We found 26543 price guide item(s) matching your search

A group of vintage ceramics with two tile topped teak coffee tables.

A green glaze gurgle fish jug and a ceramic tile depicting two birds. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Power craft PBM-160F multi tool 230v tile cutter,air spray guns to include Binks billows 830. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133 Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.

A hexagonal stone tile, decorated with a person in centurion costume sat on a rearing horse on a grid like background, in a yellow glaze, 223cm x 23cm, 3cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

Willy Beck and Tue PoulsenCoffee table, 1960sWenge, glazed earthenware.40 x 156 x 69 Produced by master cabinetmaker Willy Beck, Denmark. Underside with manufacturer's paper label printed SNEDKERMESTER WILLY BECK and one tile incised tue.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

MAHOGANY TILE & BEVELLED EDGE MIRROR BACK SEATED HALL STAND A/F

'BBB' a Dennis China Works limited edition Bud vase designed by Sally Tuffin, dated 2018, painted by Vanessa Thompson, thrown by Rory McLeod, footed, swollen cylindrical form, tubeline decorated in blue, turquoise and green after the original BBB tile design by William De Morgan, impressed and painted marks, numbered 3, 21cm. high

A Martin Brothers stoneware Dragon tile, square, incised and painted with a ferocious dragon, glazed brown on a buff ground, in later wooden frame, marks concealed, 15cm. square Provenance The Michael Waters collection of Martin ware

‡ Bernard Leach CBE (1887-1979), attributed a Leach Pottery tile, painted with a pagoda, in tenmoku and blue on a pitted oatmeal ground, impressed Leach Pottery seal marks to back, 10cm. square

‡ Bernard Leach CBE (1887-1979) a Leach Pottery stoneware tile, painted with a bird sitting on her nest in a tree, in brown on a buff ground, impressed Leach Pottery marks to back, painted mark and BL monogram, 10cm. square

‡ Bernard Leach CBE (1887-1979), attributed a small Leach Pottery tile, painted with two simple fern fronds in blue and tenmoku on an oatmeal ground, impressed Leach Pottery mark to back, 5cm. square.

A large William De Morgan Sand's End Pottery Double Carnation tile, painted in shades of blue, green and aubergine on a white ground, impressed factory mark, 20.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 143 figure 650 for the original design illustrated.

A large William De Morgan Sand's End Pottery Double Carnation tile, painted in shades of blue, green and aubergine on a white ground, impressed factory mark, 20.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 143 figure 650 for the original design illustrated.

A large William De Morgan Sand's End Pottery Double Carnation tile, painted in shades of yellow, green and brown on a white ground, impressed factory mark, 20.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 143 figure 650 for the original design illustrated.

A large William De Morgan Sand's End Pottery Double Carnation tile, painted in shades of yellow, green and brown on a white ground, impressed factory mark, 20.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 143 figure 650 for the original design illustrated.

A William De Morgan Early Fulham Period Fantastic Ducks tile, painted in shades of blue and silver lustre on a white ground with creatures, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 129 figure 952 for the original design illustrated.

A William De Morgan tile, painted with a bird standing and flapping its wings, in blue on a green ground, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 130 figure 974 for a comparable bird with snake and foliage original design.

A William De Morgan Merton Abbey tile, painted with a doe before grass clumps, in green on a white ground, impressed factory mark, 15.3cm square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 122 figure 932 for the original design illustrated of a doe deer before flower clumps.

A large William De Morgan Sand's End Pottery Double Carnation tile, painted in shades of aubergine, green and blue on a white ground, impressed factory mark, 20.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 143 figure 650 for the original design illustrated.

A William De Morgan Chelsea Period Curzon Rose Trellis tile, painted with a rose and trellis design in green, yellow, brown and blue on a white ground, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 136 figure 660 for the original design illustrated.

A William De Morgan Persian tile, on Poole Pottery blank, painted with flowers and foliage in blue, turquoise and green on a white ground, impressed factory marks, minor glaze loss, 15.5cm. square Provenance A private collection of William De Morgan tiles.

