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An early 20th Century Sherwin & Cotton dust pressed Emaux Ombrants tile from the Dickens series modelled by George Cartlidge, in brown majolica glaze, together with a similar example of a Cavalier in tonal green glaze and a further example showing an interior setting playing cards. (3)

An early 20th Century E. Roddy Art Pottery 6 inch plastic clay tile, modelled in high relief with a portrait of a British bulldog in buff glaze over a hand painted mottled blue to red ground, within a faux simulated frame, printed marks.

A late 19th Century Maw & Co 6 inch dust pressed tile, transfer printed in blue over white in the Flower and Fans pattern, with alternating stylised floral and fan motifs, together with nine assorted transfer printed tiles with similar stylised floral decoration, makers to include Minton, T & R  Boote, Marsden Tile Company etc, maker's marks verso. (10)

A late 19th Century William De Morgan 6 inch dust pressed tile, from panel 77 for Membland Hall, Plymouth 1877, decorated with a design by William Morris, hand painted with stylised blue glaze floral motifs and stylised green leaves over a deep blue ground.

A collection of late 19th Century 6 inch tiles in the Aesthetic taste, to include a WT Copeland & Sons plastic clay tile in the Japonisme style, circa 1870, decorated with cranes and bamboo, impressed mark and painted 939, a set of three dust pressed tiles for Sherwin and Cotton with flowers and branches, transfer printed and hand painted, and two dust pressed tiles by unknown makers with stylised flowers. (6)

An assorted collection of late 19th Century 8 inch dust pressed tiles, makers to include Minton's China Works, Josiah Wedgewood & Sons Etruria, E. Smith & Co and Steele & Wood, all with printed and hand painted stylised designs, together with a 7 inch Copeland tile transfer printed in blue over white with an architectural landscape surrounded by a floral and scroll border and a 9 inch Copland hand painted tile with stylised floral decoration in colour glazes. (7)

A 19th Century Minton Hollins & Co 6 inch dust pressed tiles, hand painted green and burgundy over cream ground and ochre border, decorated with stylised lilies and leaves, stencilled marks S & M 382 verso, together with a Doulton Lambeth floral stencilled tile tonal brown over cream ground, printed mark verso. (2)

A set of five 20th Century Diamond Tile Co 4 inch dust pressed tiles, painted blue over buff ground, decorated with figures, landscapes and birds. (4)

Five 19th Century figurative and portrait tiles, including a Copeland & Garrett Late Spode sprig moulded portrait tile on cobalt ground, a similar example by J Hollinshead of Shelton, of circular form decorated with a portrait of John Wesley, a spring moulded octagonal tile depicting cherubs in ram drawn chariot on celadon ground, a Wedgwood relief moulded tile of a cherub blacksmith and a similar cream ware example. (5)

A collection of 19th Century 6 inch dust pressed tiles from various makers to include Lea & Boulton, T.A Simpson and Decorative Art Tile Co, all with various transfer printed aesthetic and classical style floral studies in brown on buff glazed ground. (10)

A collection of Minton dust pressed embossed pattern tiles, to include a 6 inch tile with a horizontal panel with foliate scrolls between a chevron and leaf border in blue, green, red, orange and white, painted pattern number 114M, another two 6 inch tiles, one with a monogram and coronet, the other with stylised flowers within a panel of diamonds, and two four inch tiles, one with a fan motif and the other with florals, impressed and painted marks. (5)

A 19th Century 6 inch stoneware two tile run, in the Doulton Lambeth style, tube lined floral and foliate scroll decoration, painted in blue and brown tones, incised marks to the borders. (2)

A 19th Century Minton Hollins & Co 6 inch dust pressed terracotta tile, hand enamelled with a dragonfly and cow parsley over the deep red ground, maker's mark verso.

A set of three Craven Dunnill & Co 19th Century 8 inch dust pressed tiles forming a three tile panel hand painted with a falconer in medieval dress to a landscape setting with castle to the distance, attributed to Henry Stacey Marks, impressed marks. (3)

An early 20th Century Carter & Co 6 inch dust pressed tile, decorated with a relief moulded portrait of a child in grey glaze, large stamped maker's marks verso.

