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Click here to subscribeA Burmantofts Faience Barbotine tile plaque, model no.1353, painted with a resting Victorian lady, in colours, in later frame impressed and incised marks, signed GS to the front, 30.5 x 15.5cm. Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 35 catalogue number 80 this actual tile illustrated.
Fourteen Burmantofts Faience tiles, modelled in relief with animals, birds and fauna, comprising, two lizard tiles, a snake, kingfisher, woodpecker, dove and hawk, two frogs and five foliage tiles, impressed marks to back, chips, 15.5cm. square, (14) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 24 catalogue number 7 this tile design illustrated as a fireplace.
Three Burmantofts Faience tile plaques, rectangular, cast in low relief with classical birds amidst scrolling foliage, glazed olive green, one framed, impressed marks, glaze chips and museum fill restoration, 55 x 15.5cm. (3) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 13 catalogue number 20 this actual tile illustrated.
A pair of Burmantofts Faience tile plaques by Pierre Mallet, rectangular, cast in low relief with an Edwardian lady holding a fishing line with a small fish on the hook, the other with an Edwardian lady walking a dog, glazed in sepia tones, in later frame, impressed marks, one with cast P Mallet signature, the other painted P Mallet Sc mark, 40 x 20cm. (2) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22, 2016, page 33 catalogue number 74 these tiles illustrated.
A Burmantofts Faience architectural tile, modelled in relief with a child holding aloft a lion skin, covered in an olive green glaze, impressed BF monogram, professional restoration, 37 x 21cm. Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 14 catalogue number 25 this actual tile illustrated.
A Burmantofts Faience Sports large tile plaque, modelled in low relief with a classical child playing cymbals, glazed turquoise, Earth and Air two Burmantofts Faience tiles decorated with classical figures, and another impressed mark to main, chips, 33 x 20.5cm. (4) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 23 catalogue number 52 this actual tile illustrated.
A large Burmantofts Faience architectural tile plaque possibly designed by Edward Caldwell Spruce, rectangular modelled in relief with a bird of prey perched on a pine bough above a smaller flying bird, glazed mushroom and brown impressed BF mark and incised TE14, 51 x 23cm. Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 29 catalogue number 65 this actual tile illustrated in detail.
The Maide at The Inn and The Stayble Man two rare Burmantofts Faience wall plaques designed by William Neatby, rectangular, tubeline decorated and glazed in colours, framed, cast titles and impressed facsimile signature, 50 x 30cm (plaques), 56.5 x 36cm. (2) Literature Burmantofts Pottery Bradford Art Galleries and Leeds City Museums, 1984, page 65-66 catalogue number 154 for an example of The Maide at the Inne plaque illustrated. Burmantofts Decorative Tiles for Interiors, TACS volume 22 2016, page 34 catalogue number 76 and 77 these plaques illustrated. Catalogue Notes Born in Barnsley, Yorkshire in 1860, William James Neatby worked for six years at Burmantofts, from 1884 he was employed as ceramic tile designer, and later moved to Doulton where he would carry out the tile mural decoration for Harrods Meat Hall in 1902.
A rare set of three Burmantofts Faience tiles by Harold Leach , modelled in low relief with a vignette to the centre, glazed turquoise inside a blue border, depicting windmill, castle and sailing vessel scenes, another similar and two similar glazed aubergine, impressed patent mark to reverse, HL monogram to sailing ship tile, aubergine tiles stamped Burmantofts and HL monogram to front 15.5cm. square. (6) Literature Burmantofts Decorative Tiles for Interiors, TACS, volume 22 2016, page 17 catalogue number 30 these tiles illustrated.
An interesting set of twelve 19th century Continental tin glazed earthenware/faience Tiles hand decorated, mostly in cobalt blue, within an oval frame and depicting St. Christopher carrying the Christ Child across a river, initialled lower middle Tile PhA. (This image of the Saint crossing the river with the Christ Child on his shoulders came to be extremely common in Western art from the 13th century. Most images have the staff already in leaf, an orb in the child's hand and fish in the river. Some images also put the Hermit on the bank of the river; otherwise the variations are few.) 56.5cm x 42.5cm
Fantastic Ducks a William De Morgan pencil on tracing paper drawing, mounted with a similar Berries and Leaves drawing, in common mount and oak frame, and two corresponding William De Morgan tiles decorated in the Fantastic Ducks and Berries and Leaves pattern, impressed marks to tiles, 49 x 39cm (framed panel), (3) Provenance From the tile collection of Richard & Hilary Myers.
