tile in the Iznik style, Qajar Tehran, Iran, c.1860, The decoration consisting of an oversized floral spray composed of blue tulips, carnations and roses, on white ground, 34 x 31cm Footnotes: Note: A comparable tile panel is in the Islamic Arts Museum Malaysia (2008.3.1) Condition Report: The edges and corner are in very good condition. There is a small loss to the lower edge. Another can be seen to the near centre of the left edge. A U. V light inspection reveals a minimal area of repaint to the aubergine serrated leaf to the actual left of the tulip. this lot is in very good condition overall.
A large moulded and polychrome figural pottery tile roundel, Isfahan or Tehran, Iran, c.1880, Depicting the Armenian princess Shirin bathing and washing her hair while the disguised Persian prince Khosrow Parviz observes her, the borders with swaying foliate tendrils, 40cm diameterCondition Report: This tile is restored and repaired form multiple breaks. Under U. V. repainted areas do show to the borders. However, the majority of the tile render a very grey dull colour while under U. V. That may suggest a thin coating may have been applied to the surface in order to attenuate the restoration marks. However, the reverse shows clear multiple breaks lines, sometimes intersecting.
A square moulded polychrome pottery tile, Tehran, Qajar Iran, c.1880, A seated ruler flanked by attendants, within a strapwork medallion, amidst a dense floral field, on white ground, 21.5cm square Condition Report: This tile presents as clean overall. The upper right corner is chipped. the edges show some minor losses and light fritting. This lot is in good condition overall.
A framed Iznik style pottery tile panel, Kutahya, Turkey or Europe, early 20th century, The cobalt blue, turquoise blue and red painted decoration consisting of curled leaf medallions issuing swaying serrated leaves, hanging palmettes above and below, on a white ground, visible - 74.5 x 43.5cm; framed - 83 x 52.5cm Condition Report: Some tiles shows some light losses and fritting to their edges. Some corners lightly damaged with losses and chips. Under U. V some areas of repaints are noticeable to the blue medallions and the white grounds. Some blisters rendering a yellow tinge are also visible under U V. Please note the frame was not removed to prepare this condition report.
An Iznik-style polychrome pottery tile panel, Kutahya, Turkey or Europe, 20th century, Mounted in pairs, a simplified flower within a blue, light blue and bole red eight pointed star, a foliate lobed medallion above and below, on a field with scrolling tendrils bearing red tulips, green saz leaves, hyacinths, on white ground, mounted, 20 x 40cm each (2) Condition Report: The edges and corners appear in fair condition with minimal losses and fritting. One tile repaired and restored from at least one break. Another with two marked hair cracks, perhaps a break. The pigments are tarnished and dulled, the white pitted in places. Some surface scratches and minimal losses. Two tiles with impact mark to glaze. Please note the tiles are mounted excluding the possibility of any further inspection that could reveal any damages to the lot's surface, reverse or both.
A turquoise and cobalt blue floral tile panel, Multan, North India, 19th century, The painted decoration consisting of a large elegant floral spray under a floral lobed arch, the spandrels with large flowers, on white ground, old inventory label to lower edge reading MUL88 084B, mounted, 63 x 20.4cm Condition Report: This panel is composed of two tiles. The edges, borders and corners show some losses, fritting and cursory restorations. The white field shows some scattered minute repaints under U. V light. The tiles are backed rendering any further inspection impossible without dismantling this lot.
Two rectangular polychrome pottery tiles, Iran, 20th century, A mounted hunter carrying an antelope on his back returns from the hunt, one in green garb, galloping in a mountainous landscape, the other in blue garb, amidst oversized floral motifs, 24.5 x 37.5cm each (2) Condition Report: In green garb :The edges show some losses to the paste and glaze. As expected with Qajar and post Qajar ceramic, the glaze shows some craquelures. In blue garb :The edges and corners are in good condition. Under U. V light there does not seem to any significant damages to this tile. The pigments render a yellow-ish tinge overall.