A 20th Century 6 inch dust pressed four tile panel, Packard & Ord for Carter & Co (attributed), hand painted in tonal blue and yellow over white ground, decorated with an otter catching fish, crosshatched combed decoration verso and embossed 79 England. (4)

A collection of ten 20th Century dust pressed 6 inch tiles, to include a Richards tile printed overglaze with Enid Sweeney's Homemaker pattern for Ridgeway, a Ventnor Pottery tile with sgraffito and hand painted decoration of a car on a Carter Tiles back, a Pilkington's tile with tube lined decoration of a fish, and various other tiles with screenprinted, tube lined and other decoration, with examples by Richards, Celtic Pottery and Sherwin's. (10)

A 19th Century Mintons Kensington Gore 8 inch dust pressed tile, blue painted decoration over white ground, depicting a wolf amongst bamboo saplings within a hatched chevron border, moulded and printed marks verso.

A 20th Century plastic clay pictorial tile, high relief moulded decoration of the Duke of Wellington on horseback, tonal brown, blue and green glaze over buff ground, impressed Elliott verso, 24cm x 19cm.

An early 20th Century Wedgwood 6 inch dust pressed teapot stand tile, transfer printed as a coronation commemorative for King Edward VII, printed with a portrait of the King in sepia against a white glazed ground, together with a relief moulded tile with crown amongst roses in a treacle glaze and a further relief moulded tile with armorial in deep green glaze. (3)

A collection of 20th Century artist designed tile panels to include a three tile panel of a Celtic saint by Maria Geurten, a two tile panel stylised landscape by Anita Harris, a later 20th Century multi tile panel of stylised doves signed in monogram, a three tile panel hand enamelled with stylised bulls and a 1970s two tile panel by Maw & Co decorated with a stylised steam locomotive, various sizes, all framed. (5)

A Pilkington's Lancastrian plastic clay 6 inch tile, polychrome lustre glaze over relief moulded ground, combed back and impressed P.

A collection of 19th Century 6 inch dust pressed tiles, including three teal transfer printed decoration over white ground, from the series American Titles, from the Wedgwood pattern book, including Hotel Pemberton, Nantasket House and Atlantic House, together with T & R Boote dust pressed tile, blue transfer printed over white ground 'Old Man of the Rocks', together with Grey Street & Theatre Royal, Botham Church, Old Hancock House and a blue and white transfer printed tile, lakeside cottage. (8)

An early 20th Century dust pressed rectangular advertising tile for JC Edwards, the front impressed 'Tiles - Mosaic - Faience, JC Edwards, Ruabon, Fireplaces, Lustres, Adamantine Quarries', glazed in green, the reverse embossed with details of the company and its products, 6 x 4 inches.

A collection of late 19th and early 20th Century assorted 6 inch dust pressed tiles, to include two Wedgwood examples, the first with blue transfer printed floral and fruits decoration, the second with stylised flower in pink and yellow over a brown and white checker board motif, also a Minton's China Works and Sherwin & Cotton tiles with stylised relief moulded floral decoration and an 8 inch Copeland tile with blue floral decoration over a white ground, maker's marks verso. (5)

A late 19th Century Burmantofts 6 inch x 12 inch plastic clay tile, impasto decorated with a flowering convolvulus picked out in enamel colours against a graduated green to brown ground, impressed mark, together with a similar unmarked example of chrysanthemums, both framed, and a further unframed example with daffodils. (3)

A 19th Century Copeland 8 inch plastic clay tile from the Shakespeare series, printed and painted with a scene from Hamlet, together with a further example titled 'Talbot and the Countess of Avvergne', both with impressed marks. (2)

A William De Morgan Sand's End Pottery 8 inch plastic clay tile decorated with clusters of berries and leaves, painted in shades of yellow and green on a turquoise ground, impressed factory mark.

A pair of 19th Century dust pressed Pilkington Tiles Emaux Ombrants dust pressed tiles, in green majolica glaze, decorated in relief with ecclesiastical figures in social settings, 31cm x 15.5cm. (2)  NB - Painted to reverse, 'this tile was taken off of the Blackpool Town Hall in the year 1967'.

