2 boxes very diverse b.u. green glass Christmas tree stand, crystal Orrefors bowl, crystal bowl with diamond motif, pottery statue father with child, Westraven round tile with butterfly decor, 2 ceramic ashtrays, Japanese Banko Ware teapot, cup and saucer, Maastricht holy water bowl, wooden statue Mary with Jesus, Corpus on cross and loose cross, harmonica, copper, pewter, gingerbread board, Wajang doll, metal trays, walnut box and pan
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A QUANTITY OF OCCASIONAL FURNITURE, to include a mahogany nest of two tables, modern beech overmantel mirror, two other wall mirrors, tile top occasional table, beech high chair, folding chair, glass topped coffee table, carved wood occasional table and ten various table/desk lamps (15+)(sd to tiles)
VILLEROY & BOCH 'PETITE FLEUR' TRINKET AND TABLEWARES, ETC, comprising boxed tea kettle, candle holder, pair of candlesticks, a tile, six rectangular plaques/trays, four circular covered pots, twelve napkin rings, a 30cm cake /sandwich plate, two 30.5cm plates and six preserve pots (one missing cover) (Condition Report:- The square tile stand is possibly a second. The four circular bowls and covers have impressed '3' to the bases, all other pieces 1sts. Some light crazing in the glaze. Kettle possibly unused)
ANDY WARHOL (American 1928-1987) A PHOTOGRAPH, "Toilet with Brèche Tile," 1975-1981, silver gelatin on photo paper, photograph taken by the artist, signed verso in pencil, "Andy Warhol," and with the artist's blind stamp L/R. 8" x 10" Note: "My favorite is the one with the paper band on. Before you can use the toilet, you have to break the paper. I like that if they do that. That's my favorite kind of a hotel.," a quotation from Andy Warhol from an interview by Gerard Malanga, an excerpt from Scopophilia: The Love of Looking, Alfred Van Der Marck Editions, New York, 1985. Andy Warhol divulges personal details during the interview, "When I know I have to go to the men's room, I always leave the party." The discussion seems to be an evolution of Dada themes; the artist discusses learning to use camera equipment and his journey to capture clearer images. Provenance: Collection of Kasey Rhodes, Houston, Texas. Condition: Some mild cockling, a small stain in lower margin center, with some loss in margin, mild tone, expected wear, and overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
IAN HAMILTON FINLAY (Scottish 1925-2006) AND FRIENDS, A GROUP OF FOURTEEN PIECES OF EPHEMERA, LATE 20TH CENTURY, comprising seven tiles described as follows, "Ijn Djinn Yamato," two tiles, verso in relief, "H. & r. Johnson Ltd, Made in England," model G2, cast 52A and 52B, and paper retailer labels, "Wild Hawthorn Press, Stonypath, Dunsyre, Lanark, Scotland," 3" x 6"; "USS Enterprise: A Celebration of Earth, Air, Fire, Water," a tile, verso in relief "P + C," and "Made in England," 6" x 6 1/8"; "Elegy for 'Whimbrel' and 'Petrel Petrol," verso relief kiln marks, 6 1/4" x 6 1/4"; "Midway Through a Dark Wood," verso relief kiln marks, "H. & R. Johnson Ltd.," 6 1/8" x 6"; "Five Fore-and-Afters: The Rosie of Appledore. The Welcome of Freckleton. The Flying Foam of Bridgwater. The Gleaner of Runcorn. The First Fruits of Bridport.," verso in relief kiln marks, "H. & R. Johnson, Made in England.," 6" x 6"; and "Fore-And-Afters, The Samuel Moss," with central central roman numeral diagram, verso in relief, "Cristal," 4 3/8" x 4 3/8"; together with five small books, "Lain Patterson Musical Illustrations," two copies, Edinburgh, Scotland, May 1975, limited edition of 200, 4 3/4" x 3 1/4"; "Eye Spy Trees," for Eye Spy Every Day with the Eye Spy Arcady Club, drawings by Ian Gardner and text by Patrick Eyres, Blue Tunnel Publications, 1980, 5 1/8" x 4"; a three ring bound text, "A Sailor's Calendar, A Miscellany," by Ian Hamilton Finlay and Gordon Huntly, Something Else Press, New York, 1971, ISBN: 0-87110-075-4, 7" x 5"; a catalogue, "Coracle Press Books Publications 1984," artist collaborations with the press, London, May 1984, 7 3/4" x 5 1/4"; a vintage english Westcott ruler, 12"; and "Tempus Fugit," a bronzed metal sundial with boat, verso impressed, "WHITEHALL," 1985, diameter: 13. (14) Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: The tiles with some minor flea size chips mostly at backs, some surface soil to tiles, the paper ephemera with some mild yellowing, stains, foxing, the three ring book possibly a partial example, but overall, in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A William De Morgan 'Persian Flowers' pattern tile, Merton Abbey Period, c.1882-1888, painted with Persian-style flower heads in green, turquoise and yellow, impressed with Merton Abbey mark, 25cm (10in), in a mahogany frame Condition report: Chips to two corners, a few areas of flaking to the glaze – some glaze faults to the flowers. Crazing throughout. Viewed out of the frame – images show condition.Additional shots up loaded. 10" approx.
A William De Morgan 'Chicago' pattern tile, early Fulham Period, c.1888-1897, painted with leaves and two Persian-style flower heads in shades of blue, purple, green and brown on a blue ground, impressed with 'Sand’s End' mark, 20cm (8in) Condition report: Chips to the corners. Some paint remnants to on corner. Some roughness to an area – crazing throughout.
A GLAZED TERRACOTTA FIGURE OF A DIGNITARY RIDING AN ELEPHANT, MID-QING China, mid-Qing dynasty (1644-1912). The rider and elephant both modeled in an animated fashion. The remains of cement on the back suggest this piece was used as a roof tile or wall decoration. Associated hardwood base. (2) Condition: Good condition with minor losses, old wear and traces of use. Provenance: Austrian private collection. Weight: 2,420 g. Dimensions: Height 28.7 cm incl. base.
* [Aldin, Cecil]. A hand-painted earthenware 'Dogs' tile, Carter and Co. (ie. Poole Pottery), c.1936-1940, a glazed earthenware tile, depicting a hand-painted terrier, after Cecil Aldin, with facsimile artist's signature to lower right, the verso with 'Carter Tiles', and with 'DG1' in pencil, 15 x 15cm (6 x 6ins), in metal display standQty: (1)

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26543 item(s)/page