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A RARE LATE 14TH / EARLY 15TH CENTURY ISLAMIC TIMURID CARVED POTTERY TILE, The tile of rectangular form with white borders, the face of the frieze deeply carved with quatrefoil motif, with turquoise glazed formal lotus style scroll, with smaller dark glazed roundel's of formal style, 31.5cm x 42cm x 4.8cm deep, Provenance: From a private European collection.
WILLIAM DE MORGAN (1839-1917) 'JERBOAS' RUBY LUSTRE TILE, CIRCA 1890 with stamped marks for Sand's End pottery (Dimensions: 15.5cm square)(15.5cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.127, pl.1016Condition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) RARE SGRAFITTO TILE, EARLY FULHAM PERIOD, 1888-1897 depicting a seated beast with crescent moon and geometric patterning to the right hand side, impressed Sands End maker's mark; and a MAW & CO. TILE, printed with the figure of a seated ram, turquoise glaze, moulded maker's marks (Dimensions: each 15.5cm square) (Qty: (2))(each 15.5cm square)Footnote: Literature: Catleugh, Jon William de Morgan Tiles , Richard Dennis 2002, p.145, pl. 237 illus.
WILLIAM DE MORGAN (1839-1917) PAIR OF 'BERRIES & LEAVES' GREEN-GLAZED TILES, 1872-1881 one with marks for Poole pottery, 15.2cm square; together with a GREEN GLAZED TILE, decorated with an allover leafy design, stamped Sands End marks, 15.5cm square (Qty: (3))Footnote: Literature: Greenwood, M. The Designs of William de Morgan , Richard Dennis 2007, p.139, pl.668 where a similar 'Berries & Leaves' tile is illustratedCondition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) 'EAGLE & SNAKE' RUBY LUSTRE TILE, 1882-1888 decorated in red, impressed marks for Merton Abbey (Dimensions: 15.2cm square)(15.2cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.130, pl.968 where a similar tile is illustratedCondition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) 'DODO' RUBY LUSTRE TILE, CIRCA 1890 impressed marks for Sand's End pottery (Dimensions: 15.6cm square)(15.6cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.129, pl.1019Condition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) 'HIPPOCAMP' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.6cm square)(15.6cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.125, pl.909Condition report: No apparent restoration under UV
ATTRIBUTED TO AUGUSTUS WELBY NORTHMORE PUGIN FOR JOHN HARDMAN & CO. PAIR OF GOTHIC REVIVAL BRASS each of shaped oval form with stylised foliate decoration, 22cm long; together with a FRAMED GOTHIC REVIVAL ENCAUSTIC TILE PANEL, comprising four tiles, decorated with a stylised foliate pattern, within an ebonised frame, each tile 10.3cm square approx. (Qty: (3))Footnote: Literature: https://archive.org/details/catalogue00john/page/n113 Note: See trade catalogue for John Hardman & Co., circa 1885 where a line drawing for a similar plate is illustrated.Condition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) RUBY LUSTRE TILE, CIRCA 1890 depicting a seated peacock, stamped marks for Sand's End pottery (Dimensions: 15.4cm square)(15.4cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.128, pl.965Condition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) 'EAGLE & SNAKE' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.2cm square)(15.2cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.130, pl.968Condition report: No apparent restoration under UV
WILLIAM DE MORGAN (1839-1917) 'KINGFISHER SPEARING FISH' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.7cm square)(15.7cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.125, pl.1057Condition report: No apparent restoration under UV
WALTER CRANE (1845-1915) AND WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTON’S TILE & POTTERY CO. decorated with a frieze of lions above a panel of rosettes and hearts, painted artist’s and designer’s cyphers to the base, impressed factory monogram and marks ENGLAND. 2469/ X (Dimensions: 21cm diameter)(21cm diameter)
An Iznik pottery tile Turkey, circa 1560of square form, decorated underglaze in turquoise and cobalt blue on a white ground, with a central lobed arch enclosing an interlace of flowerheads and leafy tendrils, the spandrels with scrolling Chinese-cloud bands 28.1 x 28.3 cm. This lot is subject to the following lot symbols: *
An Ilkhanid Lajvardina moulded calligraphic pottery tile Persia, 13th/ 14th Centuryof rectangular form, decorated in red, black and gold leaf on a turquoise ground, with moulded inscription on a ground of scrolling vegetal interlace, the top edge with a band containing a line of cable motif, old collection labels to reverse in French, one relating to the inscriptions and dated 1958 36.4 x 17 cm. This lot is subject to the following lot symbols: * R
An Iznik pottery tile Turkey, circa 1575-80of square form, decorated in cobalt blue, turquoise and raised-red with black outline on a white ground, with a design of partial flowerheads issuing tendrils terminating in swirling saz leaves, the upper edge with a border of interlocking palmettes, with red border to lower edge 20 x 19.5 cm.
A Timurid cuerda seca pottery tile Persia, 15th Centuryof square form, decorated in cobalt-blue, turquoise, yellow and manganese on a white ground with geometric interlace filled with flowerheads, palmettes and other stylised vegetal motifs 16.5 x 16.2 cm.This lot is subject to the following lot symbols: R
A Timurid moulded cuerda seca pottery tile Persia, circa 1450of convex form with two rows of moulded palmettes surmounted by a cylindrical section, decorated in cobalt-blue, turquoise, red, green and manganese on a white ground with four palmette cartouches containing flowerheads, above a band of undulating tendrils with pendant palmettes, mounted 52.3 x 15.5 x 9 cm.This lot is subject to the following lot symbols: R
A collection of 19th century and later ceramics relating to sporting subjects including a Crown Staffordshire hunting scene pattern outsized cup and saucer and matching ginger jar and cover, a relief moulded blue ground jug, a relief moulded Davenport tankard, etc, together with two Fieldings Crown Devon relief moulded musical tankards showing Auld Lang Syne and Daisy Bell, a similar Crown Devon type Widdicombe Fair jug, etc, together with further 19th century ceramics including nine Spode Imperial plates and soup plates with imari type decoration, a Delft type blue and white tile, etc
* Delft. A collection of Delft tiles, 18th century, 14 hand-painted blue and white pottery tiles, mostly depicting birds, church towers and buildings, plus one of a well, some damage, one tile broken in half, another with repairs, others with chips, cracks and losses, each approximately 12.5 x 12.5 cm (4.75 x 4.75 ins) (Qty: 14)
Walter Crane for Maw and Co., group of three tiles, ' Mistress Mary ', ' Tom Tucker ' and ' Little Bo Peep ' in a single oak frame, the individual tiles 6ins square, 8.5ins x 20.5ins overallCrazing to glaze of all tile edges that are visible. They are not chipped but have lost some of the brown line or border. Other edges are all behind frame which is sealed in.
Belgian mid century tile top coffee occasional table attributed to Juliette Belarti, the top raised on quality chrome base with splayed supports, W121cm, H41cm, H46cm Condition Report & Further Details No sign of a signature Click here for further images, condition, auction times & delivery costs
Toni Longhi - Slumped glass tile, 9.5cm x 15cm. Toni Longhi was born in Clitheroe, Lancashire and studied Fine Art Painting at Stourbridge College of Art in the 1970?s. After graduating, he became a teacher of art where he expanded his interests in other media such as ceramics and glass. After retiring, he joineda rock band and toured the UK. He teaches an adult art group and continues to be creative.Provenance: Acquired by Dorothy Claxton in June 2019.

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26543 item(s)/page