A William De Morgan Late Fulham Period Persian tile, painted with carnation flowers in blue, turquoise, aubergine and green on a white ground, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles.

A William De Morgan Merton Abbey Period Persian tile, painted with scrolling flowers and foliage in blue, turquoise and green on a white ground, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles.

A William De Morgan Late Fulham Period Persian tile, painted with flowers and foliage in blue, pink and green on a cream ground, impressed factory mark, 15.3cm square Provenance A private collection of William De Morgan tiles.

A William De Morgan Late Fulham Period Persian tile, painted with a flower and foliage design in green, blue and turquoise, impressed factory mark, 15.2cm. square Provenance A private collection of William De Morgan tiles.

A William De Morgan Chelsea Period Membland Hall tile, painted with a foliate design, in shades of green, blue, brown and yellow, impressed factory mark, minor glaze chips to corners, 15.2cm. square Provenance A private collection of William De Morgan tiles. Catalogue notes Membland Hall was a collaboration between William De Morgan and William Morris in 1877.

A William De Morgan Early Fulham Period Galleon tile, painted with a ship at full sail on a choppy sea, a dolphin swimming in the foreground, in blue on a white ground, impressed factory mark, minor glaze loss, 15.2cm. square Provenance A private collection of William De Morgan tiles.

A rare William De Morgan Merton Abbey tile, painted with the wind blowing a sailing ship on a calm sea, in blue on a white ground impressed Merton Abbey mark, 15.5cm. square Provenance A private collection of William De Morgan tiles.

A William De Morgan Sand's End tile, painted with a leaping scaly fish swimming in a river, with an Art Nouveau water lily pad, in shades of blue, green, yellow and aubergine, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 155 figure 244 this tile design illustrated as part of a frieze.

A William De Morgan Late Fulham Period Lynx tile, painted with a lynx creature walking, in blue on a white ground impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 122 figure 1065 for original drawing for this tile design illustrated. Jon Catleugh William De Morgan Tiles, Trefoil, page 142 figure 217 for a comparable example illustrated.

A William De Morgan Late Fulham Period triple lustre tile, painted with a kingfisher catching a scaly fish swimming in a river, in blue, copper and ruby lustre on a white ground, impressed factory mark, 15.5cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 130 catalogue number 991 for the original design illustrated.

A William De Morgan Late Fulham Period triple lustre tile, painted with a guinea fowl bird standing before grasses, in ruby, blue and golden lustre on a white ground, impressed factory mark, 15cm. square Provenance A private collection of William De Morgan tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 127 catalogue number 880 for this design illustrated.

A William De Morgan Sands End Pottery large tile, painted with a fan flower in blue, green and black on a white ground, impressed marks concealed with mortar, minor rim chips, 20.5cm. square

A William De Morgan Sands End Pottery large tile, painted with a fan flower in blue, green and black on a white ground, impressed marks, minor rim chips, 20.5cm. square

A large William De Morgan Merton Abbey Period tile, painted with two flower stems in green, aubergine, brown and white on a turquoise blue ground impressed mark, 20.5cm. square

A William De Morgan Chelsea Period Single Rose tile, painted in aubergine and green on a white ground, and a William De Morgan tile painted with blue flowers, impressed marks, 15.5cm. square, (2)

A William De Morgan Diagonal Leaf tile, painted in shades of green and turquoise on a white ground, framed, and a Johnson copy of a BBB tile, 14cm. square (2)

A William De Morgan Chelsea Period Bedford Park Anemone tile, painted in shades of green, turquoise, yellow and aubergine on a white ground, ten Wedgwood Months of the Year tiles designed by William Wise, comprising, January, February, May, June, July, August, September, October, November and December printed in blue on a white ground, a large Persian tile probably English and sixteen other tiles, impressed factory marks, 15.5cm. square, (28)

An early William De Morgan Hoopoe tile, painted with a standing bird in blue on an off white ground unsigned, re-stuck corner, 15.4cm. square Provenance Private collection of tiles. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 128 catalogue number 1018 for the original design (in reverse) illustrated.