A moulded turquoise and cobalt blue glazed tile panel, Multan, North India, late 18th / early 19th century, Two tiles, each with a decoration consisting of large trefoil painted with elegant floral lobed medallions, the spandrels with leafy motifs, on white ground, mounted end to end to form a central floral quatrefoil, inventory label to edge reading MUL88 080, inscription in pencil to the reverse, 25.5 x 66cm Condition Report: The corners and edges show some restorations and repainted areas. The edges of the moulded trefoils show some light losses and fritting. One tile, and especially its trefoil's border is extensively repainted. Other areas of repaint to the trefoils' turquoise blue borders, the dark blue field around the floral lobed medallions and the spandrels can be noticed. Under U. V some cracks that may have formed during the manufacture and/or firing appear sharply.Both tiles are mounted together, end to end. The mount prevents any further condition inspection.
A framed polychrome Iznik-style pottery four tile panel, Metin Cini, Hakki Cinicoglu, Kutahya, Turkey, 20th century, An intertwined strapwork forming two cusped medallions highlighted with red loud-like bands on a dense floral field, on white ground, the reverse with maker's marks, framed, visible - 38.5cm square; framed - 41.6cm squareCondition Report: A tile shows a chipped corner. The lot appears to be otherwise in good condition overall. Please note the frame has not been removed to prepare this condition report.
A rectangular polychrome pottery tile panel with hunting scene, Iran, 20th century, Depicting a mounted hunter brandishing his shamshir chasing a zebra and deer in a hilly landscape, mounted, 46.5 x 70.5cmCondition Report: Under U.V the lower central tile shows a break to the upper right corner. As expected from Qajar and post-Qajar ceramics the glaze shows craquelures overall. This lot is in fair condition. Please note the tiles have note been removed form the mount to prepare this condition report.
An Ilkhanid style lustre painted cobalt and turquoise moulded pottery tile, Qajar Iran, 19th century, Of rectangular form, the main lower register with scrolling vine around the powerful figure of a dragon with head turned over its shoulder, a band of bold palmette vine above and simple band below, probably intended as a replacement tile for the architectural complex of Takht-Sulaiman (c.1270AD), the summer royal palace of the Ilkhanid ruler Abaqa (r.1265-82) located in north-western Iran, 35.5 x 37cm Footnotes: Note: This is a 19th century replacement tile of one of a well-known series of tiles depicting dragons that are thought to come from the complex at Takht-i Sulayman. This attribution is on the basis of a group of tiles, very probably from the same moulds, that were decorated in the lajvardina technique, a number of which were found there (The Arts of Islam, exhibition catalogue, London, 1976, no.388, p.259). A well-published lustre example is in the Victoria and Albert Museum (Linda Komaroff and Stefano Carboni (eds.), The Legacy of Ghengis Khan, exhibition catalogue, New York, 2002, cat.100, ill.p.95). A further example was sold from the collection of Charles Gillot in our Paris saleroom, 4 March 2008, lot 4. A very close example to the tile the above was modelled on was sold at Christie's 5 October 2010, Lot 116 and a partial tile with the same design is in the David Collection Copenhagen (Inv. no. Isl 191). Condition Report: The corners and edges are clean safe for two small losses near the upper right and upper left corners. This tile is broken, restored and repaired form one break to its upper left corner. The restored break line is visible from the reverse. Under U. V the tile gives a dull rendering overall suggesting it may have been coated to attenuate any reflection when inspected under ultraviolet light. However, a minute repaint can be noticed to the middle of the upper edge.
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to the interior, ruched plush-lining to the lid and a brass plaque engraved FROM APOTHECARIES HALL LONDON, the lifting lid to compartments housing a glass pill tile, four larger, five medium and six smaller pharmacy bottles with stoppers (3 possible replacements), with a mixture of retailer, printed and handwritten paper content labels, with brass retaining rod to drawer beneath, two compartments with sliding doors one with a glass mortar and pestle and the other containing three glass pots with plated lids, a plated funnel, a small graduated glass measure in a card case, the further compartments with two tin boxes for powders, a handheld brass balance and weights in a removable section, two spatulas beneath, and a further six small bottles and stopper with various paper labels and one with chamois cover – 26.5cm. x 22.5cm. x 19.2cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, velvet lining to the interior, the lifting lid to compartments housing three very large, ten medium (two replacement bottles and two compartments with added graduated glass measures) and four small pharmacy bottles with stoppers, four with chamois covers and some with paper content labels, with two brass retaining rods to two draw beneath, one draw with removable section with compartments housing a brass handheld balance with paper roundel with weights, a treen caustic holder (possibly), with further compartments beneath housing a glass pill tile, a glass mortar and pestle, a plated funnel, two glass pots and plated lids and six further bottles with lids, the second drawer with bandages, paper parcels and other accessories – 35cm. x 24.8cm. x 22.5cm. Note: some bottles contain original contents so cannot be posted by Flints Shipping department. Buyer to arrange collection or own courier/shipping company.