A mid century teak and tile top coffee table, of rectangular section, raised on square legs united by a slatted under tier, 40cm high, 86cm wide, 49cm deep.

A collection of five 18th century and later puce Dutch Delft tiles, each depicting hand painted topographical landscape scenes, along with a blue and white Delft tile depicting a mermaid. The lot including two pairs of tiles, one pair depicting the same island houses, windmill in the background, the other pair depicting castles across the sea. The last tile featuring an island church. The blue and white Delft tile featuring a sea creature or mermaid. Largest tile measures approx. 13cm x 13cm.

Decorative tile topped drop leaf coffee table. Approx. 39cm H x 111cm W x 47cm D Reasonable used condition, scuffs and scratches

A 1960’s Mid Century teak surfboard cheese board with tile top. 40.5x16.5cm.

A Mid Century teak framed table with tile top.(1)

A PAIR OF DUTCH DELFT BLUE AND WHITE FRAMED TILE PANELS 19TH CENTURY The first depicting head and shoulders of a man with moustache in early 17th century costume, within a rose and leaf border, the other of a woman in similar period dress holding a glove, matching border, both framed tiles approximately each 13.5 x 13.5cm, panel 94 x 80 cm, frames 109.5 x 96cm Provenance: Property from a Private Collection, London

A FRAMED DUTCH DELFT BLUE AND WHITE TILE PANEL 19TH CENTURY Painted with a scene after David Teniers of villagers making merry, drinking before a tavern and dancers in the foreground, framed tiles approximately each 13 x 13cm, panel 80 x 94cm, frames 95.5 x 104.5cm Provenance: Property from a Private Collection, London

A PAIR OF DUTCH DELFT BLUE AND WHITE FRAMED TILE PANELS 19TH CENTURY The first depicting a boy standing full length in 17th Century style costume holding a feathered hat, within rose and leaf border, and the other of a girl in similar period costume holding a rose posy, framed tiles approximately each 13.5cm x 13.5cm, panel 80cm x 109cm, frames 96cm x 102cm Provenance: Property from a Private Collection, London

German and other ceramics and collectables including 1930's photograph album filled with photographs of children at school or possibly at a children's home together with KPM pottery square bowl with floral decoration 26cm wide, 8 German Bavarian 20th century tea plates, German lidded jar and two floral decorated plates, two tile pot stands, pottery bowl, three wooden floral decorated lidded boxes, 

A 20th-century nest of three teak tile-topped tables, width 60cm.

2 Portmeirion teapots, Royal Doulton Figurine Top O The Hill, Canadian Art Print tile picture & one other, Marlborough Old English game bird plates, 2 Falcon Ware Cavalier plates, Crown Devon Fortnum & Mason pot, Gladstone China hand painted part tea set etc.

A traditional Aubusson needlepoint panel, the tile design with floral motifs, 220 cm x 89 cm

Porcelain Bagua tile with blue decor, China 20th century, 19.5x19.5 cm, 3 cm thick

2 tile panels in wooden frame and decor of figures, Holland 17th/18th century, 28x28 cm

Delft earthenware tile tableau consisting of 12 tiles depicting Christ on the cross, 2nd half of the 18th century, 52x39 cm (damaged)

2 tile panels in frame with decor of ships with name on brass plate, 88x19 cm

A tile top kitchen trolley

MID CENTURY 70'S TILE TOPPED TEAK COFFEE TABLE

Crate of roofing tiles - tile½ under eaves

46 handmade orange clay hogsback ridge tile 15 inches long

antique Chinese, maybe Ming period, roof tile with mythical animal in glazed earthenware || Antieke Chinese dakpan allicht uit de Ming-periode in geëmailleerd aardewerk en versierd met een mythologisch dier - hoogte : 32,5 cm

Limited edition 7/40 Moorcroft Nicola slaney flower pattern wall tile framed [dated year 2018] [25.5x14cm]

A selection of puffin collectables; Langham art glass puffin, puffin ceramic tile, Double puffin figure sculpture & material puffin door stopper[27x19cm]

Graham Kingsley Brown (British 1932-2011): ‘Four Baskets of Fruit’, oil on ceramic tile, signed with initials verso 15cm x 15cm Provenance: consigned by the artist's daughter - never previously been on the market.