A William De Morgan Late Fulham Period Long Clawed Bird tile, painted with a crane on a background of grasses, in green and white impressed factory mark, 15cm. square Provenance Private American collection. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 127 figure 990 for the original drawing illustrated.

An Aesthetic Movement Maw six tile panel in the manner of Walter Crane, comprising three shepherdess tiles glazed tan and three birds perched in a tree bough glazed green, set alternately in an ebonised wood frame, 15.5cm. square. Provenance Paul Reeves An Eye for Design, Lyon & Turnbull,14th February 2019, lot 126.

A pair of Minton's tile plaques, each painted with young medieval hunter, one with a hound and hawk, the other holding a bird, in colours on a yellow ground, in later wood frames, impressed Minton marks, 30.5 x 16cm, (2)

An Aesthetic Movement Minton Hollins & Co large tile, printed with a vase holding white lily flowers in the manner of Dr Christopher Dresser, in colours, and a large collection of Art Nouveau and Victorian tiles impressed marks, 20.5cm. square, (a lot)

'Matene Te Nga' a Sherwin and Cotton tile plaque designed by George Cartlidge, rectangular with portrait of a Maori, and 'The William Gladstone Tile of 1898' a Sherwin and Cotton portrait tile, impressed factory marks, artist GC monogram to front and title, 22.8 x 15.3cm. (2) Literature Tony Johnson, The Morris Ware, Tiles and Art of George Cartlidge, Private Press, page 54 figure 118 for a comparable tile illustrated.

A large Douglas Ceramic Portrait roundel tile, painted with a portrait of Charles Dickens, in colours, in ebonised wood frame carved with foliate corner panels, painted Douglas Ceramic Portrait, 98 Cheapside at Piccadilly, 30cm. diam (plaque), 60cm. square (frame)

Song Dynasty, 960-1127 AD. A terracotta tile with a facing high-relief figure of a female in floor-length robe with sash to the shoulders, holding a fan in both hands, within a florid border; the reverse of the tile with two full palm imprints of the potter side by side, so signed by the artist.4.6 kg, 29cm (11 1/2"). From a West Country, UK, collection; formerly in a Hong Kong collection formed 1970-1990s.Sometimes potters and especially tile-makers of the Song period 'signed' their work by impressing a hand flat into the reverse. A whole tomb decorated with figural representation modified in this way was unearthed in Shanxi Province and reported in the western press(e.g. Archaeology - publication of the Archaeological Institute of America) in 2018 when it was revealed during renovations to a modern house built over the tomb. Fine condition.

Song Dynasty, 960-1127 AD. A rectangular terracotta tile depicting an advancing lion and rider within a florid frame; the reverse with the full palm imprint of the potter, forming a personal mark equivalent to a manuscript signature.5.3 kg, 29 x 29cm (11 1/2 x 11 1/2"). From a West Country, UK, collection; formerly in a Hong Kong collection formed 1970-1990s.Sometimes potters and especially tile-makers of the Song period 'signed' their work by impressing one hand flat into the reverse. A whole tomb decorated with figural representation modified in this way was unearthed in Shanxi Province and reported in the western press (e.g. Archaeology - publication of the Archaeological Institute of America) in 2018, when it was revealed during renovations to a modern house built over the tomb. Fine condition. Rare.

Late 13th-14th century AD. A rectangular ceramic floor tile with white crowned lion rampant; from St Etheldreda's Church, West Quantoxhead, Somerset, England.930 grams, 14 x 14cm (5 1/2 x 5 1/2"). Ex central London gallery; previously with Rosebery's, 10 September 2013, lot 255 (part"). [No Reserve] Fair condition.