Persian Diaper two Dutch tin-glaze tiles decorated and retailed by Morris & Co, painted with a scrolling foliate repeat in blue and green on a white ground, four tin-glazed Scroll pattern tiles, a Tulips and Carnations four tile panel, and a collection of tiles, paper exhibition labels to the main two tiles, various makers marks, damages, 13cm. square. (a lot) Exhibited Morris & Company Tiles, William Morris Gallery, 14th September 1996 - 5th January 1997, exhibition number 139. Persian Diaper was copied from 16th-century Isnik tiles. They were used in the Tapestry Room and Panelled Room fireplaces at Kelmscott Manor. Literature Richard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page 140 figure 243 for the Persian Diaper, page 119 figure 208-211 for the Scroll pattern illustrated. Provenance From the tile collection of Richard & Hilary Myers.
A Mintons Medieval Revival encaustic tile, decorated in yellow with a king seated on a throne, another similar and a mounted Crusader knight tile, a Worcester Encaustic Tile Works advertising tile depicting a castle, and a collection of encaustic tiles, various impressed marks, damages 15cm. square, (a lot) Provenance From the tile collection of Richard & Hilary Myers.
A Minton & Hollins two tile Nursery Rhyme panel designed by Walter Crane, painted with the maid hanging out her washing, in monochrome blue, impressed marks, minor chips and paint loss, 15.5 x 31cm. (2) Literature Richard and Hilary Myers, William Morris Tiles, Richard Dennis Publications, page 126 fig. 225 for this design illustrated. These tiles were used to decorate a fireplace in the "Crane Bar" at The Tabbard Inn.
A large William De Morgan Chelsea Period Persian tile, decorated in a variation of the Four Inch Raspberrys pattern, in shades of blue and green on a white ground, impressed mark, hairline crack from rim, 20cm. square. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 142 catalogue number 538 for the original drawing illustrated.
A Minton & Hollins two tile Nursery Rhyme panel designed by Walter Crane, painted with a maid going to milk, in colours impressed marks, minor glaze chips and paint loss, 15.5 x 31cm. (2) Literature Richard and Hilary Myers, William Morris Tiles, Richard Dennis Publications, page 126 fig. 226 for this design illustrated.
A Maw & Co tile panel designed by Lewis F Day, each tile decorated with a grotesque animal repeat, glazed ruby lustre on a cream ground, in oak frame, 111 x 49.5cm. Provenance From the tile collection of Richard & Hilary Myers. Literature Joan Maria Hansen Lewis Foreman Day (1845-1910), Antique Collectors' Club, page 181 plate 6.22 for these tile designs illustrated.
A Shapland & Petter tile backed umbrella stand, model no.114, the back set with stamped Art Nouveau patinated copper panel above tile back, metal drip pan, stamped mark to back, 128cm. high, 72cm. wide Literature Daryl Bennett Shapland & Petter Ltd of Barnstaple, Museum of Barnstaple, page 84, catalogue number 5.37 for a comparable stick stand with tile and copper back.
A Martin Brothers stoneware six tile panel by Robert Wallace Martin, incised with classical figures and dolphin in scrolling foliage, glazed ochre and olive green, in later wooden frame incised R W Martin London & Southall, 10-1895 to vase, minor chips, 90 x 15.5cm. Provenance From the tile collection of Richard & Hilary Myers.
A large Minton Classical Figures with Musical Instruments tile designed by John Moyr Smith, square printed in shades of blue, buff and brown on a white ground with a man playing a tambourine, six Minton tiles designed by John Moyr Smith, comprising Morte D'Arthur, Geriant, The Smith, Elaine, Excalibur, another Minton tile similar and another large Minton Hollins & Co tile decorated with a medieval hunter with his faithful friend, printed facsimile signature, minor frits, 20.5cm. square, (9) Literature Annamarie Stapleton John Moyr Smith 1839-1912, Richard Dennis Publications, page 60 for tiles from this series illustrated.
A William De Morgan early Fulham Period Galleon tile, painted with a green galleon at full sail, a dolphin leaping in a calm sea, in green on a white ground impressed mark, 15.5cm. square Literature Tiles by William De Morgan, The Jon Catleugh Collection, page 58, catalogue no. 219 for a similar tile illustrated.
A Maw & Co tile designed by C.F.A Voysey, tubeline decorated with a bird perched on a fruiting bough, in green, pink and blue on a cream ground, a tubelined tile decorated with an Art Nouveau flower stem, a tile decorated in the manner of Moyr Smith with two anthropomorphic dogs, two William De Morgan turquoise spacer tiles and a collection of tiles by various markers, Voysey tile moulded factory marks, reduced to one side, 15.5 x 14cm. (a lot) Literature Karen Livingstone C,.F.A Voysey Arts and Crafts Designer, V&A, page 286 plate 375 for the four tile panel illustrated.