A NEAR PAIR OF POLYCHROME-PAINTED MOULDED QAJAR POTTERY TILES WITH RIDERS Qajar Iran, 19th centuryEach of rectangular shape, painted in cobalt blue, turquoise, and manganese purple with black outlines on a milky white ground, covered in a thick, glossy, transparent glaze, each depicting the same scene with slight variations featuring a well-dressed Qajar youth with a voluminous, multi-folded turban riding his steed, his left arm reaching out for a large phoenix-like bird at the top of the scene, possibly the mythical Persian bird of the epics known as simurgh, several floral stems in the foreground and Qajar buildings with tall iwan gates in the background, an intertwined vegetal scroll repeated at the top of each tile, the reverse plain with provenance stickers, the largest 34.5cm x 26.5cm. Provenance: Poggio Bracciolini Casa d'Aste, Florence, Italy, 15 - 21 December 2023. the largest 34.5cm x 26.5cm Qty: 2 Evidence of some superficial scratches, and rubbing especially to the borders and corners. The glaze of the tile glossy with some minimal superficial crackles especially on the body of the horse and phoenix, the colours true and vibrant, minor bleeding, especially to the turquoise pigment, both tiles are intact, with no clear evidence of major breaks to the body under UV light. The corners rubbed and chipped, one tile with indentated chips and loss on the top and bottom borders, and areas of repainting on the lower corners Overall two fair examples in good conditions.

A RARE CANTAGALLI OTTOMAN DAMASCUS-STYLE POTTERY TILE WITH WILD ANIMALS AND FLOWERS Cantagalli manufacture, Florence, Italy, ca. 1900 - 1949Of square shape, painted in cobalt blue, manganese purple, and green with black outlines against a white ground, depicting a roaming lion in the foreground, a pair of foxes above it, and in the upper left corner a rooster, the iconic symbol of Cantagalli, the Italian pottery manufacturer, all set against a vibrant ground of rosette sprays, tulips and foliage, stamped 'CANTAGALLI' at the back, the manufacturer's trade hallmark in use in the first half of the 20th century, mounted on a dark wooden frame, 21.2cm x 21.2cm including the frame. 21.2cm x 21.2cm including the frame Qty: 1 No clear evidence of breaks, damage, cracks or restoration under UV light. A vertical darker hairline crack seen in the upper middle section, a miss-fired darker stain mark to the shoulder of the lion, the glaze glossy, the colours true and vibrant, no evidence of pigment bleeding, evidence of old glue residues to the back, the frame rubbed and worn with several scratch marks. Overall a very attractive example in good conditions.

A HISPANO-MORESQUE REVIVAL GILT AND POLYCHROME-PAINTED PLASTER RELIEF PLAQUE: EL MIHRAB EN EL ORATORIO DE EL PARTAL, ALHAMBRA PALACE Granada, Andalusia, Southern Spain, late 19th century, signed by Fernandez CastroOf traditional rectangular shape, moulded, carved, gilt, and polychrome-painted, the relief replicating the slightly romanticised, pre-modern conservation version of the elaborate mihrab niche in the oratory of the El Partal Palace, inside the Alhambra complex in Granada, built by the Nasrid ruler Muhammad III (r. 1302 - 09), the architectural relief characterised by typical polylobed and horseshoe arches, dense foliate arabesque patterns, muqarnas ceilings inside the main niche, polychrome stellar and geometric tile panels on the front, and several epigraphic friezes in a variety of calligraphic scripts including knotted Kufic and thuluth, some repeating the Nasrid motto Wa La Ghaliba Illa-llah (there is no Conqueror but Allah), signed by the maker Fernandez Castro in the lower left corner, set in a black wooden frame, 46cm x 34.5cm x 12cm including the frame. 46cm x 34.5cm x 12cm including the frame Qty: 1 No clear evidence of damage, breaks, cracks or restoration under UV lights, the gilding shiny and well-preserved, the pigments strong and vibrant, no major chips or losses to the facade, a small crack appearing to the left of the marble step next to the maker's signature, some superficial crackles to the paint of the architectural tiles in the lower parts of the wall, the frame with evidence of wear, rubbing and some scuff marks to the corners and outer edges. Overall a very attractive example in very good conditions.