Late 13th-14th century AD. A rectangular ceramic floor tile with white eagle motif; from St Etheldreda's Church, West Quantoxhead, Somerset, England.1 kg, 14 x 14cm (5 1/2 x 5 1/2"). Ex central London gallery; previously with Rosebery's, 10 September 2013, lot 255 (part"). [No Reserve] Fine condition.

15th-16th century AD. A rectangular ceramic floor tile with cream interlace pattern, French workmanship.831 grams, 14 x 14cm (5 1/2 x 5 1/2"). Ex central London gallery; acquired on the London art market in 2015. [No Reserve] Fair condition.

14th-15th century AD. A rectangular ceramic tile with white geometric fleur-de-lys motif to two quadrants, an arc with smaller similar motifs to the others, English workmanship.471 grams, 11 x 11cm (4 1/4 X 4 1/4"). Ex central London gallery; previously with Sworders, 4 March 2014, lot 15. [No Reserve] Fine condition.

Dated 1502 AD. A rectangular ceramic maiolica armorial floor tile, depicting the arms of a cardinal(?) on a white field comprising a rococo armorial shield beneath a fiocchi broad-brimmed hat with lateral pendant tassels; taken from the Piccolomini Library, Siena.See 'Ecclesiastical Heraldry in Neubecker, O., Heraldry: Sources, Symbols and Meaning, London, 1976, p.237ff.446 grams, 12 x 12cm (4 3/4 x 4 3/4"). Ex central London gallery; previously with Christie's, South Kensington, 1 October 2013, lot 315, with old Christie's label to the reverse.Beside the cathedral of Siena is the Piccolomini Library which contains many treasures including illuminated books and frescoes by Bernardino di Betto, also called Pinturicchio, using designs based on the work of Raphael, depicting scenes from the life of Enea Silvio Piccolomini who became Pope Pius II from 1458. Construction of the building began in 1492; the floor is believed to have been tiled in 1502. [No Reserve] Fine condition, some restoration.

A Chinese Song Dynasty tile, moulded with a female figure. 37cm high, 13cm wide, 6.5cm deep, Song Dynasty 960-1279ADCondition report: Toe of left foot possibly reduced?, some rubbing to surfaces, but generally good

A COLLECTION OF MEDIEVAL TERRACOTTA FLOOR TILES comprising eight square tiles with encaustic decoration, 5” to 5½” wide; a ditto half-portion; another of lozenge shape; three smaller square tiles; a small quatre-foil tile with impressed rose; a ditto border-tile fragment; & two other fragments. (The border-tile fragment with hand-written not to reverse: “A Piece of Pavement From Bolton Abbey, Supposed to be 1100 years Old, June 1828”); together with a fragment of a Roman Saminan-Ware vessel.

Mid Century pine tile-topped coffee table

Small pine kitchen table with tile inlay and a pair of rush-seated chairs. Table approx 68cm square

A quantity of decorative 19th century ceramics including a Carn pottery vase, a Victorian tile with printed and infilled Mary Gregory style decoration of a pair of children seated on a wall, a 19th century continental yellow ground cup in the Meissen manner, a Meissen style saucer with central decoration of a mounted soldier, various decorative plates including a Masons example from the Chaucer's Canterbury Pilgrim series, a Royal Winton pink ground dish and cover with rose knop, etc, (collection)

A humidor and contents of various cigars; a stone glazed hot water bottle; green glazed fisherman's float; papier maché dish; Art Nouveau tile etc.

AN EARLY 20TH CENTURY OAK EMBROIDERY FIRE SCREEN, an oak standard lamp, teak tile top nest of three tables, walnut circular occasional table, walnut nest of two tables, two rush seated stool's, oak tea trolley, white painted towel rail, faux leather pouffe and a retro stool (11)

AN EDWARDIAN MAHOGANY AND STRUNG INLAID WASHSTAND, with an Art Nouveau tile back, and marble top, width 107cm x depth 46cm x height 126cm