A William De Morgan Flying Leaf tile on Wedgwood bank, painted with a scroll foliate design in ruby lustre on a cream ground, and two other ruby lustre tiles, impressed marks, 15cm. square (3) Literature Martin Greenwood The Designs of William De Morgan Richard Dennis Publications, page 134 catalogue number 778. Provenance From the tile collection of Richard & Hilary Myers.
'The Frolic Bacchus and The Libation Bacchus two tile panels by Thomas Henry Thomas, rectangular, painted in colours, in ebonised wood frame, original paper label from Howell & James 1880 exhibition, title, 31 x 15.5cm. (plaques), (2) Exhibited Howell & James Art Pottery Exhibition, 1880 Catalogue Notes Thomas Henry Thomas (1839-1915) was one of the founders of the National Museum of Wales and also a member of the Cambrian Academy. Born in Pontypool, he studied at the Royal Academy Schools, travelled to both Paris and Rome, returning to London in 1861 working as a painter and illustrator. He returned to Cardiff in 1866, inheriting his father's house in 1880 which became a centre of intellectual debate. These are the only recorded examples of ceramic panels by the artist. These are the only recorded examples of ceramic panels by the artist.
Three Medieval Musician tiles the design attributed to Edward Hammond by Minton or Copeland, each decorated with a seated musician, in shades of blue and yellow, set in an oak tray-frame, damages 52cm. wide, 15.5cm. square (each tile) Literature Terrence A Lockett Collecting Victorian Tiles, ACC Books, page 300 for a comparable original tile design signed by Hammond illustrated.
A William De Morgan Sands End pottery tile, painted with two large scaly fish, in ruby on a white ground impressed marks, glaze chips, 16cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 126 catalogue number 963 for an original drawing for a similar tile design.
LADY READE'S 'CABINET OF CURIOSITIES'. THE ANTIQUITIES, RELICS, ARCHEOLOGICAL OBJECTS, CURIOS AND MINERALS COLLECTED BY LADY READE FOR HER CABINET AT CARREGLWYD IN THE 19TH C including objects found on or near her Anglesey estate and many retaining her handwritten label, including The occiput probably of a Lord Mayor or Alderman from foundations of St Paul's [Cathedral] Piece of [medieval] tile dug up at Cef... farm in Llanfairynghornwy parish about 1812 Several fragments of wood from the wreck of the "Royal Charlotte" [1773] Roman lamp found at Boulogne-sur-Mer Piece of wood from one of the sunken ships in Sebastopol Harbour [carved as a book] An Indian idol Two glass wine bottle seals, one inscribed I Conway 1726 Celt found at Llanfair PG, 1866 ' Princess Bronwen's bead' dug up on the Alaw river bank, 1811 A bracelet taken from a house in Sebastopol which had been evacuated that day, 1856 Looking glass taken from the Palace of King Coffee at Coomassie [in the Ashantee War] 1873 [sic] A [Chinese] necklace of carved cherry stones Diminuative stone cup found at Llanfaethlu Anglesey supposed of early British period by Miss Conway-Griffith Bag from the Mauritius, 1856 Part of an Egyptian mummy The tooth of the King of Portum... who made a pilgrimage to Rome in the Third Century. Presented to me by Mr Donovan. The tooth dropped out of the skull in his presence Necklace of Rosso Moderno marble beads Twenty oval specimens of polished agate (100 approx) Provenance: Miss Maria Emma Elizabeth Conway-Griffith (1840-1911), who married on 11 March 1880 Sir Chandos Stanhope Hoskyns Reade, 8th Bt. ++++
A VICTORIAN GEOMETRIC INLAID MAHOGANY BEDROOM SUITE, C1870 comprising dressing table with mirror, marble topped washstand, the splash back with Minton, Hollins tiles designed by Dr Christopher Dresser and a pedestal cupboard, washstand 122cm w Another Minton, Hollins tile of this design is illustrated Whiteway (M) Christopher Dresser 1834-1904, 2001, p56, No10.
A Danish rosewood and ceramic tile inlaid chess table by Poul Hundevad, late 1960's, with two opposing frieze drawers, raised on turned legs, together with a set of Hundevad designed ceramic chess men, with receipt of original purchase, table 68cm x 72cm x 69.5cm, with Cites Article 10 Certificate 556109/01.
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