A LARGE POLYCHROME-PAINTED MULTAN POTTERY BIRDHOUSE TILE Sindh, modern-day Pakistan, 19th centuryOf narrow rectangular shape, the white slip-covered earthenware body painted in turquoise, cobalt blue, green, red and yellow, featuring an outward-projecting, moulded architectural structure surmounted by a typical onion-shaped dome at the top and an open pigeon or dove hole in the middle, the small-scale pavilion meant to be used as a birdhouse on the upper portions of Sindh and Pakistani tiled buildings with specimens still visible in situ today, decorated with traditional Multan pottery motifs including sinuous rosette sprays on the sides, arabesque-like and stylised vegetal motifs on the outer edges of the pavilion and dome, 51.5cm x 27cm. 51.5cm x 27cm Qty: 1 Evidence of chips, losses to the pigment and glaze, and minor pigment touch-ups and restoration especially around the borders, corners, and lower left-hand-side edge of the pigeon hole, clear evidence of breaks, repainting and restoration on the right-hand-side upper edge of the pigeon hole, the upper border, and the onion-shaped dome, the outer borders rubbed, the colours true and vibrant, the glaze glossy, no clear evidence of structural damage, the tile itself is intact, the interior with evidence of glaze splashes, overall a very decorative specimen in fair condition.

A MOULDED CALLIGRAPHIC POTTERY TILE FRAGMENT Timurid Iran or Central Asia, 15th centuryOf rectangular shape, painted in cobalt blue and outlined in black against a white ground, showing a fragmentary section of a calligraphic panel with three tall shafts, a shaddah and the short 'a' vowel sound (fatha), all set against scrolling vegetal meanderings, 22cm x 17cm. For an almost identical pottery tile panel with a moulded thuluth calligraphic inscription on cobalt blue background, please check the British Museum (acc. no. G.502). This tile, one of the few in the museum's collection dating to the Timurid period and presenting a complete, readable moulded inscription, was previously part of the scientist Frederick Du Cane Godman's collection (15 January 1834-19 February 1919) and the British Museum acquired it in 1983. 22cm x 17cm Qty: 1

A LARGE POLYCHROME-PAINTED MOULDED QAJAR POTTERY TILE WITH A COURTLY BANQUET SCENE Qajar Iran, 19th centuryOf rectangular shape, painted in cobalt blue, turquoise, manganese pink, and pale yellow with black outlines on a milky white ground, covered in a glossy, transparent glaze, the horizontal-format composition depicting a typical Safavid-revival scene replicated with Qajar flare, reminiscent in style of the Chihil Sotun Palace frescoes in Isfahan, specifically the banquet scene with the Safavid ruler, Shah Abbas I, and Vali Muhammad Khan, featuring a female dancer in the foreground accompanied by two musicians and two attendants, including a female saqi (cup bearer), in the background five noble youths, possibly envoys or members of the courtly entourage, standing behind each of the rulers seated in the middle ground by an arched window overlooking a courtyard with large fountains and verdant trees, the scene encased within a decorative border with pair of birds interspersed amidst floral meanderings, mounted on a later blue-painted plaster frame, 44.5cm x 59cm including the frame. 44.5cm x 59cm including the frame Qty: 1 The frame with evidence of peeling, scratches, and loss to the pigment. The glaze of the tile glossy with minimal, superficial crackles to the borders, the colours true and vibrant, minor bleeding, especially to the turquoise pigment, intact, with no clear evidence of damage, breaks, cracks or restoration under UV light. Overall an excellent example in very good and desirable conditions.

Rosalind Ord for Packard & Ord: a set of six flower tiles - mid-1930s, each tile decorated with a different garden flower on an ivory glazed ground, each signed with the initials 'OR', on Thynne of England blanks, 10.2 x 10.2cm.* Condition: A little glaze fritting to the edges. One with a small glaze chip to the lower edge and some glaze crazing. The bell-flower tile has some discolouration to the glaze and a small amount of crazing.