A 19th Century Domestic Medicine Chest, English, mahogany trunk-type chest with brass fittings, ruched plush-lining to the lid and a small paper label for ‘Corbyn & Company 86 New Bond St Corner of Oxford St’, the lifting lid to compartments housing a glass pill tile, four larger, six medium and eight smaller glass pharmacy bottles with stoppers (all bottles empty), one with aforementioned retailer’s content label, with brass retaining rod to drawer beneath, a detachable section housing a handheld steel and glass balance, with a glass mortar and pestle and three (of four) tin boxes for powder housed beneath, a further six small bottles and stopper, five with printed content labels, and two slim compartments with sliding doors one containing a graduated (in spoon measures) glass measure in a case – 26.7cm x 22.2cm x 17cm.
A Victorian Domestic Medicine ,Chemist, Apothecary Chest, English, c.1860, unsigned, the cabinet of typical form constructed of solid French polished mahogany with crushed red velvet lining to inside of lid, with 11 of 12 empty bottles, with glass pill tile at the back, drawer below containing 5 smaller empty bottles, scales, bone tongue depressor, glass pestle and mortar, and other items, case width 22.5cm
A collection of pottery tiles comprising a Minton & Co Encaustic tile, in brown, buff and white, impressed marks 'Minton & Co Patent Stoke upon Trent', 15cm square, a Minton's China Aesop's Fables tile, c.1872, 'The Goat, Calf & Sheep' by John Moyr Smith, 15.5cm square; two further tiles, possibly designed by Lewis Foreman Day (1845-1910), 15cm and 16cm square; an earthenware octagonal bowl, painted with prunus, incised to the underside 'CH', 21cm diameter; and a CH Brannam pottery dish, 9.8cm diameter (6)Condition ReportMinton Encaustic - chips to edges and back. Blue tile - chips and crazing, large chip to one corner.Moyr tile - chips to the edges. Tubelined flower - chip to edge, crazing. Dish - glazing crazed. Brannam - chip to the edge.
A SELECTION OF MID CENTURY TEAK OCCASIONAL FURNITURE, to include a two tier tea trolley, with a swivel fold over top, width 84cm x depth 45cm x height 58cm, a tile top coffee table, another coffee table, a record cabinet and a magazine rack (condition report: all with imperfections, such as surface marks, slight discolouration, other wear and usage) (5)
DANIEL ZULOAGA - a polychrome glazed terracotta tile depicting travellers on donkeys in a landscape, stamped verso 20.3 cm x 15 cm, another tile depicting women in a market place 21.2 cm x 15.6 cm, a circular bowl depicting figures on donkey back with town in background 17 cm diameter x 12 cm high, a small vase depicting figure on donkey back and another walking 9.5 cm high together with two tin glazed pottery tiles by J. RUIZ DE LUNA of Talavera depicting scenes from Don Quixote 27.5 cm x 13.8 cm and a blue and white tin glazed tile decorated with vase of flowers 12.8 cm x 13 cm CONDITION REPORTS Vase is crazed throughout and has general wear and tear. Bowl has large break that has been badly restored, crazing throughout and many chips on it. All of the coloured tiles have got cracks in them. The tile with a dead horse on it has been cracked all the way down the middle and has been repaired. Chips to the edges of all the tiles apart from the travellers on donkeys in a landscape. General wear and tear conducive with age and use - see images for more details.
This Pop style large original oil on canvas Still-Life depicts a brightly colored full breakfast set on a tile countertop that Valera has painted from above. Signature and date on the center right: I. Valera ? 2011. Housed in a simple brown wood frame. Artwork dimensions: 40"L x 30"H. Frame size: 40.50"L x 30.50"H x 1.50"W. Artist: I. ValeraIssued: 2011Condition: Age related wear.
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